Search
Search results
Gisell Middleton (189 KP) rated Robin Hood (2018) in Movies
Nov 24, 2018
Veronica Pena (690 KP) rated Fifty Shades Darker (2017) in Movies
Jan 12, 2020 (Updated Jan 12, 2020)
Contains spoilers, click to show
This trilogy is an odd one for me. I think that this is one of the stronger films of the three, maybe the strongest, then Fifty Shades Freed, then the first one. My biggest gripe with all of the films, though, is how much of the books they leave out. I understand that you can't get everything in a film that you can get in a novel, there's a lot of scenes that are important in the books but would just be dead screen time in a film. I think at times both Jamie Dornan and Dakota Johnson lack diversity. I know that Christian is meant to be this pensive, too tough for anybody, never lets anyone get close kind of man, but there are times where that doesn't come across. I love Jamie, I think he's great, I don't think anyone could've played Christian better, but I think that there are times in the film where it's obvious that the story wasn't as important as the sex. Or at least that's how it comes across. I find Dakota to be a very believable Ana, I think that she's who I would envision and I not seen the movies, but the scene where Christian is missing and he comes back and she's crying? She's not actually crying, it's obvious and it just feels forced.
Lastly, the strongest part of this film is the music, without a doubt. Actually, the strongest part of any of these films is the music. The soundtracks are so incredibly picked and each song fits exactly what's happening. Plus, there are a few that just really stuck with me and I listen to them pretty regularly.
Overall, it's strong, but not the greatest. Definitely a guilty pleasure though.
Lastly, the strongest part of this film is the music, without a doubt. Actually, the strongest part of any of these films is the music. The soundtracks are so incredibly picked and each song fits exactly what's happening. Plus, there are a few that just really stuck with me and I listen to them pretty regularly.
Overall, it's strong, but not the greatest. Definitely a guilty pleasure though.
Veronica Pena (690 KP) rated Fifty Shades Freed (2018) in Movies
Jan 15, 2020
I think this may be a first for me - I think I liked the movie more than I liked the book. *GASP* I know. I am usually the last person to say that. There are several movie adaptations of books that I hate because they just miss the mark. This isn't one. If you've read my review of the book, then you know that there's a whole section of the book that I think is useless involving Ana's stepdad, Ray. (No spoilers, but it's useless. Literally adds nothing to the story.) I'm so happy that they didn't end up putting that in the film. It would've added probably 30 minutes of dead footage that wouldn't have advanced the plot in any way.
In terms of the acting and the dialogue, as well as the plot, I think this is the best of all three of them. Not only is it the climax of the plot between the three films, but I also think that it showcases Dakota Johnson and Jamie Dornan far better than any of the other films. Jamie has even said that Christian is hard to like in the first film and he is, I think Ana is too. But to see the story unfold, round out, and finish, it's incredibly satisfying. Of course, there are things that they had in the book that they didn't have in the movie - I would've loved the full epilogue to be shot - but overall, I think that this movie is the one that comes out on top, along with the novel. Definitely a guilty pleasure and I'm sure I'll find myself watching it every couple of months just for a good time.
In terms of the acting and the dialogue, as well as the plot, I think this is the best of all three of them. Not only is it the climax of the plot between the three films, but I also think that it showcases Dakota Johnson and Jamie Dornan far better than any of the other films. Jamie has even said that Christian is hard to like in the first film and he is, I think Ana is too. But to see the story unfold, round out, and finish, it's incredibly satisfying. Of course, there are things that they had in the book that they didn't have in the movie - I would've loved the full epilogue to be shot - but overall, I think that this movie is the one that comes out on top, along with the novel. Definitely a guilty pleasure and I'm sure I'll find myself watching it every couple of months just for a good time.
Daniel Boyd (1066 KP) rated Synchronic (2019) in Movies
Mar 2, 2021
Direction (1 more)
Script
Under The Influence
Getting to review Synchronic was great, because it is a movie that is right up my alley and yet it totally passed me by upon release. I still don’t know how I wasn’t aware of this sci-fi thriller with horror elements since that description encapsulates almost everything that I am into. I recently got to see it for the first time and really I’m glad that I did. I also went into this movie pretty blind having only seen a short trailer and I would suggest doing the same in order to receive the optimal experience here.
Anthony Mackie and Jamie Dornan star as a pair of first responder paramedics based in Louisiana and both of them do a great job in carrying the film. Without giving too many plot details away, there are points in the movie where both have to show fairly intense levels of grief and I feel that both do this very well in how they choose to portray that respectively. Jamie Dornan’s accent does slip a few times, but he is charismatic enough that he can get away with it.
The movie is directed by Justin Benson and Aaron Moorhead and this is actually the first project that I’ve seen from either of them. The direction throughout the film is brilliant and has a real cohesion with the cinematography and the script, – this is probably because the script was written by Justin Benson and shot by Aaron Moorhead.
The script is an interesting one and the distinctiveness of it means that the film probably couldn’t have been directed by anyone else other than the person who wrote it. The dialogue throughout the movie is well written and I really believed the history and friendship in Mackie’s and Dornan’s relationship. There is also some humour interjected in the dialogue and surprisingly it lands and helps to alleviate some of the perpetual dread that is intertwined in the movie’s plot.
Read the rest of my review at: https://www.bigglasgowcomicpage.com/2021/02/13/review-synchronic/
Anthony Mackie and Jamie Dornan star as a pair of first responder paramedics based in Louisiana and both of them do a great job in carrying the film. Without giving too many plot details away, there are points in the movie where both have to show fairly intense levels of grief and I feel that both do this very well in how they choose to portray that respectively. Jamie Dornan’s accent does slip a few times, but he is charismatic enough that he can get away with it.
The movie is directed by Justin Benson and Aaron Moorhead and this is actually the first project that I’ve seen from either of them. The direction throughout the film is brilliant and has a real cohesion with the cinematography and the script, – this is probably because the script was written by Justin Benson and shot by Aaron Moorhead.
The script is an interesting one and the distinctiveness of it means that the film probably couldn’t have been directed by anyone else other than the person who wrote it. The dialogue throughout the movie is well written and I really believed the history and friendship in Mackie’s and Dornan’s relationship. There is also some humour interjected in the dialogue and surprisingly it lands and helps to alleviate some of the perpetual dread that is intertwined in the movie’s plot.
Read the rest of my review at: https://www.bigglasgowcomicpage.com/2021/02/13/review-synchronic/
LeftSideCut (3778 KP) rated Belfast (2021) in Movies
Jan 14, 2022
In short, Belfast is a very human and truly wonderful piece of cinema.
It's visual style is both stunning and simple, and is brimming with plenty of striking imagery.
It's themes are rich. The setting explores the civil unrest between Protestants and Catholics in 1960s Belfast. This turbulent moment in time is a constant presence for sure, but the main bulk of the narrative deals with a working class family who are struggling with debt, and are looking to potentially relocate to England in light of the city wide violence. The very heart of the story though is found in Buddy, the young son of the family who is dealing with growing up and not wanting to leave. Buddy's actor, Jude Hill, is excellent. He embodies innocent childhood and the adventure that comes with it. He's an 11 year old actor, holding his own against screen veterans such as Ciarán Hinds and Judi Dench (both fantastic as always).
Other than Buddy, most of the heavy lifting is undertaken by the mother, played by Caitriona Balfe, who really deserves an Academy Nomination for her role here. Jamie Dornan also stars, who proved to be a pleasant surprise for me, only knowing him from the obvious, and is a welcome addition to an all round stellar cast. Throughout this, the narrative touches upon loss and loneliness, and the moments of life that manage to be bittersweet.
Belfast is a sometimes heartwarming, powerful, occasionally funny, and often melancholy tale told with a lot of love and care. Kenneth Branagh has delivered a slice of cinematic gold.
It's visual style is both stunning and simple, and is brimming with plenty of striking imagery.
It's themes are rich. The setting explores the civil unrest between Protestants and Catholics in 1960s Belfast. This turbulent moment in time is a constant presence for sure, but the main bulk of the narrative deals with a working class family who are struggling with debt, and are looking to potentially relocate to England in light of the city wide violence. The very heart of the story though is found in Buddy, the young son of the family who is dealing with growing up and not wanting to leave. Buddy's actor, Jude Hill, is excellent. He embodies innocent childhood and the adventure that comes with it. He's an 11 year old actor, holding his own against screen veterans such as Ciarán Hinds and Judi Dench (both fantastic as always).
Other than Buddy, most of the heavy lifting is undertaken by the mother, played by Caitriona Balfe, who really deserves an Academy Nomination for her role here. Jamie Dornan also stars, who proved to be a pleasant surprise for me, only knowing him from the obvious, and is a welcome addition to an all round stellar cast. Throughout this, the narrative touches upon loss and loneliness, and the moments of life that manage to be bittersweet.
Belfast is a sometimes heartwarming, powerful, occasionally funny, and often melancholy tale told with a lot of love and care. Kenneth Branagh has delivered a slice of cinematic gold.
Gareth von Kallenbach (980 KP) rated Fifty Shades of Grey (2015) in Movies
Aug 6, 2019
remember thinking, after reading the first couple of chapters of Fifty Shades of Grey two years ago, “Is this guy a vampire?” E.L. James’ description of Christian Grey brought to mind Edward of the Twilight series and the heroine, Anastasia Steele’s clumsy entrance into Grey’s office reminded me of Bella. I was so certain I would find out Grey was a vampire in the following chapters.
So it wasn’t too much of a surprise for me when I learned the book started out as Twilight fan fiction. The hero and heroine were clearly patterned after Bella and Edward. So whenever someone asked me what the book was about, I would tell them, “It’s an awfully written Twilight with a lot of sex and some bondage and spanking. “ That being said, I’m hardly a book snob. I’ll read just about anything, and while I may complain the whole time, I’ll finish the series if one exists. But even casual readers should be able to recognize badly written fiction when it smacks them in the face like Fifty Shades of Grey.
When I heard they were making a movie, I figured it would be a Rated R or NC-17 version Twilight. I played the game along with other millions of women on who should be the leads. I picked Anna Kendrick and Ian Somerhalder. I wasn’t too disappointed with the actual picks (I think that required actually caring), but the trailers did not endear Dakota Johnson to me at all. On the way to the screener, I joked with my husband, Gareth, that I expected to see Dakota Johnson and Jamie Dornan doing a lot of gasping or scowling with mouth agape since that seemed to be their go-to reactions in the book. (James is fond of writing about jaw-drops and sharp intakes of breath in her books).
I had to make him promise to refrain from making Mystery Science Theater 3000 commentary during the movie, but within the first 5 minutes he recognized some landmarks and leaned over to ask “Wait. She went to WSU?” When I nodded, Gareth, a proud UW Husky, leaned back, shook his head and muttered, “Already disappointed.” We both actually enjoyed seeing the Seattle backdrop, all shiny and urbane, at least in Grey’s world. I thought Gareth was talking about the ridiculousness of Christian Grey’s wealth when he whispered, “This movie is so full of it.” I raised my eyebrows at him and he said, “You know you can’t find parking that easily in Seattle.”
Being familiar with the books, I knew what to expect and for the most part, director Sam Taylor-Johnson, greatly improved on weak source material. Dakota Johnson was a pleasant surprise, making Anastasia smart, witty and much more relatable than the book Ana. Jamie Dornan was very easy to look at. Listening to? Not so much. It’s been reported that E. L. James’ insisted the dialogue from her books remain unchanged. One wonders if she also insisted Dornan deliver his parts as if he were reading her book. Reluctantly and under great duress.
Fans of the books will notice a few changes, and of course it won’t be as graphic as the book, but there are at least 25 minutes of steamy scenes. All in all, this may be one of those rare times the movie is better than the book. Like the books, now that I’m invested, I will watch the next two in the trilogy. Mainly thanks to Dakota Johnson. If nothing else, I have to give Fifty Shades of Grey credit for inspiring passion – in debates about abusive relationships, true BDSM and the age-old bad boy vs. good men attraction. I don’t think I’ve engaged in this many debates with friends and coworkers about a non-sci-fi movie before. It could very well inspire all kinds of other passion for those who give in and escort their significant other to this movie this weekend. But hopefully, unlike the leads in the movie, those inspired will reach a satisfying finish rather than a stylized fade-out to the morning after.
So it wasn’t too much of a surprise for me when I learned the book started out as Twilight fan fiction. The hero and heroine were clearly patterned after Bella and Edward. So whenever someone asked me what the book was about, I would tell them, “It’s an awfully written Twilight with a lot of sex and some bondage and spanking. “ That being said, I’m hardly a book snob. I’ll read just about anything, and while I may complain the whole time, I’ll finish the series if one exists. But even casual readers should be able to recognize badly written fiction when it smacks them in the face like Fifty Shades of Grey.
When I heard they were making a movie, I figured it would be a Rated R or NC-17 version Twilight. I played the game along with other millions of women on who should be the leads. I picked Anna Kendrick and Ian Somerhalder. I wasn’t too disappointed with the actual picks (I think that required actually caring), but the trailers did not endear Dakota Johnson to me at all. On the way to the screener, I joked with my husband, Gareth, that I expected to see Dakota Johnson and Jamie Dornan doing a lot of gasping or scowling with mouth agape since that seemed to be their go-to reactions in the book. (James is fond of writing about jaw-drops and sharp intakes of breath in her books).
I had to make him promise to refrain from making Mystery Science Theater 3000 commentary during the movie, but within the first 5 minutes he recognized some landmarks and leaned over to ask “Wait. She went to WSU?” When I nodded, Gareth, a proud UW Husky, leaned back, shook his head and muttered, “Already disappointed.” We both actually enjoyed seeing the Seattle backdrop, all shiny and urbane, at least in Grey’s world. I thought Gareth was talking about the ridiculousness of Christian Grey’s wealth when he whispered, “This movie is so full of it.” I raised my eyebrows at him and he said, “You know you can’t find parking that easily in Seattle.”
Being familiar with the books, I knew what to expect and for the most part, director Sam Taylor-Johnson, greatly improved on weak source material. Dakota Johnson was a pleasant surprise, making Anastasia smart, witty and much more relatable than the book Ana. Jamie Dornan was very easy to look at. Listening to? Not so much. It’s been reported that E. L. James’ insisted the dialogue from her books remain unchanged. One wonders if she also insisted Dornan deliver his parts as if he were reading her book. Reluctantly and under great duress.
Fans of the books will notice a few changes, and of course it won’t be as graphic as the book, but there are at least 25 minutes of steamy scenes. All in all, this may be one of those rare times the movie is better than the book. Like the books, now that I’m invested, I will watch the next two in the trilogy. Mainly thanks to Dakota Johnson. If nothing else, I have to give Fifty Shades of Grey credit for inspiring passion – in debates about abusive relationships, true BDSM and the age-old bad boy vs. good men attraction. I don’t think I’ve engaged in this many debates with friends and coworkers about a non-sci-fi movie before. It could very well inspire all kinds of other passion for those who give in and escort their significant other to this movie this weekend. But hopefully, unlike the leads in the movie, those inspired will reach a satisfying finish rather than a stylized fade-out to the morning after.
BankofMarquis (1832 KP) rated A Haunting in Venice (2023) in Movies
Sep 30, 2023
Well Crafted
Famed Agatha Christie Belgian Sleuth Hercule Poirot is a familiar figure on the screen - both large and small. He has been played numerous times by numerous performers, each one riffing on the famed mustached Detective and his “little grey cells” and and any performer who takes on this character must bear the weight of those who played the role before him.
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
Gareth von Kallenbach (980 KP) rated Fifty Shades Freed (2018) in Movies
Jun 19, 2019
The third and final entry in the “Fifty Shades” series has arrived with the release of “fifty Shades Freed”. The story opens with the wedding of Anastasia (Dakota Johnson), and Christian (Jamie Dornan), and follows their honeymoon in the lavish locales of France.
There getaway is cut short by an act of sabotage at Christian’s company and it soon becomes clear that a person from their past has taken things to a dangerous level which requires Christian to implement security measures for Anastasia and their extended family.
In between the intrigue presented by the threat, we also have numerous scenes of nudity and eroticism as Christian is not going to give up his dominating needs anytime soon.
Combine this with a new revelation that threatens to disrupt the crafted and controlled world he has created for himself and Anastasia; the tensions rise between them making a dangerous and stress-filled situation even more complicated.
While the film does have a better plot and is more engaging than the previous films in the series it is hampered by many of the same issues that hindered the series. The two leads have zero chemistry with one another and their supposedly highly erotic scenes are so routine and by the numbers they lack any form of excitement or real titillation. The film also has this message that behavior that would be considered highly unacceptable in others seems to get a pass for Christian as he is a handsome billionaire. He is a very selfish and controlling individual who demands obedience. While Anastasia does have a strong enough character to stand up to him, she tolerates behavior that would be considered unacceptable by many and seems very quick to give him a pass when lavish gifts and trips are bestowed upon her. I wonder how romantic and acceptable his behavior would be if he was a struggling musician who did not have the financial resources to create fantasies and buy his apologies. I know the film is supposed to be romantic fantasy but this really annoys me as he exhibits much of the behavior that is considered unacceptable and to be avoided at all costs, yet it is all wrapped up in a sweet bow of forgiveness.
That aside the series does seem to be losing steam as the last film earned less than the original film and “Fifty Shades Freed” is tracking to open well below the last film as well. Fans of the series will likely enjoy it as a satisfying finale, but I really expected more from the final moments of the series as after following the characters, the ending seemed very anti-climactic.
http://sknr.net/2018/02/08/fifty-shades-freed/
There getaway is cut short by an act of sabotage at Christian’s company and it soon becomes clear that a person from their past has taken things to a dangerous level which requires Christian to implement security measures for Anastasia and their extended family.
In between the intrigue presented by the threat, we also have numerous scenes of nudity and eroticism as Christian is not going to give up his dominating needs anytime soon.
Combine this with a new revelation that threatens to disrupt the crafted and controlled world he has created for himself and Anastasia; the tensions rise between them making a dangerous and stress-filled situation even more complicated.
While the film does have a better plot and is more engaging than the previous films in the series it is hampered by many of the same issues that hindered the series. The two leads have zero chemistry with one another and their supposedly highly erotic scenes are so routine and by the numbers they lack any form of excitement or real titillation. The film also has this message that behavior that would be considered highly unacceptable in others seems to get a pass for Christian as he is a handsome billionaire. He is a very selfish and controlling individual who demands obedience. While Anastasia does have a strong enough character to stand up to him, she tolerates behavior that would be considered unacceptable by many and seems very quick to give him a pass when lavish gifts and trips are bestowed upon her. I wonder how romantic and acceptable his behavior would be if he was a struggling musician who did not have the financial resources to create fantasies and buy his apologies. I know the film is supposed to be romantic fantasy but this really annoys me as he exhibits much of the behavior that is considered unacceptable and to be avoided at all costs, yet it is all wrapped up in a sweet bow of forgiveness.
That aside the series does seem to be losing steam as the last film earned less than the original film and “Fifty Shades Freed” is tracking to open well below the last film as well. Fans of the series will likely enjoy it as a satisfying finale, but I really expected more from the final moments of the series as after following the characters, the ending seemed very anti-climactic.
http://sknr.net/2018/02/08/fifty-shades-freed/
Movie Metropolis (309 KP) rated Fifty Shades of Grey (2015) in Movies
Jun 10, 2019
A tiresome affair
The Fifty Shades phenomenon is something very hard to calculate. Yes, we know its sold millions of copies worldwide, but its readership is likely to be much higher. I’m sure someone somewhere will know another person who didn’t go out and buy the book, but just borrowed it.
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Gareth von Kallenbach (980 KP) rated Fifty Shades Darker (2017) in Movies
Jun 19, 2019
Anastasia Steele (Dakota Johnson) and Christian Grey (Jamie Dornan) have returned in “50 Shades Darker” which looks to continue the massive success of the series.
Picking up shortly after the last film, the newly single Anastasia has begun working her dream job as an assistant in a Seattle publishing company. When she is reunited with Christian at a social event, he pleads with her to take him back and offers to redefine the terms of their relationship agreement.
Although cautions, she takes him back and despite telling him she wants to take it slow, the first of many sex scenes follow.
Although happy to be reunited, the pair are plagued by issues from Christian’s past as well as his own inner demons which constantly pull at them and threaten to undermine their new relationship.
Of course much if it is little more than thinly veiled lip service designed to get them into the bedroom time and time again so the camera can focus on their bodies and Christian resorting to his old ways with all manner of restraints and devices.
One would think that a film that is supposed to be so erotic would be far more exciting and titillating but the film’s sex scenes are so dull and by the numbers you will soon find yourself losing interest. A big part of this goes to the total lack of chemistry between the leads. If you thought it was strained in the first film it is pretty much non-existent this time out. The dialogue is also not much better as it is laughably bad in areas and unintentionally funny. The monotone delivery of the leads does not help much as it seems like there is a competition to see how many shots of the beautiful Seattle area and their bodies can be creamed into the film.
Kim Bassinger does bring the film a bit of intrigue as a woman from Christian’s past, but she is not in the film enough to really make that much of a difference as pretty much all of the supporting characters are paper thin and not given the chance to grow.
I did like the film more than I liked the original film, but I continue to struggle with the appeal of the film series. The leads lack any chemistry and supporters of the BDSM lifestyle have said the series does not portray their lifestyle accurately and that what Christian does is abusive.
I posted the question that how much appeal would the series have if Christian was a struggling musician living in a hovel who could not even afford a Starbucks run. He would be considered a deeply damaged individual who women would run from. But package him up as a young and attractive billionaire, and it seems that common sense goes out the window as far as the ladies in his life go, and he gets a pass on behaviors that would be totally unacceptable to most.
For me the lack of eroticism, chemistry between the leads, and a compelling story could be overlooked as despite the issues, it does entertain. But when the characters are so hard to like, I found myself not having much sympathy for any obstacles they encountered. My advice, wait for the video as there are far more erotic and entertaining films on Netflix.
http://sknr.net/2017/02/09/50-shades-darker/
Picking up shortly after the last film, the newly single Anastasia has begun working her dream job as an assistant in a Seattle publishing company. When she is reunited with Christian at a social event, he pleads with her to take him back and offers to redefine the terms of their relationship agreement.
Although cautions, she takes him back and despite telling him she wants to take it slow, the first of many sex scenes follow.
Although happy to be reunited, the pair are plagued by issues from Christian’s past as well as his own inner demons which constantly pull at them and threaten to undermine their new relationship.
Of course much if it is little more than thinly veiled lip service designed to get them into the bedroom time and time again so the camera can focus on their bodies and Christian resorting to his old ways with all manner of restraints and devices.
One would think that a film that is supposed to be so erotic would be far more exciting and titillating but the film’s sex scenes are so dull and by the numbers you will soon find yourself losing interest. A big part of this goes to the total lack of chemistry between the leads. If you thought it was strained in the first film it is pretty much non-existent this time out. The dialogue is also not much better as it is laughably bad in areas and unintentionally funny. The monotone delivery of the leads does not help much as it seems like there is a competition to see how many shots of the beautiful Seattle area and their bodies can be creamed into the film.
Kim Bassinger does bring the film a bit of intrigue as a woman from Christian’s past, but she is not in the film enough to really make that much of a difference as pretty much all of the supporting characters are paper thin and not given the chance to grow.
I did like the film more than I liked the original film, but I continue to struggle with the appeal of the film series. The leads lack any chemistry and supporters of the BDSM lifestyle have said the series does not portray their lifestyle accurately and that what Christian does is abusive.
I posted the question that how much appeal would the series have if Christian was a struggling musician living in a hovel who could not even afford a Starbucks run. He would be considered a deeply damaged individual who women would run from. But package him up as a young and attractive billionaire, and it seems that common sense goes out the window as far as the ladies in his life go, and he gets a pass on behaviors that would be totally unacceptable to most.
For me the lack of eroticism, chemistry between the leads, and a compelling story could be overlooked as despite the issues, it does entertain. But when the characters are so hard to like, I found myself not having much sympathy for any obstacles they encountered. My advice, wait for the video as there are far more erotic and entertaining films on Netflix.
http://sknr.net/2017/02/09/50-shades-darker/