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Darwin
Charles Darwin and Philip Appleman
Book
The impact of Charles Darwin's work on Western civilization has been broad and deep. As much as...
The Great British Dream Factory: The Strange History of Our National Imagination
Book
'Delightfully good ...an exuberant and learned celebration of British culture ...full of love for...
A Quiet Kind of Thunder
8.0
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Steffi doesn't talk. Rhys can't hear. They understand each other perfectly. Love isn't always a...
Jesters_folly (230 KP) rated Furious 7 (2015) in Movies
Jun 21, 2021
5 years after Fast and Furious 6 and following on from Fast and Furious: Tokyo Drift (F&F 3), Hobbs, Dom and his family find themselves under attack from a new enemy. Deckard Shaw, brother of Owen Shaw (from Fast and Furious 6) is out for revenge and Dom and co need to find him before he finds them, unfortunately the only way to do this is to is to rescue the inventor of a of top spy device.
Fast and Furious 7 takes the team into the realms of James Bond as they team up with a shadow ops team and, to match the ramped up story line the action is bigger with more guns, missiles and fist fights but less street racing.
Unlike most of the other films there is no set up for a sequel, due to the fact that Paul Walker, the actor who plays Brian O'Conner died during the making of it so the film end on a high note , giving Brian a good, Happy ending.
Even though we are now on the 7th film about car racing I can say that the franchise is still entertaining. Even though the same characters are in most of the films they manage to keep entertaining and don't feel like the same thing being done over and over, part of this is due to the increasingly over the top action and storylines and the fact that, at least some of the characters have growth through out the franchise.
Furious 7 is bigger and louder than the previous films, not only with the fights and chases but also with the stunts and still delivers what you would expect so if you liked the others then you can't go wrong with this.
Fast and Furious 7 takes the team into the realms of James Bond as they team up with a shadow ops team and, to match the ramped up story line the action is bigger with more guns, missiles and fist fights but less street racing.
Unlike most of the other films there is no set up for a sequel, due to the fact that Paul Walker, the actor who plays Brian O'Conner died during the making of it so the film end on a high note , giving Brian a good, Happy ending.
Even though we are now on the 7th film about car racing I can say that the franchise is still entertaining. Even though the same characters are in most of the films they manage to keep entertaining and don't feel like the same thing being done over and over, part of this is due to the increasingly over the top action and storylines and the fact that, at least some of the characters have growth through out the franchise.
Furious 7 is bigger and louder than the previous films, not only with the fights and chases but also with the stunts and still delivers what you would expect so if you liked the others then you can't go wrong with this.
LoganCrews (2861 KP) rated Giant (1956) in Movies
Sep 20, 2020
"๐๐ฐ๐ธ ๐ฉ๐ฆ'๐ด ๐ต๐ฐ๐ฐ ๐ณ๐ช๐ค๐ฉ ๐ต๐ฐ ๐ฌ๐ช๐ญ๐ญ."
Out with the old, in with the new - for good and ill. Just a phenomenal epic in every way, doesn't feel a second of its gargantuan 201 minute runtime and honestly I wouldn't have minded another 201 minutes. Might very well be the best of its kind - a towering masterclass in K.O. acting (everyone is staggeringly great of course but James Dean gives what might unquestionably be the best performance of the 1950s), compelling characters, a laundry list of weighty (and still timely) themes (including but not limited to culture shock, classism, racial bigotry, sexism, toxic masculinity, parental selfishness, the intrinsic oppression that comes with capital or the lack thereof, and how we cope with the never-ending passage of time) handled with an uncommon sensitivity for the time, stunning cinematography, one hell of a grouping of period atmospheres, and no shortage of subversion. Just chock full of countless memorable quotes and damn good scenes one fired right after the other for almost three and a half hours. Comes temptingly close but not quite seamless, my biggest gripe is that with all this time we still never really get to see any of these couples *fall* in love - some of course had to be that way, sure (i.e. Hudson and Taylor as they reconcile with the trials of a whirlwind romance) but what about any of the others? Also has a couple arguably problematic tidbits, but honestly they're still far trumped by its sheer amount of nuance and perceptiveness - its willingness to confront itself, and the way it depicts time as an anomaly - stagnant one moment then stealthy the next. The only thing more fearsome than the years is yourself.
Out with the old, in with the new - for good and ill. Just a phenomenal epic in every way, doesn't feel a second of its gargantuan 201 minute runtime and honestly I wouldn't have minded another 201 minutes. Might very well be the best of its kind - a towering masterclass in K.O. acting (everyone is staggeringly great of course but James Dean gives what might unquestionably be the best performance of the 1950s), compelling characters, a laundry list of weighty (and still timely) themes (including but not limited to culture shock, classism, racial bigotry, sexism, toxic masculinity, parental selfishness, the intrinsic oppression that comes with capital or the lack thereof, and how we cope with the never-ending passage of time) handled with an uncommon sensitivity for the time, stunning cinematography, one hell of a grouping of period atmospheres, and no shortage of subversion. Just chock full of countless memorable quotes and damn good scenes one fired right after the other for almost three and a half hours. Comes temptingly close but not quite seamless, my biggest gripe is that with all this time we still never really get to see any of these couples *fall* in love - some of course had to be that way, sure (i.e. Hudson and Taylor as they reconcile with the trials of a whirlwind romance) but what about any of the others? Also has a couple arguably problematic tidbits, but honestly they're still far trumped by its sheer amount of nuance and perceptiveness - its willingness to confront itself, and the way it depicts time as an anomaly - stagnant one moment then stealthy the next. The only thing more fearsome than the years is yourself.
Matthew Krueger (10051 KP) rated Casper (1995) in Movies
Oct 27, 2020
Bill Pullman (1 more)
Christina Ricci
Friendly Ghost
Casper- is a hallloween classic. Its funny, spooky, entertaining and above all a great movie.
The plot: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey (Bill Pullman) arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat (Christina Ricci). Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The film makes extensive use of computer-generated imagery to create the ghosts, and it is the first feature film to have a fully CGI character in the lead role. It goes for a much darker interpretation of the Friendly Ghost in comparison to the comics, cartoons, and films of the previous years, especially with its theme of death, most notably providing the character a tragic backstory that addresses his death.
In the mirror scene, Dr. Harvey was also supposed to transform into Spielberg. According to director Silberling, the cameo was filmed, but was cut for pacing reasons. Spielberg was relieved, feeling that he is not much of an actor himself and was quite nervous in front of the camera.
It was just strange to see all of those cameos, i felt like thier were just a wink to the audience of whom ever was watching. Like ohh their Dan Aykroyd and ohh their is Mel Gibson and ohh look Cilent Eastwood. The problem is this is films audience is for children, so children wouldnt even know who those people are.
Other than that its a great film.
The plot: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey (Bill Pullman) arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat (Christina Ricci). Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The film makes extensive use of computer-generated imagery to create the ghosts, and it is the first feature film to have a fully CGI character in the lead role. It goes for a much darker interpretation of the Friendly Ghost in comparison to the comics, cartoons, and films of the previous years, especially with its theme of death, most notably providing the character a tragic backstory that addresses his death.
In the mirror scene, Dr. Harvey was also supposed to transform into Spielberg. According to director Silberling, the cameo was filmed, but was cut for pacing reasons. Spielberg was relieved, feeling that he is not much of an actor himself and was quite nervous in front of the camera.
It was just strange to see all of those cameos, i felt like thier were just a wink to the audience of whom ever was watching. Like ohh their Dan Aykroyd and ohh their is Mel Gibson and ohh look Cilent Eastwood. The problem is this is films audience is for children, so children wouldnt even know who those people are.
Other than that its a great film.
Kirk Bage (1775 KP) rated Terminator: Dark Fate (2019) in Movies
Jan 22, 2021
If there is a better example of a tired franchise that needs to be left alone now, then The Terminator brand is it. Messing about with time-lines and alternate realities should be a blank canvas for creativity, as it was in the first two James Cameron sci-fi classics, but for three films in a row it has been a confusing, preposterous recipe for action movie disaster. Where all three Terminator films since T2 are letting us down is in trying to crowbar too much narrative into too little space, whilst favouring the CG fight sequences over any other aspect of story or character. Basically, the writers, directors and marketing machines of all three have killed them in the starting blocks. What started out as a mind-blowing commentary on fate and survival has become a lazy excuse for cheesy one liner delivery and re-hashed action sequences devoid of true tension.
I prefer this to Genysis, but donโt like it quite as much as Salvation, although all three are awful messes really. It is cute to see Linda Hamilton return after so long, but truthfully did anyone really need it? She is fine, if largely unmemorable here, as is Arnie, who phones it in as usual. But the latest Terminator itself, aka Gabriel, is boring and brings little new to the table. What is worth applauding is the commitment to the role of Grace by Mackenzie Davis, who kicks ass in every scene and also acts everyone else out of the ballpark. As a whole it isnโt as bad as you might fear it would be, but it still isnโt great. Watch it only if you are a Terminator completist or you really donโt have anything else to do.
I prefer this to Genysis, but donโt like it quite as much as Salvation, although all three are awful messes really. It is cute to see Linda Hamilton return after so long, but truthfully did anyone really need it? She is fine, if largely unmemorable here, as is Arnie, who phones it in as usual. But the latest Terminator itself, aka Gabriel, is boring and brings little new to the table. What is worth applauding is the commitment to the role of Grace by Mackenzie Davis, who kicks ass in every scene and also acts everyone else out of the ballpark. As a whole it isnโt as bad as you might fear it would be, but it still isnโt great. Watch it only if you are a Terminator completist or you really donโt have anything else to do.
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