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David McK (3425 KP) rated The Lost Outlaw (Jack Lark #8) in Books
Apr 12, 2020
8th entry in Paul Fraser Collard's 'Jack Lark' series - originally dubbed as The Talented Mr Ripley meets Sharpe - and, this time, we're in Wild West territory with Jack joining a cotton convoy down from the Southern US States into Mexico.
Jack remains as compelling an protagonist as ever, having now fought on both sides of the American Civil War and throughout the British colonies (the series started in Alma), although now his past is beginning to tell - he is no longer as cocksure, as certain of himself as before and is suffering from nightmares over all he has witnessed.
And, yes, the finale does very much resemble Rorke's Drift - even the author states as much!
Jack remains as compelling an protagonist as ever, having now fought on both sides of the American Civil War and throughout the British colonies (the series started in Alma), although now his past is beginning to tell - he is no longer as cocksure, as certain of himself as before and is suffering from nightmares over all he has witnessed.
And, yes, the finale does very much resemble Rorke's Drift - even the author states as much!
The Marinated Meeple (1848 KP) rated Night School in Books
Oct 15, 2018
Definitely not the best Jack Reacher book.
Solid and interesting, but not greatness. Seems to be a bit on auto pilot. "what part of wild ass guess" hits a little too easily. But I love how the thought process and breakdown of likelihood, as well as the deductions. This would've been a great time to do some character development for both him and Nagley. Alas, it's was just OK.
Kevin Wilson (2 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jun 1, 2018
Cast (2 more)
Plot
Comedy
A Wild & Fun Adventure For The Whole Family!
This a very creative adaptation of the Jumanji series. This time around, the characters are transported inside the game. The writers did an excellent job of portraying the film as though the characters were actually in a video game universe.
The film is packed full of humor. Especially Jack Black's portrayal of a modern teenage girl trapped in the body of a middle-aged man. There are even some jokes designed for the older audience to get a chuckle, making it not only a good film for the family, but fun for adults as well.
The film is packed full of humor. Especially Jack Black's portrayal of a modern teenage girl trapped in the body of a middle-aged man. There are even some jokes designed for the older audience to get a chuckle, making it not only a good film for the family, but fun for adults as well.
Gareth von Kallenbach (980 KP) rated Bewitched (2005) in Movies
Aug 14, 2019
Turning a classic television series into a feature film can be a risky proposition. While the built in audience of Baby Boomers and new fans of a show gained through reruns make remakes a potentially lucrative venture, the task of recasting classic characters and modernizing the story to today’s audiences is rife with hazards.
For example, for every remake that succeeds, such as The Adams Family, Starsky and Hutch, and The Brady Bunch, there are countless others that fail, like The Wild Wild West, Car 54 Where Are You and I-Spy.
Sadly the new film version of Bewitched falls into the latter category. It is so bad it begs the question as to why such talents like Nicole Kidman, Michael Caine, and Will Ferrell signed on.
The story centers on Isabel Bigelow (Nicole Kidman), a young woman who is anxious to set off on her own and leave the family structure behind her. While this is not so uncommon for most people, Isabel is a witch and her decision to live as a mortal without her powers is of great consternation to her father (Michael Caine).
Isabel is convinced she can find a man, and can live in happiness and love with a mortal. She wants no part of the shallow and wandering eye that makes up their lifestyle. Convinced his daughter will never be able to live without her powers, her father chides her for her frequent and casual use of powers to do everything from find and furnish her home to paying for everyday needs.
At roughly the same time, fading actor Jack Wyatt is about to sign up to play the male lead in a new television version of the classic Bewitched television series. With the gigantic failure of his recent film, Jack is in need of a hit. Not wanting to take any attention away from his star turn, Jack insists that the producers cast a complete unknown in the role of Samantha. He does not want anyone infringing upon his spotlight.
A chance encounter with Isabel leads to her being cast by Jack in the new series. Isabel is taken by Jack and when she learns the role is that of a witch, she signs aboard despite some reservations.
Naturally Jack and Isabel will hit it off, and yes there will be issues, particularly when Jack’s shallow nature becomes clear to Isabel, and this is to say nothing of Isabel’s true identity which in and of itself is an issue.
What starts as a good premise with a solid cast quickly dissolves into a disjointed mess thanks to a paper thin plot that is rife with plot holes, non-sequitors, and unresolved moments. One such example is the character of Iris Smythson (Shirley Mac Laine), who plays Endora on the show. It is at first hinted at that she too is a witch and then made obvious. However there is no conclusion to this revelation. We see that she has a power and uses it, but we never really get the why she is there, how she chose to live as she does, and how her relationship with Isabel’s father is going to be altered by this.
Another problem the show has is that Ferell is reduced to running around, over-acting to get laughs. The situations go on way to long, and things that are at first amusing, become tedious after a while. One such scene has Ferell’s character appearing nude on a live television appearance. It is something that is used to generate laughs but there is no setup to the scene and it plays out as a desperate attempt to get laughs.
The only thing that works is the charm of Kidman who, as the quirky Isabel, is delightful, as is the supporting work of Caine and Steve Carell as Uncle Arthur. Sadly they are the only good things in a film that became so bad that many in the audience at my press screener were voicing their disdain when we left the film. Perhaps Samantha can twitch her nose and make this one vanish, as there is precious little to redeem it.
For example, for every remake that succeeds, such as The Adams Family, Starsky and Hutch, and The Brady Bunch, there are countless others that fail, like The Wild Wild West, Car 54 Where Are You and I-Spy.
Sadly the new film version of Bewitched falls into the latter category. It is so bad it begs the question as to why such talents like Nicole Kidman, Michael Caine, and Will Ferrell signed on.
The story centers on Isabel Bigelow (Nicole Kidman), a young woman who is anxious to set off on her own and leave the family structure behind her. While this is not so uncommon for most people, Isabel is a witch and her decision to live as a mortal without her powers is of great consternation to her father (Michael Caine).
Isabel is convinced she can find a man, and can live in happiness and love with a mortal. She wants no part of the shallow and wandering eye that makes up their lifestyle. Convinced his daughter will never be able to live without her powers, her father chides her for her frequent and casual use of powers to do everything from find and furnish her home to paying for everyday needs.
At roughly the same time, fading actor Jack Wyatt is about to sign up to play the male lead in a new television version of the classic Bewitched television series. With the gigantic failure of his recent film, Jack is in need of a hit. Not wanting to take any attention away from his star turn, Jack insists that the producers cast a complete unknown in the role of Samantha. He does not want anyone infringing upon his spotlight.
A chance encounter with Isabel leads to her being cast by Jack in the new series. Isabel is taken by Jack and when she learns the role is that of a witch, she signs aboard despite some reservations.
Naturally Jack and Isabel will hit it off, and yes there will be issues, particularly when Jack’s shallow nature becomes clear to Isabel, and this is to say nothing of Isabel’s true identity which in and of itself is an issue.
What starts as a good premise with a solid cast quickly dissolves into a disjointed mess thanks to a paper thin plot that is rife with plot holes, non-sequitors, and unresolved moments. One such example is the character of Iris Smythson (Shirley Mac Laine), who plays Endora on the show. It is at first hinted at that she too is a witch and then made obvious. However there is no conclusion to this revelation. We see that she has a power and uses it, but we never really get the why she is there, how she chose to live as she does, and how her relationship with Isabel’s father is going to be altered by this.
Another problem the show has is that Ferell is reduced to running around, over-acting to get laughs. The situations go on way to long, and things that are at first amusing, become tedious after a while. One such scene has Ferell’s character appearing nude on a live television appearance. It is something that is used to generate laughs but there is no setup to the scene and it plays out as a desperate attempt to get laughs.
The only thing that works is the charm of Kidman who, as the quirky Isabel, is delightful, as is the supporting work of Caine and Steve Carell as Uncle Arthur. Sadly they are the only good things in a film that became so bad that many in the audience at my press screener were voicing their disdain when we left the film. Perhaps Samantha can twitch her nose and make this one vanish, as there is precious little to redeem it.
Heather Cranmer (2721 KP) created a post
Oct 24, 2020
David McK (3425 KP) rated The Lone Ranger (2013) in Movies
Sep 15, 2019 (Updated Feb 14, 2021)
"Hi Ho Silver away!"
Gore Verbinski (Pirates of the Carribean) take on the classic Western for Disney, with Johnny Depp's Tonto pretty much playing the same character as his Captain Jack Sparrow, and with Armie Hammer taking on the role of The Lone Ranger.
Set as an elderly Tonto telling the story to a child visitor in a fairground in 1930s San Fransisco, this takes a while to get going (2hour 20 running time!), with a large part of the story settign the scene and the background to how the Lone Ranger came to be who he is/was.
Indeed, apart from a slight refrain at the beginning the stirring William Tell overture doesn't even get used until near the end of the movie (probably for the best, as an overuse would dilute its impact).
I also have to say that this is probably one for the big screen: the sweeping majestic shots of the Wild West do kind of lose their impact on a smaller TV screen!
Gore Verbinski (Pirates of the Carribean) take on the classic Western for Disney, with Johnny Depp's Tonto pretty much playing the same character as his Captain Jack Sparrow, and with Armie Hammer taking on the role of The Lone Ranger.
Set as an elderly Tonto telling the story to a child visitor in a fairground in 1930s San Fransisco, this takes a while to get going (2hour 20 running time!), with a large part of the story settign the scene and the background to how the Lone Ranger came to be who he is/was.
Indeed, apart from a slight refrain at the beginning the stirring William Tell overture doesn't even get used until near the end of the movie (probably for the best, as an overuse would dilute its impact).
I also have to say that this is probably one for the big screen: the sweeping majestic shots of the Wild West do kind of lose their impact on a smaller TV screen!
Awix (3310 KP) rated The Call Of The Wild (2020) in Movies
Feb 25, 2020
Rather too big-budget Jack London adaptation is long on CGI and short on grit, but remains engaging and dignified entertainment. Pampered house dog Buck is abducted from his California home and packed off to Alaska during the gold rush, slowly getting in touch with his wild side. Harrison Ford plays the main human part - there was something oddly familiar about seeing the star team up with a huge, hairy, almost totally non-verbal partner and then I remembered the Russian word for dog is sowbacca and it all made a bit more sense.
The harder edges of London's book have been sanded down considerably, and this does verge on the sentimental and cutesy in places - for one ghastly moment I thought the dogs were going to start talking to each other - and the fact it's made with a CGI dog (Terry Notary has been mo-capped) will probably put some people off. But it's solid, likeable stuff, lifted considerably by performances from Ford and Omar Sy. I still think it was madness to spend over $120 million on a film which will probably struggle to find an audience, but it has a definite charm to it.
The harder edges of London's book have been sanded down considerably, and this does verge on the sentimental and cutesy in places - for one ghastly moment I thought the dogs were going to start talking to each other - and the fact it's made with a CGI dog (Terry Notary has been mo-capped) will probably put some people off. But it's solid, likeable stuff, lifted considerably by performances from Ford and Omar Sy. I still think it was madness to spend over $120 million on a film which will probably struggle to find an audience, but it has a definite charm to it.
Kristy H (1252 KP) rated All Our Pretty Songs (Metamorphoses, #1) in Books
Feb 13, 2018
Two girls grow up, as close (or closer) as sisters, until a boy and a strange man (?) come between them. Aurora is the daughter of a famous musician, who died when she very young; her mother still spends most of her days in a drug-induced haze. It's up to her best friend (whose name we never learn -- she's simply the narrator of this tale) to protect Aurora, who is described as lovely and other-worldly, from herself. The girls spend their days together -- watching movies in Aurora's bed, partying hard, dancing in mosh pits at concerts, etc. One day they meet a musician named Jack, a beautiful man/boy, who enraptures the narrator, and seems to set them on a course to be torn apart.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
Darren (64 KP) rated Any Which Way You Can (1980) in Movies
Nov 1, 2019
Right Turn Clyde
Contains spoilers, click to show
This was the first film i ever rented as a kid from the video shop. I was 5 at the time and the cover just drew me to it. My mum bless her let me have this and The Snowman. That was way back in 1985 and i have never lost any love for it.
Clint stars as Philo Bedo a bare knuckle brawler who has decided after his last fight (Which he easily wins) Enough is enough and he no longer wants to fight as, He is getting to enjoy the pain a little too much. When he is offered $25,000 by Patrick Scarfe ( Michael Cavanaugh) to fight Jack Wilson played by B movie great William Smith, Philo finds the offer to tempting to resist and accepts. Meanwhile, Lynn Halsey Taylor (Sondra Locke) returns to town and plays at the local bar in an attempt to reconcile with Philo, who she betrayed in the first film. Add to this, The Black Widows, the notorious and bumbling local biker gang, plan revenge on Philo for previous misdeeds from the first film.
When circumstances lead Philo to reconcile with Lynn, She and Philo's half brother Orville (Geoffrey Lewis) find out that Jack has killed a guy in his previous fight leading no one wanting to fight him. After much pressure, Philo decides not to fight and attempts to give the money back but Scarfe and his partner James Beekman ( Harry Guardino) won't take no for an answer and have Lynn kidnapped so that Philo has no choice but to fight.
Wilson finds out about this and helps Philo get Lynn back with both of them taking down a Beekmans mob guys.. When the fight is called off again because of the under handed tactics of Scarfe and Beekman, Pride between Philo and Wilson makes them wonder who would of won the fight?
Knowing it can't end how it is, Bedo and Wilson have a wild fight through the streets of Jackson to find out, Just who is the best between them.
Clint stars as Philo Bedo a bare knuckle brawler who has decided after his last fight (Which he easily wins) Enough is enough and he no longer wants to fight as, He is getting to enjoy the pain a little too much. When he is offered $25,000 by Patrick Scarfe ( Michael Cavanaugh) to fight Jack Wilson played by B movie great William Smith, Philo finds the offer to tempting to resist and accepts. Meanwhile, Lynn Halsey Taylor (Sondra Locke) returns to town and plays at the local bar in an attempt to reconcile with Philo, who she betrayed in the first film. Add to this, The Black Widows, the notorious and bumbling local biker gang, plan revenge on Philo for previous misdeeds from the first film.
When circumstances lead Philo to reconcile with Lynn, She and Philo's half brother Orville (Geoffrey Lewis) find out that Jack has killed a guy in his previous fight leading no one wanting to fight him. After much pressure, Philo decides not to fight and attempts to give the money back but Scarfe and his partner James Beekman ( Harry Guardino) won't take no for an answer and have Lynn kidnapped so that Philo has no choice but to fight.
Wilson finds out about this and helps Philo get Lynn back with both of them taking down a Beekmans mob guys.. When the fight is called off again because of the under handed tactics of Scarfe and Beekman, Pride between Philo and Wilson makes them wonder who would of won the fight?
Knowing it can't end how it is, Bedo and Wilson have a wild fight through the streets of Jackson to find out, Just who is the best between them.
Mark @ Carstairs Considers (2204 KP) rated Fogged Off in Books
Nov 20, 2021 (Updated Nov 20, 2021)
Retrieving a Client from London Gets Complicated
When Shep Helnikov, a regular client of Redondo Travel, dies while in London, Cyd Redondo quickly realizes that her family’s travel agency is on the hook for the expenses to get him home. A chance to do it for the college where he worked in exchange for the fees is too good to pass up, so Cyd heads over there with her uncle Leon in tow. As soon as they arrive, Leon makes it clear he has his own agenda. Some of Shep’s colleagues in London start hounding Cyd for his Jack the Ripper research. Then comes the news that Shep might have been murdered. Can Cyd figure out what is going on?
This book has so many plot threads that it is truly amazing how much is crammed into the book. Yet author Wendall Thomas does an excellent job of balancing it all, so that we are always able to follow what is happening. Even more impressing, everything comes together for a logical climax. Obviously, the pace was fast. Some of the characters are realistic, but others are a bit broad, which is in keeping with the caper ton of the book. There are plenty of smiles and laughs. There’s also a smattering of foul language that I could have done without, but that is a minor point. If you haven’t discovered this series yet, you are in for some fun and wild rides. Fans will be thrilled with Cyd’s latest outing.
This book has so many plot threads that it is truly amazing how much is crammed into the book. Yet author Wendall Thomas does an excellent job of balancing it all, so that we are always able to follow what is happening. Even more impressing, everything comes together for a logical climax. Obviously, the pace was fast. Some of the characters are realistic, but others are a bit broad, which is in keeping with the caper ton of the book. There are plenty of smiles and laughs. There’s also a smattering of foul language that I could have done without, but that is a minor point. If you haven’t discovered this series yet, you are in for some fun and wild rides. Fans will be thrilled with Cyd’s latest outing.
