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Whatchareadin (174 KP) rated Young Jane Young in Books
May 10, 2018
3.5 Stars
Aviva Grossman has made a mistake, but so has Aaron Levin. One of them will continue to lead a normal life and one of them will go into hiding and move hundreds of miles away from their home until the secret comes out in the open. Similar to the story between Bill Clinton and Monica Lewinsky, Aviva Grossman has had an affair with a Congressman she was working for in South Florida. When the scandal breaks, Aviva can no longer get a job or leave her house without being recognized. So she changes her name to Jane Young, leaves the state, and cuts ties with her old life. But now she wants to run for Mayor of her small town and her secret will no longer be safe.
I decided to read this book for a couple of reasons. I have seen the book at the library for a while and I wondered about the woman on the cover. A few people I know have read the book and enjoyed it. This book was better than OK, but not great for me. The book is told from four different perspectives, spanning a time from when the affair begins, to 13 years later when Aviva, now Jane runs for Mayor.
1. Rachel Grossman, Aviva's mother, is a good Jewish mother. She tries to do her best for all of those around her, but it doesn't always pay off. (This part of the book was the hardest for me to get through)
2. Jane Young, the event planner in Allison Springs, Maine. She is a single mother whose main focus is raising her young daughter to be nothing like her old self.
3. Ruby Young, Jane's daughter. Ruby tells her part of the story through emails with her pen pal in Indonesia as part of a school assignment. (this was my favorite part of the book)
4. Embeth Levin, the Congressman's wife. Her part of the story was quite interesting. You wonder what goes through the mind of a wife who has been cheated on especially one in such a public light
and finally from the woman herself
5. Aviva Grossman. We find out about the affair and how it all happened and the aftermath of the scandal. Aviva writes in a Choose Your Own Adventure style, but she has already chosen the path the story will take. Aviva ran from her problems to in Florida to become Jane in Maine and make a new life for herself. But once her secrets are revealed, will she be able to maintain her new life?
The reason I gave this book 3.5 stars is because I felt as if there was something missing. I'm not sure exactly what it was. I didn't enjoy the mother's part of the story and I wasn't too keen on the ending. Overall, I would recommend this book to those who enjoy general fiction.
Aviva Grossman has made a mistake, but so has Aaron Levin. One of them will continue to lead a normal life and one of them will go into hiding and move hundreds of miles away from their home until the secret comes out in the open. Similar to the story between Bill Clinton and Monica Lewinsky, Aviva Grossman has had an affair with a Congressman she was working for in South Florida. When the scandal breaks, Aviva can no longer get a job or leave her house without being recognized. So she changes her name to Jane Young, leaves the state, and cuts ties with her old life. But now she wants to run for Mayor of her small town and her secret will no longer be safe.
I decided to read this book for a couple of reasons. I have seen the book at the library for a while and I wondered about the woman on the cover. A few people I know have read the book and enjoyed it. This book was better than OK, but not great for me. The book is told from four different perspectives, spanning a time from when the affair begins, to 13 years later when Aviva, now Jane runs for Mayor.
1. Rachel Grossman, Aviva's mother, is a good Jewish mother. She tries to do her best for all of those around her, but it doesn't always pay off. (This part of the book was the hardest for me to get through)
2. Jane Young, the event planner in Allison Springs, Maine. She is a single mother whose main focus is raising her young daughter to be nothing like her old self.
3. Ruby Young, Jane's daughter. Ruby tells her part of the story through emails with her pen pal in Indonesia as part of a school assignment. (this was my favorite part of the book)
4. Embeth Levin, the Congressman's wife. Her part of the story was quite interesting. You wonder what goes through the mind of a wife who has been cheated on especially one in such a public light
and finally from the woman herself
5. Aviva Grossman. We find out about the affair and how it all happened and the aftermath of the scandal. Aviva writes in a Choose Your Own Adventure style, but she has already chosen the path the story will take. Aviva ran from her problems to in Florida to become Jane in Maine and make a new life for herself. But once her secrets are revealed, will she be able to maintain her new life?
The reason I gave this book 3.5 stars is because I felt as if there was something missing. I'm not sure exactly what it was. I didn't enjoy the mother's part of the story and I wasn't too keen on the ending. Overall, I would recommend this book to those who enjoy general fiction.
Whatchareadin (174 KP) rated Falling in Books
May 10, 2018
Emma Montague has just left the hustle and bustle of life and work in New York City and has moved to Westport, CT. She has left her job as a banker, to slow down a bit and try her hand at interior design. It's something she has always been passionate about and has a great eye for it as well. She finds a house that has a lot of potential, on the beach and the landlord, Dominic is willing to compromise on the changes she has in mind for the cute cottage. Emma sees something in Dominic that she has never seen in any man before. But, they come from two totally different worlds. Emma is from England and left there to pursue a life in the United States and Dominic has barely left Westport. A relationship between these two would never work. Would it?
I love Jane Green books. They are always so emotional and I can always find a way to connect the story and characters to something that is going on in my life. This book was no exception. It was very emotional and the last few chapters had me crying like a baby.
Emma and Dominic have the type of relationship we all wish we could have. They met and had an instant connection Their love for each other and for Dominic's son, Jesse is almost instantaneous. When an unexpected visitor comes to town, Emma thinks that her relationship with Dominic will be over just as quickly as it started. But Dominic is firm in his feelings for Emma and nothing will change that.
Another book for me that was impossible to put down. I may get in trouble from the library for the tear-soaked pages I left behind, but it would be well worth it. If you have never read a book by [a:Jane Green|12915|Jane Green|https://images.gr-assets.com/authors/1392141074p2/12915.jpg], you don't know what you're missing and I suggest you pick one up right away.
I love Jane Green books. They are always so emotional and I can always find a way to connect the story and characters to something that is going on in my life. This book was no exception. It was very emotional and the last few chapters had me crying like a baby.
Emma and Dominic have the type of relationship we all wish we could have. They met and had an instant connection Their love for each other and for Dominic's son, Jesse is almost instantaneous. When an unexpected visitor comes to town, Emma thinks that her relationship with Dominic will be over just as quickly as it started. But Dominic is firm in his feelings for Emma and nothing will change that.
Another book for me that was impossible to put down. I may get in trouble from the library for the tear-soaked pages I left behind, but it would be well worth it. If you have never read a book by [a:Jane Green|12915|Jane Green|https://images.gr-assets.com/authors/1392141074p2/12915.jpg], you don't know what you're missing and I suggest you pick one up right away.
Zuky the BookBum (15 KP) rated The Girl Before in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/04/review-the-girl-before-by-j-p-delaney/
<b><i>Please make a list of every possession you consider essential to your life.</b></i>
One Folgate Street is a minimalist house built by the mysterious, controlling and handsome Edward Monkford. To be granted lease, you must fill in a laborious questionnaire and attend a face-to-face meeting with Edward himself, and even then, you’re unlikely to be approved. There are a large number of rules you have to abide by when you live in the house, such as, no books (?!?!?!), no rugs, no curtains, and no leaving things out, such as clothes, toiletries etc, to name a few. You must also open your home for tours every so often and complete various questionnaires/assessments throughout your stay.
So, I know what you’re thinking, you’re thinking “who the hell would agree to that?” but as it happens, two women choose to live at One Folgate Street. Thanks to its low rent and dishy architect, both Jane and Emma are happy putting up with all the rules. Jane is the girl from now, and Emma is the girl before. Both women are troubled and both begin a relationship with architect Edward.
What follows is a novel full of mystery and sex. If you’re also not into the whole “daddy” thing then this won’t be for you.
Starting off this book, I was very worried I was going to hate it, because I’d seen a lot of people say the focus on kinky sex as a bit left field and overpowering to the plot. But, I managed to get over that when it started to appear in the story. In my opinion, it wasn’t as bad as many people had made it out to be and in any case, you can always skip over it. I thought it was going to go full 50 Shades at some moments, but it managed to avoid any of the scenes becoming too tactless.
The mystery of “the girl before” is certainly intriguing and kept me hooked (for the first half, at least). I liked the way this was set out as Emma (before) and Jane (now) and how the chapters often mirrored each other so we could see the similarities in each of the tenants lives and relationships with Edward.
What I didn’t like about this book was the characters, which I’m kind of assuming was the goal by Delaney? If not, then he/she (does anyone know and can inform me on their gender?) is pretty terrible at creating characters. Although Edward is set up to be our “villain”, I found Emma to be the most dislikable character, even after all was said and done. She was manipulative, unnecessarily forward, obnoxious and total putty in Edward’s hands. Women who can’t act on their own accord because of a man infuriate me, which is probably why I didn’t get on with this novel that well, as it’s kind of what the whole plot is about. I like my women strong and independent!
The ending of this novel, no word of a lie, infuriated me. What a total cop out. People are comparing this to <i>Gone Girl</i>, LOL. The conclusion to this novel is the most overused and uninspired “twist” you can ever imagine. What a way to ruin a perfectly OK novel.
Thanks to Netgalley and Quercus Books for giving me the opportunity to read this in exchange for an honest review.
<b><i>Please make a list of every possession you consider essential to your life.</b></i>
One Folgate Street is a minimalist house built by the mysterious, controlling and handsome Edward Monkford. To be granted lease, you must fill in a laborious questionnaire and attend a face-to-face meeting with Edward himself, and even then, you’re unlikely to be approved. There are a large number of rules you have to abide by when you live in the house, such as, no books (?!?!?!), no rugs, no curtains, and no leaving things out, such as clothes, toiletries etc, to name a few. You must also open your home for tours every so often and complete various questionnaires/assessments throughout your stay.
So, I know what you’re thinking, you’re thinking “who the hell would agree to that?” but as it happens, two women choose to live at One Folgate Street. Thanks to its low rent and dishy architect, both Jane and Emma are happy putting up with all the rules. Jane is the girl from now, and Emma is the girl before. Both women are troubled and both begin a relationship with architect Edward.
What follows is a novel full of mystery and sex. If you’re also not into the whole “daddy” thing then this won’t be for you.
Starting off this book, I was very worried I was going to hate it, because I’d seen a lot of people say the focus on kinky sex as a bit left field and overpowering to the plot. But, I managed to get over that when it started to appear in the story. In my opinion, it wasn’t as bad as many people had made it out to be and in any case, you can always skip over it. I thought it was going to go full 50 Shades at some moments, but it managed to avoid any of the scenes becoming too tactless.
The mystery of “the girl before” is certainly intriguing and kept me hooked (for the first half, at least). I liked the way this was set out as Emma (before) and Jane (now) and how the chapters often mirrored each other so we could see the similarities in each of the tenants lives and relationships with Edward.
What I didn’t like about this book was the characters, which I’m kind of assuming was the goal by Delaney? If not, then he/she (does anyone know and can inform me on their gender?) is pretty terrible at creating characters. Although Edward is set up to be our “villain”, I found Emma to be the most dislikable character, even after all was said and done. She was manipulative, unnecessarily forward, obnoxious and total putty in Edward’s hands. Women who can’t act on their own accord because of a man infuriate me, which is probably why I didn’t get on with this novel that well, as it’s kind of what the whole plot is about. I like my women strong and independent!
The ending of this novel, no word of a lie, infuriated me. What a total cop out. People are comparing this to <i>Gone Girl</i>, LOL. The conclusion to this novel is the most overused and uninspired “twist” you can ever imagine. What a way to ruin a perfectly OK novel.
Thanks to Netgalley and Quercus Books for giving me the opportunity to read this in exchange for an honest review.
Lee (2222 KP) rated She Dies Tomorrow (2020) in Movies
Sep 2, 2020
Pretentious waste of time
On paper, the concept behind She Dies Tomorrow is an intriguing one – “Amy thinks she’s dying tomorrow…and it’s contagious..”. And the trailer provided just enough mystery to make me want to seek it out too. Is it a portrayal of paranoia and anxiety, or is there something more sinister or supernatural at work, that they carefully and cleverly avoided showing us in the trailer?
We join Amy, already convinced that she is going to die tomorrow. She wanders aimlessly around her flat at night, drinking wine. Lying on the wooden floor, she traces her finger along the wood veins in the floorboards and presses herself against the wall, as if she is at one with the world and her surroundings. She also repeatedly drops the needle on a score by Mozart – a piece of music that I do not initially dislike, but come to loathe by the end of the movie.
Her close friend Jane pays a visit, but is dismissive of Amy and her insistence that tomorrow she will die. However, after Jane returns home to continue working, a sudden realisation crosses her face, and she also then has the feeling that she will die tomorrow. When Jane later joins a small party at her brother’s house, a similar pattern occurs, with everyone thinking she’s gone crazy. But eventually, they all start to think the same, with each realisation accompanied by a strange neon purple light flashing across their faces. It certainly does seem to be contagious…
The remainder of the movie deals with each character coming to terms with their impending death and passing the feeling onto a few other people. We see Amy trying to make the most of her remaining time, and we also flip back a few days to learn a bit more about her in the run up to today.
As I mentioned earlier – on paper, there’s definitely a great idea at the heart of She Dies Tomorrow, and reading back through my review certainly confirms that. Unfortunately though, nothing about this movie worked for me at all. I found the acting terrible, and was unable to connect with any of the characters. It’s less than 90 minutes long, but is such a dull, pretentious and badly written slow-burn that all mystery and intrigue generated by that trailer quickly vanishes. For a movie that wants you to ponder on your remaining time on this earth, it certainly does a pretty good job of wasting it. Oh and if you’re expecting some kind of explanation and ending that might help redeem the painful build-up, you’re going to be seriously disappointed.
We join Amy, already convinced that she is going to die tomorrow. She wanders aimlessly around her flat at night, drinking wine. Lying on the wooden floor, she traces her finger along the wood veins in the floorboards and presses herself against the wall, as if she is at one with the world and her surroundings. She also repeatedly drops the needle on a score by Mozart – a piece of music that I do not initially dislike, but come to loathe by the end of the movie.
Her close friend Jane pays a visit, but is dismissive of Amy and her insistence that tomorrow she will die. However, after Jane returns home to continue working, a sudden realisation crosses her face, and she also then has the feeling that she will die tomorrow. When Jane later joins a small party at her brother’s house, a similar pattern occurs, with everyone thinking she’s gone crazy. But eventually, they all start to think the same, with each realisation accompanied by a strange neon purple light flashing across their faces. It certainly does seem to be contagious…
The remainder of the movie deals with each character coming to terms with their impending death and passing the feeling onto a few other people. We see Amy trying to make the most of her remaining time, and we also flip back a few days to learn a bit more about her in the run up to today.
As I mentioned earlier – on paper, there’s definitely a great idea at the heart of She Dies Tomorrow, and reading back through my review certainly confirms that. Unfortunately though, nothing about this movie worked for me at all. I found the acting terrible, and was unable to connect with any of the characters. It’s less than 90 minutes long, but is such a dull, pretentious and badly written slow-burn that all mystery and intrigue generated by that trailer quickly vanishes. For a movie that wants you to ponder on your remaining time on this earth, it certainly does a pretty good job of wasting it. Oh and if you’re expecting some kind of explanation and ending that might help redeem the painful build-up, you’re going to be seriously disappointed.
LeftSideCut (3778 KP) rated Don't Breathe (2016) in Movies
Feb 22, 2020 (Updated Feb 22, 2020)
For the most part, Don't Breathe is a really tight gem of a thriller with some decent horror elements throughout.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
Leanne Crabtree (480 KP) rated The Bachelor Auction (The Bachelors of Arizona, #1) in Books
Jan 11, 2021
*I received a copy of this books via Netgalley in exchange for an honest review*
This is my first contemporary romance by the author where the characters weren't NA age.
I did enjoy this story. It took me a while to get into it at the start but by the end I think I loved pretty much all the Wellington family. It's a retelling of Cinderella in parts; evil sisters, glass slippers... but much more modern with manwhore brothers and some swearing
liked the characters. The twins grew on me so much throughout this book. They seemed so annoying at the beginning but by the end... *sigh* If their stories are going to be the next books in this series, then sign me up please because I am so intrigued after the auction.
Brock was a bit of a mystery when he was at the house, I couldn't really figure him out until he'd sorted out his demons and then I really started to like him.
Jane, I felt sorry for at the start. She was trying to uphold her fathers wishes and being treated like dirt in the process. She grew a lot in the book.
The ending was great. Everyone but the twins ended up happy, though I'm sure the twins' issues will be resolved in their own stories.
This is my first contemporary romance by the author where the characters weren't NA age.
I did enjoy this story. It took me a while to get into it at the start but by the end I think I loved pretty much all the Wellington family. It's a retelling of Cinderella in parts; evil sisters, glass slippers... but much more modern with manwhore brothers and some swearing
liked the characters. The twins grew on me so much throughout this book. They seemed so annoying at the beginning but by the end... *sigh* If their stories are going to be the next books in this series, then sign me up please because I am so intrigued after the auction.
Brock was a bit of a mystery when he was at the house, I couldn't really figure him out until he'd sorted out his demons and then I really started to like him.
Jane, I felt sorry for at the start. She was trying to uphold her fathers wishes and being treated like dirt in the process. She grew a lot in the book.
The ending was great. Everyone but the twins ended up happy, though I'm sure the twins' issues will be resolved in their own stories.
I inhaled Jane Austen as a teenager, and so I was really intrigued when I heard about Charlotte by Helen Moffett. Ok, so this is a #BeatTheBacklog book - it has been sat on my bookshelf for far too long, but I’m so glad I’ve got round to it at last!
Charlotte is a continuation of Charlotte Lucas’ story after we leave her in Pride and Prejudice. She marries Mr Collins, and whilst we may remember him as something of a buffoon, he is quite different here. He still waxes lyrical about Lady de Bourgh - she does pay the bills after all - but he seems to be a good, loving father, and a decent husband.
There’s some really good insight into a lot of these characters from the original book: Lady de Bourgh, Anne de Bourgh (who becomes friends with Charlotte), Mr Collins, Lizzy and Charlotte herself. All were richly described, and it felt good to be back with them.
What really surprised me was Charlottes inner life: the passion, her heartache, how capable she was as the manager of a house and its servants.
And there was quite a surprising turn of events that I’ll say nothing of, but it was quite exciting and lovely.
I’m glad I’ve read this book at last. If you’re an Austen reader/ fan, I think you’d be interested in this. It’s probably a bit more risqué than Austen would have written at the time, but it’s certainly in the same vein.
Recommended.
Charlotte is a continuation of Charlotte Lucas’ story after we leave her in Pride and Prejudice. She marries Mr Collins, and whilst we may remember him as something of a buffoon, he is quite different here. He still waxes lyrical about Lady de Bourgh - she does pay the bills after all - but he seems to be a good, loving father, and a decent husband.
There’s some really good insight into a lot of these characters from the original book: Lady de Bourgh, Anne de Bourgh (who becomes friends with Charlotte), Mr Collins, Lizzy and Charlotte herself. All were richly described, and it felt good to be back with them.
What really surprised me was Charlottes inner life: the passion, her heartache, how capable she was as the manager of a house and its servants.
And there was quite a surprising turn of events that I’ll say nothing of, but it was quite exciting and lovely.
I’m glad I’ve read this book at last. If you’re an Austen reader/ fan, I think you’d be interested in this. It’s probably a bit more risqué than Austen would have written at the time, but it’s certainly in the same vein.
Recommended.
Cyn Armistead (14 KP) rated Moon Fever (Includes: Primes, #6.5) in Books
Mar 1, 2018
This was one of those "I finished the last thing I was reading and I'm bored, what's already loaded on the iTouch?" reads. It was on there because the anthology includes [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg]'s "Cobwebs Over the Moon" (Nightcreatures, #10) and I read all of that series a while back. I didn't care to read the rest of the anthology at the time, but I hadn't gotten around to deleting the book. Ah, happy digital packrat am I!
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
Gareth von Kallenbach (971 KP) rated Hostage (2005) in Movies
Aug 14, 2019
Chief of Police Jeff Talley (Bruce Willis) is a man filled with turmoil. A former S.W.A.T. officer and top hostage negotiator for the Los Angeles Police Department, Talley now toils away in a quite California town where crime is light and very infrequent. The change in locales was made necessary for Jeff in the aftermath of a hostage negotiation where things did not go accordingly leaving Jeff with more questions than answers.
As if this is not bad enough, Talley is having difficulties with his wife Jane (Serena Scott Thomas), and his daughter Amanda (Rumer Willis), who is not happy with their relocation to the quiet locale or the strain that is amongst her parents as it is clear that they still love each other very much.
The quiet town is disrupted when a robbery of a successful locale business man goes horribly wrong and ends up with a dead police officer and three hostages being held in a high tech, high security home.
Jeff responds to the incident and soon finds himself dealing with the three young men who are clearly in over their head and very dangerous due to the instability of the situation. Jeff decides to call in the Sheriff’s office as he believe his police force is not suited for this sort of situation and essentially decides to wash his hands of the situation and go home.
While driving home, Jeff is carjacked by a group of individuals who show Jeff that they have taken his wife and daughter hostage and instruct him not to let anyone in or out of the house where the hostage crisis is taking place. Jeff is also instructed to not deviate in any way from his instructions under pain of immediate death for his wife and daughter. His only communication with his new handlers will be via a cell phone, and he is to resume control of the negotiations.
It is learned that there is something in the house that the people holding Jeff’s family need and are willing to resort to very extreme measure to get it.
It is at this point that the very, very gripping and entertaining setup to the film begins to slide, as the second half of the film does not come close to matching the quality of the opening segments.
There are some very good cat and mouse moments as the men in the house start to argue amongst themselves, and interact with the family inside the house. The supporting performances are solid especially those of Jennifer (Michelle Horn), who plays the daughter held captive by the trio and the eerie performance of Ben Foster as the twisted Hostage taker Mars.
Sadly the film decides to turn to a series of brutal images and sequences rather than continue to develop the characters and work the story. The characters often embark on some inane courses of action and do things that not only contradict what we know about their characters but also fly into the lapse of logic as people in their situations would never do. I would love to expand on this by referencing a segment of the film but in the interest of not spoiling the film, I will explain it as when characters are told not to do something, why would they repeatedly do it, and then continue to do so without any consequences?
It is the continued lack of common sense and the and the very over the top and lazy finale to the film that sinks what could have and should have been a much better movie as the film is clearly sunk by the awful final 40 minutes of the show. Willis does a solid job with his role but the last act of the script let him down as even a star of his magnitude and talents cant make up for the films numerous shortcomings.
As if this is not bad enough, Talley is having difficulties with his wife Jane (Serena Scott Thomas), and his daughter Amanda (Rumer Willis), who is not happy with their relocation to the quiet locale or the strain that is amongst her parents as it is clear that they still love each other very much.
The quiet town is disrupted when a robbery of a successful locale business man goes horribly wrong and ends up with a dead police officer and three hostages being held in a high tech, high security home.
Jeff responds to the incident and soon finds himself dealing with the three young men who are clearly in over their head and very dangerous due to the instability of the situation. Jeff decides to call in the Sheriff’s office as he believe his police force is not suited for this sort of situation and essentially decides to wash his hands of the situation and go home.
While driving home, Jeff is carjacked by a group of individuals who show Jeff that they have taken his wife and daughter hostage and instruct him not to let anyone in or out of the house where the hostage crisis is taking place. Jeff is also instructed to not deviate in any way from his instructions under pain of immediate death for his wife and daughter. His only communication with his new handlers will be via a cell phone, and he is to resume control of the negotiations.
It is learned that there is something in the house that the people holding Jeff’s family need and are willing to resort to very extreme measure to get it.
It is at this point that the very, very gripping and entertaining setup to the film begins to slide, as the second half of the film does not come close to matching the quality of the opening segments.
There are some very good cat and mouse moments as the men in the house start to argue amongst themselves, and interact with the family inside the house. The supporting performances are solid especially those of Jennifer (Michelle Horn), who plays the daughter held captive by the trio and the eerie performance of Ben Foster as the twisted Hostage taker Mars.
Sadly the film decides to turn to a series of brutal images and sequences rather than continue to develop the characters and work the story. The characters often embark on some inane courses of action and do things that not only contradict what we know about their characters but also fly into the lapse of logic as people in their situations would never do. I would love to expand on this by referencing a segment of the film but in the interest of not spoiling the film, I will explain it as when characters are told not to do something, why would they repeatedly do it, and then continue to do so without any consequences?
It is the continued lack of common sense and the and the very over the top and lazy finale to the film that sinks what could have and should have been a much better movie as the film is clearly sunk by the awful final 40 minutes of the show. Willis does a solid job with his role but the last act of the script let him down as even a star of his magnitude and talents cant make up for the films numerous shortcomings.
Gareth von Kallenbach (971 KP) rated Fun Size (2012) in Movies
Aug 7, 2019
While this may be your typical Nickelodeon movie, it will bring you back to those days when the Beasties reigned supreme and Elizabeth Shue was having her Adventures in Babysitting. Wren (Victoria Justice) is your typical, slightly geeky, fairly hot high school student who thinks that going out for Halloween dressed as a Supreme Court justice is cool. Her friend April (Jane Leavy) is more in tune with high school social status and wants them to go to the popular boy’s party. They are actually discussing how this will never happen; when he rolls up and invites them to come. He may even sing a song for Wren.
Wren is getting ready to leave for the party when her mother (Chelsey Handler) tells her she needs to take Albert trick-or-treating. Albert is almost your typical little brother; there is an opening montage of all the sweaters he has destroyed of Wren’s. The small catch: Albert doesn’t talk. Wren takes Albert out and he gets into your usual mischief, but it’s not until they get separated in a haunted house that things really start to go wrong.
Wren realizes she has lost Albert and must find him and various hijinks ensue as Albert is exposed to the adult world of Halloween. Wren and her friends are caught up in all sorts of trouble looking for Albert, including their Volvo having an intimate encounter with a giant mechanized chicken.
Appearances by Kerri Kenney and Ana Gasteyer as the “moms” as well as Johnny Knoxville as the guy everybody can’t stand round out the cast and add some more adult humor to the story. All in all a cute movie, Fun Size will be enjoyed most by the Nickelodeon set, but parents will laugh as well. I laughed throughout the whole thing.
Wren is getting ready to leave for the party when her mother (Chelsey Handler) tells her she needs to take Albert trick-or-treating. Albert is almost your typical little brother; there is an opening montage of all the sweaters he has destroyed of Wren’s. The small catch: Albert doesn’t talk. Wren takes Albert out and he gets into your usual mischief, but it’s not until they get separated in a haunted house that things really start to go wrong.
Wren realizes she has lost Albert and must find him and various hijinks ensue as Albert is exposed to the adult world of Halloween. Wren and her friends are caught up in all sorts of trouble looking for Albert, including their Volvo having an intimate encounter with a giant mechanized chicken.
Appearances by Kerri Kenney and Ana Gasteyer as the “moms” as well as Johnny Knoxville as the guy everybody can’t stand round out the cast and add some more adult humor to the story. All in all a cute movie, Fun Size will be enjoyed most by the Nickelodeon set, but parents will laugh as well. I laughed throughout the whole thing.