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Not as funny as I hoped, but engaging enough
Holland has been obsessed with a handsome subway busker for quite some time. One evening, he winds up rescuing her after she falls on the subway tracks, kicking off a whirlwind of events. Holland helps Calvin get an audition with her uncle Robert, a Broadway musical director. Calvin is infinitely talented, but, it turns out, also in the United States illegally. So Holland does something she never does: makes an impulsive decision. She'll offer to marry Calvin so he can stay in the country, live out his dream, and help her uncle's hit show. Calvin quickly becomes a Broadway star. As for Calvin and Holland--they quickly realize they may be more than roommates. But what will it take for them to admit it? And for each to move past their own issues?
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
Movie Metropolis (309 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jun 10, 2019
I'm a celebrity... Get me out of here
It’s been 22 years since Joe Johnston thrilled cinemagoers with a little film called Jumanji. Starring the late, great Robin Williams, it has amassed a huge following over the years and has become nearly as loved as its leading star.
What’s surprising given the film’s success is the lack of a sequel. For over 20 years the non-franchise stayed completely dormant until now. Jumanji: Welcome to the Jungle sees Columbia Pictures resurrect this classic property for a high-action, CGI-filled blockbuster. But is it actually any good?
Four high school kids discover an old video game console and are drawn into the game’s jungle setting, literally becoming the adult avatars they chose. What they discover is that you don’t just play Jumanji – you must survive it. To beat the game and return to the real world, they’ll have to go on the most dangerous adventure of their lives, discover what Alan Parrish left 20 years ago, and change the way they think about themselves – or they’ll be stuck in the game forever.
Considering the overwhelmingly negative response to the film’s first trailer, it’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces. The problem is, it really doesn’t feel anything like Jumanji and regularly feels like the producers down at Sony had dollar signs in their eyes more than anything else.
There’s only one reference to its now classic predecessor, an homage to Robin William’s Alan Parrish but this is such a fleeting indication of any connection to the 1995 film, it’s barely noticeable. The film may as well lose the Jumanji tag from its name and be done with it: of course that wouldn’t sell half as many tickets now would it?
Of the school-age characters, none of them make any impact before being sucked into Jumanji, now a video game, and director Jake Kasdan (Bad Teacher) wisely focusses on their avatar characters instead. Dwayne Johnson is always reliable and plays the fish-out-of-water nerd surprisingly well. He also has great chemistry with Kevin Hart and the two share some of the film’s best sequences.
Jack Black is hilarious as his inner female tries to break through at numerous points throughout the movie and Karen Gillan shows particular warmth as the awkward Martha. Nick Jonas also stars in a role originally destined for Tom Holland and continues to prove what a versatile actor he has become.
It’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces.
Jake Kasdan films the action confidently and with visual panache but the CGI at times is left wanting, disappointing in this day and age. A helicopter ride across a rhino-infested canyon is particularly fun to watch and the way in which the writers write the film around video game lore is exciting and makes for a pleasant distraction from an otherwise mediocre script.
What the film does have in abundance however is laughs. Indeed, they are of the Dairylea variety, cheesy, but sometimes that’s exactly what you need. Jumanji: Welcome to the Jungle is a very funny film that knows how to squeeze every last drop of humour from its writing.
It’s also very well paced. Apart from a few lapses in judgement where the screenwriters desperately try to make us feel emotion towards the characters – we don’t – the film really doesn’t have a boring moment to its name and at 119 minutes, that’s a real achievement.
Overall, Jumanji: Welcome to the Jungle is a film that is fun to watch, if a little lacking in originality. All the lead actors perform their roles well, with Jack Black being a particular highlight. Unfortunately, while I’m not usually one for sickly nostalgia, the film really needed to provide a few more tasteful references to its predecessor, especially considering its link to the wonderful Robin Williams.
https://moviemetropolis.net/2017/12/10/jumanji-welcome-to-the-jungle-review-im-a-celebrity-get-me-out-of-here/
What’s surprising given the film’s success is the lack of a sequel. For over 20 years the non-franchise stayed completely dormant until now. Jumanji: Welcome to the Jungle sees Columbia Pictures resurrect this classic property for a high-action, CGI-filled blockbuster. But is it actually any good?
Four high school kids discover an old video game console and are drawn into the game’s jungle setting, literally becoming the adult avatars they chose. What they discover is that you don’t just play Jumanji – you must survive it. To beat the game and return to the real world, they’ll have to go on the most dangerous adventure of their lives, discover what Alan Parrish left 20 years ago, and change the way they think about themselves – or they’ll be stuck in the game forever.
Considering the overwhelmingly negative response to the film’s first trailer, it’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces. The problem is, it really doesn’t feel anything like Jumanji and regularly feels like the producers down at Sony had dollar signs in their eyes more than anything else.
There’s only one reference to its now classic predecessor, an homage to Robin William’s Alan Parrish but this is such a fleeting indication of any connection to the 1995 film, it’s barely noticeable. The film may as well lose the Jumanji tag from its name and be done with it: of course that wouldn’t sell half as many tickets now would it?
Of the school-age characters, none of them make any impact before being sucked into Jumanji, now a video game, and director Jake Kasdan (Bad Teacher) wisely focusses on their avatar characters instead. Dwayne Johnson is always reliable and plays the fish-out-of-water nerd surprisingly well. He also has great chemistry with Kevin Hart and the two share some of the film’s best sequences.
Jack Black is hilarious as his inner female tries to break through at numerous points throughout the movie and Karen Gillan shows particular warmth as the awkward Martha. Nick Jonas also stars in a role originally destined for Tom Holland and continues to prove what a versatile actor he has become.
It’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces.
Jake Kasdan films the action confidently and with visual panache but the CGI at times is left wanting, disappointing in this day and age. A helicopter ride across a rhino-infested canyon is particularly fun to watch and the way in which the writers write the film around video game lore is exciting and makes for a pleasant distraction from an otherwise mediocre script.
What the film does have in abundance however is laughs. Indeed, they are of the Dairylea variety, cheesy, but sometimes that’s exactly what you need. Jumanji: Welcome to the Jungle is a very funny film that knows how to squeeze every last drop of humour from its writing.
It’s also very well paced. Apart from a few lapses in judgement where the screenwriters desperately try to make us feel emotion towards the characters – we don’t – the film really doesn’t have a boring moment to its name and at 119 minutes, that’s a real achievement.
Overall, Jumanji: Welcome to the Jungle is a film that is fun to watch, if a little lacking in originality. All the lead actors perform their roles well, with Jack Black being a particular highlight. Unfortunately, while I’m not usually one for sickly nostalgia, the film really needed to provide a few more tasteful references to its predecessor, especially considering its link to the wonderful Robin Williams.
https://moviemetropolis.net/2017/12/10/jumanji-welcome-to-the-jungle-review-im-a-celebrity-get-me-out-of-here/