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    Zero-G

    Zero-G

    Rob Boffard

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    Book

    'Never lets up, from the nerve-jangling beginning to the explosive end' James Douglas on Tracer...

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Diego V (43 KP) rated The Shawshank Redemption (1994) in Movies

Mar 24, 2019  
The Shawshank Redemption (1994)
The Shawshank Redemption (1994)
1994 | Drama
10
9.2 (123 Ratings)
Movie Rating Watch
The story is amazing showing how prison life is for some of the inmates from Shawshank and Andy dealing with it. (3 more)
The characters like Andy, Red, Samuel, and Byron are memorable. Andy is a character we want to see succeed as well as Red with his charm. While Samuel the warden and Byron the guard are ruthless.
The acting from Tim Robbins, Morgan Freeman, Bob Gunton, Clancy Brown, and James Whitmore do an amazing job with their acting and making the characters memorable
The production design from the Shawshank Prison is rally great and the music is amazing.
Nothing I can think of. (0 more)
Shawshank Redemption
The film has a great story, memorable characters, incredible acting, and impressive production design as well as amazing music. This is one of the best films I have ever seen and I watch it whenever it comes on and I also have the DVD. If you’re a fan of Stephen King this movie will make you satisfied as well as non Stephen King fans who never read his books like me.
  
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David Byrne recommended track Give Up the Funk (Tear the Roof off the Sucker) by Parliament in Get Funked Up!: The Ultimate Collection by Parliament in Music (curated)

 
Get Funked Up!: The Ultimate Collection by Parliament
Get Funked Up!: The Ultimate Collection by Parliament
2000 | Rock
(0 Ratings)
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Give Up the Funk (Tear the Roof off the Sucker) by Parliament

(0 Ratings)

Track

"In Talking Heads, the record collection was filled with Hamilton Bohannon, James Brown, Roxy Music, Funkadelic, and P-Funk, that whole world. George Clinton and his whole crazy P-Funk philosophy was great; they were doing these kind of spectacles. As we kept making records, they evolved into more rhythmic affairs, kind of weird, white-person funk. We decided that in order to represent this music live onstage, we needed to recruit some real funkers into the band. The size of the band pretty much doubled. It was a big, nervy thing to do, and it was a mess at first. But man, was it fun. In this period, I decided to formalize the tour into a show that became Stop Making Sense. And that was about as far as we could go with that idea. It liberated me musically, but also as a person. The music was a lot more ecstatic, almost trance-y; you could get lost in it, way more than you could when it’s just a four piece."

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