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Jesse Malin recommended 12 Angry Men (1957) in Movies (curated)

 
12 Angry Men (1957)
12 Angry Men (1957)
1957 | Classics, Drama

"A great statement on human nature made by one of my favorite directors, Sidney Lumet. Early Jack Klugman, Jack Warden, and Martin Balsam are brilliant here, as well as the messenger/angel Henry Fonda. If you have any doubts about jury duty, please watch this. As for justice, there is just us . . ."

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Sean Baker recommended Used Cars (1980) in Movies (curated)

 
Used Cars (1980)
Used Cars (1980)
1980 | Comedy
7.0 (1 Ratings)
Movie Favorite

"Robert Zemeckis’ Used Cars. One of the most underrated and under-appreciated films of all time and my favorite comedy. Kurt Russell is genius in this film and I wish he would return to comedies because his delivery and timing are to die for. Excellent supporting cast including the wonderful Jack Warden who plays two characters — dueling brothers. And kudos to Zemeckis and [co-writer] Bob Gale for writing a biting, social satirical and very un-PC script. “Jesus Palomino!”"

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The Verdict (1982)
The Verdict (1982)
1982 | Drama

"Once again, another movie that I don’t think people could watch these days because they have to sit too long and listen to people talk. This is a brilliant movie, and Paul Newman, out of everything he ever did, this was his greatest performance. When he got the Academy Award for The Color of Money, I think it was a make-up job [by the Academy]. Jack Warden was terrific in it, as well as James Mason. I hated [James Mason] in that movie more than any character I’ve ever hated as the defense attorney for the Catholic Church. He was really mean–cold, really. All the actors are terrific, too."

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Lawrence Kasdan recommended Shampoo (1975) in Movies (curated)

 
Shampoo (1975)
Shampoo (1975)
1975 | Comedy, Drama

"I have a 1000… I have a top 100. I can tell you five movies that are important to me, but as I say, I could go on and on. Shampoo is important to me. Hal Ashby, one of the great directors of our time, died very young, and is sometimes overlooked; but he did The Last Detail, and Being There, and he is a great director. And Robert Towne wrote the script with Warren Beatty. It’s a brilliant script, a portrait of LA at a certain time and the United States when we were going through a spasm of political activity that was very discouraging — it ends with the election of Nixon and Agnew. It’s hilarious, it’s sexy; it deals with all the variety of complications of people’s behavior. Jack Warden is brilliant in it; hilarious in one of the greatest scenes ever shot: At the end of the movie when Beatty comes back to his house and he thinks that Jack Warden’s gonna have him killed ’cause he’s slept with both Warden’s wife and his daughter, Carrie Fisher. It’s a great, great film, but Warden is brilliant in that scene. The movie is full of great writing; it’s almost like a French farce, but very modern. Beatty is at his absolute best. Everybody in it is great. Julie Christie’s a knockout. So that’s an important movie that not enough people have seen."

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Judd Apatow recommended Being There (1979) in Movies (curated)

 
Being There (1979)
Being There (1979)
1979 | Comedy, Drama

"Being There is one of my favorite movies. It’s much more precise than a movie like The Last Detail. It’s a type of movie I hope one day to be able to attempt to make. It’s brilliant on every level. It is one of movies that I watch and go, “I probably will never be able to get close to this, but I should try.” The use of television in the movie is spectacular – how what’s happening on the television in the rooms that they’re in reflects or comments on the action. Nobody has ever done that better and people have tried since and always failed. Any time I see something on a TV in a TV show, I know that they’re thinking about how great they did it in Being There. It’s another movie with some of the best performances in comedy history – Jack Warden, Melvyn Douglas, and Shirley MacLaine, so I go back to that a lot."

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Lee (2222 KP) rated Castle Rock in TV

Jan 21, 2019  
Castle Rock
Castle Rock
2018 | Fantasy, Horror, Mystery
Sissy Spacek (1 more)
Bill Skarsgård
Fantastic story telling
Set in the Stephen King multiverse, the Maine town of Castle Rock is the setting for this psychological horror thriller spanning ten episodes. It utilises various characters and settings from the authors work, and even actors who have appeared in movie versions of his books, resulting in a unique and richly detailed story which has been clearly influenced by the great author.

The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!

The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.

Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
  
Show all 4 comments.
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Ross (3282 KP) Jan 21, 2019

Great, I'll look into that, cheers! Its so odd that it isn't more widely available yet.

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Lee (2222 KP) Jan 21, 2019

I know. I was gutted last year when I found out it was coming to Starz and not Netflix or standard Prime TV as I didn't really want to have to pay out for yet another streaming service. Hope you manage to catch it though

7 Days In Entebbe  (2018)
7 Days In Entebbe (2018)
2018 | Action, Drama, International
Doesn't really work
Most of us (including me), when we heard about the new film 7 DAYS IN ENTEBBE, thought to themselves "didn't they just make this film a few years ago...?" The answer is yes. A similar film to this - RAID ON ENTEBBE - was a TV movie made a few years ago - 42 years ago, to be precise. It starred Peter Finch, Martin Balsam, Jack Warden and good ol' Charles Bronson. Made a mere few months after the true events, this slapped together movie was an old-fashioned "shoot 'em up."

This film is most definitely not.

7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.

Sounds like a pretty good plot for a Charles Bronson shoot-em-up.

In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".

Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.

Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.

Letter Grade C+

5 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
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Andy K (10821 KP) Mar 22, 2018

Too bad. This looked good.