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Everyone is Watching
Book
'Beautiful, kaleidoscopic ...everyone should be watching Megan Bradbury from now on' Eimear McBride,...
Mark @ Carstairs Considers (2165 KP) rated The Mountains Wild in Books
Jun 24, 2020
Mystery from the Past; Race Against Time in the Present
In 1993, Maggie D’Arcy’s cousin Erin vanished while living in Ireland. Maggie went over for a couple of months trying to figure out what happened, but the mystery was never solved. It did have a profound impact on her life since after returning home, Maggie become a cop herself on Long Island. Now, another young woman has vanished. In the search for her, a skeleton has been found, and buried with the skeleton is Erin’s scarf. Has Erin been found after all these years? Where is the new woman who has vanished? Are the cases connected?
It’s been years since Sarah Stewart Taylor released a book, but I was thrilled to pick up something from her again. I’d forgotten just how atmospheric her writing is, but I was soon back under her spell. The pacing was off near the beginning since Maggie doesn’t have any jurisdiction in Ireland, but eventually she found a way into the case and we started getting the twists that lead us to the climax. The book takes place in 1993, the present, and even further in the past as Maggie and Erin are growing up. All of these time periods are easy to follow. They also allow us to see how characters have matured over the years, which I enjoyed. This is Maggie’s story, and I couldn’t help but feel for her as the book progressed and the story unfolded. The story also switches from past to present tense depending on which time period we are reading about. It took my brain a bit of time to adjust to this, but I did rather quickly. This is more serious than the cozies I often read, but if you keep that in mind, you’ll enjoy this book as well.
It’s been years since Sarah Stewart Taylor released a book, but I was thrilled to pick up something from her again. I’d forgotten just how atmospheric her writing is, but I was soon back under her spell. The pacing was off near the beginning since Maggie doesn’t have any jurisdiction in Ireland, but eventually she found a way into the case and we started getting the twists that lead us to the climax. The book takes place in 1993, the present, and even further in the past as Maggie and Erin are growing up. All of these time periods are easy to follow. They also allow us to see how characters have matured over the years, which I enjoyed. This is Maggie’s story, and I couldn’t help but feel for her as the book progressed and the story unfolded. The story also switches from past to present tense depending on which time period we are reading about. It took my brain a bit of time to adjust to this, but I did rather quickly. This is more serious than the cozies I often read, but if you keep that in mind, you’ll enjoy this book as well.
Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica
Book
The top 10 Sunday Times Bestseller. "Completely fascinating, authoritative and intriguing." (William...
Manuka: The Biography of an Extraordinary Honey
Book
Not so long ago, in a small island nation in the South Pacific, beekeepers produced a most peculiar...
Permaculture for the Rest of Us: Abundant Living on Less Than an Acre
Book
Many of us want to increase our self-sufficiency, but few have access to the ideal five sunny,...
Leanne Crabtree (480 KP) rated The Unhoneymooners in Books
Jan 6, 2021
I picked this up a few months ago, not really knowing what it was about, but it was a steal at 99p and I've read books by this author before.
In this, Olive is chief bridesmaid at her sisters wedding. Ami has been a bit of a bridezilla but because of her love of competitions, everything has been free - more or less - at the wedding. Olive has been given a list of 50 things she has to check on the day of the wedding and one of them includes ordering a separate meal for herself (allergic to seafood) and the best man and her sworn enemy, Ethan, who has an aversion to buffet food. Turns out it's a good job she did as everyone falls ill after eating the seafood and she and Ethan end up going on the free honeymoon together. Once there, as they spend more time together, they realise that the other isn't as bad as they seem and they actually grow to like each other.
Hmm... I did like this but I wasn't fully into this. I didn't get butterflies reading of them falling in love. I wasn't sucked in to their love/hate relationship - it was a bit too tame for me in that regard. I think I snorted a handful of times at the things they said to each other or the situations they found themselves in while on the island of Maui but there's something I can't put my finger on. I was a little underwhelmed by the story.
One thing I was very gung ho about once the first little fibres started unravelling: Dane. There was just something about him. I'll let you figure out what when you read this.
In this, Olive is chief bridesmaid at her sisters wedding. Ami has been a bit of a bridezilla but because of her love of competitions, everything has been free - more or less - at the wedding. Olive has been given a list of 50 things she has to check on the day of the wedding and one of them includes ordering a separate meal for herself (allergic to seafood) and the best man and her sworn enemy, Ethan, who has an aversion to buffet food. Turns out it's a good job she did as everyone falls ill after eating the seafood and she and Ethan end up going on the free honeymoon together. Once there, as they spend more time together, they realise that the other isn't as bad as they seem and they actually grow to like each other.
Hmm... I did like this but I wasn't fully into this. I didn't get butterflies reading of them falling in love. I wasn't sucked in to their love/hate relationship - it was a bit too tame for me in that regard. I think I snorted a handful of times at the things they said to each other or the situations they found themselves in while on the island of Maui but there's something I can't put my finger on. I was a little underwhelmed by the story.
One thing I was very gung ho about once the first little fibres started unravelling: Dane. There was just something about him. I'll let you figure out what when you read this.
LeftSideCut (3778 KP) rated A Creepshow Animated Special (2020) in Movies
Nov 15, 2020
This Halloween Special of the Creepshow Shudder series is a nice pitstop whilst we patiently wait for the second season of its main run.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
LeftSideCut (3778 KP) rated Godzilla vs. Kong (2021) in Movies
Apr 1, 2021
Contains spoilers, click to show
Let me start by saying that Godzilla Vs Kong is offensively entertaining when the two big bois are smacking the shit out of each other and generally wrecking entire cities, but whereas the first Godzilla had too little lizard action, and King of the Monsters arguably overcompensated, this time around, it's gone back to too little! The big smackdowns were fun, but they seemed done and dusted pretty quickly. It felt like they were lacking meat.
Especially when *SPOILERS* (worst kept secret in recent cinema memory) MechaGodzilla joins the fun near the end. He looks awesome, but again, it's over with pretty quick, and I wanted more dammit! Outside of the fighting, all of the scenes set in the Hollow Earth were pretty decent and interesting in their lore building.
Then there's of course the usual cast of forgettable human characters. Kaylee Hottle and Rebecca Hall are both great and hugely likable, but everyone else is just kind of there, and the plot criminally wastes Demián Bichir. I found there was once again way too much human drama, and none of it seemed at all important, and there was nowhere near enough development on offer to care one bit about them.
So what do we have then? Godzilla Vs Kong is definitely a shallow monster movie, but it's a hell of a lot of fun when it wants to be, with a fantastic music score (the reworked Godzilla theme slaps) and some truly stunning digital effects. The neon aesthetic in the Hong Kong scenes looks great, and the titular monsters look as good as ever. Better than KOTM, not as good as Skull Island, but still worth checking out for anyone who likes this particular sub genre.
On a final note - can't wait to see this properly when cinemas re-open!
Especially when *SPOILERS* (worst kept secret in recent cinema memory) MechaGodzilla joins the fun near the end. He looks awesome, but again, it's over with pretty quick, and I wanted more dammit! Outside of the fighting, all of the scenes set in the Hollow Earth were pretty decent and interesting in their lore building.
Then there's of course the usual cast of forgettable human characters. Kaylee Hottle and Rebecca Hall are both great and hugely likable, but everyone else is just kind of there, and the plot criminally wastes Demián Bichir. I found there was once again way too much human drama, and none of it seemed at all important, and there was nowhere near enough development on offer to care one bit about them.
So what do we have then? Godzilla Vs Kong is definitely a shallow monster movie, but it's a hell of a lot of fun when it wants to be, with a fantastic music score (the reworked Godzilla theme slaps) and some truly stunning digital effects. The neon aesthetic in the Hong Kong scenes looks great, and the titular monsters look as good as ever. Better than KOTM, not as good as Skull Island, but still worth checking out for anyone who likes this particular sub genre.
On a final note - can't wait to see this properly when cinemas re-open!
Heather Cranmer (2721 KP) created a post
Jul 30, 2021
