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Suspiria (1977)
Suspiria (1977)
1977 | Horror
Dario Argento's body of work throughout the 70s and 80s is pretty damn solid, and Suspiria is arguably his strongest entry. It's a damn masterpiece.

The lighting, colours, and camerawork are all phenomenal. Throw them together, and you get one of the most visually striking horrors ever made.
It has excellent pacing - the opening ten minutes are incredibly intense, and culminate in a truly iconic horror cinema kill. The vast majority of what follows is a slower build up of plot, but in true Giallo fashion, keeps a sturdy mystery going for the whole time. The climax of the film ramps everything up again, as things take a supernatural turn, providing the audience with a solid reveal, disturbing imagery, and a decent helping of blood, all the while being backed by an absurd soundtrack courtesy of Italian prog band Goblin. The music goes from being enchanting, to downright jarring at the click of a finger, and just adds to Suspria's otherworldliness in spades.
Some memorable performances from the likes of Jessica Harper, Stefania Casini, Alida Valli and Joan Bennett also help in elevating this movie to horror greatness.

Suspiria is one of those films that you must see before you die. Horror at its weird, sense-assaulting best!
  
Bicycle Thieves (1948)
Bicycle Thieves (1948)
1948 | Drama
8.0 (3 Ratings)
Movie Favorite

"This 1948 film is a classic Italian neorealist film that takes place in post–World War II Italy. It is a beautifully told and photographed story about a close relationship between a father, Antonio, and his young son, Bruno, who idolizes his father. As the story opens, Antonio is desperately searching for work and finally gets a job posting signs. In order to do this job, he must have a bicycle. His wife, Maria, pawns her wedding sheets to buy him a bicycle, but it is stolen on the first day of his new job. The rest of the film, father and son pursue the thieves to get the bicycle back. They fail. In the end, Antonio is forced to steal a bicycle so he will not lose his job. Bruno witnesses this and Antonio is humiliated in front of his son. For me, the film was about the ultimate and heartbreaking betrayal of trust between a father and his son. I’ve always photographed families and family relationships. This wonderful film encouraged me to look beyond the surface and find the real relationships that exist between family members. The epic quality of the film was a great inspiration for me."

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