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Awix (3310 KP) rated Fifty Shades Darker (2017) in Movies
Feb 15, 2018 (Updated Feb 15, 2018)
A Crime Against Passion
Another attempt by E.L. James to solve the global overpopulation crisis by putting people off the idea of having sex. More deeply uninvolving shenanigans between Anastasia Steele and Christian Grey: will he win her back? Will she be able to make him commit to a proper relationship? And why the hell should anyone else care?
Very little discernible plot; mostly resembles a blandly aspirational soap opera, or possibly commercial for kitchen design. Scenes of rumpo are occasionally unintentionally funny, never actually erotic. Fifty Shades Darker? Fifty Shades Duller, more like.
Very little discernible plot; mostly resembles a blandly aspirational soap opera, or possibly commercial for kitchen design. Scenes of rumpo are occasionally unintentionally funny, never actually erotic. Fifty Shades Darker? Fifty Shades Duller, more like.
Bong Mines Entertainment (15 KP) rated No Expectations - Single by Jillian Steele in Music
Jun 26, 2019
Jillian Steele is a Nashville-based singer-songwriter from New York. Not too long ago, she released a lovely pop tune, entitled, “No Expectations”.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
Movie Metropolis (309 KP) rated Fifty Shades of Grey (2015) in Movies
Jun 10, 2019
A tiresome affair
The Fifty Shades phenomenon is something very hard to calculate. Yes, we know its sold millions of copies worldwide, but its readership is likely to be much higher. I’m sure someone somewhere will know another person who didn’t go out and buy the book, but just borrowed it.
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Gareth von Kallenbach (968 KP) rated Your Highness (2011) in Movies
Aug 7, 2019
For all you minotaur lovers out there, the movie Your Highness is the film for you. Not that the movie is about them but it has the most unique minotaur I have ever seen in a movie. Your Highness takes place long ago in a land far away in a kingdom that has two princes. The oldest and heir-to-the-throne is Prince Fabious (the fabulous James Franco). He is a prince’s prince, a knight’s knight, he enjoys protecting the innocent, he slays evil cyclops and other evil things that should be slayed.
The youngest is Prince Thadeous (film co-writer Danny McBride), he is a slacker’s slacker, a player’s player, he enjoys booze and other mind-altering stuff, he lays with easy maidens and…well, you get the point. Even though the two brothers are so very different they still love each other, even if Thadeous won’t admit it. So when Prince Fabious was to be married to the beautiful yet naive Belladonna (the enchanting Zooey Deschanel) he wanted none other than his younger brother to be his best man.
But fate had other plans and what should have been the happiest of wedding days was ruined when the evil wizard Leezar (Justin Theroux) kidnaps Belladonna so he can produce an evil dragon offspring that he would use to rule the world. The two brothers vow to save her and kill Leezar. Ok, technically Thadeous is told by their father the King (Charles Dance) that either he goes with his older brother or he will be kicked out of the kingdom and it is Fabious who does the vowing. So they ride out with their most trusted knights and along the way they meet the Great Wize (not a typo) Wizard (voiced by Mario Torres. Jr.), the highly skilled fighter Isabel (played by a pretty intimidating Natalie Portman), the Minotaur (Brian Steele, a surprisingly fitting name), forest people (I loved the forest people!). Epic adventure and treachery ensue – dun dun dunn! Will they save Belladonna and the world? Will Thadeous become a respectable prince? Will the minotaur live happily ever after?
The movie is funny but the humor is on par with middle-school-aged male humor so approximately 80% of all adult males will probably find the movie funny and a lot of wives will be wondering why they married them. It also had some decent fight scenes sprinkled throughout the movie. I’ll be honest, there were a couple of scenes in the film that I wish I could un-see… the kind of stuff that never happened in any dice role-playing game that I have ever played.
Now I am sure we have all seen movies where one person’s performance was so well done that it made the other people’s performances seem lacking (whether they truly were or not). To me this movie fell victim to that problem. After all with people like Charles Dance, Natalie Portman, James Franco, Zooey Deschanel and Damian Lewis, who plays Boremont, one of the trusted Knights, it was bound to happen. Overall, a very entertaining and funny movie.
The youngest is Prince Thadeous (film co-writer Danny McBride), he is a slacker’s slacker, a player’s player, he enjoys booze and other mind-altering stuff, he lays with easy maidens and…well, you get the point. Even though the two brothers are so very different they still love each other, even if Thadeous won’t admit it. So when Prince Fabious was to be married to the beautiful yet naive Belladonna (the enchanting Zooey Deschanel) he wanted none other than his younger brother to be his best man.
But fate had other plans and what should have been the happiest of wedding days was ruined when the evil wizard Leezar (Justin Theroux) kidnaps Belladonna so he can produce an evil dragon offspring that he would use to rule the world. The two brothers vow to save her and kill Leezar. Ok, technically Thadeous is told by their father the King (Charles Dance) that either he goes with his older brother or he will be kicked out of the kingdom and it is Fabious who does the vowing. So they ride out with their most trusted knights and along the way they meet the Great Wize (not a typo) Wizard (voiced by Mario Torres. Jr.), the highly skilled fighter Isabel (played by a pretty intimidating Natalie Portman), the Minotaur (Brian Steele, a surprisingly fitting name), forest people (I loved the forest people!). Epic adventure and treachery ensue – dun dun dunn! Will they save Belladonna and the world? Will Thadeous become a respectable prince? Will the minotaur live happily ever after?
The movie is funny but the humor is on par with middle-school-aged male humor so approximately 80% of all adult males will probably find the movie funny and a lot of wives will be wondering why they married them. It also had some decent fight scenes sprinkled throughout the movie. I’ll be honest, there were a couple of scenes in the film that I wish I could un-see… the kind of stuff that never happened in any dice role-playing game that I have ever played.
Now I am sure we have all seen movies where one person’s performance was so well done that it made the other people’s performances seem lacking (whether they truly were or not). To me this movie fell victim to that problem. After all with people like Charles Dance, Natalie Portman, James Franco, Zooey Deschanel and Damian Lewis, who plays Boremont, one of the trusted Knights, it was bound to happen. Overall, a very entertaining and funny movie.
Movie Metropolis (309 KP) rated Vacation (2015) in Movies
Jun 11, 2019
Family holidays will never be the same
It was 1983 when Chevy Chase and Beverly D’Angelo made the infamous decision to take their family across the US to “America’s Favourite Family Fun Park” in National Lampoon’s Vacation.
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/