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The Euro and the Battle of Ideas
Markus Brunnermeier, Harold James and Jean-Pierre Landau
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Why is Europe's great monetary endeavor, the Euro, in trouble? A string of economic difficulties in...
Politics International Affairs Economics
Laetitia Sadier recommended Wintres Woma by James Elkington in Music (curated)
Suswatibasu (1703 KP) rated Atomic Blonde (2017) in Movies
Dec 16, 2017 (Updated Dec 16, 2017)
Great soundtrack (1 more)
Fabulous action
Charlize Theron makes this movie
This is definitely one of those marmite movies, in which you either love or hate it. At times, the female protagonist Lorraine, played by Charlize Theron, echoed Uma Thurman's character in Kill Bill - stylized sequences, strong female lead, a great 1980's soundtrack and cinematography - made for a good watch.
Where it fell short was the plot. It dragged in the middle of the film, where there seemed to be mindless violence for no apparent reason. The story follows Lorraine Broughton, who is sent to Berlin to find and deliver some priceless information back to MI6. She meets the local station chief David Percival and they get caught up in the normal Iron Curtain spy business you'd expect with people getting killed left right and centre.
The only problem with this is that if Theron’s character Lorraine Broughton had been a man, it wouldn't have changed a single frame of the film. I'd like to see an action film where the female lead isn't trying to be a man replacement or scantily-clad for the male gaze, I'd love to see a female lead being female.
Despite the incredible cast - Theron, James McAvoy, John Goodman - the acting was adequate for the kind of film this was, but it could have been so much better.
Where it fell short was the plot. It dragged in the middle of the film, where there seemed to be mindless violence for no apparent reason. The story follows Lorraine Broughton, who is sent to Berlin to find and deliver some priceless information back to MI6. She meets the local station chief David Percival and they get caught up in the normal Iron Curtain spy business you'd expect with people getting killed left right and centre.
The only problem with this is that if Theron’s character Lorraine Broughton had been a man, it wouldn't have changed a single frame of the film. I'd like to see an action film where the female lead isn't trying to be a man replacement or scantily-clad for the male gaze, I'd love to see a female lead being female.
Despite the incredible cast - Theron, James McAvoy, John Goodman - the acting was adequate for the kind of film this was, but it could have been so much better.
Mark @ Carstairs Considers (2357 KP) rated French Quarter Fright Night in Books
Sep 4, 2024
Frightful Time with the New Neighbor
Ricki James-Diaz is leading the efforts of the Bon Vee staff to put on the best haunted house New Orleans has seen this Halloween. Those efforts are being hampered by their new next-door neighbor, who is constantly making complaints about them. Ricki is shocked when she learns who has bought the house – mega movie star Blaine Taggart, the best friend of her late husband. Ricki had hoped to never see Blaine again, but things get complicated when another dead body turns up on Bon Vee property. Can Ricki once again figure out what happened?
I’m so glad that a new publisher picked up this series. It was wonderful to visit Ricki and her friends again. I enjoyed getting to see some of the relationships grow in this book, even if Ricki’s relationship with the detective isn’t really realistic. I also enjoyed seeing Hollywood pop up here. The mystery itself is strong with some nice surprises before we reach the logical ending. It was fun to visit the city during Halloween. As always, I laughed several times while reading. We also get some recipes inspired by vintage cookbooks at the end of the book, including several appropriate for the season. Fans will be just as happy as I was that Ricki and her friends are back.
I’m so glad that a new publisher picked up this series. It was wonderful to visit Ricki and her friends again. I enjoyed getting to see some of the relationships grow in this book, even if Ricki’s relationship with the detective isn’t really realistic. I also enjoyed seeing Hollywood pop up here. The mystery itself is strong with some nice surprises before we reach the logical ending. It was fun to visit the city during Halloween. As always, I laughed several times while reading. We also get some recipes inspired by vintage cookbooks at the end of the book, including several appropriate for the season. Fans will be just as happy as I was that Ricki and her friends are back.
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Chris Sawin (602 KP) rated Avatar (2009) in Movies
Jun 20, 2019
Jake Sully (Sam Worthington) is your typical jarhead from the military other than the fact that he doesn't have the use of his legs, but him being in a wheelchair doesn't seem to slow him down at all. Jake is the type of soldier to shoot first and ask questions later while his twin brother was more of the scientific type, but Jake's life takes an unexpected turn when his brother is killed. Jake is asked to step into his brother's shoes, so to speak, and take his spot in the Avatar project. The project requires him to travel to Pandora, a planet that takes nearly six years to get to, and to try to learn the ways of the natives there, the Na'vi.
Incredible technology has been developed that enables users to transfer their human essence into the body of a Na'vi avatar that they've raised from a DNA injected fetus and transfer back again. Parker Selfridge (Giovanni Ribisi) runs the project currently taking place on Pandora, who is after a resource known as unobtanium that could be the answer to the energy crisis back on Earth. A sacred tree that acts as the Na'vi's central base rests on top of the largest unobtanium deposits in Pandora. When Jake begins being trusted by the Na'vi race, a deal is made that he'll get his legs back if he can somehow convince the Na'vi people to leave. However, Jake begins to realize how spectacular their world really is, that the Na'vi people are more than just "blue monkeys," and begins to feel like his time in the avatar body is more genuine than when he wakes up. He begins to wonder if he's fighting for the wrong side.
The first feature film from director James Cameron (director of the first two Terminator films, Aliens, and Titanic) in 12 years that promised some of the most groundbreaking special effects to ever hit the screen is finally here. This film's ad campaign has been insane with clips and behind the scenes featurettes showing up online left and right while TV spots were nearly on every major channel. Is there any way a film could live up this kind of hype? The short answer is yes.
Avatar starts off rather slowly with the main human characters and the world of Pandora being introduced to us. Then there's the technology on the human side that needs its fair amount of screen time. Needless to say, it takes a good while for things to really get rolling. Character development is never a bad thing to accomplish early on. It makes it that much easier to establish an emotional connection when things get rough later on, which is exactly what this film does. Plus, when the war finally does happen, it's well worth the wait. Although, the emotional connection didn't seem as strong as it should have been or as strong as previous Cameron films. Once things took a turn for the worst, the emotions were there but it just seemed like it should have had a stronger connection given the duration of the film along with the time, effort, and money put into making this film as great as it is.
The special effects are pretty mind blowing. James Cameron has practically given life to this extravagant world and the marvelous creatures that inhabit it. The majority of the film looks realistic even though nearly every scene relies heavily on CGI. A feat not many CGI-heavy films have been able to pull off and none to the extent that this film has. There's a scene where Jake is attacked by a group of viperwolves and another scene where Jake learns to ride a direhorse that look incredibly genuine. To make something like people with blue skin or a horse that has an anteater head with six legs look real is an accomplishment worth being proud of. The technology used in the film by the humans is pulled off so flawlessly that it seems like it could come to fruition in the real world tomorrow.
Sam Worthington continues his trend of exceptional performances, as well. While Zoey Saldana, Sigourney Weaver, Giovanni Ribisi, and Joel David Moore all have their shining moments, Worthington steals the spotlight and rightfully so since he's the lead. His dry humor and struggle to do what's right are one of the most enjoyable factors in watching the film (other than the special effects, of course). Worthington was really the only redeeming factor of Terminator: Salvation and looks to put in another strong performance in next year's Clash of the Titans.
While the film has superb action sequences (the thanator chase and leonopteryx chase were amazing in IMAX), nearly flawless CGI, and strong performances from the cast, the film still had its flaws. The story is probably the weakest aspect of the film. It's pretty thin and predictable, but that is probably the last thing on the minds of most of the moviegoing audience. With South Park mocking the film last month by calling the film, "Dances With Smurfs," and the film being called, "Dances With Wolves in space," nearly all across the net, the similarities of those two comparisons are certainly there. While the Smurf one is a bit of a stretch, Dances With Wolves in space seems almost accurate as a nutshell review. The nearly three hour duration may also be a factor for some while 3D and IMAX versions of the film may be a problem for those who had problems with a film like Cloverfield. Seeing the film in IMAX, going back for future viewings of the film in 3D and 2D seems like a good idea just to compare since the IMAX version didn't feel like the definitive version. Would it have the same effect in digital 3D showings? What about regular showings? Shelling out $15 when you could spend half of that is something to take into consideration when seeing a film that was sold out nearly its entire opening weekend.
James Cameron's Avatar was well worth the wait and certainly lives up to the hype. Its special effects are certainly the best to be featured in any film to date as these vibrant creatures nearly jump to life because of the effects alone. The performances are top notch and the action sequences certainly live up to James Cameron's reputation. Despite all this, the emotional connection between the audience and the characters didn't seem quite as strong as some of the other films this year. Up, Where the Wild Things Are, and even Moon were able to establish a stronger connection. So while the film is exceptional, it isn’t the best film of 2009 which is probably a shock to some.
Incredible technology has been developed that enables users to transfer their human essence into the body of a Na'vi avatar that they've raised from a DNA injected fetus and transfer back again. Parker Selfridge (Giovanni Ribisi) runs the project currently taking place on Pandora, who is after a resource known as unobtanium that could be the answer to the energy crisis back on Earth. A sacred tree that acts as the Na'vi's central base rests on top of the largest unobtanium deposits in Pandora. When Jake begins being trusted by the Na'vi race, a deal is made that he'll get his legs back if he can somehow convince the Na'vi people to leave. However, Jake begins to realize how spectacular their world really is, that the Na'vi people are more than just "blue monkeys," and begins to feel like his time in the avatar body is more genuine than when he wakes up. He begins to wonder if he's fighting for the wrong side.
The first feature film from director James Cameron (director of the first two Terminator films, Aliens, and Titanic) in 12 years that promised some of the most groundbreaking special effects to ever hit the screen is finally here. This film's ad campaign has been insane with clips and behind the scenes featurettes showing up online left and right while TV spots were nearly on every major channel. Is there any way a film could live up this kind of hype? The short answer is yes.
Avatar starts off rather slowly with the main human characters and the world of Pandora being introduced to us. Then there's the technology on the human side that needs its fair amount of screen time. Needless to say, it takes a good while for things to really get rolling. Character development is never a bad thing to accomplish early on. It makes it that much easier to establish an emotional connection when things get rough later on, which is exactly what this film does. Plus, when the war finally does happen, it's well worth the wait. Although, the emotional connection didn't seem as strong as it should have been or as strong as previous Cameron films. Once things took a turn for the worst, the emotions were there but it just seemed like it should have had a stronger connection given the duration of the film along with the time, effort, and money put into making this film as great as it is.
The special effects are pretty mind blowing. James Cameron has practically given life to this extravagant world and the marvelous creatures that inhabit it. The majority of the film looks realistic even though nearly every scene relies heavily on CGI. A feat not many CGI-heavy films have been able to pull off and none to the extent that this film has. There's a scene where Jake is attacked by a group of viperwolves and another scene where Jake learns to ride a direhorse that look incredibly genuine. To make something like people with blue skin or a horse that has an anteater head with six legs look real is an accomplishment worth being proud of. The technology used in the film by the humans is pulled off so flawlessly that it seems like it could come to fruition in the real world tomorrow.
Sam Worthington continues his trend of exceptional performances, as well. While Zoey Saldana, Sigourney Weaver, Giovanni Ribisi, and Joel David Moore all have their shining moments, Worthington steals the spotlight and rightfully so since he's the lead. His dry humor and struggle to do what's right are one of the most enjoyable factors in watching the film (other than the special effects, of course). Worthington was really the only redeeming factor of Terminator: Salvation and looks to put in another strong performance in next year's Clash of the Titans.
While the film has superb action sequences (the thanator chase and leonopteryx chase were amazing in IMAX), nearly flawless CGI, and strong performances from the cast, the film still had its flaws. The story is probably the weakest aspect of the film. It's pretty thin and predictable, but that is probably the last thing on the minds of most of the moviegoing audience. With South Park mocking the film last month by calling the film, "Dances With Smurfs," and the film being called, "Dances With Wolves in space," nearly all across the net, the similarities of those two comparisons are certainly there. While the Smurf one is a bit of a stretch, Dances With Wolves in space seems almost accurate as a nutshell review. The nearly three hour duration may also be a factor for some while 3D and IMAX versions of the film may be a problem for those who had problems with a film like Cloverfield. Seeing the film in IMAX, going back for future viewings of the film in 3D and 2D seems like a good idea just to compare since the IMAX version didn't feel like the definitive version. Would it have the same effect in digital 3D showings? What about regular showings? Shelling out $15 when you could spend half of that is something to take into consideration when seeing a film that was sold out nearly its entire opening weekend.
James Cameron's Avatar was well worth the wait and certainly lives up to the hype. Its special effects are certainly the best to be featured in any film to date as these vibrant creatures nearly jump to life because of the effects alone. The performances are top notch and the action sequences certainly live up to James Cameron's reputation. Despite all this, the emotional connection between the audience and the characters didn't seem quite as strong as some of the other films this year. Up, Where the Wild Things Are, and even Moon were able to establish a stronger connection. So while the film is exceptional, it isn’t the best film of 2009 which is probably a shock to some.
BankofMarquis (1832 KP) rated All Quiet on the Western Front (2022) in Movies
Feb 2, 2023
Shows The Futility and Bleakness of War
War is hell. And if you don’t think it is check out the 2022 German film version of the classic novel ALL QUIET ON THE WESTERN FRONT about a young German’s experience towards the end of World War I. It is a bleak, grim view of war told unflinchingly and drives home the point of the pointlessness of war (especially the trench warfare of WWI). It is bravura filmmaking that deserves to be mentioned with the great war films of all time.
And the book is even bleaker.
Directed by Edward Berger, ALL QUIET follows young Felix Kammerer (Paul Baumer) as he joyfully joins the German army to fight the French. Quickly, Felix learns of the cost of war and the grim reality of trench warfare.
Berger has a strong view of all of this and his Direction and Camerawork are squarely focused on young Felix and his continued attempts to stay alive amidst the fighting. Berger handles the action - and the acting - strongly and the Cinematography of this film by James Friend aides in the bleakness and futility of the conflict, showering the combatants in muted blues and grays and covering them all in mud. Berger does not hold back on the horrors of war (without going to “gorey”) and delivers a moody, bleak and important film.
Baumer plays Felix with an innocent sincerity that gives way to resolute abandonment of hope as the bleakness of the affair drags on. His futility is, then, juxtaposed against German envoy Matthias Erzberger (Daniel Bruhl) who is trying to negotiate a surrender with the French. The building frustration of both men are clearly shown growing as the film elapses.
And that is another strong suit about this film - it shows the situations, the hopelessness and negativity of war without having to “tell” or comment about it. The pictures are all one needs to know.
An anti-war film of the highest order, ALL QUIET ON THE WESTERN FRONT is a must see - the best adaptation of this classic novel ever.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And the book is even bleaker.
Directed by Edward Berger, ALL QUIET follows young Felix Kammerer (Paul Baumer) as he joyfully joins the German army to fight the French. Quickly, Felix learns of the cost of war and the grim reality of trench warfare.
Berger has a strong view of all of this and his Direction and Camerawork are squarely focused on young Felix and his continued attempts to stay alive amidst the fighting. Berger handles the action - and the acting - strongly and the Cinematography of this film by James Friend aides in the bleakness and futility of the conflict, showering the combatants in muted blues and grays and covering them all in mud. Berger does not hold back on the horrors of war (without going to “gorey”) and delivers a moody, bleak and important film.
Baumer plays Felix with an innocent sincerity that gives way to resolute abandonment of hope as the bleakness of the affair drags on. His futility is, then, juxtaposed against German envoy Matthias Erzberger (Daniel Bruhl) who is trying to negotiate a surrender with the French. The building frustration of both men are clearly shown growing as the film elapses.
And that is another strong suit about this film - it shows the situations, the hopelessness and negativity of war without having to “tell” or comment about it. The pictures are all one needs to know.
An anti-war film of the highest order, ALL QUIET ON THE WESTERN FRONT is a must see - the best adaptation of this classic novel ever.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated No Time to Die (2021) in Movies
Oct 16, 2021
Works well enough - despite a weak villain
The Daniel Craig James Bond films are a different breed of Bond films. Instead of each one being a “one-off, fun romp” filled with Gadgets, Villains, Beautiful Ladies and Wild Stunts, the 5 films of the “Daniel Craig era” of Bond films was something else…gritty, serious and serialized, each film standing on it’s own but also building on the previous one to tell one long story.
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Insurgent (2015) in Movies
Aug 6, 2019
With the faction system thrown out of balance, Jeanine Matthews(Kate Winslet) the leader of Erudite needs to find someone who can open a box with the answer to fix it all. Unfortunately, only a special Divergent can open the box, and Tris Prior (Shailene Woodley) is that one. Based on Veronica Roth’s bestselling book Insurgent comes second installment of The Divergent Series: Insurgent.
With Tris, Four (Theo James), Peter (Miles Teller) and Caleb (Ansel Elgort) on the run from Eric (Jai Courtney) and other members of the Dauntless who follow Erudite. Now being blamed for the attack on Abnegation Tris and the others must fight to stay alive; to do so they seek refuge with Amity. From that point on Tris and Four realize they must find the rest of the Dauntless to stop Jeanine from slaughtering anymore innocent lives. With betrayal, alliances, and having to face the truth; Tris struggles to forgive herself for the events that happened in Divergent. Will the truth set her free or will she get herself killed?
The second installment of the Divergent franchise brings a strong focus to plot progression and more so action. With the main characters on the run the pace of the movie is fast and keeps the viewer entertained. Be warned though, the 3D is kind of a pain; since a lot of the scenes having running or speedy shots the glasses definitely took away from the experience. If I were to go see it again it would be 2D for me. The acting between the two stars Shailene Woodley and Theo James is a homerun; the chemistry from the first movie did not fade in the second! However, one problem I had with this film is the soundtrack; I feel the first movie had such a dynamic background track. Unfortunately, this film’s soundtrack really did not stand out as must as the first one.
I would recommend this movie to anyone who loved the first one, but to the fans of the books I would take it with a grain of salt. It’s not exactly like the book, but as a fan of the books and the first movie I thought it was a great adaptation.
With Tris, Four (Theo James), Peter (Miles Teller) and Caleb (Ansel Elgort) on the run from Eric (Jai Courtney) and other members of the Dauntless who follow Erudite. Now being blamed for the attack on Abnegation Tris and the others must fight to stay alive; to do so they seek refuge with Amity. From that point on Tris and Four realize they must find the rest of the Dauntless to stop Jeanine from slaughtering anymore innocent lives. With betrayal, alliances, and having to face the truth; Tris struggles to forgive herself for the events that happened in Divergent. Will the truth set her free or will she get herself killed?
The second installment of the Divergent franchise brings a strong focus to plot progression and more so action. With the main characters on the run the pace of the movie is fast and keeps the viewer entertained. Be warned though, the 3D is kind of a pain; since a lot of the scenes having running or speedy shots the glasses definitely took away from the experience. If I were to go see it again it would be 2D for me. The acting between the two stars Shailene Woodley and Theo James is a homerun; the chemistry from the first movie did not fade in the second! However, one problem I had with this film is the soundtrack; I feel the first movie had such a dynamic background track. Unfortunately, this film’s soundtrack really did not stand out as must as the first one.
I would recommend this movie to anyone who loved the first one, but to the fans of the books I would take it with a grain of salt. It’s not exactly like the book, but as a fan of the books and the first movie I thought it was a great adaptation.