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Tim Booth recommended Fun House by The Stooges in Music (curated)

 
Fun House by The Stooges
Fun House by The Stooges
1970 | Punk, Rock
8.9 (9 Ratings)
Album Favorite

"A year after the punk gig debacle, when the school banned me from organising outings to gigs, I went to the housemaster about an Iggy Pop gig in Manchester. I explained that Iggy wasn't technically a punk and had been around ten years longer than punk music. I asked him if I could organise a trip to see the show and, very reluctantly, he agreed to me taking five people, as long as I could find a teacher to drive us there. I tried every single teacher in school and everybody turned me down, except the school organist, Mr Parks. God bless him. He had been in a boarding school himself, went to Cambridge and then back to playing classical organ for a choir at another boarding school. He had no experience of life and when he talked to you, he would never look you in the eye. He was a very damaged, sweet human being. And I persuaded the poor fucker to take us to see Iggy Pop at Manchester Apollo. Iggy, fresh out of a psychiatric hospital, who was playing the Lust For Life tour. We knew when we got there that we had to ditch Mr Parks quickly or he would yank us out of the gig. We got the venue and we ditched him. Iggy came on, covered in blood and with a devil's tail between his legs, fucked out of his mind, and throughout the show, his own security would pick him up off the floor and prop him against the mike. He would crawl into the audience and the bouncers were so terrified that they were attacking anyone. I was punched in the face for the first time, aged 16, at a gig by a bouncer who was trying to get away from a blood-covered Iggy Pop. The gig was jaw dropping. It was real, it was primal and Iggy was a force of nature. He looked like the most beautiful man I had ever seen. He looked like Nureyev on bad acid. I am not gay – I wish I was, or at least bisexual – but I fell in love. It was profound and it was beautiful – and Iggy, of course, created punk music. Afterwards, we made our way back to the car, thinking ""we are grounded for fucking life"" and that we might be expelled. We found Mr Parks and for the first time he looked me in the eye and said, ""That was incredible – I have never seen anything like it. Musically, it was very simple, but it was the most exciting thing I have ever seen in my life."" The man wouldn't stop talking all the way back in the car about this revelation. So, Iggy saved my life and probably saved Mr Park's life too. I have met Iggy. I have met James Osterberg, too – which is very different to meeting Iggy Pop – a few times. He is the most articulate, intelligent man. He was reading Dostoyevsky's The Idiot when I first met him. He is witty, gawky and very worthy of my love. I could have chosen a number of his albums, including The Idiot and Lust For Life. I wouldn't choose the more obvious one, Raw Power, because I don't like the production. Fun House is raw, fucked-up and has some astonishing moments and it has primal Iggy all over it. For years, Iggy garnered little respect. As a devotee, seeing him get respect in recent years has been great. I am very happy that the world has recognised him for the artist that he is."

Source
  
Everything Everywhere All At Once (2022)
Everything Everywhere All At Once (2022)
2022 | Action, Adventure, Comedy, Sci-Fi
8
7.9 (12 Ratings)
Movie Rating
A fun ride - with heart
The first recommendation when watching EVERYTHING EVERYWHERE ALL AT ONCE is to not try to figure out what is going on in this movie during the first 1/2 hour to 45 minutes. This will drive you mad. Just sit back and enjoy the mind-bending experience you are having.

After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.

For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.

Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.

Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).

This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.

The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).

She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.

The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).

But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).

Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.

Letter Grade: A-

8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)