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Debbiereadsbook (1097 KP) rated Young Enough (The Age Between Us #2) in Books
Aug 24, 2018
You need book one first!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in The Age Between Us set, and you MUST read book one, Old Enough, before you read this one, it is not a stand alone.
I'm not gonna write a blurby bit, cos I might give something away!
When it all starts to unravel for Jane, and indeed for Brian, together, and separately, its like a ball rolling down a hill. As it moves, it gets faster and faster, and for Jane and Brian, things move at great speed, one thing after another after another, til the only way is for them both to walk away. When reading this unraveling, its like Oh My God. Then its, No Freaking WAY! And SAY WHAT NOW!!!
Because Pauls chucks so many, so bloody MANY things at this couple, and at us, it's a wonder they are still standing. So many twists and turns, so much that came totally out of left field, that I was totally blown away with the plot twists!
I've filed it on the darker/grittier shelf, because some of the things that are thrown at Brian and Jane need that tag. But if I tell you what they are, that would give plot lines away, so if anyone wants to know, please feel free to message me, and I will tell you, but I'm not doing that here.
BUT!!!
It's again, first person present tense, from both Jane and Brian's point of view. And as much as I loved this book, more so than the first, I still can't get past that. And for that I'm sorry!
Its very well written, though and you really do feel for both Brian and Jane when things start to go wrong. Strangely, I felt more for Brian than I did for Jane. Well I did, up to a point, and after that point?? It was Jane I felt more for!
So, even though I enjoyed this one more than book one, I still can't get past the present tense .....
4 stars
**same worded review will appear elsewhere**
This is book two in The Age Between Us set, and you MUST read book one, Old Enough, before you read this one, it is not a stand alone.
I'm not gonna write a blurby bit, cos I might give something away!
When it all starts to unravel for Jane, and indeed for Brian, together, and separately, its like a ball rolling down a hill. As it moves, it gets faster and faster, and for Jane and Brian, things move at great speed, one thing after another after another, til the only way is for them both to walk away. When reading this unraveling, its like Oh My God. Then its, No Freaking WAY! And SAY WHAT NOW!!!
Because Pauls chucks so many, so bloody MANY things at this couple, and at us, it's a wonder they are still standing. So many twists and turns, so much that came totally out of left field, that I was totally blown away with the plot twists!
I've filed it on the darker/grittier shelf, because some of the things that are thrown at Brian and Jane need that tag. But if I tell you what they are, that would give plot lines away, so if anyone wants to know, please feel free to message me, and I will tell you, but I'm not doing that here.
BUT!!!
It's again, first person present tense, from both Jane and Brian's point of view. And as much as I loved this book, more so than the first, I still can't get past that. And for that I'm sorry!
Its very well written, though and you really do feel for both Brian and Jane when things start to go wrong. Strangely, I felt more for Brian than I did for Jane. Well I did, up to a point, and after that point?? It was Jane I felt more for!
So, even though I enjoyed this one more than book one, I still can't get past the present tense .....
4 stars
**same worded review will appear elsewhere**
Lirahlu (37 KP) rated Dread Nation in Books
Mar 1, 2019
Amazing Alternative History Horror
In a post-Civil War America where neither side won because of the Zombie Apocalypse, Jane McKeene studies to become an Attendant – part body guard, part chaperone – as part of the Native and Negro Reeducation Act due to the breakdown of institutionalized slavery. While she excels at the fighting and weaponry, Jane continually fails her etiquette lessons despite being the daughter of a wealthy, white plantation owner. While other girls at Miss Preston’s School of Combat in Baltimore County, Maryland desire an Attendant’s life with a wealthy family, Jane’s one goal is to return home to Rose Hill Plantation in Kentucky. Just weeks shy of graduation, Jane, her ex-beau Red Jack, and her light-skinned “frenemy” are sent West to a “Survivalist” pioneer town where blacks are still very much treated as slaves and forced to fight “shamblers” on the front lines with rusty, ineffective weapons. Though segregated with the rest of the blacks, Jane refuses to accept the town’s ingrained injustice – even when the price of resistance is death.
Dread Nation is a fantastic mashup of the alternate history and horror genres. Ireland’s characters are intricate and flawed, and therefore believable. Ireland does not shy away from the horrific history of slavery and racism in the United States and the characters and world she’s built around them are stronger for facing these issues head-on. An absolute must-read for anyone who is not shy about gore and loves a strong female character who can hold her own in a fight.
Dread Nation is a fantastic mashup of the alternate history and horror genres. Ireland’s characters are intricate and flawed, and therefore believable. Ireland does not shy away from the horrific history of slavery and racism in the United States and the characters and world she’s built around them are stronger for facing these issues head-on. An absolute must-read for anyone who is not shy about gore and loves a strong female character who can hold her own in a fight.
Bob Mann (459 KP) rated Love And Friendship (2016) in Movies
Sep 29, 2021
Beckinsale excels in a comic tale of Girl Power in the 1790’s.
Set in 1790, Kate Beckinsale plays Lady Susan Vernon, an 18th century cuckoo-like ‘MILF’ (actually, more ‘LILF’, but using the ‘Lady’ term loosely) who with her glamourous demeanor is lusted after by both younger beaus as well as married aristocracy: an example being Lord Manwaring (Lochlann O’Mearáin).
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.