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Bob Mann (459 KP) rated Jackie (2016) in Movies
Sep 29, 2021
Spoiler! Her husband gets shot.
“Jackie” tells the story of the spiralling grief, loss and anger of Jackie Kennedy driven by the assassination of JFK in Dallas in November 1963. Hopping backwards and forwards in flashback, the film centres on the first interview given by Jackie (Natalie Portman, “Black Swan”) to a ‘Time’ journalist (Billy Crudup, “Watchmen”, “Spotlight”).
Through this interview we flashback to see Jackie as the young First Lady engaged in recording a TV special for a tour of the White House: nervous, unsure of herself and with a ‘baby girl’ voice. This contrasts with her demeanour in the interview which – although subject to emotional outburst and grief – is assured, confident and above all extremely assertive. We live the film through Jackie’s eyes as she experiences the arrival in Dallas, the traumatic events of November 22nd in Dealey Plaza, the return home to Washington and the complicated arrangement of the President’s funeral.
This is an acting tour de force for Natalie Portman, who is astonishingly emotional as the grief-stricken ex-first lady. She nails this role utterly and completely. Having already won the Golden Globe for an actress in a dramatic role, you would be a foolish man to bet against her not taking the Oscar. (I know I said just the other week that I though Emma Stone should get it for “La La Land” – as another Golden Globe winner, for the Comedy/Musical category – and a large part of my heart would still really like to see Stone win it…. But excellent as that performance was, this is a far more challenging role.)
In a key supporting role is Peter Sarsgaard (“The Magnificent Seven”) as Bobby Kennedy (although his lookalike is not one of the best: that accolade I would give to Gaspard Koenig, in an un-speaking role, as the young Ted Kennedy).
Also providing interesting support as Jackie’s priest is John Hurt (“Alien”, “Dr Who”) and, as Jackie’s close friend, the artist Bill Walton, is Richard E Grant (“Withnail and I”, who as he grows older is looking more and more like Geoffrey Rush – I was sure it was him!).
Director Pablo Larraín (whose previous work I am not familiar with) automatically assumes that EVERYONE has the background history to understand the narrative without further explanation: perhaps as this happened 54 years ago, this is a bit of a presumption for younger viewers? Naturally for people of my advanced years, these events are as burned into our collective psyches as the images in the Zapruder film.
While the film focuses predominantly, and brilliantly, on Jackie’s mental state, the film does gently question (via an outburst from Bobby) as to what JFK actually achieved in his all too short presidency – ‘Will he be remembered for resolving the Cuban missile crisis: something he originally created?’ rants Bobby. In reality, JFK is remembered in history for this assassination and the lost potential for what he might have done. I would have liked the script to have delved a little bit further into that collective soul-searching.
This is a very sombre movie in tone, from the bleak opening, with a soundtrack of sonorous strings, to the bleak weather-swept scenes at Arlington cemetery. The cinematography (by Stéphane Fontaine, “Rust and Bone”) cleverly contrasts between the vibrant hues of Jackie’s “Camelot” to the washed-out blueish tones of the post-assassination events. If you don’t feel depressed going into this film, you probably will be coming out! But the journey is a satisfying one nonetheless, and the script by Noah Oppenheim – in a SIGNIFICANT departure from his previous teen-flick screenplays for “Allegiant” and “The Maze Runner” – is both tight and thought-provoking.
Overall, a recommended watch which comes with a prediction: “And the Oscar goes to… Natalie Portman”.
Finally, note that for those of a squeamish disposition, there is a very graphic depiction of the assassination from Jackie’s point-of-view…. but this is not until nearly the end of the film, so you are reasonably safe until then!
Also as a final general whinge, could directors PLEASE place an embargo on the logos of more than two production companies coming up at the start of a film? This has about six of them and is farcical, aping the (very amusing) parody in “Family Guy” (as shown here).
Through this interview we flashback to see Jackie as the young First Lady engaged in recording a TV special for a tour of the White House: nervous, unsure of herself and with a ‘baby girl’ voice. This contrasts with her demeanour in the interview which – although subject to emotional outburst and grief – is assured, confident and above all extremely assertive. We live the film through Jackie’s eyes as she experiences the arrival in Dallas, the traumatic events of November 22nd in Dealey Plaza, the return home to Washington and the complicated arrangement of the President’s funeral.
This is an acting tour de force for Natalie Portman, who is astonishingly emotional as the grief-stricken ex-first lady. She nails this role utterly and completely. Having already won the Golden Globe for an actress in a dramatic role, you would be a foolish man to bet against her not taking the Oscar. (I know I said just the other week that I though Emma Stone should get it for “La La Land” – as another Golden Globe winner, for the Comedy/Musical category – and a large part of my heart would still really like to see Stone win it…. But excellent as that performance was, this is a far more challenging role.)
In a key supporting role is Peter Sarsgaard (“The Magnificent Seven”) as Bobby Kennedy (although his lookalike is not one of the best: that accolade I would give to Gaspard Koenig, in an un-speaking role, as the young Ted Kennedy).
Also providing interesting support as Jackie’s priest is John Hurt (“Alien”, “Dr Who”) and, as Jackie’s close friend, the artist Bill Walton, is Richard E Grant (“Withnail and I”, who as he grows older is looking more and more like Geoffrey Rush – I was sure it was him!).
Director Pablo Larraín (whose previous work I am not familiar with) automatically assumes that EVERYONE has the background history to understand the narrative without further explanation: perhaps as this happened 54 years ago, this is a bit of a presumption for younger viewers? Naturally for people of my advanced years, these events are as burned into our collective psyches as the images in the Zapruder film.
While the film focuses predominantly, and brilliantly, on Jackie’s mental state, the film does gently question (via an outburst from Bobby) as to what JFK actually achieved in his all too short presidency – ‘Will he be remembered for resolving the Cuban missile crisis: something he originally created?’ rants Bobby. In reality, JFK is remembered in history for this assassination and the lost potential for what he might have done. I would have liked the script to have delved a little bit further into that collective soul-searching.
This is a very sombre movie in tone, from the bleak opening, with a soundtrack of sonorous strings, to the bleak weather-swept scenes at Arlington cemetery. The cinematography (by Stéphane Fontaine, “Rust and Bone”) cleverly contrasts between the vibrant hues of Jackie’s “Camelot” to the washed-out blueish tones of the post-assassination events. If you don’t feel depressed going into this film, you probably will be coming out! But the journey is a satisfying one nonetheless, and the script by Noah Oppenheim – in a SIGNIFICANT departure from his previous teen-flick screenplays for “Allegiant” and “The Maze Runner” – is both tight and thought-provoking.
Overall, a recommended watch which comes with a prediction: “And the Oscar goes to… Natalie Portman”.
Finally, note that for those of a squeamish disposition, there is a very graphic depiction of the assassination from Jackie’s point-of-view…. but this is not until nearly the end of the film, so you are reasonably safe until then!
Also as a final general whinge, could directors PLEASE place an embargo on the logos of more than two production companies coming up at the start of a film? This has about six of them and is farcical, aping the (very amusing) parody in “Family Guy” (as shown here).
Darren (1599 KP) rated The Pining (2019) in Movies
Sep 26, 2019
Characters – Joe is a disabled photographer, he used to be an athlete before his accident too, this saw his life change overnight with him still feeling the effects of what happened to him, he has built up a reputation for his skills with a camera too and just when he starts getting help, he starts to see unusual things happen to him too. Father William is the man that held the support group meeting, he is trying to help people get over the trauma in their lives, but he becomes one of the suspects when the bodies start piling up. Detective Harris has been investigating the bodies, some seem like clear murders, others look like accidents, she believes there is a connection between the support group meeting and wants to get to the bottom of it.
Performances – Diogo Hausen is the best of the performers, he does show us how the character does feel like he has been a victim and showing the strength to carry on. Tom Sizemore is an actor we expect so much more from, he doesn’t get a chance to shine in this one, while Jackie Dallas does well with her scenes.
Story – The story here follows a string of cases that involve the members of a support group being involved in murders or strange accidents, we see how one detective is trying put the pieces together, while trying to save one of the final living members of the group. This is an interesting spin on the idea of victim selection, it does work for making the characters seem like they have been selected to play into their strengths and weaknesses. With this strong idea, comes a weaker way of telling the story, which doesn’t seem to make many of the scenes feel connected, or get to a targeting moments, which could bring about motivation to light until way too late in the film. This is a story that could be a lot more intense only it fails to capture the moments well enough.
Thriller – This film does try to keep us guessing to what will happen next, the problems comes with the fact we only have one scene that feels unpredictable with most just being a cut and dry version of the incidents.
Settings – This film is set in one city where the victims have all been around one locations which could make them the potential latest victim to what is going on, it shows how people don’t know everybody’s stories in life.
Scene of the Movie – Grace’s bad date.
That Moment That Annoyed Me – The film spends too much time on Joe, when it seems like we should be investigating the murders.
Final Thoughts – This is a thriller that doesn’t manage to hit the levels it could do, it has an interesting idea, only it never gives it the full focus it should.
Overall: Thriller that misses the edgy side.
Performances – Diogo Hausen is the best of the performers, he does show us how the character does feel like he has been a victim and showing the strength to carry on. Tom Sizemore is an actor we expect so much more from, he doesn’t get a chance to shine in this one, while Jackie Dallas does well with her scenes.
Story – The story here follows a string of cases that involve the members of a support group being involved in murders or strange accidents, we see how one detective is trying put the pieces together, while trying to save one of the final living members of the group. This is an interesting spin on the idea of victim selection, it does work for making the characters seem like they have been selected to play into their strengths and weaknesses. With this strong idea, comes a weaker way of telling the story, which doesn’t seem to make many of the scenes feel connected, or get to a targeting moments, which could bring about motivation to light until way too late in the film. This is a story that could be a lot more intense only it fails to capture the moments well enough.
Thriller – This film does try to keep us guessing to what will happen next, the problems comes with the fact we only have one scene that feels unpredictable with most just being a cut and dry version of the incidents.
Settings – This film is set in one city where the victims have all been around one locations which could make them the potential latest victim to what is going on, it shows how people don’t know everybody’s stories in life.
Scene of the Movie – Grace’s bad date.
That Moment That Annoyed Me – The film spends too much time on Joe, when it seems like we should be investigating the murders.
Final Thoughts – This is a thriller that doesn’t manage to hit the levels it could do, it has an interesting idea, only it never gives it the full focus it should.
Overall: Thriller that misses the edgy side.