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Finalist in the CVA videogames awards 2015. Nominations: Best Audio, Best Original Music, Best Indie...
Gareth von Kallenbach (971 KP) rated X-Men: First Class (2011) in Movies
Aug 7, 2019
When the “X-Men:The Last Stand” failed to score big with critics and audiences in 2006, many fans began to wonder if they would ever see their favorite mutant superhero team on screen anytime soon. Despite mixed reviews, 2009’s standalone film “Wolverine“, did sufficient box office numbers to warrant a sequel which is currently in development, indicating that the likely future of the series was with standalone character films.
Then 20th Century Fox decided to tell a team-based origin story that focuses on the early days of the X-Men and how they became the team that they are today. This is a bit of a controversial move as it involves recasting several roles to play younger versions of beloved characters.
The result is X-Men: First Class which stars Scottish actor James McAvoy as Charles Xavier, a brilliant young academic who hides his unique and amazing telepathic gifts from the world. When a chance encounter proves to Charles that there are others in the world who share his gifts he dedicates his studies to unlocking the mysteries of genetic mutations and their possibilities.
At the same time a young man named Eric Lehnsherr (Michael Fassbender), has embarked on a path of destruction and revenge against those who wronged and tormented him and his family during the Nazi occupation of their native Poland. Eric’s main target is man who now calls himself Sebastian Shaw (Kevin Bacon), who has surrounded himself with a team of skilled mutants and is manipulating US and Russia to the brink of nuclear war, for his own evil purposes.
When CIA Agent MacTaggart (Rose Byrne), learns of Shaw’s plans, she recruits Xavier, not knowing that he and his friend Raven (Jennifer Lawrence) are mutants themselves, with the hopes of understanding their new enemy and mounting a proper defense.
When the truth of his true nature is revealed, Charles teems with MacTaggart and scientist Hank McCoy (Nicholas Hoult), to locate and recruit other gifted individuals to their cause. Fate steps in when Erik and Charles meet and eventually become friends over there mutual pursuit of Shaw. Despite a great deal of understanding between the two individuals, Eric is intent upon killing Shaw. He warns his new friend not to trust humans, as his time under Nazi control taught him that it’s only a matter of time until he and his fellow mutants are targeted for extinction by the world. Despite this the Eric and Charles recruit and train a team to prepare to face Shaw and his followers, with the fate of the world hanging in the balance.
The film starts off well and it was very enjoyable to see a deeper side of the characters. From young Charles hitting on women in bars and making jokes about losing his full head of hair to the deadly side of Eric and his abilities as well as the early relationship between the iconic characters. Somewhere along the way the film loses its initial momentum as the plot of the film takes a while to get going. As good as the cast is, they need something to do and after numerous debates and a few training and recruitment segments the film became somewhat boring. There simply was not a lot of action to sustain the plot.
Kevin Bacon was an interesting choice for the villain. He did a good job, although watching him strut around I kept expecting him to break into dance at any moment. Another issue I had was that some of the supporting characters were basically throwaway as I cared little about their stories and outcomes. Only the characters of Raven, Eric, and Charles held any real interest for me and watching their interplay with one another was one of the strong points of the film.
As the film move toward the finale there were several things about it that did not work for me starting with the makeup for The Beast. Complete with spectacles it was almost a laughable look that brought to mind Jason Bateman in “Teen Wolf 2“. The fact that the character was annoying as well did very little to help.
The biggest issue I had with the film was that after all this buildup the finale was actually very ho-hum and while it did contain some visually nice moments, I do not feel the action balanced with the storytelling, certainly not to the extent that audiences expect from nor require of a summer blockbuster.
There are a couple of moments in the film that will certainly be questioned by fans of the series as well as scenes which conflict with information from the earlier films in the series. It seems certain elements of continuity have been omitted for creative license. I will not spoil those here but suffice it to say that if my wife, who is a casual fan of the series, was able to note conflicts and discrepancies between this film and a previous film, then certainly hard-core fans may have some real issues.
The film does a good job with explaining the origin and nature of the characters, but fails to provide an adventure worthy of the effort and instead plays out in a very underwhelming fashion. Director Matthew Vaughn proved himself highly adept with adventure films when he produced “Kick Ass“, and other action-oriented films. He is clearly a fan of comics and action and I would love to have seen what could’ve resulted had he been given carte blanche with the film.
In the end, “X-Men: First Class“, for me was more entertaining than the previous ensemble films, but fails to live up to its potential and severely lacks enough action to sustain the early momentum of the film.
Then 20th Century Fox decided to tell a team-based origin story that focuses on the early days of the X-Men and how they became the team that they are today. This is a bit of a controversial move as it involves recasting several roles to play younger versions of beloved characters.
The result is X-Men: First Class which stars Scottish actor James McAvoy as Charles Xavier, a brilliant young academic who hides his unique and amazing telepathic gifts from the world. When a chance encounter proves to Charles that there are others in the world who share his gifts he dedicates his studies to unlocking the mysteries of genetic mutations and their possibilities.
At the same time a young man named Eric Lehnsherr (Michael Fassbender), has embarked on a path of destruction and revenge against those who wronged and tormented him and his family during the Nazi occupation of their native Poland. Eric’s main target is man who now calls himself Sebastian Shaw (Kevin Bacon), who has surrounded himself with a team of skilled mutants and is manipulating US and Russia to the brink of nuclear war, for his own evil purposes.
When CIA Agent MacTaggart (Rose Byrne), learns of Shaw’s plans, she recruits Xavier, not knowing that he and his friend Raven (Jennifer Lawrence) are mutants themselves, with the hopes of understanding their new enemy and mounting a proper defense.
When the truth of his true nature is revealed, Charles teems with MacTaggart and scientist Hank McCoy (Nicholas Hoult), to locate and recruit other gifted individuals to their cause. Fate steps in when Erik and Charles meet and eventually become friends over there mutual pursuit of Shaw. Despite a great deal of understanding between the two individuals, Eric is intent upon killing Shaw. He warns his new friend not to trust humans, as his time under Nazi control taught him that it’s only a matter of time until he and his fellow mutants are targeted for extinction by the world. Despite this the Eric and Charles recruit and train a team to prepare to face Shaw and his followers, with the fate of the world hanging in the balance.
The film starts off well and it was very enjoyable to see a deeper side of the characters. From young Charles hitting on women in bars and making jokes about losing his full head of hair to the deadly side of Eric and his abilities as well as the early relationship between the iconic characters. Somewhere along the way the film loses its initial momentum as the plot of the film takes a while to get going. As good as the cast is, they need something to do and after numerous debates and a few training and recruitment segments the film became somewhat boring. There simply was not a lot of action to sustain the plot.
Kevin Bacon was an interesting choice for the villain. He did a good job, although watching him strut around I kept expecting him to break into dance at any moment. Another issue I had was that some of the supporting characters were basically throwaway as I cared little about their stories and outcomes. Only the characters of Raven, Eric, and Charles held any real interest for me and watching their interplay with one another was one of the strong points of the film.
As the film move toward the finale there were several things about it that did not work for me starting with the makeup for The Beast. Complete with spectacles it was almost a laughable look that brought to mind Jason Bateman in “Teen Wolf 2“. The fact that the character was annoying as well did very little to help.
The biggest issue I had with the film was that after all this buildup the finale was actually very ho-hum and while it did contain some visually nice moments, I do not feel the action balanced with the storytelling, certainly not to the extent that audiences expect from nor require of a summer blockbuster.
There are a couple of moments in the film that will certainly be questioned by fans of the series as well as scenes which conflict with information from the earlier films in the series. It seems certain elements of continuity have been omitted for creative license. I will not spoil those here but suffice it to say that if my wife, who is a casual fan of the series, was able to note conflicts and discrepancies between this film and a previous film, then certainly hard-core fans may have some real issues.
The film does a good job with explaining the origin and nature of the characters, but fails to provide an adventure worthy of the effort and instead plays out in a very underwhelming fashion. Director Matthew Vaughn proved himself highly adept with adventure films when he produced “Kick Ass“, and other action-oriented films. He is clearly a fan of comics and action and I would love to have seen what could’ve resulted had he been given carte blanche with the film.
In the end, “X-Men: First Class“, for me was more entertaining than the previous ensemble films, but fails to live up to its potential and severely lacks enough action to sustain the early momentum of the film.
Darren (1599 KP) rated Yesterday (2019) in Movies
Dec 25, 2019
Verdict: Enjoyable Throughout
Story: Yesterday starts as we meet musician Jack Malik (Patel) who when he isn’t performing, works a dead-end job in a cash-n-carry. Jack gets his first festival in Latitude Festival thanks to his manager Ellie Appleton (James), which makes Jack realise he might walk away from music, until on his way home a shocking event around the world sees all power down for 12 seconds and Jack gets hit by a bus, waking up in a world where The Beatles never existed.
Jack uses the ideas that The Beatles never existed to start singing the songs, which sudden thrusts the spotlight onto the young singer, who sudden burst into international stardom, only can he live with the knowledge of the music he is singing is from the most famous band in the world.
Thoughts on Yesterday
Characters – Jack Malik is a small-time musician who only performs in his own free time, while trying to balance a part-time job in a warehouse. He does have talent, only he hasn’t been discovered yet, he is about to give up when he gets hit by a bus in a freak event around the world. He wakes up to discover he is the only person to have heard of The Beatles and decides to use this knowledge to give music on more crack, where his rise to super stardom is sudden and he must learn to adapt to this new career. Ellie Appleton has been the best friend, manager, rodeo and driver for his music career, secretly in love with him, unable to give up her teaching career to follow his new success. Rocky has been involved in music only he tends to let people down, he is however the only person that Jack can turn to for help for his new stardom. We get to meet Jack’s parents who have always supported him, Ed Sheeran playing himself discovering the new talent in Jack and the manager who takes Jack to the next level with his debut album.
Performances – Himesh Patel is brilliant in the leading role where he handles the singing with ease as well as the troubles that his character goes through in his sudden rise to fame. Lily James as the girl next door figure is wonderful to watch to, never looking out of place in the manager role. The rest of the cast do nothing wrong, you might see a couple of weakness in some of the performances in the film though.
Story – The story follows a musician that is involved in an accident only to discover that when he wakes up, The Beatles don’t exist, using this knowledge to make himself a mega star, while dealing with his own love problems. This is a story that does work if things are kept just around the idea of The Beatles not being around, where the story does seem to use as a little joke, other major products or bands also haven’t existed either, they are only used for jokes rather than being proper points in the story. Away from that weak point we do get to see the struggling to deal with sudden fame and the guilt for using the songs of somebody he idolises. This story is one that can be enjoyed even if you are not a Beatles fan too.
Comedy/Musical/Romance – The comedy in the film will get laughs where it needs to, we aren’t given constant jokes either, with the music side of the film playing into the strengths of all Beatles fans who will get to enjoy their favourites. The romance in the film does take centre stage, with how the two are left to wonder what if through their lives, showing how people are tempted to let people go or not for stardom.
Settings – The film uses the small town where Jack is from, which shows the struggle of a small town musician, LA where things move so fast and Liverpool where the inspiration can be found.
Scene of the Movie – Wembley.
That Moment That Annoyed Me – The other random disappearing products, just being a joke, rather than a point in the story.
Final Thoughts – This is an enjoyable comedy musical, that will show the importance of love in the world, how music can make people famous and just how far people will go for a chance of stardom.
Overall: Enjoyable
Story: Yesterday starts as we meet musician Jack Malik (Patel) who when he isn’t performing, works a dead-end job in a cash-n-carry. Jack gets his first festival in Latitude Festival thanks to his manager Ellie Appleton (James), which makes Jack realise he might walk away from music, until on his way home a shocking event around the world sees all power down for 12 seconds and Jack gets hit by a bus, waking up in a world where The Beatles never existed.
Jack uses the ideas that The Beatles never existed to start singing the songs, which sudden thrusts the spotlight onto the young singer, who sudden burst into international stardom, only can he live with the knowledge of the music he is singing is from the most famous band in the world.
Thoughts on Yesterday
Characters – Jack Malik is a small-time musician who only performs in his own free time, while trying to balance a part-time job in a warehouse. He does have talent, only he hasn’t been discovered yet, he is about to give up when he gets hit by a bus in a freak event around the world. He wakes up to discover he is the only person to have heard of The Beatles and decides to use this knowledge to give music on more crack, where his rise to super stardom is sudden and he must learn to adapt to this new career. Ellie Appleton has been the best friend, manager, rodeo and driver for his music career, secretly in love with him, unable to give up her teaching career to follow his new success. Rocky has been involved in music only he tends to let people down, he is however the only person that Jack can turn to for help for his new stardom. We get to meet Jack’s parents who have always supported him, Ed Sheeran playing himself discovering the new talent in Jack and the manager who takes Jack to the next level with his debut album.
Performances – Himesh Patel is brilliant in the leading role where he handles the singing with ease as well as the troubles that his character goes through in his sudden rise to fame. Lily James as the girl next door figure is wonderful to watch to, never looking out of place in the manager role. The rest of the cast do nothing wrong, you might see a couple of weakness in some of the performances in the film though.
Story – The story follows a musician that is involved in an accident only to discover that when he wakes up, The Beatles don’t exist, using this knowledge to make himself a mega star, while dealing with his own love problems. This is a story that does work if things are kept just around the idea of The Beatles not being around, where the story does seem to use as a little joke, other major products or bands also haven’t existed either, they are only used for jokes rather than being proper points in the story. Away from that weak point we do get to see the struggling to deal with sudden fame and the guilt for using the songs of somebody he idolises. This story is one that can be enjoyed even if you are not a Beatles fan too.
Comedy/Musical/Romance – The comedy in the film will get laughs where it needs to, we aren’t given constant jokes either, with the music side of the film playing into the strengths of all Beatles fans who will get to enjoy their favourites. The romance in the film does take centre stage, with how the two are left to wonder what if through their lives, showing how people are tempted to let people go or not for stardom.
Settings – The film uses the small town where Jack is from, which shows the struggle of a small town musician, LA where things move so fast and Liverpool where the inspiration can be found.
Scene of the Movie – Wembley.
That Moment That Annoyed Me – The other random disappearing products, just being a joke, rather than a point in the story.
Final Thoughts – This is an enjoyable comedy musical, that will show the importance of love in the world, how music can make people famous and just how far people will go for a chance of stardom.
Overall: Enjoyable
Lee (2222 KP) rated Sonic the Hedgehog (2020) in Movies
Feb 17, 2020
It’s been a very long time since I played the Sonic the Hedgehog video games on my brothers SEGA Megadrive. I was, and always have been, a Nintendo guy, so since then my only experience of Sonic has been when he joins forces with Mario and Co for Mario and Sonic at the Olympic Games. I do have good memories of his solo outings though, and he is clearly an enduring and popular character, ideally suited for a CGI/live action movie.
When we first meet Sonic, he’s a young hedgehog on his home world, zipping about the place without a care in the world and being mentored by an owl called Longclaw. Before we get a chance to learn anything about Longclaw and the world that he and Sonic inhabit, some bad guy echidnas show up, looking to get their hands on Sonic and his speedy powers. Longclaw gives Sonic a bag of rings that can be used to open a portal to another world, and after opening one for him to escape through, tells him to use one whenever he is in danger of being captured.
Cut to Green Hills, Montana where we meet local sheriff Tom Wachowski (James Marsden) and his wife Maddie (Tika Sumpter). Tom has been accepted, pending background checks, into the San Francisco police department, and he and Maddie are currently in the process of looking at houses there. We also learn that a now grown up Sonic has found his way into our world and has been living in hiding in Green Hills for some time now. The local crazy old man, Crazy Carl, claims to have seen a ‘blue devil’ on a number of occasions, but otherwise Sonic has managed to stay hidden. He’s even got himself a little underground man cave, and has become quite attached to Tom and Maddie, observing and following their every day lives from afar.
When Sonic manages to cause a city-wide power outage one evening, he draws the attention of the government, who bring in mad scientist Dr Robotnik (Jim Carrey) to investigate. When the gold rings that Sonic needs to transport to another world are mislaid, and as Robotnik and his team close in on him, Sonic makes himself known to an unsuspecting Tom and asks for his help. The movie then becomes a road trip, with them both on the run, evading Dr Robotnik and searching for the gold rings.
The CGI representation of Sonic had been something of a hot talking point, ever since the release of the first trailer sparked a huge online backlash. Looking more human, with smaller eyes, and longer limbs, the reaction of horror by anyone vaguely familiar with the character was enough to make director Jeff Fowler stand up and take notice, and the release date of the movie was pushed back to allow for some serious rework by the VFX team. Thankfully, when the new trailer was released, it was to a much more positive reaction, and rightfully so - Sonic was now much more aligned to his video game persona and on the receiving end of some pretty decent marketing material and promotion to back it all up. Ben Schwartz provides the voice for Sonic, giving him a wonderful childlike quality - in awe of the world around him, funny and confident in his abilities, but never really coming across as an annoying brat.
Jim Carrey brings to Robotnik the kind of madcap comedy that he we haven’t seen from him in a long time and is a delight in every scene he features. James Marsden is no stranger to appearing alongside CGI characters in children’s movies, and does his part well once again. Outside of that, the rest of the cast don’t get much to work with and kind of just fade into the background.
Overall, Sonic the Hedgehog is a fairly enjoyable movie, but it’s also instantly forgettable. It’s been a couple of days since I saw it and, apart from a couple of fun action scenes along the way, and the climactic showdown, I really don’t remember very much about it. If you’ve seen the wonderful scenes in the X-Men movies where QuickSilver zips around, interacting with characters and scenery as though time has stood still, then there are a few scenes just like that for you to enjoy. It’s a much better movie than I was expecting to see, but ultimately I think it could have been a hello a lot worse if they’d stuck to their guns with the original character design.
When we first meet Sonic, he’s a young hedgehog on his home world, zipping about the place without a care in the world and being mentored by an owl called Longclaw. Before we get a chance to learn anything about Longclaw and the world that he and Sonic inhabit, some bad guy echidnas show up, looking to get their hands on Sonic and his speedy powers. Longclaw gives Sonic a bag of rings that can be used to open a portal to another world, and after opening one for him to escape through, tells him to use one whenever he is in danger of being captured.
Cut to Green Hills, Montana where we meet local sheriff Tom Wachowski (James Marsden) and his wife Maddie (Tika Sumpter). Tom has been accepted, pending background checks, into the San Francisco police department, and he and Maddie are currently in the process of looking at houses there. We also learn that a now grown up Sonic has found his way into our world and has been living in hiding in Green Hills for some time now. The local crazy old man, Crazy Carl, claims to have seen a ‘blue devil’ on a number of occasions, but otherwise Sonic has managed to stay hidden. He’s even got himself a little underground man cave, and has become quite attached to Tom and Maddie, observing and following their every day lives from afar.
When Sonic manages to cause a city-wide power outage one evening, he draws the attention of the government, who bring in mad scientist Dr Robotnik (Jim Carrey) to investigate. When the gold rings that Sonic needs to transport to another world are mislaid, and as Robotnik and his team close in on him, Sonic makes himself known to an unsuspecting Tom and asks for his help. The movie then becomes a road trip, with them both on the run, evading Dr Robotnik and searching for the gold rings.
The CGI representation of Sonic had been something of a hot talking point, ever since the release of the first trailer sparked a huge online backlash. Looking more human, with smaller eyes, and longer limbs, the reaction of horror by anyone vaguely familiar with the character was enough to make director Jeff Fowler stand up and take notice, and the release date of the movie was pushed back to allow for some serious rework by the VFX team. Thankfully, when the new trailer was released, it was to a much more positive reaction, and rightfully so - Sonic was now much more aligned to his video game persona and on the receiving end of some pretty decent marketing material and promotion to back it all up. Ben Schwartz provides the voice for Sonic, giving him a wonderful childlike quality - in awe of the world around him, funny and confident in his abilities, but never really coming across as an annoying brat.
Jim Carrey brings to Robotnik the kind of madcap comedy that he we haven’t seen from him in a long time and is a delight in every scene he features. James Marsden is no stranger to appearing alongside CGI characters in children’s movies, and does his part well once again. Outside of that, the rest of the cast don’t get much to work with and kind of just fade into the background.
Overall, Sonic the Hedgehog is a fairly enjoyable movie, but it’s also instantly forgettable. It’s been a couple of days since I saw it and, apart from a couple of fun action scenes along the way, and the climactic showdown, I really don’t remember very much about it. If you’ve seen the wonderful scenes in the X-Men movies where QuickSilver zips around, interacting with characters and scenery as though time has stood still, then there are a few scenes just like that for you to enjoy. It’s a much better movie than I was expecting to see, but ultimately I think it could have been a hello a lot worse if they’d stuck to their guns with the original character design.
Coping with Chloe
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Anna and Chloe are twins. They share everything. Even Chloe's terrible accident hasn't split them...
Gareth von Kallenbach (971 KP) rated The Lion King (2019) in Movies
Jul 11, 2019
It seems recently that the Disney vault has exploded with the release of several of their classic animated films being remade. Unfortunately, the classics that have inspired these remakes have been redone with mixed results. The original The Lion King was released back in 1994 and it’s hard to believe that I was a junior in college when I saw it. Since that time, we’ve seen various iterations of the classic story, a few direct to VCR sequels and the awe-inspiring Broadway stage production (which if you are a serious fan of the movie I encourage you to see). It seems odd to discuss the plot of a movie that I’m certain everyone reading this has seen at least once (or a dozen times over). To the uninformed however, The Lion King is about a young cub named Simba (JD McCrary as the young voice and Donald Glover as the adult) who suffers the tragic loss of his father Mufasa (James Earl Jones) at the paws of his evil uncle Scar (Chiwetel Ejiofor). Scar convinces Simba that he is responsible for his father’s death and that he must leave the pride and never return. With the help of his faithful friends Timon (Billy Eichner), the lovable warthog Pumbaa (Seth Rogen), the ever wise Zazu (John Oliver) and his budding queen Nala (Beyoncé’) he learns that true courage comes from within and realizes he must face Scar if he is ever to bring peace back to the Pride Lands.
Given the recent track record, I wasn’t sure if this was going to be a retelling of the story as I remembered it, or a re-imagining of the story as a whole (and yes there is a difference). Thankfully, I can say that The Lion King draws practically all of its inspiration directly from the animated classic. Director Jon Favreau (who had already wowed audiences when he directed The Jungle Book) brings the same heart-warming, tear jerk moments that we all know and love. While he certainly didn’t take any risks with The Lion King, that’s exactly what made it such a pleasure to behold. He understood that there was no need to change the story into something new or try to make it something it shouldn’t be. True, for those who have seen the animated film it will feel incredibly familiar, but I think that’s exactly what fans are looking for. Changes and risks don’t always make a movie better, and The Lion King is a prime example of not breaking something that works.
The real star of the show however isn’t the actors, nor it’s incredible director, but the technology that went behind bringing our favorite felines to life. Disney refers to this as a “photo real movie”. The technology behind it merges both new and old together to bring the animals to life, indistinguishable from their real-life counterparts. Utilizing VR, animation and mixed with live action film-making it is practically impossible to distinguish what is live and what is animated. The character models have come a far way from the original Jumanji, which was heralded back in 1995 for it’s use of computer animated animals that supposedly looked and felt like the real thing. While Disney has always made great strides to make their computer-generated animals look and feel real (much like the absolutely stunning Jungle Book) The Lion King takes this to an entirely different level altogether.
Disney has done what has seemed practically impossible lately, bringing a classic back to the screen without changing what made the original such a classic. Unlike some of their more recent attempts, The Lion King holds true to the source material which has delighted fans for over 25 years. While the story doesn’t bring anything particularly new to the table, the photo realistic lions and their supporting cast feel as fresh as they ever have. If you aren’t a fan of the classic animated movie, The Lion King won’t necessarily change that, however the imagery alone may be reason enough to see it. I hope Disney takes note of this movie in particular, that fans don’t need a re-imagining of the stories that captivated our youths to bring the magic back. The Lion King is a testament to how the Disney classic still holds up today, and how to make something old feel new again.
http://sknr.net/2019/07/11/the-lion-king/
Given the recent track record, I wasn’t sure if this was going to be a retelling of the story as I remembered it, or a re-imagining of the story as a whole (and yes there is a difference). Thankfully, I can say that The Lion King draws practically all of its inspiration directly from the animated classic. Director Jon Favreau (who had already wowed audiences when he directed The Jungle Book) brings the same heart-warming, tear jerk moments that we all know and love. While he certainly didn’t take any risks with The Lion King, that’s exactly what made it such a pleasure to behold. He understood that there was no need to change the story into something new or try to make it something it shouldn’t be. True, for those who have seen the animated film it will feel incredibly familiar, but I think that’s exactly what fans are looking for. Changes and risks don’t always make a movie better, and The Lion King is a prime example of not breaking something that works.
The real star of the show however isn’t the actors, nor it’s incredible director, but the technology that went behind bringing our favorite felines to life. Disney refers to this as a “photo real movie”. The technology behind it merges both new and old together to bring the animals to life, indistinguishable from their real-life counterparts. Utilizing VR, animation and mixed with live action film-making it is practically impossible to distinguish what is live and what is animated. The character models have come a far way from the original Jumanji, which was heralded back in 1995 for it’s use of computer animated animals that supposedly looked and felt like the real thing. While Disney has always made great strides to make their computer-generated animals look and feel real (much like the absolutely stunning Jungle Book) The Lion King takes this to an entirely different level altogether.
Disney has done what has seemed practically impossible lately, bringing a classic back to the screen without changing what made the original such a classic. Unlike some of their more recent attempts, The Lion King holds true to the source material which has delighted fans for over 25 years. While the story doesn’t bring anything particularly new to the table, the photo realistic lions and their supporting cast feel as fresh as they ever have. If you aren’t a fan of the classic animated movie, The Lion King won’t necessarily change that, however the imagery alone may be reason enough to see it. I hope Disney takes note of this movie in particular, that fans don’t need a re-imagining of the stories that captivated our youths to bring the magic back. The Lion King is a testament to how the Disney classic still holds up today, and how to make something old feel new again.
http://sknr.net/2019/07/11/the-lion-king/
Lee (2222 KP) rated Blair Witch (2016) in Movies
Aug 14, 2017
Yeah, I preferred this to the original...
The original Blair Witch movie came out in 1999 (wow, where has the time gone?!) in the good old days when you could get hold of a US DVD import in the UK before a movie was even released on UK cinema screens. I remember The Blair Witch Project being released in the UK on Halloween, the same day that the US DVD was delivered to my house! I excitedly sat down to watch it that evening with my family while everyone else had to go out in the cold rainy weather to watch it at the cinema, and I remember at the end of the movie we all kind of looked at each other as if to say “is that it…?!” All the hype, all the usual crap about it being absolutely terrifying and the scariest movie ever made and it was just a bunch of people getting spooked in the woods! To be fair, it wasn’t that bad, but it just wasn’t as scary or as fantastic as we’d been led to believe. The movie spawned a forgettable sequel and since then, despite being done to death, far superior found footage movies have come along and done it all a hell of a lot better. Then, out of the blue in July last year, a movie which had been previously marketed as ‘The Woods’ was revealed to actually be ‘Blair Witch’. The trailer looked OK, not great but interesting enough. But, once again we’re being subjected to all the usual marketing crap about it being terrifying and the scariest thing you’ve ever seen… blah, blah, blah…
James Donahue is the brother of Heather, who was one of the central characters in the first film. We join him 22 years after the original, as he prepares to lead a new bunch of characters into the Burkittsville woods. They meet up with a couple of young locals, who offer to be their guide, and off they head, into the woods where their video footage will later be discovered. This time round, the array of cameras capturing the footage has vastly improved. As well as the standard handhelds, we’ve got ear piece cams, drone cams, night cams. All offering new and interesting ways to capture the action.
Things mostly follow a similar path to the original – strange noises, weird stuff happening with time, thinking you’re heading in one direction when you’re going around in circles, juddery camera movements where it’s difficult to tell what the hell is going on. But… you do actually see things this time, the noises that you hear are terrifying, the characters are far more interesting and believable than those in the original. And the final act when we find ourselves back in the house from the first movie is seriously the stuff of nightmares.
Director Adam Wingard and writer Simon Barrett, both have an excellent recent track record (see You’re Next and The Guest) and their influence on this movie has taken this story to another level. This is a far superior movie to the original and yes, it is truly terrifying.
James Donahue is the brother of Heather, who was one of the central characters in the first film. We join him 22 years after the original, as he prepares to lead a new bunch of characters into the Burkittsville woods. They meet up with a couple of young locals, who offer to be their guide, and off they head, into the woods where their video footage will later be discovered. This time round, the array of cameras capturing the footage has vastly improved. As well as the standard handhelds, we’ve got ear piece cams, drone cams, night cams. All offering new and interesting ways to capture the action.
Things mostly follow a similar path to the original – strange noises, weird stuff happening with time, thinking you’re heading in one direction when you’re going around in circles, juddery camera movements where it’s difficult to tell what the hell is going on. But… you do actually see things this time, the noises that you hear are terrifying, the characters are far more interesting and believable than those in the original. And the final act when we find ourselves back in the house from the first movie is seriously the stuff of nightmares.
Director Adam Wingard and writer Simon Barrett, both have an excellent recent track record (see You’re Next and The Guest) and their influence on this movie has taken this story to another level. This is a far superior movie to the original and yes, it is truly terrifying.
Movie Metropolis (309 KP) rated The Purge: Election Year (2016) in Movies
Jun 11, 2019
Deathly Dull
The Purge series has set itself as one of the front-runners in modern horror. The first film, starring Ethan Hawke, was a huge success, bringing with it one of the best stories seen in the genre for decades.
Its successor, Anarchy, was warmly received – namely for its greater focus on the night of crime itself, rather than the plight of one family. Naturally, another sequel was always going to be on the cards and Election Year continues the franchise. But does it continue the positive trend?
With only one returning cast member, Frank Grillo’s brooding Leo Barnes, The Purge: Election Year goes for a more political approach than its horror-rooted predecessors and director James DeMonaco was brave in altering the formula. He gets through it – but only by the skin of his teeth.
As a young girl, Senator Charlie Roan (Elizabeth Mitchell) survived the annual night of lawlessness that took the lives of her family members. As a presidential candidate, Roan is determined to end the yearly tradition of blood lust once and for all. When her opponents hatch a deadly scheme, the senator finds herself trapped on the streets of Washington, D.C., just as the latest Purge gets underway. Now, it’s up to Leo Barnes (Frank Grillo), her head of security, to keep her alive during the next 12 hours of mayhem.
The first major stumbling block Election Year faces is its lack of originality. Yes, the basic formula goes for a more political tone but the story itself is a near carbon copy of its predecessor. It’s unfortunate that once again, despite the plight of fans, the production studio continues to overlook the most fascinating part of the Purge, its inception.
Once again we are forced to sit through the hack and slash killings, only this time the acting isn’t as good and the majority of scares are signposted from the off. The ones that aren’t; well they’re in the trailer. It’s such a shame that a series with such promise has resorted to rehashing the same “tricks” to sell tickets.
The cast gel together well but the acting is below par and the dialogue is at times, dreadful with the same three expletives doing the rounds from character to character. Frank Grillo is underused with Elizabeth Mitchell’s preachy politician mistakenly put in the foreground. By far the most interesting person throughout the course of the film is Mykelti Williamson’s deli owner Joe, but he is lumbered with shockingly bad catchphrases.
The cinematography is very plain and the city setting isn’t utilised well at all. Washington should’ve been an exceptional place to helm a film about a night of legalised murder, but instead the audience is confined to its dimly-lit backstreets and alleys.
Overall, The Purge: Election Year is a step in the wrong direction for a series that showed such promise. Creating a film that, despite its intriguing political intentions, is exactly the same as its predecessor is sheer laziness and I don’t like to use this word when reviewing films, but it’s just completely and utterly boring.
https://moviemetropolis.net/2016/08/26/deathly-dull-the-purge-election-year-review/
Its successor, Anarchy, was warmly received – namely for its greater focus on the night of crime itself, rather than the plight of one family. Naturally, another sequel was always going to be on the cards and Election Year continues the franchise. But does it continue the positive trend?
With only one returning cast member, Frank Grillo’s brooding Leo Barnes, The Purge: Election Year goes for a more political approach than its horror-rooted predecessors and director James DeMonaco was brave in altering the formula. He gets through it – but only by the skin of his teeth.
As a young girl, Senator Charlie Roan (Elizabeth Mitchell) survived the annual night of lawlessness that took the lives of her family members. As a presidential candidate, Roan is determined to end the yearly tradition of blood lust once and for all. When her opponents hatch a deadly scheme, the senator finds herself trapped on the streets of Washington, D.C., just as the latest Purge gets underway. Now, it’s up to Leo Barnes (Frank Grillo), her head of security, to keep her alive during the next 12 hours of mayhem.
The first major stumbling block Election Year faces is its lack of originality. Yes, the basic formula goes for a more political tone but the story itself is a near carbon copy of its predecessor. It’s unfortunate that once again, despite the plight of fans, the production studio continues to overlook the most fascinating part of the Purge, its inception.
Once again we are forced to sit through the hack and slash killings, only this time the acting isn’t as good and the majority of scares are signposted from the off. The ones that aren’t; well they’re in the trailer. It’s such a shame that a series with such promise has resorted to rehashing the same “tricks” to sell tickets.
The cast gel together well but the acting is below par and the dialogue is at times, dreadful with the same three expletives doing the rounds from character to character. Frank Grillo is underused with Elizabeth Mitchell’s preachy politician mistakenly put in the foreground. By far the most interesting person throughout the course of the film is Mykelti Williamson’s deli owner Joe, but he is lumbered with shockingly bad catchphrases.
The cinematography is very plain and the city setting isn’t utilised well at all. Washington should’ve been an exceptional place to helm a film about a night of legalised murder, but instead the audience is confined to its dimly-lit backstreets and alleys.
Overall, The Purge: Election Year is a step in the wrong direction for a series that showed such promise. Creating a film that, despite its intriguing political intentions, is exactly the same as its predecessor is sheer laziness and I don’t like to use this word when reviewing films, but it’s just completely and utterly boring.
https://moviemetropolis.net/2016/08/26/deathly-dull-the-purge-election-year-review/
Gareth von Kallenbach (971 KP) rated Legends of Oz: Dorothy's Return (2014) in Movies
Aug 6, 2019
There are certain classic movies that should never be recreated or warrant a sequel. The 1939 cinematic musical masterpiece The Wizard of Oz happens to be one of them. I consider this movie to be the birth of the modern movie film industry, it set the standard for all movies to measure themselves against for many years to come. For those who have been living under a rock and are not familiar with the story of the Wizard of Oz, Dorothy, a young farm girl from Kansas, along with her dog Toto, get whisked in their house by a twister to the land of Oz, a magical fantasyland, where Dorothy wants nothing more than to return home. Per the advice of a Good Witch and some munchkins, and with a new pair of ruby slippers, Dorothy and Toto follow the yellow brick road to the Emerald City to meet the Wizard, who will hopefully help the two make their way back to Kansas. Along the way, she befriends a scarecrow in need of a brain, a tin man who is lacking a heart, and a cowardly lion desperate for courage. They each decide to join Dorothy on her adventure where she defeats the Wicked Witch of the West, who wanted those magical ruby slippers and in the end reaching the Emerald City and safely finds her way back home.
The Legend of Oz: Dorothy’s Return is 3-D animated musical follow up that begins shortly after Dorothy (Lea Michele) returns home from the Land of Oz. The aftermath of the tornado has left her hometown in shambles. Dorothy fights to try to convince everyone that this is their home and it can all be repaired despite the government demanding everyone to vacate the town and seek refuge elsewhere. Back in Oz, the Jester (Martin Short) who happens to be the brother of the Wicked Witch of the West, has sought to rule the World of Oz. He and his band of flying monkeys (same ones from the original movie), begin their reign of terror turning the leaders from all corners of the land into marionettes. The beloved trio of Scarecrow (Dan Akroyd), the Tin Man (Kelsey Grammer) and the Cowardly Lion (James Belushi) believe the only person who can stop the Jester’s tirade is Dorothy. With the help of Scarecrow’s new invention, a machine that can bring Dorothy back over the rainbow and to the land of Oz, they summon for Dorothy. Instead of arriving to the Emerald City, Dorothy arrives in a far off land where she tries to locate the yellow brick road, knowing it will lead her to the Emerald City. On her journey we are introduced to new lands, new people and creatures, new songs, and a new adventure and obstacles that she must overcome before it’s too late.
As a standalone movie, this is a great kids film, one the whole family can enjoy. Lots of fun musical numbers, a mediocre storyline, engaging characters, and beautiful scenery. I would recommend watching this movie with zero expectations and do not attempt to compare it to the original movie, it doesn’t hold a torch!
The Legend of Oz: Dorothy’s Return is 3-D animated musical follow up that begins shortly after Dorothy (Lea Michele) returns home from the Land of Oz. The aftermath of the tornado has left her hometown in shambles. Dorothy fights to try to convince everyone that this is their home and it can all be repaired despite the government demanding everyone to vacate the town and seek refuge elsewhere. Back in Oz, the Jester (Martin Short) who happens to be the brother of the Wicked Witch of the West, has sought to rule the World of Oz. He and his band of flying monkeys (same ones from the original movie), begin their reign of terror turning the leaders from all corners of the land into marionettes. The beloved trio of Scarecrow (Dan Akroyd), the Tin Man (Kelsey Grammer) and the Cowardly Lion (James Belushi) believe the only person who can stop the Jester’s tirade is Dorothy. With the help of Scarecrow’s new invention, a machine that can bring Dorothy back over the rainbow and to the land of Oz, they summon for Dorothy. Instead of arriving to the Emerald City, Dorothy arrives in a far off land where she tries to locate the yellow brick road, knowing it will lead her to the Emerald City. On her journey we are introduced to new lands, new people and creatures, new songs, and a new adventure and obstacles that she must overcome before it’s too late.
As a standalone movie, this is a great kids film, one the whole family can enjoy. Lots of fun musical numbers, a mediocre storyline, engaging characters, and beautiful scenery. I would recommend watching this movie with zero expectations and do not attempt to compare it to the original movie, it doesn’t hold a torch!
Charlie Cobra Reviews (1840 KP) rated The Curse of La Llorona (2019) in Movies
Jul 7, 2020
The Mexican Legend
The Curse of La Llorona is a 2019 supernatura/horror movie directed by Michael Chaves and written by Mikki Daughtry and Tobias Iaconis. The film was produced by James Wan through his Atomic Monster Productions. It is based on the Mexican folklore, is Chaves directorial debut, and is set in "The Conjuring" Universe. It stars Linda Cardellini, Raymond Cruz, and Patricia Velasquez.
While playing with his family in 1673 Mexico, a young boy closes his eyes only to re-open them and find his family missing. While searching for them he witnesses his mother drowning his brother in a stream. Frightened, he runs away but is caught and suffers the same fate.
300 years later, in 1973 Los Angeles, Anna Tate-Garcia (Linda Cardellini) works as a social worker and is investigating a well known client of hers, Patrica Alvarez (Patricia Velasquez) whose children have gone missing. Demanding to check on her children's well being, Anna goes to Patricia's home with a police of. She searches for the children and finds them locked in a room. Patricia attacks her as she locates the children and is dragged away by the officer while screaming for her not to open the door. Anna takes the boys, Carlos and Tomas out of the room, ignoring their request to stay in the room where they are safe. That night, two boys are found drowned in a nearby river and Anna is called in to investigate their deaths. At the scene Anna hears Patricia screaming that it was Anna's fault for their deaths. This draws Anna and her family into the frightening supernatural realm of "La Llorona" and her deadly wrath.
I felt like this movie was a tough mix of somewhat silly but still creepy. It was good but had too many jump scares that you could see coming from a mile a way. The acting was generally good with Linda Cardellini really selling the terror of fighting off the evil presence. The children's performances were kind of hit or miss for me.. The tone and atmosphere of the film was great but for me "La Llorona" was scarier when she had her face veiled rather than the highly CGI-ed one they gave her when it was removed. The opening was downright silly to me. I didn't find it scary/creepy at all but a little disturbing. Also for some reason I think they went for too many scares in daylight. I know everything scary doesn't have to be at night, but I felt like it undersold them or didn't do them justice. One aspect that I really liked was how they brought in a faith healer or shaman, in Spanish "Curandero" to the Conjuring Universe. He was an interesting original character addition. Astwo different critics put it, "convincing premise, sufficient drama, decent twists, and enough scares make it worth the watch", but "predictable jump scare treatment and dragging exposition take out the potential from this film despite decent performance Orverall I'd give this movie a 6/10.
While playing with his family in 1673 Mexico, a young boy closes his eyes only to re-open them and find his family missing. While searching for them he witnesses his mother drowning his brother in a stream. Frightened, he runs away but is caught and suffers the same fate.
300 years later, in 1973 Los Angeles, Anna Tate-Garcia (Linda Cardellini) works as a social worker and is investigating a well known client of hers, Patrica Alvarez (Patricia Velasquez) whose children have gone missing. Demanding to check on her children's well being, Anna goes to Patricia's home with a police of. She searches for the children and finds them locked in a room. Patricia attacks her as she locates the children and is dragged away by the officer while screaming for her not to open the door. Anna takes the boys, Carlos and Tomas out of the room, ignoring their request to stay in the room where they are safe. That night, two boys are found drowned in a nearby river and Anna is called in to investigate their deaths. At the scene Anna hears Patricia screaming that it was Anna's fault for their deaths. This draws Anna and her family into the frightening supernatural realm of "La Llorona" and her deadly wrath.
I felt like this movie was a tough mix of somewhat silly but still creepy. It was good but had too many jump scares that you could see coming from a mile a way. The acting was generally good with Linda Cardellini really selling the terror of fighting off the evil presence. The children's performances were kind of hit or miss for me.. The tone and atmosphere of the film was great but for me "La Llorona" was scarier when she had her face veiled rather than the highly CGI-ed one they gave her when it was removed. The opening was downright silly to me. I didn't find it scary/creepy at all but a little disturbing. Also for some reason I think they went for too many scares in daylight. I know everything scary doesn't have to be at night, but I felt like it undersold them or didn't do them justice. One aspect that I really liked was how they brought in a faith healer or shaman, in Spanish "Curandero" to the Conjuring Universe. He was an interesting original character addition. Astwo different critics put it, "convincing premise, sufficient drama, decent twists, and enough scares make it worth the watch", but "predictable jump scare treatment and dragging exposition take out the potential from this film despite decent performance Orverall I'd give this movie a 6/10.