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Fifty Shades of Grey (2015)
Fifty Shades of Grey (2015)
2015 | Romance
remember thinking, after reading the first couple of chapters of Fifty Shades of Grey two years ago, “Is this guy a vampire?” E.L. James’ description of Christian Grey brought to mind Edward of the Twilight series and the heroine, Anastasia Steele’s clumsy entrance into Grey’s office reminded me of Bella. I was so certain I would find out Grey was a vampire in the following chapters.

So it wasn’t too much of a surprise for me when I learned the book started out as Twilight fan fiction. The hero and heroine were clearly patterned after Bella and Edward. So whenever someone asked me what the book was about, I would tell them, “It’s an awfully written Twilight with a lot of sex and some bondage and spanking. “ That being said, I’m hardly a book snob. I’ll read just about anything, and while I may complain the whole time, I’ll finish the series if one exists. But even casual readers should be able to recognize badly written fiction when it smacks them in the face like Fifty Shades of Grey.

When I heard they were making a movie, I figured it would be a Rated R or NC-17 version Twilight. I played the game along with other millions of women on who should be the leads. I picked Anna Kendrick and Ian Somerhalder. I wasn’t too disappointed with the actual picks (I think that required actually caring), but the trailers did not endear Dakota Johnson to me at all. On the way to the screener, I joked with my husband, Gareth, that I expected to see Dakota Johnson and Jamie Dornan doing a lot of gasping or scowling with mouth agape since that seemed to be their go-to reactions in the book. (James is fond of writing about jaw-drops and sharp intakes of breath in her books).

I had to make him promise to refrain from making Mystery Science Theater 3000 commentary during the movie, but within the first 5 minutes he recognized some landmarks and leaned over to ask “Wait. She went to WSU?” When I nodded, Gareth, a proud UW Husky, leaned back, shook his head and muttered, “Already disappointed.” We both actually enjoyed seeing the Seattle backdrop, all shiny and urbane, at least in Grey’s world. I thought Gareth was talking about the ridiculousness of Christian Grey’s wealth when he whispered, “This movie is so full of it.” I raised my eyebrows at him and he said, “You know you can’t find parking that easily in Seattle.”

Being familiar with the books, I knew what to expect and for the most part, director Sam Taylor-Johnson, greatly improved on weak source material. Dakota Johnson was a pleasant surprise, making Anastasia smart, witty and much more relatable than the book Ana. Jamie Dornan was very easy to look at. Listening to? Not so much. It’s been reported that E. L. James’ insisted the dialogue from her books remain unchanged. One wonders if she also insisted Dornan deliver his parts as if he were reading her book. Reluctantly and under great duress.

Fans of the books will notice a few changes, and of course it won’t be as graphic as the book, but there are at least 25 minutes of steamy scenes. All in all, this may be one of those rare times the movie is better than the book. Like the books, now that I’m invested, I will watch the next two in the trilogy. Mainly thanks to Dakota Johnson. If nothing else, I have to give Fifty Shades of Grey credit for inspiring passion – in debates about abusive relationships, true BDSM and the age-old bad boy vs. good men attraction. I don’t think I’ve engaged in this many debates with friends and coworkers about a non-sci-fi movie before. It could very well inspire all kinds of other passion for those who give in and escort their significant other to this movie this weekend. But hopefully, unlike the leads in the movie, those inspired will reach a satisfying finish rather than a stylized fade-out to the morning after.
  
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BackToTheMovies (56 KP) rated No Saints for Sinners (2011) in Movies

Jun 12, 2019 (Updated Jun 12, 2019)  
No Saints for Sinners (2011)
No Saints for Sinners (2011)
2011 | Action
5
5.0 (1 Ratings)
Movie Rating
Low Budget Flick That Really Hits Home
Before watching this film I was very skeptical. Many low budget films really do disappoint. Numerous bouts of bad acting, no real plot-lines of note, nothing to keep the viewer hooked. But I thought id give this film the benefit of the doubt.


After viewing it I sat back and thought wow, a low budget film that doesn't actually suck!


Rick Crawford is Irish born so naturally the accent comes easy enough to him, the other cast I know for a fact weren't all Irish so their accents seemed a bit forced and unnatural. Apart from that I thought the film was a highly engaging and entertaining spectacle.


 Rick Crawford plays a great part supported by 2 industry Powerhouses in the form of Keith David ( There's Something About Mary) and James Cosmo (Troy, Braveheart). The action and fighting scenes are gritty, the storyline doesn't drop off, its simplistic and easy to watch and the film plays out at a much higher standard than the budget would suggest.


 I really enjoyed this film personally and I've re-watched it since as I liked it that much. A must buy for action junkies or crime fans. The plot depth and script held the film back for the most part and I imagine budget did play a part when it comes to the rather cheap action sequences but I couldn't complain too much.


Whilst this film is far from perfect it's still well worth a watch. 10/10 for effort but a mediocre 5/10 for overall purposes.
  
Show all 6 comments.
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Ross (3284 KP) Jun 12, 2019

Yes it is a 5 now.

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BackToTheMovies (56 KP) Jun 12, 2019

Brilliant! Cheers

Irish Meadows (Courage to Dream, #1)
8
9.0 (2 Ratings)
Book Rating
Romance, drama and faith can be found on every page of Irish Meadows. Delve into the pages of this book and get lost on Long Island, 1911.

 In order to save his farm from complete ruin, James O'Leary pressures his family to do what they have to do in order to save their home. His daughters, Brianna and Coleen, have very different plans for their future however. Brianna wishes to further her education by attending college. And Coleen is content to marry, as long as the man in questions meets her standards. Gilbert Whelan, who has practically been adopted by the O'Learys, returns and Brianna begins to question her outlook on her future. While Rylan Montgomery, a distant cousin attending seminary, sends Coleen's heart on a wild ride. Will they live the life that James has dictated for them? Or will they have the courage to dream?

 Irish Meadows had me riding an emotional roller coaster from beginning to end. This book is packed with dramatic events that left me frustrated, yet I kept turning the page in hopes that everything would work out for the best. I am going to need a couple of days for my emotions to settle down. While reading this book, I was reminded of how crucial it is to keep in mind the effects our actions have on others. Are we acting with other people's best interest in mind? Or are we only concerned with furthering our own ambitions and goals? And most importantly, are we keeping God at the center of our decisions? I really enjoyed Susan's first historical novel. And I am looking forward to the second book A Worthy Heart coming 2016.

I received a free copy of Irish Meadows from Susan Anne Mason and Bethany House Publishers for promotional purposes. I was not required to post a positive review. All opinions expressed are mine alone.
  
Annabelle Comes Home (2019)
Annabelle Comes Home (2019)
2019 | Horror, Mystery, Thriller
Annabelle's Horror Doesn't Live Up To The Hype In Her Homecoming
Annabelle is a 2019 supernatural/horror movie written and directed by Gary Dauberman and from screenplay co-written by James Wan. The film was alos produced by James Wan and Peter Safran and by New Line Cinema, Atomic Monster Productions and The Safran Company and distributed by Warner Bros. Pictures. The movie stars Mckenna Grace, Madison Iseman, Katie Sarife, Patrick Wilson, and Vera Farmiga.


Four years after Ed (Patrick Wilson) and Lorraine Warren (Vera Farmigia) brought the Annabelle doll into their home, they leave Mary Ellen (Madison Iseman), a babysitter, in charge of their daughter, Judy (Mckenna Grace) while they investigate a case overnight. Mary Ellen's friend Daniela (Katie Sarife), sneaks into the artifact when she comes over uninvited and accidentally leaves Annabelle's glass case unlocked causing the terror that ensues.


This movie was pretty good. I liked it and thought that it was genuinely scary in certain parts for a PG-13 movie, but then afterwards I looked it up and saw that it was rated R. I don't feel that this movie lived up to its potential, it being rated R and also being in The Conjuring franchise. The plot felt very loose and not very put together and instead of being about the couple, it centered on their daughter. This I felt definitely made it feel a little scarier since she has none of the experience and knowledge of her parents when it comes to fighting these evil forces but I felt the audience was robbed of a better story the franchise could have told with the parents not really being involved at all. Also I felt that they tried to add too many ghosts/characters for one movie, which was kind of cool in certain ways but also seemed less because of it. All in all, if you like The Conjuring franchise you'll like this movie and I give it a 6/10.
  
I remember a few years back I read a book, before I read the first in this 'Conquest' series [b:Sworn Sword|20684800|Sworn Sword A Novel|James Aitcheson|https://s.gr-assets.com/assets/nophoto/book/50x75-6121bf4c1f669098041843ec9650ca19.png|39982373], which told of (some of) the events of 1066 from the English rather than Norman perspective.

Why do I bring that up? Because the main character of that book - Hereward, known today with the sobriquet 'The Wake' - also appears in this, and is indeed a central character in roughly the first half or so.

That part of the book deals with King Guillaime (William, aka (today) 'The Conqueror') campaign to crush the last(?) of the English resistance to his conquest in the fen country, with Tancred (as always) playing a central role in doing so. Following their eventual success, however, and for plot reasons I am not going to go into here, Tancred finds himself on the run from his former Lord, traveling to Dyfflin (Dublin) in pursuit of his lost love, leading to him allying himself with the most unlikely of allies and launching an assault upon a Dane who has holed up in the Northern Isles.

This, I felt, is another great read in the series: I will be picking up the next when it comes out!
  
Ready Player Two
Ready Player Two
Ernest Cline | 2020 | Fiction & Poetry, Science Fiction/Fantasy
5
4.7 (3 Ratings)
Book Rating
This is a direct sequel to Ready Player One, picking up not soon after the events of that previous novel.

It also follows the same characters, told in the same first person point of view as previous - I must admit, I initially found that a bit jarring, as I would have expected (with a title such as it is) that it would follow a different character - after all, how often IRL is Player Two the same person as Player One in a computer game?

Anyway, Wade Watts.

Still an obsessed geek; still fan-worshipping the creator of the Oasis James Halliday (at least initially). However, with the release of new technology by the company he now owns that not only allows its user to control an avatar, but to *feel* like they actually are that person - sight, taste, hearing, sensations and all - and with further experiences (I don't want to give too much away), Watts finds his hero-worshipping lessening somewhat.

If I'm honest, I did also find parts of this novel to drag somewhat, especially in the lengthy section where Cline goes into great detail around the Oasis world dedicated to 'The Artist Formerly Known as Prince' (which just made me uncomfortable). I also had to shake my head at just how some of the characters behaved ...

(yes, I know they're not real. Still need to to be believable, though!)
  
Kingsman: The Secret Service (2015)
Kingsman: The Secret Service (2015)
2015 | Mystery
Taron Egerton Excels in the Lead Role (3 more)
Samuel Jackson Makes a Memorable Villain
Stylized Action & Humor Abounds
Intriguing, Well-Written Story
A Bit Off-Color at Times (0 more)
R-Rated Homage to Classic James Bond
If you've ever thought that only problem with James Bond is a lack of black humor and bloody violence, then Kingsman: The Secret Service. Essentially, it does for the spy genre what Kick-Ass did for the superhero genre (oddly enough, Mark Strong stars in both movies). It's a wild and very fun ride; each scene feels fun and exciting. One in particular is most memorable to me, where graphic violence is used to an extreme inside a Westboro Baptist-type Church. I do feel a bit bad for anyone drawn in by the promise of Colin Firth alone though (particularly older folks), they may be more than a little shocked by what they witness.
  
Two-Lane Blacktop (1971)
Two-Lane Blacktop (1971)
1971 | Classics, Drama
7.5 (2 Ratings)
Movie Favorite

"It’s probably not cool to admit you don’t quite get a cult movie. But it’s probably better than trying to act cool by pretending you really dig a movie that you don’t fully understand. There are several other films on the Criterion label that I could expound on sincerely and endlessly: Life of Brian, Robocop, Straw Dogs, Hard Boiled, and The Red Shoes, for example. Instead, for the eleventh movie in my top ten, I would like to include a film that has become something of an intangible Magic Eye picture for me: Monte Hellman’s Two-Lane Blacktop. There is no movie that I have watched more often in an attempt to unpeel and unravel it. I have seen the film many times, first on Alex Cox’s BBC2 series Moviedrome, once at the theater, and many times in this very Criterion edition. Hell, I even visited some of the locations on a Route 66 trip. Still, I’ll admit that the movie is an endearing puzzle for me. I may not be the right age or nationality to fully crack the enigma of this movie, but the fact that I haven’t stopped trying in twenty-three years has to stand for something. Ryan O’Neal’s character from The Driver and Kowalski from Vanishing Point I feel I can race alongside, but James Taylor and Dennis Wilson always seem way ahead of me, their Chevy a mirage in a heat haze. But the fact that I’m talking about it now and waxing lyrical over it means that it has got under my skin in a way that other movies haven’t. And I will continue to pursue this film, even if I never quite catch up."

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