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Casino Royale Vintage 007
Casino Royale Vintage 007
Ian Fleming | 2012 | Fiction & Poetry
4
4.0 (1 Ratings)
Book Rating
The very first James Bond (now a cultural phenomenon) book, and I'm sorry, but - much like the most recent Bond film of the same name - it's very hard to make high stakes gambling interesting or exciting (without being personally involved).

And that's the crux of this book: British (not-so) secret Agent James Bond is chosen to go undercover to bankrupt Le Chiffre in gambling at the Casino Royale of the title.

THis Bond is also quite 'hard', more akin to the Bond of the Dalton or Craig era of the films than to that of (say) the Moore era or - my favourite - the Brosnan era. As the first novel in the series, this also highlights to Bond just how cold the spy game an be, with the inclusion of Vesper Lynd: one of only two female's in his (literary) life who have such an impact on him.

While the prose does flow well enough, and the novel is short enough not to out-stay it's welcome, it none-the-less failed to ignite any desire in me to hunt down any other of Ian Fleming's Bond novels: I'm not going to avoid them (or say no if I come across them), but neither I am going to actively hunt them out.
  
You Only Live Twice (1967)
You Only Live Twice (1967)
1967 | Action, Mystery

"That would have to be a James Bond film, and then I was trying to think of what my favorite one would be. And I guess it would probably be You Only Live Twice. Mr. Connery. Even though I really like Roger Moore, too. I mean I liked all the Bonds, honestly. Including the newest, Mr. Craig. He’s fantastic. But yeah, You Only Live Twice. It takes place in Japan as a part of it, and you’ve got Blofeld, Spectre, the classic villains, and the whole thing with the volcano that’s really a secret lair. And you’ve got Russia and the United States. You know, it’s huge in scope. And I don’t know, it’s this great classic Bond to me, and a great song, a great theme song. I think the first time I saw it, I definitely saw it on TV. I’m not sure what year it came out, but I may not have even been born yet when that came out. I mean my first exposure to James Bond was absolutely on television. And then my first one to see in the theater, which I also love, is The Spy Who Loved Me. That was pretty exciting. That was the first Bond I saw at a movie theater."

Source
  
The Man with the Golden Gun (1974)
The Man with the Golden Gun (1974)
1974 | Action, Drama
Ninth James Bond film was rush-released to consolidate Roger Moore in the role, also to cash in on fad for kung fu movies at the time; forms part of the 'British civil servant travels by seaplane to sun-obsessed Christopher Lee's private island in search of missing girl, finds Britt Ekland waiting' movement of 1973-4. Bond must engage in battle of wits with triple-nippled assassin Scaramanga. Then-topical subplot about energy crisis trundles along in the background.

Not bad instance of Bond franchise as pure genre movie; decent fights and chases, but only one moment that really deserves a place on the 'best of Bond' showreel (the corkscrew bridge jump). Christopher Lee barely breaks a sweat as the best actor in the movie. Slightly sleazy atmosphere (in places it resembles a softcore porn movie with the sex edited out); you can kind of see why one of the original producers thought the series had run out of steam and departed before the next one.
  
LA
Live and Let Die (James Bond, #2)
4
4.0 (1 Ratings)
Book Rating
"When you were young, and your heart was an open book,
You used to say live and let live
(you know you did you know you die you know you did)
But in this ever changing world in which we live in
Makes you give in and cry ...
Live and let die ..."

(cue guitar riff)

With that out of the way - Paul McCartney and Wings, later covered by Guns 'N Roses - Live and Let Die is the second James Bond book by Ian Fleming, but the eighth film in the series, and the first to star Roger Moore in the lead role.

And reading it with contemporary eyes, boy has it aged. Quite different than the movie - although the key elements (vodoo, Baron Samedi, Solitaire, American southwest setting) are intact, it can also be quite uncomfortable reading this with modern sensibilities, particularly in how Flemings (and Bond) treats the female characters, and in how the Harlem culture and denizens are portrayed.

Allowances must be made, I suppose, for the time period in which it was written ...