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Merissa (11731 KP) created a post
Nov 12, 2020
Rob Fuller (19 KP) rated Boston Legal - Season 1 in TV
Jul 16, 2017
Flawless Drama
This show doesn't need a long review - it's too perfect. Too funny. Too clever. the chemistry between James Spader and William Shatner as Alan and Denny respectively draws you in and makes you wish they were your buddies, that you could hang out with them on the penthouse office balcony, talking philosophically about life with a cigar in one hand and a fine scotch whiskey in the other. The cast is superb and the writing brilliant...Thank you David E Kelly et al.
Whatchareadin (174 KP) rated Two From the Heart in Books
May 10, 2018
This book is divided into two short stories. The first is about Anne McWilliams. She lives on the beach in North Carolina, where she has lived for the past few years following a divorce from her husband. She is an old school photographer, so when a hurricane moves through and takes out half of her house that includes her darkroom, she is beyond devastated. Instead of dealing with the mess, she decides to travel the country and take new pictures and hear the stories of the people that go with those stories. How will this journey change the rest of her life?
In the second story, Tyler Bron is a millionaire, who, on paper, appears to have it all. But in reality, he has never had a life. Always focused on himself and getting to the top of his career field. He has no friends, only work colleagues who he really knows nothing about. So he hires a writer, Damian Crane to write a new life for him. But will Tyler be able to handle all that life has to offer?
This is a newer James Patterson novel released earlier this year. On my quest to read all of his stand alone books, I'm giving this on 3.5 stars. I enjoyed the stories and the one about Tyler was the most interesting to me. Each main character is at a point in their lives, where they need to make some changes in order to continue to live. I think that Tyler makes the most extreme change of all.
Even though James Patterson pumps out several books a year, he is still one of my favorites and I enjoy reading his books. I always know I can finish one of his books in 2-3 days and it will hold my attention.
In the second story, Tyler Bron is a millionaire, who, on paper, appears to have it all. But in reality, he has never had a life. Always focused on himself and getting to the top of his career field. He has no friends, only work colleagues who he really knows nothing about. So he hires a writer, Damian Crane to write a new life for him. But will Tyler be able to handle all that life has to offer?
This is a newer James Patterson novel released earlier this year. On my quest to read all of his stand alone books, I'm giving this on 3.5 stars. I enjoyed the stories and the one about Tyler was the most interesting to me. Each main character is at a point in their lives, where they need to make some changes in order to continue to live. I think that Tyler makes the most extreme change of all.
Even though James Patterson pumps out several books a year, he is still one of my favorites and I enjoy reading his books. I always know I can finish one of his books in 2-3 days and it will hold my attention.
BankofMarquis (1832 KP) rated Hamilton (2020) in Movies
Jul 5, 2020
Captures the power of being in "the room where it happens"
I'll just cut to the chase, the filmed version of the mega-hit stage musical HAMILTON (now streaming on Disney+) is terrific. If you are one of the few that have not seen this, check it out - you'll be glad you did.
I could go on and on about the Pulitzer-Prize winning show, the script, the music, the performances and/or the cross-cultural casting - all of which works to perfection, but what separates this film from the other hit Broadway shows that are converted to film is how well that the filmmakers were able to translate the power of being inside the theater during a live performance of this show.
Credit, of course, needs to go to the visionaries responsible for this show, creator/writer/star Lin-Manuel Miranda and Director Thomas Kail. They realized pretty early on (when the show was becoming the phenomenon that it has become) that they wanted to preserve this event for future generations, so started making plans to film the show - in High Def - with an audience and without an audience (for close-ups). In June 2016, about a month before the original cast started leaving the show (and right after the show won 11 Tony Awards), they spent $10 million to capture the show - with live audiences on Sunday and Tuesday and then spent the rest of Sunday night and all day Monday doing close-ups and crane shots to augment the action.
The results are outstanding. The wide-shots show the breadth of the production - showing the strong, Tony Award winning choreography by Andy Blankenbuehler, the unique, minimal and highly versatile set, the Tony Award winning costumes by Paul Tazewell and the Lighting Design that earned Howell Blinkley a Tony. All of these are showcased in this film - special note should be made about the Lighting that needed to be tweaked on the spot for the filming.
As for the close-ups, they showcase the wry smile and comedic delight that Tony winner Daveed Diggs shows in his roles as Lafayette/Jefferson, the power and sorrow of Tony Award winner Renee Elise Goldsberry - her spotlight number SATISFIED is as "perfect" a musical number as you will ever see. The powerful acting of Leslie Odom, Jr. as Aaron Burr (who won the Tony as Best Actor over Lin-Manuel's performance as Hamilton) as well as terrific supporting turns by the likes of Anthony Ramos (Lawrence/Phillip), Chris Jackson (showing real leadership as George Washington) and Okieriete Onaodwoan as Hercules Mulligan (one of my absolute favorite characters in this show)./James Madison.
Special note should be made to Jonathan Groff's portrayal of King George III - it is, basically, a cameo role, but he is filmed with such tight close-ups (showing spittle rolling down has chin as he sings) that marvelously juxtaposes King George's real emotions with that of the words he is speaking.
But, of course, the real star is Lin-Manuel Miranda - the genius creative force behind Hamilton. Interestingly enough, I thought his performance was the weakest of the lead cast (don't get me wrong, he was still excellent - just not "as excellent" as some of the others). His true vision, of course, was to tell the story of "the people of that era" as told by "the people of our era".
That is the true genius of Hamilton.
Letter Grade: A+
10 stars out of 10 (can I turn this up to 11)?
I could go on and on about the Pulitzer-Prize winning show, the script, the music, the performances and/or the cross-cultural casting - all of which works to perfection, but what separates this film from the other hit Broadway shows that are converted to film is how well that the filmmakers were able to translate the power of being inside the theater during a live performance of this show.
Credit, of course, needs to go to the visionaries responsible for this show, creator/writer/star Lin-Manuel Miranda and Director Thomas Kail. They realized pretty early on (when the show was becoming the phenomenon that it has become) that they wanted to preserve this event for future generations, so started making plans to film the show - in High Def - with an audience and without an audience (for close-ups). In June 2016, about a month before the original cast started leaving the show (and right after the show won 11 Tony Awards), they spent $10 million to capture the show - with live audiences on Sunday and Tuesday and then spent the rest of Sunday night and all day Monday doing close-ups and crane shots to augment the action.
The results are outstanding. The wide-shots show the breadth of the production - showing the strong, Tony Award winning choreography by Andy Blankenbuehler, the unique, minimal and highly versatile set, the Tony Award winning costumes by Paul Tazewell and the Lighting Design that earned Howell Blinkley a Tony. All of these are showcased in this film - special note should be made about the Lighting that needed to be tweaked on the spot for the filming.
As for the close-ups, they showcase the wry smile and comedic delight that Tony winner Daveed Diggs shows in his roles as Lafayette/Jefferson, the power and sorrow of Tony Award winner Renee Elise Goldsberry - her spotlight number SATISFIED is as "perfect" a musical number as you will ever see. The powerful acting of Leslie Odom, Jr. as Aaron Burr (who won the Tony as Best Actor over Lin-Manuel's performance as Hamilton) as well as terrific supporting turns by the likes of Anthony Ramos (Lawrence/Phillip), Chris Jackson (showing real leadership as George Washington) and Okieriete Onaodwoan as Hercules Mulligan (one of my absolute favorite characters in this show)./James Madison.
Special note should be made to Jonathan Groff's portrayal of King George III - it is, basically, a cameo role, but he is filmed with such tight close-ups (showing spittle rolling down has chin as he sings) that marvelously juxtaposes King George's real emotions with that of the words he is speaking.
But, of course, the real star is Lin-Manuel Miranda - the genius creative force behind Hamilton. Interestingly enough, I thought his performance was the weakest of the lead cast (don't get me wrong, he was still excellent - just not "as excellent" as some of the others). His true vision, of course, was to tell the story of "the people of that era" as told by "the people of our era".
That is the true genius of Hamilton.
Letter Grade: A+
10 stars out of 10 (can I turn this up to 11)?