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Awix (3310 KP) rated Charade (1963) in Movies

Feb 27, 2018 (Updated Feb 27, 2018)  
Charade (1963)
Charade (1963)
1963 | Classics, Comedy, Drama
8
8.3 (6 Ratings)
Movie Rating
Effervescent Hitchcock pastiche. Audrey Hepburn and Cary Grant spar and fall in love while attempting to discover the whereabouts of a stolen fortune; James Coburn and George Kennedy are amongst the killers also taking an interest in the cash.

Film's main plus points are its ingeniously convoluted script, practically guaranteed to keep the viewer guessing, and sparkling dialogue, which Grant and Hepburn put across every bit as well as you would expect. Film also has a touch of grit in the thriller elements, as well. A highly polished piece of escapist entertainment; classy in every department. Almost certainly showing on a video-sharing website near you (Universal mucked up the copyright notice and the film has been in the public domain ever since it was first released).
  
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Sarah (126 KP) Jul 19, 2018

I had no idea about the copyright notice on this film!
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BankofMarquis (1832 KP) rated Charade (1963) in Movies

Nov 15, 2020  
Charade (1963)
Charade (1963)
1963 | Classics, Comedy, Drama
8
8.3 (6 Ratings)
Movie Rating
The best Hitchcock film NOT Directed by Hitchcock
What do you get when you cross Cary Grant (NORTH BY NORTHWEST) with Audrey Hepburn (BREAKFAST AT TIFFANY'S) and a cavalcade of interesting faces like Walter Matthau (GOODBYE CHARLIE), James Coburn (THE GREAT ESCAPE), George Kennedy (IN HARM'S WAY) and Ned Glass (WEST SIDE STORY), put them in an exotic European location (this time, mostly, Paris) and have all of them chasing each other for a missing $250,000?

You have the best Alfred Hitchock film NOT Directed by Alfred Hitchcock.

Based on a story by Peter Stone, and Directed by Stanley Donen (SINGIN' IN THE RAIN), CHARADE is a throwback film, that shows the scramble for power and wealth in the beginnings of the cold war in Europe as a woman (Hepburn) searches for answers after her husband shows up deceased and she is instantly besieged by a bevy of mugs looking for some missing loot.

It's a fun and interesting whoddunnit and "whereisit"? With a central plot/love story hinging on the relationship between the Grant and Hepburn characters. And...this is where Charade succeeds greatly as the chemistry between the two is strong, thanks to the smart, forward-thinking idea of having Hepburn as on top of her game as Grant is of his. She is no "damsel in distress", but rather a worthy sparring partner for Grants (and the other mugs).

Of course, it doesn't hurt that Hepburn is dressed - impeccably - by Edith Head in stunning Givenchy outfits all set to the music of Henry Mancini.

Speaking of mugs, they don't get more character-y to look at than Matthau, Coburn, Kennedy and Glass and they all are terrific in their roles as shadowy, sinister figures who are after something that they think Hepburn has...but she just might not have it.

Beautifully shot by Donen in Paris of the early 1960's, this film captures a bygone era and a real feeling of a romanticized and glamorous Europe. This is interesting characters doing interesting things in an interesting way in an interesting place.

And...I'm glad all of this is interesting, for if you stopped for a moment to think about the plot - or the rather languid pace of this film - then Charade would lose quite a bit of it's luster and appeal.

But, fortunately for me, I didn't do that. I sat and immersed myself in these characters, settings and circumstances and was rewarded with a very entertaining evening brought to the screen by master players who know what they are doing.

Letter Grade: A-

8 Stars (out of 10) and you can take that to the Bank (ofMarquis)
  
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Allison Anders recommended Charade (1963) in Movies (curated)

 
Charade (1963)
Charade (1963)
1963 | Classics, Comedy, Drama
8.3 (6 Ratings)
Movie Favorite

"The longer I live and the more movies I know, the more I love Stanley Donen. However, I fell in love with this film as a child. I went to see it because—well, because I saw everything that came to the Paramount Theater (or the Capitol) in Ashland, Kentucky. But I was especially primed for loving this movie because I was enamored of Audrey Hepburn as Holly Golightly—I had seen that movie ten times the previous year. But Charade was a very different movie from Breakfast at Tiffany’s, and for a little girl—and for that time—it was very violent, and it scared the hell out of me so much that I thought James Coburn was in my closet at night, and I made my mother go with me to check if he was there before bedtime. Nevertheless, I went back for more every weekend until its run was over. I loved the witty romance between Cary Grant and Audrey, and I loved Paris as much as I had loved New York in Breakfast at Tiffany’s. And the mystery works! And I loved that so much I went back again and again, even if it scared the pee outta me. On the DVD, director Stanley Donen and screenwriter Peter Stone banter amusingly from a long friendship together on the long process it took to make this film. Stone makes the great observation that when you write a mystery, you make it for a second viewing. And if the audience says, “That’s a cheat,” then you didn’t do it right. But if they see it a second time and say, “Oh, it was there all the time, and I didn’t see it,” then you have something. This film has all that and more—i.e., the best clothes ever!"

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