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Matthew Krueger (10051 KP) rated Oliver & Company (1988) in Movies
Mar 12, 2020
Cats and Dogs
This is a intesting fact that i didnt realze until now, that James Mangold wrote the screenplay for this movie.
The plot: In this animated update of the classic "Oliver Twist" tale, Oliver (Joey Lawrence) is an orphaned kitten taken in by a gang of thieving dogs, led by cavalier canine Dodger (Billy Joel) and owned by down-and-out pickpocket Fagin (Dom DeLuise). While pulling a job in the streets of New York City, Oliver winds up being adopted by a rich girl, Jenny (Natalie Gregory), and landing on easy street. But through a series of events, a loan shark threatens the peaceful new arrangement.
This is one of the weirdest cast ever. You have Joey Lawerence, Billy Joel, Cheech Marin and Bette Midler. Such a weird cast.
Other than that, its a good movie.
The plot: In this animated update of the classic "Oliver Twist" tale, Oliver (Joey Lawrence) is an orphaned kitten taken in by a gang of thieving dogs, led by cavalier canine Dodger (Billy Joel) and owned by down-and-out pickpocket Fagin (Dom DeLuise). While pulling a job in the streets of New York City, Oliver winds up being adopted by a rich girl, Jenny (Natalie Gregory), and landing on easy street. But through a series of events, a loan shark threatens the peaceful new arrangement.
This is one of the weirdest cast ever. You have Joey Lawerence, Billy Joel, Cheech Marin and Bette Midler. Such a weird cast.
Other than that, its a good movie.
Merissa (11584 KP) rated In Due Time (Time #2) in Books
Jun 19, 2023
IN DUE TIME is the second book in the Times series and we continue with Tatum as she tries to sort out the world and its problems! You probably could read this as a standalone but I think it is definitely worth reading book one first as it will give you smaller details that help make this story so good.
This book helps to bring further elements of the paranormal world into the story, including human shapeshifters, vampires, and witches. Leo acts like a jerk but claims ignorance (pfft, I sort of get it, but still…) Oliver also finds his true mate (which I loved) and James and Nat have rocky times (because James lost his path.) As much as Tatum sorts something out, something else comes along to cause her worry and stress. We also find out more about Tatum and her past, and her connection with Oliver's true mate, which was great! Can I just add, I loved the bit with Lexly!
A thoroughly enjoyable addition to the series and I look forward to reading Adina's story.
Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 19, 2023
This book helps to bring further elements of the paranormal world into the story, including human shapeshifters, vampires, and witches. Leo acts like a jerk but claims ignorance (pfft, I sort of get it, but still…) Oliver also finds his true mate (which I loved) and James and Nat have rocky times (because James lost his path.) As much as Tatum sorts something out, something else comes along to cause her worry and stress. We also find out more about Tatum and her past, and her connection with Oliver's true mate, which was great! Can I just add, I loved the bit with Lexly!
A thoroughly enjoyable addition to the series and I look forward to reading Adina's story.
Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 19, 2023
Darren (1599 KP) rated 100 Bloody Acres (2013) in Movies
Jun 20, 2019
Story: 100 Bloody Acres starts as we meet one of the brothers Reg (Herriman) who is a part of an organic fertiliser business, after Reg picks up a dead body, he finds himself drawn into picking up three hitchhikers, Sophie (McGahan), James (Ackland) and Wes (Kristian) who are heading to a music festival for a binge filled weekend.
Once Reg arrives back to his brother Lindsay (Sampson) the hapless brothers must decide to kill the three to continue to produce the highly popular fertiliser and keep their reputation up or let them go.
Thoughts on 100 Bloody Acres
Characters/Performance – Reg is the simple-minded brother who is always out to impress his brother, he brings the victims back to the factory. Lindsay is the brains of the act and he must clean up the mess Reg has left him in. He will go through with any killing. Sophie is the main reason Reg stops, she is travelling with her boyfriend but been cheating on him with their other friend. James just believes he is going to have the life he planned with Sophie. Wes is the traveller who enjoys a drug or two finding himself high through the whole film.
Performance wise, Damon and Angus are both good as the brother showing good chemistry as they do come off very different. Anna, Oliver and Jamie are all fine in the victim roles without coming off as interesting characters.
Story – The story has moments that feel fresh in places but in the main it is all just another version of group of travellers get taken by isolated people who must fight to survive or become the latest victims. It has good moments but doesn’t end up being the most memorable story in the genre.
Comedy/Horror – The comedy is good in places and does add to all the events of the film as it is almost what could go wrong does go wrong. The horror works in places too as we get the gore from it.
Settings – The Australian outback always makes for a good setting as we know how isolated the places are when it comes to the horror.
Special Effects – The effects work when needed without being used too often, the highlights come from the wild trip Wes is going through.
Final Thoughts – You want to see an Australian version of Tucker & Dale versus Evil, then this is for you but it doesn’t quite live up to the levels of that one.
Overall: Enjoyable horror comedy.
https://moviesreview101.com/2017/10/18/movie-reviews-101-midnight-halloween-horror-100-bloody-acres-2012/
Once Reg arrives back to his brother Lindsay (Sampson) the hapless brothers must decide to kill the three to continue to produce the highly popular fertiliser and keep their reputation up or let them go.
Thoughts on 100 Bloody Acres
Characters/Performance – Reg is the simple-minded brother who is always out to impress his brother, he brings the victims back to the factory. Lindsay is the brains of the act and he must clean up the mess Reg has left him in. He will go through with any killing. Sophie is the main reason Reg stops, she is travelling with her boyfriend but been cheating on him with their other friend. James just believes he is going to have the life he planned with Sophie. Wes is the traveller who enjoys a drug or two finding himself high through the whole film.
Performance wise, Damon and Angus are both good as the brother showing good chemistry as they do come off very different. Anna, Oliver and Jamie are all fine in the victim roles without coming off as interesting characters.
Story – The story has moments that feel fresh in places but in the main it is all just another version of group of travellers get taken by isolated people who must fight to survive or become the latest victims. It has good moments but doesn’t end up being the most memorable story in the genre.
Comedy/Horror – The comedy is good in places and does add to all the events of the film as it is almost what could go wrong does go wrong. The horror works in places too as we get the gore from it.
Settings – The Australian outback always makes for a good setting as we know how isolated the places are when it comes to the horror.
Special Effects – The effects work when needed without being used too often, the highlights come from the wild trip Wes is going through.
Final Thoughts – You want to see an Australian version of Tucker & Dale versus Evil, then this is for you but it doesn’t quite live up to the levels of that one.
Overall: Enjoyable horror comedy.
https://moviesreview101.com/2017/10/18/movie-reviews-101-midnight-halloween-horror-100-bloody-acres-2012/
Bob Mann (459 KP) rated Call Me by Your Name (2017) in Movies
Sep 29, 2021
Of lazy Italian summer nights.
It took me two sittings on different transatlantic flights to get through Luca Guadagnino’s much vaunted coming of age film. And I accept that this piecemeal approach might not have enhanced my opinion of the movie. Because I’m going to upset some of you who claimed it to be your “film of the year” last year. While I enjoyed it, it certainly didn’t grab me like that.
What I will admit is that the film is gloriously sun-drenched and atmospheric, set as it is in the countryside around Crema in northern Italy. Shut your eyes and you can almost smell the olive trees and the bolognese simmering on the stove.
You have to hand it to them: the film just reeks of Italian class.
The story, set in 1983, concerns the 17 year-old musical prodigy Elio (Timothée Chalamet, “Lady Bird“, “Interstellar“) who, with his good looks, has the opportunity to seduce his fair share of Italian babes, specifically the gorgeous Marzia (Esther Garrel) who has the hots for him. Although not one to look a gift vagina in the mouth, Elio is sexually conflicted and finds himself increasingly drawn, romantically, to the dashing and cock-sure 24-year old American visitor Oliver (Armie Hammer, “Free Fire“, “The Man From U.N.C.L.E.“): a feeling that is, initially, reluctantly returned.
Love unrequited. Lady in red Marzia (Esther Garrel) – will she be eventually told to get on her bike?
The Oscar-winning screenplay by James Ivory (he of Merchant and Ivory production fame) is rich and deep with lines that roll off the actors’ tongues like syrup. The action also includes the most inappropriate use of foodstuffs since “American Pie” (and presumably that went in the bin afterwards!).
Family times around the dinner table can get exceptionally loud.
The drama is slow and drawn-out, so action-film fans will be asleep within the first 30 minutes. That wasn’t a problem for me…. it is a film in which you can really soak up the atmosphere. And it exquisitely explores the genuine pain of first love.
The pain of first love.
But what I’m afraid I really couldn’t relate to was Elio’s action about half-way through the film. In the main, he acts as a typically introspective and sensitive teenager, slightly awkward and bashful in approaching sexual matters. But then in a pivotal scene he makes a daring move which – to me – seemed completely out of character. This rather threw me, and I never really got my equilibrium back with the movie after that.
Elio and Oliver…. with Elio about to do something out of character.
It’s no doubt a finely crafted film. The sex scenes are beautifully shot and could never be accused of veering towards the pornographic. But I’m honestly not sure it’s a film that gripped me enough to seek it out to watch again in the future. (Sorry CMBYN lovers!)
What I will admit is that the film is gloriously sun-drenched and atmospheric, set as it is in the countryside around Crema in northern Italy. Shut your eyes and you can almost smell the olive trees and the bolognese simmering on the stove.
You have to hand it to them: the film just reeks of Italian class.
The story, set in 1983, concerns the 17 year-old musical prodigy Elio (Timothée Chalamet, “Lady Bird“, “Interstellar“) who, with his good looks, has the opportunity to seduce his fair share of Italian babes, specifically the gorgeous Marzia (Esther Garrel) who has the hots for him. Although not one to look a gift vagina in the mouth, Elio is sexually conflicted and finds himself increasingly drawn, romantically, to the dashing and cock-sure 24-year old American visitor Oliver (Armie Hammer, “Free Fire“, “The Man From U.N.C.L.E.“): a feeling that is, initially, reluctantly returned.
Love unrequited. Lady in red Marzia (Esther Garrel) – will she be eventually told to get on her bike?
The Oscar-winning screenplay by James Ivory (he of Merchant and Ivory production fame) is rich and deep with lines that roll off the actors’ tongues like syrup. The action also includes the most inappropriate use of foodstuffs since “American Pie” (and presumably that went in the bin afterwards!).
Family times around the dinner table can get exceptionally loud.
The drama is slow and drawn-out, so action-film fans will be asleep within the first 30 minutes. That wasn’t a problem for me…. it is a film in which you can really soak up the atmosphere. And it exquisitely explores the genuine pain of first love.
The pain of first love.
But what I’m afraid I really couldn’t relate to was Elio’s action about half-way through the film. In the main, he acts as a typically introspective and sensitive teenager, slightly awkward and bashful in approaching sexual matters. But then in a pivotal scene he makes a daring move which – to me – seemed completely out of character. This rather threw me, and I never really got my equilibrium back with the movie after that.
Elio and Oliver…. with Elio about to do something out of character.
It’s no doubt a finely crafted film. The sex scenes are beautifully shot and could never be accused of veering towards the pornographic. But I’m honestly not sure it’s a film that gripped me enough to seek it out to watch again in the future. (Sorry CMBYN lovers!)
Sarah (7798 KP) rated The Lion King (2019) in Movies
Jul 31, 2019
Lacking in heart
The Lion King is one of my all time favourite Disney films, so I approached this 'live action' remake with a lot of trepidation, and I'm afraid to say I was right to be worried.
Visually it looks stunning, which shouldn't really be a surprise as it has been brought to us by the same guys that did The Jungle Book. However I'm afraid the visuals are pretty much all this film has going for it. This film is virtually a carbon copy of the original animation but with all of the heart, soul and humour taken out of it. The problem with these Disney live action remakes is they're unnecessary and stuck in a difficult position - differ too much from the original and people hate it, but sticking too close to the original and it begs the question as to why not just watch the original? It's more difficult for The Lion King as it's gone from being cartoon animation to CGI animation and apart from looking more natural, that's the only real difference.
They've lost virtually all of the magic that made the original great in the first place. The humour either falls flat due to the poor execution, or has been removed and replaced with something much less witty and funny. I mean, where was dress in drag & do the hula?! I dont think the voice cast helps. Other than Chiwetel Ejiofor and of course James Earl Jones, the rest of the voice cast just seemed ridiculously out of place and ill fitting with the film. I cringed every time I heard Zazu as Jon Oliver is definitely no Rowan Atkinson! And dont even get me started on Beyonce. We really didnt need her horrific versions of songs thrown in too. Although the rest of the songs did at least make the rest of the film more bearable.
Altogether despite the stunning CGI, this is a very poor copy of the original and definitely one I wont be watching again - just stick to the original.
Visually it looks stunning, which shouldn't really be a surprise as it has been brought to us by the same guys that did The Jungle Book. However I'm afraid the visuals are pretty much all this film has going for it. This film is virtually a carbon copy of the original animation but with all of the heart, soul and humour taken out of it. The problem with these Disney live action remakes is they're unnecessary and stuck in a difficult position - differ too much from the original and people hate it, but sticking too close to the original and it begs the question as to why not just watch the original? It's more difficult for The Lion King as it's gone from being cartoon animation to CGI animation and apart from looking more natural, that's the only real difference.
They've lost virtually all of the magic that made the original great in the first place. The humour either falls flat due to the poor execution, or has been removed and replaced with something much less witty and funny. I mean, where was dress in drag & do the hula?! I dont think the voice cast helps. Other than Chiwetel Ejiofor and of course James Earl Jones, the rest of the voice cast just seemed ridiculously out of place and ill fitting with the film. I cringed every time I heard Zazu as Jon Oliver is definitely no Rowan Atkinson! And dont even get me started on Beyonce. We really didnt need her horrific versions of songs thrown in too. Although the rest of the songs did at least make the rest of the film more bearable.
Altogether despite the stunning CGI, this is a very poor copy of the original and definitely one I wont be watching again - just stick to the original.
Bob Mann (459 KP) rated The Invisible Man (2020) in Movies
Jan 9, 2021
Elisabeth Moss - excellent performance (1 more)
Slowly creeping tension - clever camera work
Have you seen "The Invisible Man"?
Cecilia Kass (Elisabeth Moss) is trapped in a highly controlling and violent relationship with technology mogul Adrian Griffin (Oliver Jackson-Cohen). Escaping from his fortress-like home, she lives in fear of his retribution. So she is much relieved, if a little surprised, at the report of his suicide. Now living with old friend James Lanier (Aldis Hodge) and his teenage daughter Sydney (Storm Reid), Cecilia can finally start to relax. But as strange things start to happen, is the ghost of Griffin back to haunt her? Or is it really all in her rapidly disintegrating mind, as her sister Emily (Harriet Dyer) and James suspect?
Australian writer/director Leigh Whannell is famous as the writer behind the "Saw" and "Insidious" franchises. So he knows a thing or two about crafting horror movies. And in this Blumhouse production, after a clever attention-grabbing opening, he really takes his time in building an understanding of Cecilia's mental state. When things start to happen, they happen so stealthily that I needed to hit the rewind button a couple of times (no cinema experience for this one I'm afraid). Cinematographer Stefan Duscio keeps slowly panning away from Cecilia across the room to show empty corridors before slowly panning back again. It's superbly effective and was comprehensively creeping me out!
When the set action pieces do occur then they are satisfactorily exciting, albeit wildly implausible. I did not see some of the "Surprises" coming, making them jolt-worthy. And the denouement really delivered for me, reminiscent of Hitchcock's style.
Now most famous for "Mad Men" and "The Handmaids Tale" on TV, Elisabeth Moss has delivered a range of impressive film performances including in "High Rise" and - as most closely related to this role - in "Girl, Interrupted" as mental patient Lisa. It's a star turn, no doubt about it.
This movie was intended by Universal to be part of the "Dark Universe" series. But the Tom Cruise flop "The Mummy" unfortunately put paid to that. Which is a great shame. If they'd started with this one, then they might have had a hit on their hands. With a post-credits "monkey" (there isn't one in this movie by the way) they could have lined up into the follow-up movie and started the ball rolling.
It's a rollicking action flick that had my attention throughout. However, the initial question it poses - haunting, 'all in the mind' or something else - gets clarified a little too early for me (and - note - is spoiled by the trailer), so the movie falls short of being a classic for that reason.
There's one aspect of the movie that really irritated me. And that is that there was no credit whatsoever for the idea of H.G. Wells that originated this story. There's a discussion of that here: since Wells died in 1946, his copyright will have expired on his works 70 years later. This is definitely NOT a retelling of his story, but in reusing the novel's title it would seem at least 'polite' to include a "Based on an idea by H.G. Wells" in the credits somewhere.
All in all, this is still a bit of a B-movie, but its a bloody good one! Utterly preposterous at times, and with decision-making that would feel at home within the Trump presidency, it's an entertaining rollercoaster of a movie. Definitely comes with a "recommended" from me and I'll look forward to a re-watch at some point.
For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/01/09/have-you-seen-the-invisible-man/ .
Australian writer/director Leigh Whannell is famous as the writer behind the "Saw" and "Insidious" franchises. So he knows a thing or two about crafting horror movies. And in this Blumhouse production, after a clever attention-grabbing opening, he really takes his time in building an understanding of Cecilia's mental state. When things start to happen, they happen so stealthily that I needed to hit the rewind button a couple of times (no cinema experience for this one I'm afraid). Cinematographer Stefan Duscio keeps slowly panning away from Cecilia across the room to show empty corridors before slowly panning back again. It's superbly effective and was comprehensively creeping me out!
When the set action pieces do occur then they are satisfactorily exciting, albeit wildly implausible. I did not see some of the "Surprises" coming, making them jolt-worthy. And the denouement really delivered for me, reminiscent of Hitchcock's style.
Now most famous for "Mad Men" and "The Handmaids Tale" on TV, Elisabeth Moss has delivered a range of impressive film performances including in "High Rise" and - as most closely related to this role - in "Girl, Interrupted" as mental patient Lisa. It's a star turn, no doubt about it.
This movie was intended by Universal to be part of the "Dark Universe" series. But the Tom Cruise flop "The Mummy" unfortunately put paid to that. Which is a great shame. If they'd started with this one, then they might have had a hit on their hands. With a post-credits "monkey" (there isn't one in this movie by the way) they could have lined up into the follow-up movie and started the ball rolling.
It's a rollicking action flick that had my attention throughout. However, the initial question it poses - haunting, 'all in the mind' or something else - gets clarified a little too early for me (and - note - is spoiled by the trailer), so the movie falls short of being a classic for that reason.
There's one aspect of the movie that really irritated me. And that is that there was no credit whatsoever for the idea of H.G. Wells that originated this story. There's a discussion of that here: since Wells died in 1946, his copyright will have expired on his works 70 years later. This is definitely NOT a retelling of his story, but in reusing the novel's title it would seem at least 'polite' to include a "Based on an idea by H.G. Wells" in the credits somewhere.
All in all, this is still a bit of a B-movie, but its a bloody good one! Utterly preposterous at times, and with decision-making that would feel at home within the Trump presidency, it's an entertaining rollercoaster of a movie. Definitely comes with a "recommended" from me and I'll look forward to a re-watch at some point.
For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/01/09/have-you-seen-the-invisible-man/ .
Lee (2222 KP) rated The Invisible Man (2020) in Movies
Mar 2, 2020
Right off the bat, this latest remake of the classic H.G. Wells story shows us just how suspenseful it can be. It’s the middle of the night and a wide-awake Cecilia (Elizabeth Moss) quietly climbs out of bed so as not to disturb her sleeping partner Adrian (Oliver Jackson-Cohen). It quickly becomes apparent that she has been waiting and planning for this moment to leave him for some time now, and she is absolutely terrified of waking him up. She creeps through their spacious modern glass home, gathering some of her belongings and occasionally checking a mobile feed of the CCTV camera that she has re-positioned in order to see Adrian asleep in bed. Already the tension is unbearable, and we’re only a few minutes into the movie!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
EmersonRose (320 KP) rated The Eye of the World (Wheel of Time, #1) in Books
Nov 20, 2019
“As the Wheel of Time turns, places wear many names. Men wear many names, many faces. Different faces, but always the same man. Yet no one knows the Great Pattern the Wheel weaves, or even the Pattern of an Age. We can only watch, and study, and hope.”
― Robert Jordan, The Eye of the World
There is perhaps nothing more magical than finding yourself fully immersed in a story. The first book in The Wheel of Time series, The Eye of the World, creates a full world of places, histories, species, religions, and myths. Robert Jordan first introduces you to the simple town of Emonds Field and the characters that live there. Then he takes us with those characters to explore a vast and more complex world. We are taken on a journey through different cities and meet a variety of people including meeting strange creatures and beings with strange, magical powers. Including Trollocs, Aes Sedai, Warders, and Myddraal. Jordan has an extraordinary ability to create intriguing mythologies for his world and creating species that have fully formed cultures and politics.
But before I get too far ahead of myself let us start with Robert Jordan. He is an American 31ulybtb-yl-_ux250_author from South Carolina, whose real name is James Oliver Rigney, JR. He lived from 1948 to 2007. He wrote books in many genres including fantasy, historical fiction, western and dance criticism each under a different pen name. The first book in his The Wheel of Time series was published in 1990. He was able to finish eleven books in the series before he passed, leaving his extensive notes to renowned novelist Brandon Sanderson who wrote the last three books of the series, finishing in 2013.
Personally, when reading a book, the most important thing for me is to become invested in at least one of the characters. Once I am, I’m completely dedicated to the book. Robert Jordan has a large group of main characters and switches perspective between them throughout their journey. Picking out a single main character is very difficult, Rand al’Thor might be the closest but Matrim (Mat) Cauthon and Perrin Aybara and possibly Egwene al’vere and Nynaeve al’Meara create the central cast. They are the natives of Emonds Field before their adventures take them journeying to places unknown. Each of them is special and through the course of the book, you uncover the power each has. What is amazing is how Jordan is able to make you care deeply for each character and while he is switching perspective you never find yourself, bored. This is impressive for often in novels that switch perspective there is that one storyline you do not care about. Upon finishing the first book I can honestly say that I do not have a single favorite out of the group but love them all and care about what will happen to them next.
My one issue with the book came with frustration at what I call Tolkien Naming Syndrome. With such a mass of characters it is not surprising that some names start to sound similar but like Arwen and Eowyn there are two females with feelings for one of the boys whose names are oddly similar Elayne and Egwene with other female names rhyming such as Moiraine and Morgase while the male names tend to sound different and are thus easier to keep apart and remember. Depending on what you want in a story, the other thing that keeps this book from being unique is the black and white stance on good vs. evil. The two sides are clear and do not leave much room for the morally grey.
The book offers a great mix of solved mysteries while leaving you with an abundance of questions to make you need to continue reading the story. It truly is an epic adventure story. Fulfilling the good vs. evil battling and grand adventures and meeting strange creatures and discovering new magic. While it might not have the grand battles of Lord of the Rings it has the magical journey and strange adventures that create the amazing epic fantasy novel. I plan on reading the next book soon and highly recommend this book to fantasy readers as it offers great characters, an amazing world and interesting rules on magic.
― Robert Jordan, The Eye of the World
There is perhaps nothing more magical than finding yourself fully immersed in a story. The first book in The Wheel of Time series, The Eye of the World, creates a full world of places, histories, species, religions, and myths. Robert Jordan first introduces you to the simple town of Emonds Field and the characters that live there. Then he takes us with those characters to explore a vast and more complex world. We are taken on a journey through different cities and meet a variety of people including meeting strange creatures and beings with strange, magical powers. Including Trollocs, Aes Sedai, Warders, and Myddraal. Jordan has an extraordinary ability to create intriguing mythologies for his world and creating species that have fully formed cultures and politics.
But before I get too far ahead of myself let us start with Robert Jordan. He is an American 31ulybtb-yl-_ux250_author from South Carolina, whose real name is James Oliver Rigney, JR. He lived from 1948 to 2007. He wrote books in many genres including fantasy, historical fiction, western and dance criticism each under a different pen name. The first book in his The Wheel of Time series was published in 1990. He was able to finish eleven books in the series before he passed, leaving his extensive notes to renowned novelist Brandon Sanderson who wrote the last three books of the series, finishing in 2013.
Personally, when reading a book, the most important thing for me is to become invested in at least one of the characters. Once I am, I’m completely dedicated to the book. Robert Jordan has a large group of main characters and switches perspective between them throughout their journey. Picking out a single main character is very difficult, Rand al’Thor might be the closest but Matrim (Mat) Cauthon and Perrin Aybara and possibly Egwene al’vere and Nynaeve al’Meara create the central cast. They are the natives of Emonds Field before their adventures take them journeying to places unknown. Each of them is special and through the course of the book, you uncover the power each has. What is amazing is how Jordan is able to make you care deeply for each character and while he is switching perspective you never find yourself, bored. This is impressive for often in novels that switch perspective there is that one storyline you do not care about. Upon finishing the first book I can honestly say that I do not have a single favorite out of the group but love them all and care about what will happen to them next.
My one issue with the book came with frustration at what I call Tolkien Naming Syndrome. With such a mass of characters it is not surprising that some names start to sound similar but like Arwen and Eowyn there are two females with feelings for one of the boys whose names are oddly similar Elayne and Egwene with other female names rhyming such as Moiraine and Morgase while the male names tend to sound different and are thus easier to keep apart and remember. Depending on what you want in a story, the other thing that keeps this book from being unique is the black and white stance on good vs. evil. The two sides are clear and do not leave much room for the morally grey.
The book offers a great mix of solved mysteries while leaving you with an abundance of questions to make you need to continue reading the story. It truly is an epic adventure story. Fulfilling the good vs. evil battling and grand adventures and meeting strange creatures and discovering new magic. While it might not have the grand battles of Lord of the Rings it has the magical journey and strange adventures that create the amazing epic fantasy novel. I plan on reading the next book soon and highly recommend this book to fantasy readers as it offers great characters, an amazing world and interesting rules on magic.
Gareth von Kallenbach (962 KP) rated The Lion King (2019) in Movies
Jul 11, 2019
It seems recently that the Disney vault has exploded with the release of several of their classic animated films being remade. Unfortunately, the classics that have inspired these remakes have been redone with mixed results. The original The Lion King was released back in 1994 and it’s hard to believe that I was a junior in college when I saw it. Since that time, we’ve seen various iterations of the classic story, a few direct to VCR sequels and the awe-inspiring Broadway stage production (which if you are a serious fan of the movie I encourage you to see). It seems odd to discuss the plot of a movie that I’m certain everyone reading this has seen at least once (or a dozen times over). To the uninformed however, The Lion King is about a young cub named Simba (JD McCrary as the young voice and Donald Glover as the adult) who suffers the tragic loss of his father Mufasa (James Earl Jones) at the paws of his evil uncle Scar (Chiwetel Ejiofor). Scar convinces Simba that he is responsible for his father’s death and that he must leave the pride and never return. With the help of his faithful friends Timon (Billy Eichner), the lovable warthog Pumbaa (Seth Rogen), the ever wise Zazu (John Oliver) and his budding queen Nala (Beyoncé’) he learns that true courage comes from within and realizes he must face Scar if he is ever to bring peace back to the Pride Lands.
Given the recent track record, I wasn’t sure if this was going to be a retelling of the story as I remembered it, or a re-imagining of the story as a whole (and yes there is a difference). Thankfully, I can say that The Lion King draws practically all of its inspiration directly from the animated classic. Director Jon Favreau (who had already wowed audiences when he directed The Jungle Book) brings the same heart-warming, tear jerk moments that we all know and love. While he certainly didn’t take any risks with The Lion King, that’s exactly what made it such a pleasure to behold. He understood that there was no need to change the story into something new or try to make it something it shouldn’t be. True, for those who have seen the animated film it will feel incredibly familiar, but I think that’s exactly what fans are looking for. Changes and risks don’t always make a movie better, and The Lion King is a prime example of not breaking something that works.
The real star of the show however isn’t the actors, nor it’s incredible director, but the technology that went behind bringing our favorite felines to life. Disney refers to this as a “photo real movie”. The technology behind it merges both new and old together to bring the animals to life, indistinguishable from their real-life counterparts. Utilizing VR, animation and mixed with live action film-making it is practically impossible to distinguish what is live and what is animated. The character models have come a far way from the original Jumanji, which was heralded back in 1995 for it’s use of computer animated animals that supposedly looked and felt like the real thing. While Disney has always made great strides to make their computer-generated animals look and feel real (much like the absolutely stunning Jungle Book) The Lion King takes this to an entirely different level altogether.
Disney has done what has seemed practically impossible lately, bringing a classic back to the screen without changing what made the original such a classic. Unlike some of their more recent attempts, The Lion King holds true to the source material which has delighted fans for over 25 years. While the story doesn’t bring anything particularly new to the table, the photo realistic lions and their supporting cast feel as fresh as they ever have. If you aren’t a fan of the classic animated movie, The Lion King won’t necessarily change that, however the imagery alone may be reason enough to see it. I hope Disney takes note of this movie in particular, that fans don’t need a re-imagining of the stories that captivated our youths to bring the magic back. The Lion King is a testament to how the Disney classic still holds up today, and how to make something old feel new again.
http://sknr.net/2019/07/11/the-lion-king/
Given the recent track record, I wasn’t sure if this was going to be a retelling of the story as I remembered it, or a re-imagining of the story as a whole (and yes there is a difference). Thankfully, I can say that The Lion King draws practically all of its inspiration directly from the animated classic. Director Jon Favreau (who had already wowed audiences when he directed The Jungle Book) brings the same heart-warming, tear jerk moments that we all know and love. While he certainly didn’t take any risks with The Lion King, that’s exactly what made it such a pleasure to behold. He understood that there was no need to change the story into something new or try to make it something it shouldn’t be. True, for those who have seen the animated film it will feel incredibly familiar, but I think that’s exactly what fans are looking for. Changes and risks don’t always make a movie better, and The Lion King is a prime example of not breaking something that works.
The real star of the show however isn’t the actors, nor it’s incredible director, but the technology that went behind bringing our favorite felines to life. Disney refers to this as a “photo real movie”. The technology behind it merges both new and old together to bring the animals to life, indistinguishable from their real-life counterparts. Utilizing VR, animation and mixed with live action film-making it is practically impossible to distinguish what is live and what is animated. The character models have come a far way from the original Jumanji, which was heralded back in 1995 for it’s use of computer animated animals that supposedly looked and felt like the real thing. While Disney has always made great strides to make their computer-generated animals look and feel real (much like the absolutely stunning Jungle Book) The Lion King takes this to an entirely different level altogether.
Disney has done what has seemed practically impossible lately, bringing a classic back to the screen without changing what made the original such a classic. Unlike some of their more recent attempts, The Lion King holds true to the source material which has delighted fans for over 25 years. While the story doesn’t bring anything particularly new to the table, the photo realistic lions and their supporting cast feel as fresh as they ever have. If you aren’t a fan of the classic animated movie, The Lion King won’t necessarily change that, however the imagery alone may be reason enough to see it. I hope Disney takes note of this movie in particular, that fans don’t need a re-imagining of the stories that captivated our youths to bring the magic back. The Lion King is a testament to how the Disney classic still holds up today, and how to make something old feel new again.
http://sknr.net/2019/07/11/the-lion-king/