"This was my album of 1974, although it came out in 1973. I guess I was always catching up with Frank Zappa. The first album by him that I bought was Hot Rats, and I found that a rather irritating album of not very evolved guitar playing. Frank was a bit of a one-trick pony as a guitarist, but as a musician, arranger and bandleader of the traditional sort, he was at the top of the tree, although he wasn’t unique as a bandleader. There were by then other bandleaders in rock, blues and soul groups like BB King, James Brown and in England John Mayall. In America, Frank Zappa and Captain Beefheart were bandleaders of an apparently tough-cookie nature, although everyone who worked with Frank seems to have revered him as a musician and a person."

"I was later than James on Public Enemy, he’d be copying all the raps. You’d go down his house and he’d be rapping ‘It Takes A Nation Of Millions’ to the record, like I’d be singing along to Ian McCulloch, which was really disconcerting - he really nailed it. I guess <>i>Fear Of A Black Planet is the bigger, more obvious album but it just felt like the rap equivalent of London Calling to me. It was really extensive and scattershot, obviously ‘Fight The Power’ was the main point of entry, but ‘Burn Hollywood Burn’ and ‘Who Stole The Soul?’ in particular are some of the best angry lyrics ever written. It felt like some sort of peak. I love the idea of NWA being the nihilistic, horrible Sex Pistols and Public Enemy being The Clash. I always loved those comparisons, and that album reminded me of a time when you thought things were possible. Before you were defeated."

"As a band I love their vibe, the way they look and interact – all with their own little character going on. But I’m obsessed with [lead singer] Brittany Howard. There’s something about Brittany that puts fire in my soul. She reminds me of Etta James, Ann Peebles – she’s so fucking full of soul, overflowing, dripping, that I almost can’t handle it. On their most recent album [Sound & Color], there’s a song called Don’t Wanna Fight. Brittany comes in with a scream: “YOOOOOOOOOOOW!” I’d love to experiment more with my own voice like that. She’s exceptional, she blows my mind. I almost want to start playing the electric guitar, just to be more like her. Back in 2013, she was in the next-door dressing room at the Grammys. We were both getting ready – I think I was putting on my Spanx – and we met. It turned out she’d brought her grandmother to the Grammys. My love went even deeper for her at that point."