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Gareth von Kallenbach (980 KP) rated Annie (2014) in Movies
Aug 6, 2019
The 2014 re-make of Annie, starring Jamie Foxx as Will Stacks, Quvenzhané Wallis as
Annie, Rose Byrne as Grace, Bobby Cannavale as Guy and Cameron Diaz as Miss Hannigan
is a musical that is fun and caused me to sing along.
The story was cute, and obviously at least somewhat predictable if you are older
than 30-ish.
Parts of it were a very tiny bit scary for my son (6), mostly centered around Annie
being swept off by 'bad guys'.
Cameron Diaz does a pretty good job as Miss Hannigan and sings fairly well. She
doesn't 'copy' Carol Burnetts role as Miss Hannigan, but rather makes it her own,
modern version.
Jamie Foxx is great as Will Stacks and has a great voice. He portrays gruff and
unapproachable very well, and I liked him in the role.
The show stealer was Quvenzhané Wallis as Annie. Her performance was great and she
sang her little heart out. I connected with her emotionally and found her to be very
believable as a kid trying to find her place in the world.
I liked the film, and feel it is a good re-make. It isn't one hundred percent like
the original, but a new, modern twist on it.
My son liked it, and my husband liked it more than he thought he would.
We would be happy to see it again in the theatre.
I would give this over 3.5 out of 5 stars.
Annie, Rose Byrne as Grace, Bobby Cannavale as Guy and Cameron Diaz as Miss Hannigan
is a musical that is fun and caused me to sing along.
The story was cute, and obviously at least somewhat predictable if you are older
than 30-ish.
Parts of it were a very tiny bit scary for my son (6), mostly centered around Annie
being swept off by 'bad guys'.
Cameron Diaz does a pretty good job as Miss Hannigan and sings fairly well. She
doesn't 'copy' Carol Burnetts role as Miss Hannigan, but rather makes it her own,
modern version.
Jamie Foxx is great as Will Stacks and has a great voice. He portrays gruff and
unapproachable very well, and I liked him in the role.
The show stealer was Quvenzhané Wallis as Annie. Her performance was great and she
sang her little heart out. I connected with her emotionally and found her to be very
believable as a kid trying to find her place in the world.
I liked the film, and feel it is a good re-make. It isn't one hundred percent like
the original, but a new, modern twist on it.
My son liked it, and my husband liked it more than he thought he would.
We would be happy to see it again in the theatre.
I would give this over 3.5 out of 5 stars.
Emma @ The Movies (1786 KP) rated Hope Gap (2020) in Movies
Mar 8, 2020
When picking things to watch at the London Film Festival the criteria was simple... read the synopsis and choose from that. If I got bogged down in anything more I was going to miss things that could have been "hidden gems", my list would also have been never-ending... but when you spot Annette Bening and Bill Nighy in a film together you can't say no really.
Edward and Grace have been married for 29 years but the humdrum living has become too monotonous, for Edward at least. He's felt like his life needs something different for a while, knowing that Grace will react badly he invites their son to aid in his plan to leave, but he too is in the dark about what on the cards for his visit.
I was keen to enjoy this one but I think sadly the film doesn't hit all the right notes. The set up of Edward (Nighy) and Grace (Bening) in the house together perfectly reflects their relationship. Everything is together and yet they're separate. They work in different rooms, their backs to each other and while they acknowledge each other and interact it's more habit than anything else.
I'm not the best at picking up subtle things when watching films the first time around, but I noted down a couple of times that there seemed to be a lot of colour coordination. Both main characters seemed to match with parts of the house and yet those colours never seemed to cross together at any time... one of the perils od not being able to rewind a film to check is that I'm left wondering if I actually saw something or not. Perhaps I imagined it! The similarities also extended to their son Jamie and his room... according to my unverifiable notes.
I thought that Josh O'Connor and Bill Nighy had a great dynamic together, their characters share many "inherited" traits together and that played out well on screen. Annette Bening's performance was strong at times and you could definitely see the progression clearly in Grace... but...
With those good touches came a lethargic pace. The laid back sense of the whole film with just Grace as the energetic feature was a struggle to watch. I can see that it could be exactly how it would happen in reality but that doesn't mean it will work on film when you aren't invested in the parties involved.
Hope Gap touches on some strong points but never seems to address them very directly. I'm not sure I can see another way that this would have jumped off the screen, in my head it feels more suited for the intimate setting of a theatre.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/hope-gap-movie-review.html
Edward and Grace have been married for 29 years but the humdrum living has become too monotonous, for Edward at least. He's felt like his life needs something different for a while, knowing that Grace will react badly he invites their son to aid in his plan to leave, but he too is in the dark about what on the cards for his visit.
I was keen to enjoy this one but I think sadly the film doesn't hit all the right notes. The set up of Edward (Nighy) and Grace (Bening) in the house together perfectly reflects their relationship. Everything is together and yet they're separate. They work in different rooms, their backs to each other and while they acknowledge each other and interact it's more habit than anything else.
I'm not the best at picking up subtle things when watching films the first time around, but I noted down a couple of times that there seemed to be a lot of colour coordination. Both main characters seemed to match with parts of the house and yet those colours never seemed to cross together at any time... one of the perils od not being able to rewind a film to check is that I'm left wondering if I actually saw something or not. Perhaps I imagined it! The similarities also extended to their son Jamie and his room... according to my unverifiable notes.
I thought that Josh O'Connor and Bill Nighy had a great dynamic together, their characters share many "inherited" traits together and that played out well on screen. Annette Bening's performance was strong at times and you could definitely see the progression clearly in Grace... but...
With those good touches came a lethargic pace. The laid back sense of the whole film with just Grace as the energetic feature was a struggle to watch. I can see that it could be exactly how it would happen in reality but that doesn't mean it will work on film when you aren't invested in the parties involved.
Hope Gap touches on some strong points but never seems to address them very directly. I'm not sure I can see another way that this would have jumped off the screen, in my head it feels more suited for the intimate setting of a theatre.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/hope-gap-movie-review.html
Gareth von Kallenbach (980 KP) rated White House Down (2013) in Movies
Jun 19, 2019
They don’t make them like this anymore. White House Down is like watching an action movie from 1988-1994. It is over the top with a weak unbelievable and absurd plot. Not to mention a Scooby-doo like plot twist ending that is trying too hard.
There really is not much to say about this film. Channing Tatum is a police officer who is interviewing for a secret service job to impress his somewhat estranged daughter. While taking her on the tour of the white house, some ho hum bad guys take over the place on some convoluted quest for money, vengeance, power…whatever.
Tatum finds himself protecting the president played by Jamie Fox in which the movie tries to create a buddy dynamic that does not quite work. In fact, in 1990s action film style, Tatum and Fox are such caricatures of the resourceful cop and the idealist president that they possess no depth at all. That would be fine if the action was filled with eye candy explosions, only the action was actually subdued, predictable and unremarkable at best.
As if that was not enough, the one-liners in this film are so bad that they actually become laughably good. Not because of what was said, but rather because they are so ridiculous you cannot help but laugh at them. This may in fact be the film’s saving grace though. If you approach this film with zero expectations and are just looking for mindless fun, you may actually enjoy yourself.
http://sknr.net/2013/06/28/white-house-down/
There really is not much to say about this film. Channing Tatum is a police officer who is interviewing for a secret service job to impress his somewhat estranged daughter. While taking her on the tour of the white house, some ho hum bad guys take over the place on some convoluted quest for money, vengeance, power…whatever.
Tatum finds himself protecting the president played by Jamie Fox in which the movie tries to create a buddy dynamic that does not quite work. In fact, in 1990s action film style, Tatum and Fox are such caricatures of the resourceful cop and the idealist president that they possess no depth at all. That would be fine if the action was filled with eye candy explosions, only the action was actually subdued, predictable and unremarkable at best.
As if that was not enough, the one-liners in this film are so bad that they actually become laughably good. Not because of what was said, but rather because they are so ridiculous you cannot help but laugh at them. This may in fact be the film’s saving grace though. If you approach this film with zero expectations and are just looking for mindless fun, you may actually enjoy yourself.
http://sknr.net/2013/06/28/white-house-down/
Phillip McSween (751 KP) rated Knives Out (2019) in Movies
Mar 6, 2020
Consistent Blast
In the Whodunit drama, detective Benoit Blanc (Daniel Craig) has to uncover who killed famous author Harlan Thrombey (Christopher Plummer).
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.