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Hazel (1853 KP) rated Love Hurts in Books
Dec 17, 2018
This ARC was provided by the publisher via NetGalley in return for an honest review.
Love Hurts is a young adult book containing several stories compiled together by the well-known Malorie Blackman. There are a few new short stories however most are extracts from pre-existing novels. The short stories are written by a variety of different authors such as Susie Day, Lauren Dockrill, Lauren Kate, Catherine Johnson and James Dawson. Many readers will be familiar with these authors as well as some of the books that the extracts are from, for example: More Than This, If I Stay, I Am The Messenger and Northern Lights.
The aim of this anthology is to explore what love means. Love is not a simple, straightforward concept. There is love lost and love found, bitter love and sweet love. Each story focuses on a different perspective. Some are about teenagers, some are about adults. Some are about homosexuality and others are not.
Love Hurts is an interesting concept and it is interesting to see different authors' understanding on the term "love". The biggest problem with this book however is due to most of the entries being snippets of other stories as it is often difficult to understand what was going on and who the characters were.
Another issue for me was I found some of the stories uninteresting and difficult to get into; and as they were short there was not a lot of time to appreciate the different concepts and styles of writing.
Although it would have been a challenge, it would have been better for all the stories to be brand new and unique. On he other hand, Malorie Blackman has done an excellent job at sourcing all the content.
Love Hurts is a young adult book containing several stories compiled together by the well-known Malorie Blackman. There are a few new short stories however most are extracts from pre-existing novels. The short stories are written by a variety of different authors such as Susie Day, Lauren Dockrill, Lauren Kate, Catherine Johnson and James Dawson. Many readers will be familiar with these authors as well as some of the books that the extracts are from, for example: More Than This, If I Stay, I Am The Messenger and Northern Lights.
The aim of this anthology is to explore what love means. Love is not a simple, straightforward concept. There is love lost and love found, bitter love and sweet love. Each story focuses on a different perspective. Some are about teenagers, some are about adults. Some are about homosexuality and others are not.
Love Hurts is an interesting concept and it is interesting to see different authors' understanding on the term "love". The biggest problem with this book however is due to most of the entries being snippets of other stories as it is often difficult to understand what was going on and who the characters were.
Another issue for me was I found some of the stories uninteresting and difficult to get into; and as they were short there was not a lot of time to appreciate the different concepts and styles of writing.
Although it would have been a challenge, it would have been better for all the stories to be brand new and unique. On he other hand, Malorie Blackman has done an excellent job at sourcing all the content.
Matthew Krueger (10051 KP) rated Casper (1995) in Movies
Oct 27, 2020
Bill Pullman (1 more)
Christina Ricci
Friendly Ghost
Casper- is a hallloween classic. Its funny, spooky, entertaining and above all a great movie.
The plot: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey (Bill Pullman) arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat (Christina Ricci). Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The film makes extensive use of computer-generated imagery to create the ghosts, and it is the first feature film to have a fully CGI character in the lead role. It goes for a much darker interpretation of the Friendly Ghost in comparison to the comics, cartoons, and films of the previous years, especially with its theme of death, most notably providing the character a tragic backstory that addresses his death.
In the mirror scene, Dr. Harvey was also supposed to transform into Spielberg. According to director Silberling, the cameo was filmed, but was cut for pacing reasons. Spielberg was relieved, feeling that he is not much of an actor himself and was quite nervous in front of the camera.
It was just strange to see all of those cameos, i felt like thier were just a wink to the audience of whom ever was watching. Like ohh their Dan Aykroyd and ohh their is Mel Gibson and ohh look Cilent Eastwood. The problem is this is films audience is for children, so children wouldnt even know who those people are.
Other than that its a great film.
The plot: Casper (voiced by Malachi Pearson) is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey (Bill Pullman) arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat (Christina Ricci). Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The film makes extensive use of computer-generated imagery to create the ghosts, and it is the first feature film to have a fully CGI character in the lead role. It goes for a much darker interpretation of the Friendly Ghost in comparison to the comics, cartoons, and films of the previous years, especially with its theme of death, most notably providing the character a tragic backstory that addresses his death.
In the mirror scene, Dr. Harvey was also supposed to transform into Spielberg. According to director Silberling, the cameo was filmed, but was cut for pacing reasons. Spielberg was relieved, feeling that he is not much of an actor himself and was quite nervous in front of the camera.
It was just strange to see all of those cameos, i felt like thier were just a wink to the audience of whom ever was watching. Like ohh their Dan Aykroyd and ohh their is Mel Gibson and ohh look Cilent Eastwood. The problem is this is films audience is for children, so children wouldnt even know who those people are.
Other than that its a great film.
Bong Mines Entertainment (15 KP) rated No Expectations - Single by Jillian Steele in Music
Jun 26, 2019
Jillian Steele is a Nashville-based singer-songwriter from New York. Not too long ago, she released a lovely pop tune, entitled, “No Expectations”.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
“Maybe I’m talking myself out of love. But I don’t believe that the stars just line up. When you know then you know but I don’t think I’ll ever know. When it’s right, is it right second guessing every time. Yeah, making sure I won’t ever let myself down.” – lyrics
‘No Expectations’ tells an interesting tale of a young woman who decides to let nature take its course instead of always trying to control things.
Apparently, she concludes that everything happens for a reason, and if she allows things to flow naturally, everything will work out the way it’s supposed to.
Later, she admits that it would be best if she became less controlling, stayed out of her own way, and let the pieces fall where they may.
‘No Expectations’ contains a relatable storyline, ear-welcoming vocals, and warm acoustic guitar-driven instrumentation flavored with a modern-pop fragrance.
The likable tune was co-written by Michel Heyaca and James Shelley (American Authors) during a period of uncertainty and confusion.
“Life was happening around me and I was just in it without any control and through this song I gained insight that I do deserve things and I should have expectations of what I want.” – Julia Steele
Jillian Steele’s musical influences include Maggie Rogers, Sasha Sloan, Julia Michaels, and other strong female musicians.
She uses her music to emphasize the importance of self-love and empowerment. A running theme throughout her music is reflection and she hopes her use of thought-provoking lyrics will help others gain insight in times of need.
Merissa (11797 KP) rated Dearest Milton James in Books
Aug 27, 2021 (Updated Jul 17, 2023)
DEAREST MILTON JAMES is a Mary Poppins book - practically perfect in every way! We are introduced to a young Malachi (twenty-seven) and a slightly older Julian (thirty-four). Malachi is told by his father that he will be working for Julian for as long as he can hold down his job. His father doesn't think he will last. Malachi doesn't think he will last. So it is a wonderful surprise when he finds he loves his new job, his quirky colleagues, and his hot-as-hell boss.
Oh man, what a story. I loved every word. Malachi is fabulous without being in-your-face flamboyant. Julian is a sweetheart with a wicked sense of humour. The only thing that confused me was right at the beginning. Even knowing that N.R. Walker is an Australian writer; when I read about London and Kings Cross, I automatically went to London, UK. So then I got confused about the price of a stamp, gift cards, etc. It didn't take me long to realise my error and to laugh at myself.
The story has the perfect cast of characters and a heartwarming mystery to solve. Honestly, I just can't point out the bits that I loved, as I would simply be telling you about the whole book. One thing I will say though is thank you for not crushing my hopeful little romantic heart. Instead, you brought tears to my eyes and a huge smile to my face.
This is an absolute corker of a book that I highly recommend. I adored every word.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 27, 2021
Oh man, what a story. I loved every word. Malachi is fabulous without being in-your-face flamboyant. Julian is a sweetheart with a wicked sense of humour. The only thing that confused me was right at the beginning. Even knowing that N.R. Walker is an Australian writer; when I read about London and Kings Cross, I automatically went to London, UK. So then I got confused about the price of a stamp, gift cards, etc. It didn't take me long to realise my error and to laugh at myself.
The story has the perfect cast of characters and a heartwarming mystery to solve. Honestly, I just can't point out the bits that I loved, as I would simply be telling you about the whole book. One thing I will say though is thank you for not crushing my hopeful little romantic heart. Instead, you brought tears to my eyes and a huge smile to my face.
This is an absolute corker of a book that I highly recommend. I adored every word.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 27, 2021
Hadley (567 KP) rated The Turn of the Screw in Books
Mar 24, 2020 (Updated Mar 24, 2020)
Well written (1 more)
Ahead of its time
Overly descriptive (1 more)
Vague
The ghost stories of the Victorian era are full of scares and mysteries- - - from the karma-ridden future, past and present ghosts of Charles Dickens' "A Christmas Carol" to the comedic ghost story by Oscar Wilde called 'the Canterville Ghost." But among all of them, Henry James found another subject to add to the pot in the novella 'the Turn of the Screw.'
With only 93 pages and the viewpoint of a governess, the story is one that has been up for debate as to its meaning for over a century, a story that blends child abuse and ghostly possession way ahead of its time. But even with its great plot, the story falls short and becomes bland throughout most of its short pages.
So why is the meaning of the Turn of the Screw still being debated? There's only one thing that has caused that --- it's in the way that James wrote the story, nothing is explained and everything is vague, these being very important parts that can keep this book from being enjoyable to many readers. Here's a summary of the story: a woman becomes governess of two children, one of which is sent home from school (technically expelled, in today's terms), the entire book has this woman trying to figure out why the child was sent home, but with ghosts thrown into the mix.
The story starts off with a man telling this ghost story from letters he received from a woman (the governess). But, even at the end of the book, the story never turns back to the man finishing the letters, yet this was done so masterfully that when you are done with the book, you completely forget about the man at the beginning, something that isn't easily done today in most writing. The man is reading these letters to a small audience that is also never revealed why, something that will seem completely irrelevant for the reader.
Readers finally get their paranormal fix when our main character, the governess, sees her first ghost in the Turn of the Screw. Our governess goes on an isolated walk when she spots an older man staring at her from a tower on the estate. But not until after a second encounter with this man, she decides to tell a housemaid about it, who quickly knows whom she speaks of. The maid is very certain that the man the governess has spotted twice is a deceased man that used to work for the family, but the maid is terrified by this because this man seems to have been abusive towards the son of the family and now seems to be continuing to torment him even after death.
Our governess seems to go down a path of paranoia as she seems to believe that the children are seeing the ghosts, too, but refusing to tell her so, and she becomes convinced that the key to getting them to confess is to finding out why the boy was sent home from school in the first place. She tries many times to get him to tell her why, but lets him take control of the conversations where he is able to divert the attention to something else. When things seem to be too much for the governess and housemaid to handle, they decide to try to write the childrens' uncle, and ask him to visit - - - this being the uncle that hired the governess and asked to never be bothered by her again, and that he wants nothing to do with his niece and nephew ever again, and especially don't write to him about any problems.
James is considered one of the greatest authors of the English language, but although this novella did very well, he wasn't known for ghost stories. His most popular book is 'the Portrait of a Lady,' which is about a young woman who comes into a large amount of money only to have it stolen by two con-men. Being that he is a Victorian-era writer, you can expect the overly long paragraphs and descriptions that the time was known for in 'the Turn of the Screw.' I personally felt the story had too many interludes of the governess' thoughts and ideas, which border on rambling. There seemed no point in the governess obsessing over why the boy was sent home from school when there are ghosts tormenting them at home- - - how this mode was suppose to work has left me clueless.
It's a usual horror trope to have children being possessed as the core of a book because it's something that can shake adults to their core at the thought that their own children could be that vulnerable. But James was way ahead of his time in the Turn of the Screw. He was able to put together psychological standpoints that weren't even discussed in his time, bouncing between child abuse with those children acting out to the power that abusers can still hold over their victims, even after death.
I'm giving the story a high rating, although I really didn't enjoy it. Why? Because it was a great idea and it was well written. If James hadn't been so vague on key parts, and hadn't left readers with a shocking unexplained ending, then maybe I would have liked it more. I can only recommend this book to people who like Victorian ghost stories, but for paranormal lovers, I think it falls short.
With only 93 pages and the viewpoint of a governess, the story is one that has been up for debate as to its meaning for over a century, a story that blends child abuse and ghostly possession way ahead of its time. But even with its great plot, the story falls short and becomes bland throughout most of its short pages.
So why is the meaning of the Turn of the Screw still being debated? There's only one thing that has caused that --- it's in the way that James wrote the story, nothing is explained and everything is vague, these being very important parts that can keep this book from being enjoyable to many readers. Here's a summary of the story: a woman becomes governess of two children, one of which is sent home from school (technically expelled, in today's terms), the entire book has this woman trying to figure out why the child was sent home, but with ghosts thrown into the mix.
The story starts off with a man telling this ghost story from letters he received from a woman (the governess). But, even at the end of the book, the story never turns back to the man finishing the letters, yet this was done so masterfully that when you are done with the book, you completely forget about the man at the beginning, something that isn't easily done today in most writing. The man is reading these letters to a small audience that is also never revealed why, something that will seem completely irrelevant for the reader.
Readers finally get their paranormal fix when our main character, the governess, sees her first ghost in the Turn of the Screw. Our governess goes on an isolated walk when she spots an older man staring at her from a tower on the estate. But not until after a second encounter with this man, she decides to tell a housemaid about it, who quickly knows whom she speaks of. The maid is very certain that the man the governess has spotted twice is a deceased man that used to work for the family, but the maid is terrified by this because this man seems to have been abusive towards the son of the family and now seems to be continuing to torment him even after death.
Our governess seems to go down a path of paranoia as she seems to believe that the children are seeing the ghosts, too, but refusing to tell her so, and she becomes convinced that the key to getting them to confess is to finding out why the boy was sent home from school in the first place. She tries many times to get him to tell her why, but lets him take control of the conversations where he is able to divert the attention to something else. When things seem to be too much for the governess and housemaid to handle, they decide to try to write the childrens' uncle, and ask him to visit - - - this being the uncle that hired the governess and asked to never be bothered by her again, and that he wants nothing to do with his niece and nephew ever again, and especially don't write to him about any problems.
James is considered one of the greatest authors of the English language, but although this novella did very well, he wasn't known for ghost stories. His most popular book is 'the Portrait of a Lady,' which is about a young woman who comes into a large amount of money only to have it stolen by two con-men. Being that he is a Victorian-era writer, you can expect the overly long paragraphs and descriptions that the time was known for in 'the Turn of the Screw.' I personally felt the story had too many interludes of the governess' thoughts and ideas, which border on rambling. There seemed no point in the governess obsessing over why the boy was sent home from school when there are ghosts tormenting them at home- - - how this mode was suppose to work has left me clueless.
It's a usual horror trope to have children being possessed as the core of a book because it's something that can shake adults to their core at the thought that their own children could be that vulnerable. But James was way ahead of his time in the Turn of the Screw. He was able to put together psychological standpoints that weren't even discussed in his time, bouncing between child abuse with those children acting out to the power that abusers can still hold over their victims, even after death.
I'm giving the story a high rating, although I really didn't enjoy it. Why? Because it was a great idea and it was well written. If James hadn't been so vague on key parts, and hadn't left readers with a shocking unexplained ending, then maybe I would have liked it more. I can only recommend this book to people who like Victorian ghost stories, but for paranormal lovers, I think it falls short.
Bob Mann (459 KP) rated The Guernsey Literary and Potato Peel Pie Society (2018) in Movies
Sep 29, 2021
“Contented with little, wishing for more”.
Here’s a curious little British film that has some merit, both as an entertainment vehicle and as a history lesson.
Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.
Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.
Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?
(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:
the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.
The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.
In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.
Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)
I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!
So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…
Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.
Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.
Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?
(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:
the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.
The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.
In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.
Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)
I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!
So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…
Bob Mann (459 KP) rated The Mercy (2018) in Movies
Sep 29, 2021
“With shroud, and mast, and pennon fair”.
It’s 1968. Donald Crowhurst (Colin Firth, “Kingsman: The Golden Circle“; “Magic in the Moonlight“), an amateur sailor and entrepreneur based in Teignmouth, Devon, is inspired by listening to single-handed round-the-world yachtsman Sir Francis Chichester and does a a crazy thing. He puts his business, his family’s house and his own life on the line by entering the Sunday Times single-handed round-the-world yacht race. It’s not even as if he has a boat built yet!
Lending him the money, under onerous terms, are local businessman Mr Best (Ken Stott, “The Hobbit“) and local newspaper editor Rodney Hallworth (David Thewlis, “Wonder Woman“, “The Theory of Everything“). With the race deadline upon him, Crowhurst is pressed into sailing away from his beloved wife Clare (Rachel Weisz, “Denial“, “The Lobster“) and young family in a trimaran that is well below par.
But what happens next is so ludicrous that it makes a mockery of whoever wrote this ridiculous work of fiction. Ah… but wait a minute… it’s a true story!
It is in fact such an astonishing story that this is a film that is easy to spoil in a review, a fact that seems to have passed many newspaper reviewers by (Arrrggghhh!!). So I will leave much comment to a “spoiler section” that follows the trailer (which is also best avoided). This is honestly a film worth seeing cold. What can I say that is spoiler-free then?
Firth and Weisz make a well-matched couple, and the rest of the cast is peppered with well-known faces from British film and (particularly) TV: Andrew Buchan and Jonathan Bailey (from “Broadchurch”); Mark Gatiss (“Sherlock”, “Out Kind of Traitor“); Adrian Schiller (“Victoria”; “Beauty and the Beast“).
The first part of the film is well executed and excellent value for older viewers. 60’s Devon is warm, bucolic and nostalgic. In fact, the film beautifully creates the late 60’s of my childhood, from the boxy hardwood furniture of the Crowhurst’s house to the Meccano set opened at Christmas time.
Once afloat though, the film is less successful at getting its sea-legs. The story is riveting, but quite a number of the scenes raise more questions than they answer. As stress takes hold it is perhaps not surprising that there are a few fantastical flights of movie fancy. But some specific elements in Scott Burns’ script don’t quite gel: a brass clock overboard is a case in point. What? Why?
And it seems to be light on the fallout from the race: there is a weighty scene in the trailer between Best and Hallworth that (unless I dozed off!) I don’t think appeared in the final cut, and I think was needed.
All in all, I was left feeling mildly dissatisfied: a potentially good film by “Theory of Everything” director James Marsh that rather goes off the rails in the final stretch.
This was a time where morality and honour were often rigidly adhered to – British “stiff upper lip” and all that – and seemed to carry a lot more weight than they do today. So some of the decisions in the film might mystify younger viewers. But for the packed older audience in my showing (Cineworld: this needs to be put on in a bigger screen!) then it was a gripping, stressful, but far from flawless watch.
I’d also like to take this opportunity to pay my respects to the film’s composer Jóhann Jóhannsson, who shockingly died last week at the ridiculously young age of 48. His strange and atmospheric music for films including “The Theory of Everything“, “Sicario” and (particularly) “Arrival” set him on the path to be a film composing great of the future. Like James Horner, another awful and untimely loss to the film music industry.
Lending him the money, under onerous terms, are local businessman Mr Best (Ken Stott, “The Hobbit“) and local newspaper editor Rodney Hallworth (David Thewlis, “Wonder Woman“, “The Theory of Everything“). With the race deadline upon him, Crowhurst is pressed into sailing away from his beloved wife Clare (Rachel Weisz, “Denial“, “The Lobster“) and young family in a trimaran that is well below par.
But what happens next is so ludicrous that it makes a mockery of whoever wrote this ridiculous work of fiction. Ah… but wait a minute… it’s a true story!
It is in fact such an astonishing story that this is a film that is easy to spoil in a review, a fact that seems to have passed many newspaper reviewers by (Arrrggghhh!!). So I will leave much comment to a “spoiler section” that follows the trailer (which is also best avoided). This is honestly a film worth seeing cold. What can I say that is spoiler-free then?
Firth and Weisz make a well-matched couple, and the rest of the cast is peppered with well-known faces from British film and (particularly) TV: Andrew Buchan and Jonathan Bailey (from “Broadchurch”); Mark Gatiss (“Sherlock”, “Out Kind of Traitor“); Adrian Schiller (“Victoria”; “Beauty and the Beast“).
The first part of the film is well executed and excellent value for older viewers. 60’s Devon is warm, bucolic and nostalgic. In fact, the film beautifully creates the late 60’s of my childhood, from the boxy hardwood furniture of the Crowhurst’s house to the Meccano set opened at Christmas time.
Once afloat though, the film is less successful at getting its sea-legs. The story is riveting, but quite a number of the scenes raise more questions than they answer. As stress takes hold it is perhaps not surprising that there are a few fantastical flights of movie fancy. But some specific elements in Scott Burns’ script don’t quite gel: a brass clock overboard is a case in point. What? Why?
And it seems to be light on the fallout from the race: there is a weighty scene in the trailer between Best and Hallworth that (unless I dozed off!) I don’t think appeared in the final cut, and I think was needed.
All in all, I was left feeling mildly dissatisfied: a potentially good film by “Theory of Everything” director James Marsh that rather goes off the rails in the final stretch.
This was a time where morality and honour were often rigidly adhered to – British “stiff upper lip” and all that – and seemed to carry a lot more weight than they do today. So some of the decisions in the film might mystify younger viewers. But for the packed older audience in my showing (Cineworld: this needs to be put on in a bigger screen!) then it was a gripping, stressful, but far from flawless watch.
I’d also like to take this opportunity to pay my respects to the film’s composer Jóhann Jóhannsson, who shockingly died last week at the ridiculously young age of 48. His strange and atmospheric music for films including “The Theory of Everything“, “Sicario” and (particularly) “Arrival” set him on the path to be a film composing great of the future. Like James Horner, another awful and untimely loss to the film music industry.
Whatchareadin (174 KP) rated The Broken Girls in Books
Apr 9, 2019
Barrons, Vermont -- 1950
A young girl who is a student at Idlewild Hall goes missing. Idlewild is a school for wayward girls. The authorities believe she has just run away with some boy, but her friends and roommates know this is the farthest thing from the truth.
Barrons, Vermont -- 1994
Deb Sheridan another young woman is found dead in the field at Idlewild Hall, which has now been closed for many years. Her killer is her boyfriend at the time, Tim Christopher. Why would he leave her at this place?
Barrons, Vermont -- 2014
Someone has bought Idlewild Hall and plans to renovate it. But why? The place is nothing but a money pit. Fiona Sheridan is determined to find out who is buying the property and their motivation behind it. Will she be able to deal with all the secrets this place holds? When a body is found during the renovations, Fiona's attempts go into overdrive? Will she be able to find out who is behind this before she too becomes a subject of Idlewild?
Thank you to NetGalley and Berkley for the opportunity to read and review this book.
Going through this book, I was a little skeptical about what was going to happen. I'm not a big fan of books with ghosts, but this one wasn't too bad. I gave the book a rating of 3.5 stars. While the book was interesting, I found myself going for other things to do besides reading this book. The story flowed naturally even switching from the past to modern day.
Mary Hand is a ghost that haunts the grounds of Idlewild. She will show you things that you may not want to see. But is a ghost behind all the strange things that happen at Idlewild Hall or is there another culprit. We know for sure that Deb Sheridan was killed by her boyfriend, but what about the body found during the renovations? In 1950 the school was full of wayward girls. Girls who in those days, parents could not be bothered by and mental health was a taboo issue. So they sent their daughters away to school. Four girls in room 3C became very close friends. Sonia, Katie, CeCe and Roberta. The book tells their story from 1950 leading up to the disappearance of one of them and Fiona's perspective from 2014, trying to find out the history of Idlewild Hall and the new owners.
Overall, for me the book was good, not great. This is the first book I have read by Simone St. James. If her other books deal with ghosts and spirits, I'm not sure if I will read them or not, but I may give them a chance.
If you like ghosts though, I think you should give this book a try, YOU may enjoy it.
A young girl who is a student at Idlewild Hall goes missing. Idlewild is a school for wayward girls. The authorities believe she has just run away with some boy, but her friends and roommates know this is the farthest thing from the truth.
Barrons, Vermont -- 1994
Deb Sheridan another young woman is found dead in the field at Idlewild Hall, which has now been closed for many years. Her killer is her boyfriend at the time, Tim Christopher. Why would he leave her at this place?
Barrons, Vermont -- 2014
Someone has bought Idlewild Hall and plans to renovate it. But why? The place is nothing but a money pit. Fiona Sheridan is determined to find out who is buying the property and their motivation behind it. Will she be able to deal with all the secrets this place holds? When a body is found during the renovations, Fiona's attempts go into overdrive? Will she be able to find out who is behind this before she too becomes a subject of Idlewild?
Thank you to NetGalley and Berkley for the opportunity to read and review this book.
Going through this book, I was a little skeptical about what was going to happen. I'm not a big fan of books with ghosts, but this one wasn't too bad. I gave the book a rating of 3.5 stars. While the book was interesting, I found myself going for other things to do besides reading this book. The story flowed naturally even switching from the past to modern day.
Mary Hand is a ghost that haunts the grounds of Idlewild. She will show you things that you may not want to see. But is a ghost behind all the strange things that happen at Idlewild Hall or is there another culprit. We know for sure that Deb Sheridan was killed by her boyfriend, but what about the body found during the renovations? In 1950 the school was full of wayward girls. Girls who in those days, parents could not be bothered by and mental health was a taboo issue. So they sent their daughters away to school. Four girls in room 3C became very close friends. Sonia, Katie, CeCe and Roberta. The book tells their story from 1950 leading up to the disappearance of one of them and Fiona's perspective from 2014, trying to find out the history of Idlewild Hall and the new owners.
Overall, for me the book was good, not great. This is the first book I have read by Simone St. James. If her other books deal with ghosts and spirits, I'm not sure if I will read them or not, but I may give them a chance.
If you like ghosts though, I think you should give this book a try, YOU may enjoy it.
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Heather Cranmer (2721 KP) rated The Broken Girls in Books
Jan 17, 2019
A Spooky Ghost Story and Mystery in One!
When I first read the synopsis for The Broken Girls by Simone St. James, I knew it was a book I had to read. I was going to wait for it to come down in price, but the more I thought about the book, the more I knew I had to read it as soon as possible. Luckily, it was such a fantastic read!
The Broken Girls has such an interesting plot with everything I love such as a creepy boarding school, a scary ghost, and very big mystery. It felt like I was reading two different stories at the same time whilst reading this book, but it worked very well. Two mysteries at different time frames within the same book made for a great read. I loved reading about the mystery of Deb, the main character's sister, as well as Mary Hand, the ghost that haunts Idlewild Hall. I enjoyed how the two desperate stories came together brilliantly. Nothing felt rushed. It just flowed together so well. I also loved the little bit of true life history in the book. I had never heard of Ravensbruck prior to reading The Broken Girls. That tidbit was interesting. Although there were a few plot twists, I found them to be easily predictable. Saying that, this didn't take away my enjoyment from the book.
The characters in The Broken Girls were written fantastically! Almost every single character was fleshed out perfectly. I felt as if I was reading about real life people instead of fictional characters. The character that felt the most real to me was Sonia. My heart went out to her the most after all she had endured at such a young age. I admired Katie's leadership qualities. I also admired Fiona's thirst for the truth throughout everything. Mary Hand made such an excellent ghost! I enjoyed her backstory as well. She was so spooky to read about and what she could make people see was even more scary! The only character I would have loved to read a little more about was Rose Albert. I felt as if she could have had a very interesting back story as well.
The pacing for The Broken Girls was done very well. Nothing ever felt rushed nor was the pacing too slow where reading the book felt tedious and like it had to be done. Everything flowed so well.
Trigger warnings in The Broken Girls include violence, murder, attempted murder, ghosts, profanities, and drinking alcohol.
All in all, The Broken Girls was such a thrilling read that held my attention throughout. I loved the Gothic feel as well as just how beautifully written this book was. I would definitely recommend The Broken Girls by Simone St. James to those aged 16+ who enjoy a fantastically written mystery with a bit of the paranormal. This is one book that won't disappoint!
The Broken Girls has such an interesting plot with everything I love such as a creepy boarding school, a scary ghost, and very big mystery. It felt like I was reading two different stories at the same time whilst reading this book, but it worked very well. Two mysteries at different time frames within the same book made for a great read. I loved reading about the mystery of Deb, the main character's sister, as well as Mary Hand, the ghost that haunts Idlewild Hall. I enjoyed how the two desperate stories came together brilliantly. Nothing felt rushed. It just flowed together so well. I also loved the little bit of true life history in the book. I had never heard of Ravensbruck prior to reading The Broken Girls. That tidbit was interesting. Although there were a few plot twists, I found them to be easily predictable. Saying that, this didn't take away my enjoyment from the book.
The characters in The Broken Girls were written fantastically! Almost every single character was fleshed out perfectly. I felt as if I was reading about real life people instead of fictional characters. The character that felt the most real to me was Sonia. My heart went out to her the most after all she had endured at such a young age. I admired Katie's leadership qualities. I also admired Fiona's thirst for the truth throughout everything. Mary Hand made such an excellent ghost! I enjoyed her backstory as well. She was so spooky to read about and what she could make people see was even more scary! The only character I would have loved to read a little more about was Rose Albert. I felt as if she could have had a very interesting back story as well.
The pacing for The Broken Girls was done very well. Nothing ever felt rushed nor was the pacing too slow where reading the book felt tedious and like it had to be done. Everything flowed so well.
Trigger warnings in The Broken Girls include violence, murder, attempted murder, ghosts, profanities, and drinking alcohol.
All in all, The Broken Girls was such a thrilling read that held my attention throughout. I loved the Gothic feel as well as just how beautifully written this book was. I would definitely recommend The Broken Girls by Simone St. James to those aged 16+ who enjoy a fantastically written mystery with a bit of the paranormal. This is one book that won't disappoint!
