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Daniel Boyd (1066 KP) rated The Legend of Tarzan (2016) in Movies
Jul 19, 2017
A boring retelling of a story we have all heard before
I fell asleep watching this, in the cinema, which is something that I never do. Don’t bother with this one, the performances are lazy, Margot Robbie is a rubbish Jane, Alexander Skarrsgard looks great as Tarzan until he opens his mouth and Sam Jackson and Cristoph Waltz just play the parts that you would expect them to play. The movie hits all the beats you would expect it to and although I only saw the beginning and end of the movie, that was plenty. Totally unremarkable and forgettable.
The original is better
I received this book for free through Goodreads First Reads.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
<i>I received this book for free through Goodreads First Reads.</i>
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Gareth von Kallenbach (980 KP) rated The Legend of Tarzan (2016) in Movies
Aug 6, 2019
It’s a story we’re pretty much all familiar with – Tarzan, a man who was raised in the jungle by apes that took him in as a baby after his parents died.
In “The Legend of Tarzan,” it is the 1880’s and royal corruption brews beneath the surface. Tarzan (Alexander Skarsgard), now an adult, is living as John Clayton III, Lord Greystoke with his wife Jane (Margot Robbie).
His civilized life is interrupted when he is sent back to the Congo as a trade emissary. Unfortunately, he is at the center of the wicked plans of Captain Léon Rom (Christoph Waltz). Rom has made a deal to trade Tarzan in exchange for diamonds to a tribal chief who plans to butcher and eat him. Waltz does a great job playing a sleazy political criminal with beady eyes and a greasy mustache.
Samuel L. Jackson is also fun to watch as George Washington Williams, who accompanies Tarzan to the Congo when he follows up on his own suspicions.
While the film is quite enjoyable, and very pretty to look at (special thanks to Skarsgard). Tarzan isn’t as animalistic as you would expect, Jane lacks authentic emotion, and at times the CGI is a bit low quality.
“The Legend of Tarzan” is one of those short, sweet, and fun summer movies and is definitely worth watching. With political undertones of greed, slavery, and human destruction, it also has deeper value.
This is one that everyone can watch. It’s not too violent, it’s not to edgy, and it’s not too long. I give “The Legend of Tarzan” 3.5 out of 5 stars.
In “The Legend of Tarzan,” it is the 1880’s and royal corruption brews beneath the surface. Tarzan (Alexander Skarsgard), now an adult, is living as John Clayton III, Lord Greystoke with his wife Jane (Margot Robbie).
His civilized life is interrupted when he is sent back to the Congo as a trade emissary. Unfortunately, he is at the center of the wicked plans of Captain Léon Rom (Christoph Waltz). Rom has made a deal to trade Tarzan in exchange for diamonds to a tribal chief who plans to butcher and eat him. Waltz does a great job playing a sleazy political criminal with beady eyes and a greasy mustache.
Samuel L. Jackson is also fun to watch as George Washington Williams, who accompanies Tarzan to the Congo when he follows up on his own suspicions.
While the film is quite enjoyable, and very pretty to look at (special thanks to Skarsgard). Tarzan isn’t as animalistic as you would expect, Jane lacks authentic emotion, and at times the CGI is a bit low quality.
“The Legend of Tarzan” is one of those short, sweet, and fun summer movies and is definitely worth watching. With political undertones of greed, slavery, and human destruction, it also has deeper value.
This is one that everyone can watch. It’s not too violent, it’s not to edgy, and it’s not too long. I give “The Legend of Tarzan” 3.5 out of 5 stars.
Movie Metropolis (309 KP) rated The Legend of Tarzan (2016) in Movies
Jun 11, 2019
CPR Needed
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
Darren (1599 KP) rated Night Crossing (1982) in Movies
Jul 2, 2019
Story: Night Crossing starts as we go to East Germany in 1979, The Strelzyk family, Peter (Hurt), Doris (Alexander), Frank (D.McKeon) and Fitscher (K.McKeon) who are getting tired of not being able to go to the west side of Germany, one they see as fairer. The friendship between this family and the Wetzel’s Gunter (Bridges) and Petra (O’Connor) keeps them strong, while they see the friends trying to escape getting killed.
When Peter comes up with up the idea to build a balloon with Gunter to escape, it will mean working in secret because getting caught will only see him killed. When Gunter leaves for family reasons, Peter must keep the idea within the family for the hope for their future.
Characters – Peter is a father that has been living with his family in Eastern Germany, he is getting tired of the lack of change or unity with the Western side and decides he wants to risk his family’s life to escape, he plans to build a balloon which would fly over the borders in place. Doris is the wife of Peter, she is reluctant to help at first, but soon sees this being the only option. Gunter is the friend that wants to help build the balloon, only for his wife to push him into staying behind because of the young age of their children. Petra is Gunter’s wife that doesn’t want to risk their infant children with an escape plan so dangerous.
Performances – John Hurt in the leading role is the strongest member of the cast, he shows that even a common man can have the hope required for his character. Jane Alexander and Glynnis O’Connor are both fitting the wife type of role which doesn’t get much else to do. Beau Bridges completes the cast with a performance that shows just how young men would have been affected in this world.
Story – The story follows two families that work together to find a way to escape East Germany and get into West Germany in the late 70s, they must risk everything for this, which is failing would see them face certain death. this is a story of inspiration that showed us just how much people were willing to risk escaping a land they couldn’t live their natural life without being dictated too, it shows the patience to make it happen and how family can inspire you to risk everything.
Family/History – This might be classed as a family film that is because of the families involved in trying to make this high risk situation happen, the history of their escape is one that could inspire many who were trapped in the land.
Settings – The film is set in the harsh living conditions the families would have been living in and how secretive their plan would have been to make happen.
Scene of the Movie – Are we in the West?
That Moment That Annoyed Me – It could have been a lot darker.
Final Thoughts – This is an inspiration story of two family’s determination to make it out of a life which didn’t offer them a true future.
Overall: True story that shows bravery and inspiration.
When Peter comes up with up the idea to build a balloon with Gunter to escape, it will mean working in secret because getting caught will only see him killed. When Gunter leaves for family reasons, Peter must keep the idea within the family for the hope for their future.
Characters – Peter is a father that has been living with his family in Eastern Germany, he is getting tired of the lack of change or unity with the Western side and decides he wants to risk his family’s life to escape, he plans to build a balloon which would fly over the borders in place. Doris is the wife of Peter, she is reluctant to help at first, but soon sees this being the only option. Gunter is the friend that wants to help build the balloon, only for his wife to push him into staying behind because of the young age of their children. Petra is Gunter’s wife that doesn’t want to risk their infant children with an escape plan so dangerous.
Performances – John Hurt in the leading role is the strongest member of the cast, he shows that even a common man can have the hope required for his character. Jane Alexander and Glynnis O’Connor are both fitting the wife type of role which doesn’t get much else to do. Beau Bridges completes the cast with a performance that shows just how young men would have been affected in this world.
Story – The story follows two families that work together to find a way to escape East Germany and get into West Germany in the late 70s, they must risk everything for this, which is failing would see them face certain death. this is a story of inspiration that showed us just how much people were willing to risk escaping a land they couldn’t live their natural life without being dictated too, it shows the patience to make it happen and how family can inspire you to risk everything.
Family/History – This might be classed as a family film that is because of the families involved in trying to make this high risk situation happen, the history of their escape is one that could inspire many who were trapped in the land.
Settings – The film is set in the harsh living conditions the families would have been living in and how secretive their plan would have been to make happen.
Scene of the Movie – Are we in the West?
That Moment That Annoyed Me – It could have been a lot darker.
Final Thoughts – This is an inspiration story of two family’s determination to make it out of a life which didn’t offer them a true future.
Overall: True story that shows bravery and inspiration.
Gareth von Kallenbach (980 KP) rated Thor: The Dark World (2013) in Movies
Jun 19, 2019
Marvel Studios has certainly been on a roll in recent years with a string of successful film adaptations of their popular comic book series. The recent overwhelming worldwide successes for “The Avengers”, and “Iron Man 3”, which topped $1 billion each globally has certainly raised the bar for their next cinematic offerings.
“Thor: The Dark World”, is poised to carry on the success of the Marvel film franchise as it successfully mixes action and character form the rare sequel that is better than the film that spawned it.
Chris Hemsworth once again stars as the title character who has been spending his time clearing up discord on the planets of the Nine Realms following his outing with The Avengers.
With peace at hand, his father Odin, (Sir Anthony Hopkins), believes the time is right for Thor to prepare for his reign as king of Asgard and protector of the realms.
Thor is not ready to embrace his destiny as his mind and heart are focused on Jane Foster (Natalie Portman), we has not seen since the events of the first film. His father warns him that a mortal is not suited to be his future queen and suggest that his fellow warrior Sif (Jaimie Alexander), would be far more suitable.
To further complicate matters Thor’s treacherous brother Loki (Tom Hiddleston), is seething at the prospect of spending eternity in captivity for his past crimes which only furthers his desire for power and revenge.
While all of this would be enough to keep Thor very busy, a new threat has arisen from the past that threatens to destroy the known universe. A powerful force known as the Aether which had been hidden by Thor’s grandfather has emerged and is drawn the attention of a Dark Elf named Malekith (Christopher Eccleston), who has been hiding away for centuries from those who believed him to be dead.
Malekith wants to take advantage of a pending convergence of the realms to use the supernatural power for his own purposes and in doing so destroy and subjugate all those who are before him. Fate intervenes and brings Jane and Thor together again just as the enemy forces arrived to ransack Asgard.
Faced with a battle against time not only to protect his beloved homeland but to save the known universe, Thor must work with his treacherous brother Loki in a race against time to save the day.
There are plenty of action sequences that follow and the visual effects are quite good even though the film is presented in converted 3-D after being shot in a standard format. The leads are fantastic and truly seem to have a grasp of their characters and the supporting work especially that of Kat Dennings much-needed comic relief is a very nice mix.
The only issue I had with the film other than the converted 3-D, was that the enemy while menacing did not seem to be one of the larger-than-life enemies that one has come to expect from a Marvel film. While certainly dangerous and menacing, there almost seemed to be an air of and confidence about the character as it was clear that he was simply biting off more than he could handle with the forces that were available to him.
That being said the film was extremely enjoyable as were the two bonus scenes that play during the middle of and the end of the credits.
While it may not went over box offices to the level of the two previous Marvel outings, Director Alan Taylor keeps things moving at a steady clip and the film nor the characters do not overstay their welcome.
With another Avengers movie on the horizon and a promise that Thor will return, fans can definitely enjoy this latest offering and look forward to the future for this promising series.
http://sknr.net/2013/11/08/thor-the-dark-world/
“Thor: The Dark World”, is poised to carry on the success of the Marvel film franchise as it successfully mixes action and character form the rare sequel that is better than the film that spawned it.
Chris Hemsworth once again stars as the title character who has been spending his time clearing up discord on the planets of the Nine Realms following his outing with The Avengers.
With peace at hand, his father Odin, (Sir Anthony Hopkins), believes the time is right for Thor to prepare for his reign as king of Asgard and protector of the realms.
Thor is not ready to embrace his destiny as his mind and heart are focused on Jane Foster (Natalie Portman), we has not seen since the events of the first film. His father warns him that a mortal is not suited to be his future queen and suggest that his fellow warrior Sif (Jaimie Alexander), would be far more suitable.
To further complicate matters Thor’s treacherous brother Loki (Tom Hiddleston), is seething at the prospect of spending eternity in captivity for his past crimes which only furthers his desire for power and revenge.
While all of this would be enough to keep Thor very busy, a new threat has arisen from the past that threatens to destroy the known universe. A powerful force known as the Aether which had been hidden by Thor’s grandfather has emerged and is drawn the attention of a Dark Elf named Malekith (Christopher Eccleston), who has been hiding away for centuries from those who believed him to be dead.
Malekith wants to take advantage of a pending convergence of the realms to use the supernatural power for his own purposes and in doing so destroy and subjugate all those who are before him. Fate intervenes and brings Jane and Thor together again just as the enemy forces arrived to ransack Asgard.
Faced with a battle against time not only to protect his beloved homeland but to save the known universe, Thor must work with his treacherous brother Loki in a race against time to save the day.
There are plenty of action sequences that follow and the visual effects are quite good even though the film is presented in converted 3-D after being shot in a standard format. The leads are fantastic and truly seem to have a grasp of their characters and the supporting work especially that of Kat Dennings much-needed comic relief is a very nice mix.
The only issue I had with the film other than the converted 3-D, was that the enemy while menacing did not seem to be one of the larger-than-life enemies that one has come to expect from a Marvel film. While certainly dangerous and menacing, there almost seemed to be an air of and confidence about the character as it was clear that he was simply biting off more than he could handle with the forces that were available to him.
That being said the film was extremely enjoyable as were the two bonus scenes that play during the middle of and the end of the credits.
While it may not went over box offices to the level of the two previous Marvel outings, Director Alan Taylor keeps things moving at a steady clip and the film nor the characters do not overstay their welcome.
With another Avengers movie on the horizon and a promise that Thor will return, fans can definitely enjoy this latest offering and look forward to the future for this promising series.
http://sknr.net/2013/11/08/thor-the-dark-world/
BankofMarquis (1832 KP) rated The Cider House Rules (1999) in Movies
Apr 26, 2020
Great acting, great writing, great directing
When we do our "Secret Cinema" adventures at our house (one person picks the film and the rest of the family doesn't know what it is until it starts running), we try to give clues. This film was nominated for 7 Oscars for the 1999 season, winning 2 - including a 2nd BEST SUPPORTING ACTOR OSCAR for a veteran actor. It is based on a wonderful novel and features 3 young actors well before they became stars.
Sound interesting? Then check out THE CIDER HOUSE RULES.
Based on the novel by John Irving, THE CIDER HOUSE RULES follows the life of Homer Wells (a pre-SPIDERMAN Tobey Maguire), a young orphan who is raised/mentored by the head of his Orphanage, Dr. Wilbur Larch (Michael Caine). When Homer decides to leave the orphanage and experience the world, he learns quite a bit about life including THE CIDER HOUSE RULES.
This is one of those "coming of age/follow a person through their life"-type films that relies heavily on style, substance and the performance of the actors on the screen. And under the Direction of Swedish Director Lasse Hallstrom and with words of the Screenplay by the author of the novel, John Irving, and with terrific actors like Maguire and Caine (amongst others) speaking those lines - a spell is cast and a heartwarming, life-affirming experience unfolds.
Caine won his 2nd Oscar for his role as Dr. Larch. This is a complex character who has his own, very certain, views on the world and is uncompromising in his care for others. It is a wonderful performance - even taking into account the peculiar Maine/United States accent Caine puts on. His character's empathy, strength and vulnerability are at play throughout this performance and he is a very deserving recipient of the Oscar.
A very young Charlize Theron and a (then) unknown Paul Rudd are engaging, charming and extremely photogenic as a young couple that Homer leaves the orphanage to see the world with. Rudd is the embodiment of the "nice guy" in this film - you can see the seeds of a career of playing "the nice guy" in this performance. Theron radiates beauty, power and a self-reliance that shows the strong actress she will become. While Homer's relationship with Dr. Larch is the heart and conflict of this film, the trio of McGuire/Theron/Rudd are the soul. The film also features a bevy of strong character actors in smaller roles that prop this film up. Jane Alexander, Kathy Baker, J.K. Simmons, Kate Nelligan and Delroy Lindo all shine in smaller roles - as do some of the child actors that portray other orphans like Keiran Caulkin and (especially) Per Erik Sullivan as the physically compromised Fuzzy.
But...none of this works if Maguire doesn't hold this film together (for we see this world/film through his eyes and he is in every scene) and he brings it. He has a quiet charm and innocence that helps bring us into his world in a welcoming way. Certainly, the awkwardness that Homer shows around Theron will be in evidence when he plays Peter Parker years later, but it is the inner strength that Maguire shows that really makes this character shine.
John Irving wrote the screen play based on his novel - and the results are satisfying, both to those who've never read the book (or have encountered an Irving novel/book before) or veteran readers/lovers of Irving's work (like myself).
All of this is wrapped in a package by Director Lasse Hallstrom (MY LIFE AS A DOG) in a charming, loving way that show the people, events and times through a lens that amplifies the proceedings in a way that is welcoming and engaging.
It is always a bit of a concern of mine to revisit a film that I remember fondly, but in this case, I am glad I jumped at the chance to revisit this charming film.
And you'll be glad you did, too.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sound interesting? Then check out THE CIDER HOUSE RULES.
Based on the novel by John Irving, THE CIDER HOUSE RULES follows the life of Homer Wells (a pre-SPIDERMAN Tobey Maguire), a young orphan who is raised/mentored by the head of his Orphanage, Dr. Wilbur Larch (Michael Caine). When Homer decides to leave the orphanage and experience the world, he learns quite a bit about life including THE CIDER HOUSE RULES.
This is one of those "coming of age/follow a person through their life"-type films that relies heavily on style, substance and the performance of the actors on the screen. And under the Direction of Swedish Director Lasse Hallstrom and with words of the Screenplay by the author of the novel, John Irving, and with terrific actors like Maguire and Caine (amongst others) speaking those lines - a spell is cast and a heartwarming, life-affirming experience unfolds.
Caine won his 2nd Oscar for his role as Dr. Larch. This is a complex character who has his own, very certain, views on the world and is uncompromising in his care for others. It is a wonderful performance - even taking into account the peculiar Maine/United States accent Caine puts on. His character's empathy, strength and vulnerability are at play throughout this performance and he is a very deserving recipient of the Oscar.
A very young Charlize Theron and a (then) unknown Paul Rudd are engaging, charming and extremely photogenic as a young couple that Homer leaves the orphanage to see the world with. Rudd is the embodiment of the "nice guy" in this film - you can see the seeds of a career of playing "the nice guy" in this performance. Theron radiates beauty, power and a self-reliance that shows the strong actress she will become. While Homer's relationship with Dr. Larch is the heart and conflict of this film, the trio of McGuire/Theron/Rudd are the soul. The film also features a bevy of strong character actors in smaller roles that prop this film up. Jane Alexander, Kathy Baker, J.K. Simmons, Kate Nelligan and Delroy Lindo all shine in smaller roles - as do some of the child actors that portray other orphans like Keiran Caulkin and (especially) Per Erik Sullivan as the physically compromised Fuzzy.
But...none of this works if Maguire doesn't hold this film together (for we see this world/film through his eyes and he is in every scene) and he brings it. He has a quiet charm and innocence that helps bring us into his world in a welcoming way. Certainly, the awkwardness that Homer shows around Theron will be in evidence when he plays Peter Parker years later, but it is the inner strength that Maguire shows that really makes this character shine.
John Irving wrote the screen play based on his novel - and the results are satisfying, both to those who've never read the book (or have encountered an Irving novel/book before) or veteran readers/lovers of Irving's work (like myself).
All of this is wrapped in a package by Director Lasse Hallstrom (MY LIFE AS A DOG) in a charming, loving way that show the people, events and times through a lens that amplifies the proceedings in a way that is welcoming and engaging.
It is always a bit of a concern of mine to revisit a film that I remember fondly, but in this case, I am glad I jumped at the chance to revisit this charming film.
And you'll be glad you did, too.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Daniel Boyd (1066 KP) rated Big Little Lies - Season 1 in TV
Feb 8, 2019 (Updated Feb 8, 2019)
Rich White People Problems: The Show
As more news of Season 2 of this show seeps out, I decided to eventually get around to catching the first season of this highly praised and seemingly universally lauded show. I went in expecting greatness from this thing after reading all of the glowing critic's reviews. I am also a huge fan of many of the cast members involved in this project, so knowing nothing about the plot or subject matter the show is based on, I went in blind; excited to see what this series had in store.
The series opens with some ominous editing and vague hints that a major crime has been committed, which we eventually realise to be a murder. Then we are taken backwards tin time and are introduced to Reese Witherspoon's character Madeline, whom initially comes off as entitled and annoying, but you assume that this is going to have a purpose in her character's arc and she will grow on you. You are wrong to assume that as she is extremely irritating throughout the entire duration of the series, constantly interrupting other characters lines and sticking her oar in during group situations, just for the sake of clinging on to the spotlight and keeping herself at the centre of attention.
Thankfully, Nicole Kidman's character Celeste is less annoying and instead just a bit strange. We see pretty early on that she is a victim of domestic abuse at the hands of her much younger husband played by Alexander Skarsgard. At first this is pretty harrowing and sad to see, but for some reason, - and I don't want to kink shame anyone, - but it seems like she kind of likes it. The third main character we are introduced to is Jane, played by Shailene Woodley who immediately seems like damaged goods.
The "conflict," is then set up. After the first day at school we see a highly unrealistic scene play out as the most insensitive teacher in the world with zero foresight gathers all of the children in her class along with their parents outside the school gates. A girl has marks on her neck from being choked by one of the other kids. The teacher then asks the girl to point out the kid that did this to her (in front of the entire class and their parents!) and she points to Jane's son Ziggy. The boy denies any wrongdoing, but the girl who has been hurt's mother, (played by Laura Dern, whom I normally really like,) is a horrible, bitter bitch who responds to the situation by berating the accused boy in front of everyone, degrading his mother in the process for defending her child and not "making," him apologise.
*Insert Peter Griffin "Oh my God, who the hell cares?" meme here.*
Yeah, this is the kind of schoolyard bullshit that this show expects us to treat as a life or death issue. The whole thing is full of non-issues and petty whines centred around 'he said/she said,' nonsense. Then we are supposed to relate to these immature, venomous parents who don't do anything to help the situation whatsoever. Meanwhile the show treats domestic abuse, - something that is a very real and threatening issue, - as just a weird kink in this oddball couple's relationship.
It is clear that all of these parents clearly care far more about self-image than they do about their own children, which makes all of them extremely gross and off putting as characters. They constantly make up excuses as if to try and justify themselves and claim that the bitchy, conniving choices that they make towards each other is for the sake of their kids, when it is clearly just to one up each other in pathetic, petty social warfare and childish beefs.
Website theodysseyonline.com has an article called, '13 Reasons Why Big Little Lies Is So Powerful.' I truly fail to see what is apparently so powerful and ground-breaking about this series. I'm not even sure what it is trying to say; that domestic abuse and rape are bad things done by evil people? Wow, what a brave and unique stance to take! I also resent the idea that everyone that says anything remotely negative about this show is a women-hating misogynist. I consider myself a left-leaning liberal and a feminist, I am a strong supporter of equal rights amongst all genders and races and I do regular work for a women's mental health charity, but I can still spot an overrated, hollow waste of 7 hours when I see one.
Overall, even though this season only last 7 episodes, it is not worth your time. After watching the first 2 episodes I thought about giving up on it, but then I thought about all of the glowing reviews and thought, 'no, surely this must get better.' Let me save you seven hours of your time; it doesn't. This is a melodramatic glorified soap opera that doesn't handle any of the issues that it tries to tackle well and it is filled, - to the point it is bursting at the seams, - with small scope issues and minor annoyances treated as life threatening scenarios, all the while brushing off the genuinely scary and potentially life threatening scenario of domestic abuse.
The series opens with some ominous editing and vague hints that a major crime has been committed, which we eventually realise to be a murder. Then we are taken backwards tin time and are introduced to Reese Witherspoon's character Madeline, whom initially comes off as entitled and annoying, but you assume that this is going to have a purpose in her character's arc and she will grow on you. You are wrong to assume that as she is extremely irritating throughout the entire duration of the series, constantly interrupting other characters lines and sticking her oar in during group situations, just for the sake of clinging on to the spotlight and keeping herself at the centre of attention.
Thankfully, Nicole Kidman's character Celeste is less annoying and instead just a bit strange. We see pretty early on that she is a victim of domestic abuse at the hands of her much younger husband played by Alexander Skarsgard. At first this is pretty harrowing and sad to see, but for some reason, - and I don't want to kink shame anyone, - but it seems like she kind of likes it. The third main character we are introduced to is Jane, played by Shailene Woodley who immediately seems like damaged goods.
The "conflict," is then set up. After the first day at school we see a highly unrealistic scene play out as the most insensitive teacher in the world with zero foresight gathers all of the children in her class along with their parents outside the school gates. A girl has marks on her neck from being choked by one of the other kids. The teacher then asks the girl to point out the kid that did this to her (in front of the entire class and their parents!) and she points to Jane's son Ziggy. The boy denies any wrongdoing, but the girl who has been hurt's mother, (played by Laura Dern, whom I normally really like,) is a horrible, bitter bitch who responds to the situation by berating the accused boy in front of everyone, degrading his mother in the process for defending her child and not "making," him apologise.
*Insert Peter Griffin "Oh my God, who the hell cares?" meme here.*
Yeah, this is the kind of schoolyard bullshit that this show expects us to treat as a life or death issue. The whole thing is full of non-issues and petty whines centred around 'he said/she said,' nonsense. Then we are supposed to relate to these immature, venomous parents who don't do anything to help the situation whatsoever. Meanwhile the show treats domestic abuse, - something that is a very real and threatening issue, - as just a weird kink in this oddball couple's relationship.
It is clear that all of these parents clearly care far more about self-image than they do about their own children, which makes all of them extremely gross and off putting as characters. They constantly make up excuses as if to try and justify themselves and claim that the bitchy, conniving choices that they make towards each other is for the sake of their kids, when it is clearly just to one up each other in pathetic, petty social warfare and childish beefs.
Website theodysseyonline.com has an article called, '13 Reasons Why Big Little Lies Is So Powerful.' I truly fail to see what is apparently so powerful and ground-breaking about this series. I'm not even sure what it is trying to say; that domestic abuse and rape are bad things done by evil people? Wow, what a brave and unique stance to take! I also resent the idea that everyone that says anything remotely negative about this show is a women-hating misogynist. I consider myself a left-leaning liberal and a feminist, I am a strong supporter of equal rights amongst all genders and races and I do regular work for a women's mental health charity, but I can still spot an overrated, hollow waste of 7 hours when I see one.
Overall, even though this season only last 7 episodes, it is not worth your time. After watching the first 2 episodes I thought about giving up on it, but then I thought about all of the glowing reviews and thought, 'no, surely this must get better.' Let me save you seven hours of your time; it doesn't. This is a melodramatic glorified soap opera that doesn't handle any of the issues that it tries to tackle well and it is filled, - to the point it is bursting at the seams, - with small scope issues and minor annoyances treated as life threatening scenarios, all the while brushing off the genuinely scary and potentially life threatening scenario of domestic abuse.