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    Contempt (1963)

    Contempt (1963)

    (0 Ratings) Rate It

    Movie

    Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she...

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Andy K (10821 KP) rated Buck Rogers in the 25th Century in TV

Feb 2, 2018  
Buck Rogers in the 25th Century
Buck Rogers in the 25th Century
1979 | Action, Adventure, Sci-Fi
8
6.9 (55 Ratings)
TV Show Rating Watch
Wish this show would've lasted longer!
The sci-fi craze after Star Wars in 1977 was amazing producing a James Bond film, Battlestar Galactica and the revival of Buck Rogers among countless other crap. This was a great 1970s sci-fi show with good mix of action, comedy and drama and some great guest stars including Jack Palance and Jamie Lee Curtis.

Well worth checking out.
  
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Michael Barker recommended Contempt (1963) in Movies (curated)

 
Contempt (1963)
Contempt (1963)
1963 | Drama, Romance
(0 Ratings)
Movie Favorite

"A visual and aural feast. The best movie ever made about moviemaking. Greece and Brigitte Bardot provide the purest form of seduction; Jack Palance provides the sleaziest. The subtext that explains the title is sexual politics at its most provocative. Every frame of this movie is invigorating. Cinematographer Raoul Coutard and composer Georges Delerue deserve to be canonized. The already anointed Fritz Lang, playing himself, gives the film yet another pleasurable dimension of film truth."

Source
  
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Paul Schneider recommended The Silence of the Lambs (1991) in Movies (curated)

 
The Silence of the Lambs (1991)
The Silence of the Lambs (1991)
1991 | Horror, Thriller
8.8 (99 Ratings)
Movie Favorite Watch

"Ted Levine’s Buffalo Bill, the most comprehensively overlooked performance of the nineties. That he wasn’t even nominated for an Oscar in the best supporting actor category—Jack Palance won that year for City Slickers (and did push-ups onstage)—is criminal. Not much can be said about this movie that hasn’t been said already—except perhaps a reminder of cinematographer Tak Fujimoto’s genius. He and Demme have the actors using the tightest possible eye lines, and in doing so draw the audience into conversations the brutality of which is all the more strengthened by this compositional straightforwardness. And I’ll never forget production designer Kristi Zea’s masterstroke of terror in the design of Buffalo Bill’s torture basement. Amid the moths and carefully positioned mannequins, near the skin suit and Bill’s sewing machine, is a couch with a quilt thrown over the back. The quilt is made of panels, and in each panel is a swastika. It’s a Nazi quilt . . . Enough said."

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