"Then I’ll go with Ikiru by Kurosawa. The scene about a man who died. The opening scene is like, “Oh, this guy died — let’s talk about his life.” And then it goes back. It is, you know, it was made in the ’50s and it was hard to get good prints of it, but now the Criterion Blu-ray is out and it looks a lot better. It’s just a beautiful movie, astonishingly; the movie and the message."

"I wouldn’t say this is one of my favorites, but it was definitely shocking—a very challenging film and a very delicate subject. It’s dark, psychological, and medical—which is not necessarily the best combo for, you know, a date movie. But there was nothing like it. There was nothing like it before and I don’t think anything really like it afterwards. To me it felt like a risk, and I enjoyed that aspect of it."

"It was made in 1968, and it’s kind of old school. I actually ended up watching it for school, but I was home schooled, so I watched it in my house. For whatever reason, when I saw that film, dude, I loved it. I [was] addicted to it. Kind of ended up falling in love with Olivia Hussey. I became a fan girl, I’m not even kidding you. I thought about it nonstop for a long, long time."

"It’s another game changer for me. I saw it when I was 12, I think. 11 or 12. I just remember saying to my brother, “I didn’t know movies could make me feel like this.” So it transported me. I believed in it. It was fun, it was funny, I was on the edge of my seat — everything about it. I remember saying that to him: “I didn’t know movies could make me feel like this.”"