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Pacific Rim: Uprising (2018)
Pacific Rim: Uprising (2018)
2018 | Action, Sci-Fi
It has been ten years since humanity triumphed over the invading Kaiju in “Pacific Rim”. The world has begun rebuilding from the devastation caused by the conflict and for the most part humanity has moved on. However for Jake Pentecost (John Boyega), he exists as a hustler in a yet to be recovered zone that was heavily damaged by the conflict. Jake lives for the hustle, finding and trading one item of value for another from cookies and cereal to parts from down Jaegers.

Looting and operating parts from the former combat giants is very illegal but with the massive payout from their parts, the lure is too great for Jake to ignore. This pursuit leads him into trouble and reluctantly paired with young scrapper Amari Namani (Cailee Spaeny). Jake gets a choice of prison or returning to train Jaeger pilots as he is the son of the late hero Stacker Pentecost (Idris Elba), and naturally has many unresolved issues of sharing the name of the beloved hero.

Figuring training a class beats jail, Jake agrees to teach Amara and a new class of Jaeger pilots with his former rival Nate Lambert (Scott Eastwood), and to say they still have issues with one another would be an understatement.

Despite this, training moves along as planned and Nate and Jake even work well enough to pilot a Jaeger at a ceremony that will usher in a new but controversial new age in protection for humanity.

When an unexpected threat arrives and causes mass devastation and chaos, Jake and Nate must get to the bottom of the threat. As their investigation moves along a massive threat is discovered which pits them and their untested recruits against a threat old and new which threatens to end humanity.

What follows is a FX laden finale where cities are laid waste to and massive combatants engage is a truly impressive visual spectacle

While “Pacific Rim: Uprising” does use a familiar plot threads, it does so in an engaging way. The film does have a very basic plot and does not delve too much into character development and leaves some of the threads it opened unresolved. What it does have is a good amount of action after a slower than expected buildup. The action is visually appealing and exciting and delivers a much better experience than the last few “Transformer” films did. The cast works well with one another and it was nice to see Charlie Day and others from the first film return as Day always makes his scenes engaging.

While you may have a sense of seeing much of this before in giant monster and robot films, it is done in an appealing way. There is much of the film that you can see was clearly included to make sure the film appeals to audiences in China and Japan but in the new global film market, it is vital for films to do well in those markets, and with a film based in the Asian Pacific Rim, it only makes sense to do this. Eastwood and Boyega work well with one another and the finale opens the door wide open for a third film that looks like it would extend the franchise by taking things in a new and exciting direction.

http://sknr.net/2018/03/21/pacific-rim-uprising/
  
Isle of Dogs (2018)
Isle of Dogs (2018)
2018 | Adventure, Animation
9
7.8 (39 Ratings)
Movie Rating
When an outbreak of “dog-flu” and other dog diseases ravish Japan. Mayor Kobayashi (Kunichi Nomura voice) signs an order to banish all dogs to Trash Island, aka the Isle of Dogs. The island is now home to thousands of dogs who are all scavenging for food. Groups of dogs’ band together to fight for scraps of trash and survive. Then all one day a plane crashes on the island. A boy, Atari (Koyu Rankin voice), has come to the island to find his dog best friend Spots (Liev Schreiber voice). Five dogs find Atari injured buy the crash. The lone stray in the group, Chief (Bryan Cranston voice), has no use for masters and wants to leave the boy. But the rest of the group, Rex (Edward Norton voice), King (Bob Balaban voice), Duke (Jeff Goldblum voice) and Boss (Bill Murray voice) all want help the boy find his best friend. Out voted by the domesticated dogs in the group Chief agrees and they set out on a journey to find Atari’s lost dog on an island full of dogs.

This stop-motion animated film is the latest written and directed film by Wes Anderson (Fantastic Mr. Fox, Moonrise Kingdom, and The Royal Tenenbaums). Anderson’s unique film style and dialog are very present in this Japanese based tale. The stop motion animation is very well done and highlighted throughout the film. From the dogs’ hair moving with the animals to flower petals floating through the air the small details are not missed and expertly done. The dialog was also very much staying with Andersons unique style. It is fast paced and full of subtle comedy. The story is original and fun but also full of meaning and heart. The star studded cast does well in providing their voices to the animated film. The sound track really fits the film well.

The film was not without its struggles. At the beginning of the film it was pointed out that the humans would speak their native language, in most cases Japanese, and the dogs barks had been translated to English. This provides some fun moments throughout the film as there are translators to press conferences and the dog interpreting what the humans say to other dogs. But at times it seemed to me that the humans could understand what the dogs were saying, barking. So it was a little inconsistent. Also one character put into the movie presumably to aid in translation in the film as an American exchange student, Tracy Walker (Greta Gerwig voice). Other than translating parts of the film I don’t know why this character had to be American and could not have been Japanese. It definitely helped the overall theme of the movie to have her there to describe what was happening, given the fact there were no subtitles, but did seem a little forced.

I am definitely a fan of Wes Anderson’s film making and one of a kind style. That comes with certain expectations, which in this case were met. But I also understand that as someone reviewing the film it may make me a little bias. As noted above there a few minor issues I had with the film in general but overall I enjoyed the film and thing fans of Anderson will not be disappointed and neither will those who are just looking for a fun movie. I think overall this is a beautifully made and fun film.
  
NG
Ninja Girl
8
8.0 (1 Ratings)
Book Rating
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
So I have Cookie O’Gorman’s debut novel, <i>Adorkable </i>sitting in my Kindle app, and I can’t wait to read it because it sounds freakishly adorable, and I am all about adorable books (I like to mention <i><a href="http://www.bookwyrmingthoughts.com/review-imperfect-chemistry-by-mary-frame"; target="_blank" rel="noopener">Imperfect Chemistry</a></i> for the New Adult readers).

<i>Ninja Girl</i> is O’Gorman’s second novel, and it does seem like a second book in a stand-alone series since from what I know, the love interest of this book, Ash, makes an appearance in <i>Adorkable </i>and the couple in that book make an appearance here. (Did I make sense or was that too weird?)

What drew me to <i>Ninja Girl</i> in the first place is the Korean MC, Snow, who looks up to Bruce Lee as her role model and makes her decisions based on what she thinks Bruce Lee would approve. She’s phenomenal at martial arts, which makes her stick out from her group of “friends” because she’s considered a tomboy. To prove that she is indeed a girl, Snow decides to kiss an entirely random guy, someone she would never typically go for, who turns out to be the son of a running candidate for the Senate that recently got pulled out of his life in a public school to a private school.

<i>Ninja Girl</i> reverses the whole damsel in distress and boy saves girl trope - instead, Snow is the one who saves Ash. Snow is recruited as Ash’s bodyguard when his father starts getting more threats as they get closer to elections. It’s just so refreshing to see a familiar trope being reversed and breaking out of the norm (and of course, O’Gorman isn’t the only one who does this, but I’m extremely glad there’s another female character to root for).

It is a very nitpicky thing, but I am a little bothered by the title since ninja originates from Japan. However, I feel the title fits remarkably well with Snow as a character - she is extraordinarily fast in her movements when we see her in action as a bodyguard.

I loved the writing style in <i>Ninja Girl</i> - O’Gorman is hilarious with her writing style, and there are a lot of moments where I just really enjoyed having Snow as the main character and getting to know Ash as a character. As mentioned, I currently have O’Gorman’s debut novel on my kindle and getting the chance to see her writing style in her sophomore novel makes me extremely excited to read her debut when I get the chance. There are some fantastic lines in <i>Ninja Girl</i> that I love, and I honestly want to make a different post featuring all of my favorite quotes from the book.

Overall, though, if you want a cute story with a kickass main character who is a POC and hilarious lines, <i>Ninja Girl</i> might be the book for you.

<a href="https://bookwyrmingthoughts.com/ninja-girl-by-cookie-ogorman-blog-tour/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
  
40x40

Rick Astley recommended Greatest Hits by Al Green in Music (curated)

 
Greatest Hits by Al Green
Greatest Hits by Al Green
1975 | Soul
8.0 (1 Ratings)
Album Favorite

"I felt bad about including compilations or greatest hits but if I'm honest, there the ones I go to. And I could say that about Elton John – sometimes you just want to hear the really big hits. Certain albums do stick with you forever but I'm a bit more attuned to the big, big singles. Maybe it's the way I grew up but also it's the initiation I had into my own hits. Even though I'm the youngest of four and grew up around a lot of prog rock albums – in fact, I know Yes off by heart. When Rick Wakeman played Hampton Court Palace a few years ago, he said I'm gonna do the whole of The Six Wives of Henry VIII, I bought a dozen tickets immediately! Because I knew my brother, sisters, partners would all want to go. It was bonkers and amazing. I could have gone full prog rock to be honest [with this baker's dozen selection]! Sorry – what were we talking about? Ah yes, Al Green! My sister and brothers were my entry point for music. I would have listened to quite a bit of Bowie when I was a kid and remember being quite a bit frightened by him – I couldn't work this guy out. One minute he looks like an alien and he just looked a bit odd and also some of the songs were odd – I didn't know what he was on about at all. When someone changed his whole persona the whole time at the same time I'm beginning to look at girls at the same time and then wondering is Bowie a girl? What is he? He confused me! But I definitely got to know a lot of music simply because it was just on in the house. We had one record player – I wanted the Jungle Book album but that wasn't going to happen! There's a track on my album all about having two older brothers and an older sister and it's called 'The Good Old Days' and I mention things like Rick Wakeman and lots of other bands and I also remember my brother John not letting me touch his albums!. My sister took me to see [my first gig which was] Camel when I was ten years old. Weirder than that, I was on tour, thirteen or fourteen years later in Japan and myself and the road crew were in the lounge sharing our first gig experiences. So it goes around and around each person and I'm thinking and shuddering 'they're not gonna believe me, not gonna believe me' until I say it: ""Camel, Manchester Free Trade Hall."" Two of the crew immediately jump up: ""I did the sound at that gig"" says the first! ""I did the projection at that gig!"", says the second! It literally turned something on in me. They had this massive, huge screen behind their gigs – they had this album called Mirage and another one called Snow Goose and you had these images of the pyramids and what have you. As a kid I did not know what was going on, it was another universe. Although to be honest, those projections were probably a bit naïve compared to [what you can experience] today."

Source
  
Strange Weather in Tokyo
Strange Weather in Tokyo
Hiromi Kawakami, Allison Markin Powell | 2016 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
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Being born in Macedonia, I grew up reading books that were mostly translated. Because of that, I always appreciate the amazing job that translators do and have always cherished translated copies of my books. Strange Weather in Tokyo is no different, and Allison Markin Powell did an amazing job translating this book. 

I read this book in August as part of the Tandem and Granta Books Instagram readalong - to celebrate #Kawakamimonth as well as Women in Translation month - and I am so glad I was able to join.

<b><i>Synopsis:</i></b>

One night when she is drinking alone in a local bar, Tsukiko finds herself sitting next to her former high school teacher. Over the coming months they share food and drink sake, and as seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and her teacher develop a hesitant intimacy that tilts awkwardly and poignantly towards love.

<b><i>My Thoughts:</i></b>

From the very first chapter, we travel to Japan and the whole mood changes. I could grasp the culture, taste the food and feel the weather changing through the seasons. The writing is brief and concise, yet full of emotion and wisdom. Both the characters and the scene had something very special about their description - they appeared so close, so real, as if you could just reach out your hand and touch them, feel them, taste them. This feeling stayed with me and I will cling on to it, because it happens so rarely these days. 

Even though I am not a fan of student-teacher relationships, this relationship in particular kept me intrigued, simply because it was so much different than anything I have encountered before.

Tsukiko is young and tries to live in the modern world, while Sensei is much older and very traditional. They meet in the bar and talk. There are no dates, nor arranged meetings. They may see each other, and they may not. Sometimes it could be months before they bump into each other again. And that’s the beauty of their relationship. They live their own lives independently, and having each other as company is an added bonus. 

A few plot twists lingered in the way of their love. Tsukiko’s potential boyfriend, who is the same age as her, Sensei’s old age and what that might mean, and the numerous arguments that seem bizarre, but test their relationship on deeper levels. It was very refreshing to see the brutally honest issue that is age between couples. Sensei knows he doesn’t have too long to live, and he is honest with Tsukiko, as he wants her to truly understand what this means, and once she understands it, he wants to ensure she is okay to proceed the relationship, given those circumstances. 

<b><i>I have mixed feelings about the ending of Strange Weather in Tokyo.</i></b>

I was surprised at how it ended, but then I understood why. Perhaps I wanted a complete closure, but I learned that life doesn’t do closures. There is no perfect or right time to do something. We only have the “now” and we should enjoy every moment while we can.
  
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