Search
Search results
Dean (6921 KP) rated Ambulance (2022) in Movies
Mar 30, 2022 (Updated Mar 30, 2022)
Great chase scenes (1 more)
Jake Gyllenhaal
Speedy Action Thriller
Well we have a remake here of an old Danish film. Not aware of that film but this is pretty much much an all out action, loud, big, crazy fun film. Mixing Den of Thieves with Speed kinda vibe. After a Bank heist goes awry 2 robbers highjack an ambulance to make their escape. Then we have the long pursuit. Despite the long run time the action rarely lets up with some great cop chase scenes and enough of a story to make it interesting. Not ground breaking by any means but you'll enjoy the ride.
Awix (3310 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 3, 2019 (Updated Jul 3, 2019)
Seventh Spider-Man movie gets off to a slightly wobbly start, almost seeming to have been slipped a real hospital pass by Endgame: clearly it feels obliged to address the rather messy state of the MCU, in addition to making a big fuss about being a proper MCU film (much more than the non-Sony MCU films do). However, once Spider-Man and his moderately amazing friends head off to Europe the film perks up considerably, especially with the appearance of Jake Gyllenhaal as Mysterio (Gyllenhaal is very good value).
The film is genuinely funny and benefits a lot from a clever plot - the problem is that the nature of the plot is extremely guessable, even if you're only passingly familiar with the comics. Still, good jokes, nice performances, and the best Tower Bridge-based VFX sequence since Gorgo in 1961. I think it would be unwise to try and intuit the whole future direction of the Marvel project from this one film, but this is still good (if slightly uneven) fun.
The film is genuinely funny and benefits a lot from a clever plot - the problem is that the nature of the plot is extremely guessable, even if you're only passingly familiar with the comics. Still, good jokes, nice performances, and the best Tower Bridge-based VFX sequence since Gorgo in 1961. I think it would be unwise to try and intuit the whole future direction of the Marvel project from this one film, but this is still good (if slightly uneven) fun.
Sarah (7798 KP) rated Velvet Buzzsaw (2019) in Movies
Feb 2, 2019 (Updated Feb 3, 2019)
A little confused
A little confused is definitely how I feel about this film. In parts it’s a darkly satirical take on the art world with some horror thrown in, but the rest is just plain old dull with a handful of characters you care little about. Jake Gyllenhaal is great as usual, but I feel the rest of the cast were a let down. Zawe Ashton especially seemed to put in a very deadpan and robot like performance - must have been how her character was intended but it just didn’t work. It also doesn’t help that despite Jake Gyllenhaal, there’s no real main character in this and this is where it falls done, bouncing between a lot of mostly conceited unliveable characters.
This film spends far too much time talking and poking fun at the art world, instead of focusing more on the horror aspect. The story of art killing people is an intriguing one that sounds like it’s been taken straight out of a Stephen King book, it’s just a shame the film didn’t capitalise on this until well over an hour in. Especially as a lot of the horror parts were well done and quite disturbing, although some of the special effects were a bit OTT.
I just find this entire film a little bit meh. It wasn’t terrible, but it’s not particularly memorable either. And whilst I’m sure there’s a message about the fake and judgemental art world, it doesn’t really make for a great film.
This film spends far too much time talking and poking fun at the art world, instead of focusing more on the horror aspect. The story of art killing people is an intriguing one that sounds like it’s been taken straight out of a Stephen King book, it’s just a shame the film didn’t capitalise on this until well over an hour in. Especially as a lot of the horror parts were well done and quite disturbing, although some of the special effects were a bit OTT.
I just find this entire film a little bit meh. It wasn’t terrible, but it’s not particularly memorable either. And whilst I’m sure there’s a message about the fake and judgemental art world, it doesn’t really make for a great film.
Matthew Krueger (10051 KP) rated Prisoners (2013) in Movies
Nov 29, 2020
Hugh Jackman (1 more)
Jake Gyllenhaal
How Far Would You Go
Prisoners- is a excellent movie. Its very sad and depressing movie. It ask you the question of "how far would you go if your daughter gets kidnapped/missing"? "What whould you do"? Denis Villeneuve does a excellent job. The whole cast is excellent.
The plot: Keller Dover (Hugh Jackman) faces a parent's worst nightmare when his 6-year-old daughter, Anna, and her friend go missing. The only lead is an old motorhome that had been parked on their street. The head of the investigation, Detective Loki (Jake Gyllenhaal), arrests the driver (Paul Dano), but a lack of evidence forces Loki to release his only suspect. Dover, knowing that his daughter's life is at stake, decides that he has no choice but to take matters into his own hands.
Aaron Guzikowski wrote the script based on a short story he wrote, partially inspired by Edgar Allan Poe's "The Tell-Tale Heart", involving "a father whose kid was struck by a hit and run driver and then puts this guy in a well in his backyard". After he wrote the spec, many actors and directors entered and exited the project, including actors Christian Bale and Leonardo DiCaprio and directors Antoine Fuqua and Bryan Singer.
Ultimately Guzikowski would credit producer Mark Wahlberg for getting the project on its feet, stating, "He was totally pivotal in getting the film made. That endorsement helped it getting the film made."
Its a excellent film.
The plot: Keller Dover (Hugh Jackman) faces a parent's worst nightmare when his 6-year-old daughter, Anna, and her friend go missing. The only lead is an old motorhome that had been parked on their street. The head of the investigation, Detective Loki (Jake Gyllenhaal), arrests the driver (Paul Dano), but a lack of evidence forces Loki to release his only suspect. Dover, knowing that his daughter's life is at stake, decides that he has no choice but to take matters into his own hands.
Aaron Guzikowski wrote the script based on a short story he wrote, partially inspired by Edgar Allan Poe's "The Tell-Tale Heart", involving "a father whose kid was struck by a hit and run driver and then puts this guy in a well in his backyard". After he wrote the spec, many actors and directors entered and exited the project, including actors Christian Bale and Leonardo DiCaprio and directors Antoine Fuqua and Bryan Singer.
Ultimately Guzikowski would credit producer Mark Wahlberg for getting the project on its feet, stating, "He was totally pivotal in getting the film made. That endorsement helped it getting the film made."
Its a excellent film.
Movie Metropolis (309 KP) rated The Day After Tomorrow (2004) in Movies
Jun 10, 2019
It’s not subtle, but boy does it get the job done. The Day After Tomorrow, directed by Roland Emmerich aka the disaster movie expert, this disaster movie is a slickly shot and well-paced film that’s brimming with special effects.
Some of them hold up well and some of them don’t (ahem, the wolves). But the story is decent and Jake Gyllenhaal is always a win, plus Dennis Quaid is always reliable. It’s also much, much better than 2009’s 2012 and remains a really good addition to the genre, though maybe a little too close to home for the UK at the moment. Storm Emma is on her way and she’s not going to be pretty.
https://moviemetropolis.net/2018/02/28/best-snow-movies-top-5/
Some of them hold up well and some of them don’t (ahem, the wolves). But the story is decent and Jake Gyllenhaal is always a win, plus Dennis Quaid is always reliable. It’s also much, much better than 2009’s 2012 and remains a really good addition to the genre, though maybe a little too close to home for the UK at the moment. Storm Emma is on her way and she’s not going to be pretty.
https://moviemetropolis.net/2018/02/28/best-snow-movies-top-5/
Movie Metropolis (309 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 7, 2019
Tom Holland (2 more)
Jake Gyllenhaal
Teenage romantic subplot
Spider-Man: Far From Home is another slam dunk for Tom Holland’s web-slinger. With a script that perfectly balances humour and emotion, it may be the funniest MCU film yet, this is a film with massive re-watch value with lots of nostalgia and a fabulous cast. Nevertheless, the dodgy special effects do pull you out of the illusion at times and that just stops it from achieving a perfect five stars.
Stick around for two post-credit sequences in Spider-Man: Far From Home.
Read the full review: https://moviemetropolis.net/2019/07/05/spider-man-far-from-home-review-marvels-phase-3-comes-to-a-melancholic-end/
Stick around for two post-credit sequences in Spider-Man: Far From Home.
Read the full review: https://moviemetropolis.net/2019/07/05/spider-man-far-from-home-review-marvels-phase-3-comes-to-a-melancholic-end/
Daniel Boyd (1066 KP) rated Nocturnal Animals (2016) in Movies
Jul 26, 2017
Jake Gyllenhaal (2 more)
Michael Shannon
Aaron Johnson
Overrated (1 more)
Amy Adams
The Disturbing Side of The Mind's Eye
When this movie was released, critics were falling over themselves to praise it and while I did enjoy certain aspects of the movie, as a whole I feel that it is quite overrated. The movie is split into two sections, the real world and the fictional world that takes place within the book that Gyllenhaal's character is writing. The story that takes place within the book is gripping and exciting, but the artsy real world setting annoyed me everytime that they cut back to it, I also found Amy Adams to be quite wooden in this performance. The stand out in the movie is definitely Michael Shannon and he steals every single scene that he is in.
Rico Rodriguez recommended Nightcrawler (2014) in Movies (curated)
Chris Sawin (602 KP) rated Ambulance (2022) in Movies
Apr 18, 2022
Repetitive drone camera work (2 more)
Cringey humor and dialogue
An outdated and juvenile screenplay
Ambulance Review: Action At Its Dumbest And Gaudiest
Ambulance is a remake of a 2005 Danish film of the same name. Michael Bay’s version of the film follows former Marine Will Sharp (Yahya Abdul-Mateen II) as he struggles to find a job and support his family; his wife requires an experimental surgery that their health insurance won’t pay for.
Will turns to his estranged yet wealthy adopted brother Danny (Jake Gyllenhaal). Danny wants Will to participate in a bank heist worth $32 million. Will takes the job out of desperation, but when the heist goes sideways the two brothers hijack an ambulance and take a wounded cop along with a paramedic named Cam (Elza Gonzalez) as hostages.
The performances from Yahya Abdul-Mateen II and Jake Gyllenhall save Ambulance from being nothing more than an explosive, gyrating mess of a film. You don’t necessarily walk out of the theater feeling sympathy for Will, but you understand why the character turns to robbing a bank after serving his country through the heartfelt actions of Abdul-Mateen’s performance.
Jake Gyllenhaal is a memorable psychopath as Danny Sharp. Gyllenhaal has a ton of charisma as the character and can be incredibly likeable at times, but he has a temper that ignites without warning. Gyllenhaal is able to become intense and unhinged whenever Danny loses control of the situation, which is quite often over the course of 136-minutes.
The action thriller is dripping with what has either made you a fan of Michael Bay’s work or made you despise the Los Angeles born filmmaker for the majority of his career. The editing of the film is spastic and frenetic. There doesn’t seem to be a single sequence that lasts longer than eight seconds before cutting to another angle.
There are several references to other Michael Bay films in Ambulance; The Rock, 13 Hours, Armageddon, and Pearl Harbor. There’s also stuff you’d expect to find in a Michael Bay film like countless explosions and extravagant car wrecks. The film also seems to recycle the rotating camera Bay utilized in Bad Boys to highlight intense conversations between Will and Danny when they’re not confined to being inside the ambulance.
Despite working with a screenwriter whose first screenwriting credit is this film, Ambulance has writing that feels like it was something Bay produced over a decade ago. The dialogue feels extremely outdated and juvenile as characters walk this thin line between cringey humor and being downright sexist or racist. It feels like Bay was trying to feature a strong, independent woman in Ambulance with Cam. She's a competent single woman who is good at her job and doesn’t have to rely on anyone for anything. But the reveal of why she’s cold and remorseless is entirely cliché. The male characters have no real character development either though as their defining quality is that they all want to fight each other any chance they possibly get.
The Will character is also written in a way that is insulting and kind of offensive. So because he served his country he can get away with robbing a bank, shooting a cop, and participating in and driving the getaway vehicle during a massive car chase? He has a wife and daughter and his wife needs “experimental surgery” for an undisclosed illness and we’re supposed to root for this guy? Are we really this dumb?
It couldn’t be a film set in Los Angeles without someone making a reference to how terrible drivers are in LA. The secondary storylines don’t make sense or are just a complete waste of time. That conversation Danny has with his assistant about futbol/soccer and the lawn flamingos was obviously something extremely relevant to the overall story of the film. A cop also tries to ask out a bank teller while the bank is being robbed and literally doesn’t notice. We also have these other massively relevant and not pointless at all story points; bringing a dog to a car chase, Danny joking about walking around with herpes, and performing surgery in the back of an ambulance while stopping the bleeding with a hair clip.
Revoke Michael Bay’s license to utilize drones in his films. Every outside sequence seemed to have the same establishing shot of the camera flying up into the air turning around and zooming back down towards the ground. The camera in this film never stops moving. That combined with the film’s brutal rapid fire editing style will have you wanting to barf long before Danny calls upon the cartel for back up.
Buried deep within Ambulance’s loud, flashy action, sickening editing, overstimulated filming techniques, and a screenplay that seems like it was fished out of a port-a-potty is a somewhat thrilling action film. Jake Gyllenhaal is a cashmere obsessed lunatic that you can’t help but love, but Ambulance is a gaudy and sloppy excuse of an action film otherwise.
Will turns to his estranged yet wealthy adopted brother Danny (Jake Gyllenhaal). Danny wants Will to participate in a bank heist worth $32 million. Will takes the job out of desperation, but when the heist goes sideways the two brothers hijack an ambulance and take a wounded cop along with a paramedic named Cam (Elza Gonzalez) as hostages.
The performances from Yahya Abdul-Mateen II and Jake Gyllenhall save Ambulance from being nothing more than an explosive, gyrating mess of a film. You don’t necessarily walk out of the theater feeling sympathy for Will, but you understand why the character turns to robbing a bank after serving his country through the heartfelt actions of Abdul-Mateen’s performance.
Jake Gyllenhaal is a memorable psychopath as Danny Sharp. Gyllenhaal has a ton of charisma as the character and can be incredibly likeable at times, but he has a temper that ignites without warning. Gyllenhaal is able to become intense and unhinged whenever Danny loses control of the situation, which is quite often over the course of 136-minutes.
The action thriller is dripping with what has either made you a fan of Michael Bay’s work or made you despise the Los Angeles born filmmaker for the majority of his career. The editing of the film is spastic and frenetic. There doesn’t seem to be a single sequence that lasts longer than eight seconds before cutting to another angle.
There are several references to other Michael Bay films in Ambulance; The Rock, 13 Hours, Armageddon, and Pearl Harbor. There’s also stuff you’d expect to find in a Michael Bay film like countless explosions and extravagant car wrecks. The film also seems to recycle the rotating camera Bay utilized in Bad Boys to highlight intense conversations between Will and Danny when they’re not confined to being inside the ambulance.
Despite working with a screenwriter whose first screenwriting credit is this film, Ambulance has writing that feels like it was something Bay produced over a decade ago. The dialogue feels extremely outdated and juvenile as characters walk this thin line between cringey humor and being downright sexist or racist. It feels like Bay was trying to feature a strong, independent woman in Ambulance with Cam. She's a competent single woman who is good at her job and doesn’t have to rely on anyone for anything. But the reveal of why she’s cold and remorseless is entirely cliché. The male characters have no real character development either though as their defining quality is that they all want to fight each other any chance they possibly get.
The Will character is also written in a way that is insulting and kind of offensive. So because he served his country he can get away with robbing a bank, shooting a cop, and participating in and driving the getaway vehicle during a massive car chase? He has a wife and daughter and his wife needs “experimental surgery” for an undisclosed illness and we’re supposed to root for this guy? Are we really this dumb?
It couldn’t be a film set in Los Angeles without someone making a reference to how terrible drivers are in LA. The secondary storylines don’t make sense or are just a complete waste of time. That conversation Danny has with his assistant about futbol/soccer and the lawn flamingos was obviously something extremely relevant to the overall story of the film. A cop also tries to ask out a bank teller while the bank is being robbed and literally doesn’t notice. We also have these other massively relevant and not pointless at all story points; bringing a dog to a car chase, Danny joking about walking around with herpes, and performing surgery in the back of an ambulance while stopping the bleeding with a hair clip.
Revoke Michael Bay’s license to utilize drones in his films. Every outside sequence seemed to have the same establishing shot of the camera flying up into the air turning around and zooming back down towards the ground. The camera in this film never stops moving. That combined with the film’s brutal rapid fire editing style will have you wanting to barf long before Danny calls upon the cartel for back up.
Buried deep within Ambulance’s loud, flashy action, sickening editing, overstimulated filming techniques, and a screenplay that seems like it was fished out of a port-a-potty is a somewhat thrilling action film. Jake Gyllenhaal is a cashmere obsessed lunatic that you can’t help but love, but Ambulance is a gaudy and sloppy excuse of an action film otherwise.
Suswatibasu (1701 KP) rated Life (2017) in Movies
Aug 30, 2017
Curiosity killed the...
Okay, so the concept has been done a hundreds times before. It's Alien meets Gravity. Except the creature itself is not even remotely close to the beauty that was Giger's original alien, this seems to be mass of white gloop with a face of some kind. I did have to keep fast forwarding bits, because predictably there was a bit of G-force-related bloodshed. The acting from the usual A-listers Jake Gyllenhaal and Ryan Reynolds was obviously as good as expected. But the storyline was ultra thin, to the point that I had forgotten where the creature had randomly appeared from. There is a twist at the end - however, it's pretty foreseeable given how much emphasis is put on the "final plan". Not going to go down in any sci-fi history books, that's for certain.