
Ross (3284 KP) rated Nightblade in Books
Sep 27, 2017
The book focuses mainly on Ryuu, a boy gifted with "the sense": the ability to heighten his senses and anticipate attacks (think Jedi meets Spidey-sense, Luke SkyParker if you will. Actually, both had an Uncle Ben didn't they?! Woah that's weird.) He is a driven young man who the reader develops a strong liking for. His interactions with the other young characters and how they come about are well written, with realistic emotions, behaviours and dialogue.
This is really the story of trying to do the right thing with what you have been given and how to take responsibility for the repercussions.
I have immediately continued with the next book in the trilogy, which says a lot for the quality of the writing and the story told.
The book is fairly low on magic, much more sword than sorcery. Something like a Japanese Joe Abercrombie is one way of thinking of it.
The basic plot involves 2 missing girls: the 1989 kidnap and murder of a 7 year old and the more recent disappearance of Press Director Mikami's teenage daughter. With the anniversary of the original crime coming up, Mikami is charged with organizing a PR visit by the police commissioner to the family of the murdered 7 year old and discovers a previously unseen clue in the case files along the way. The insight into the minutiae of Japanese daily life is fascinating: the sense of failure Mikami feels from having been transferred to criminal investigations to press director, cops stopping to purchase a visiting gift of rice crackers before stopping at the victim's home, Mikami's knowledge from the glimpse of a home shrine that a key witness has passed away.
While this can be a slow read, I suggest sticking with it. Take it in small doses. It's worth it.

Mayhawke (97 KP) rated Windtalkers (2002) in Movies
Feb 7, 2018
The trailers and the blurb made a great deal about the American use of the Navajo language as an unbreakable 'code' during WW2,and gave the impression that this was the central theme of the film. It is not. In fact that aspect of the story is almost completely incidental. Instead the film focuses on the character of Joe Enders (Nicholas Cage), in a thin and worn out story of the 'Only-Man-To-Survive-Out-Of-his-Unit-and-Now-he's-racked-with-Guilt' genre.
Trouble is, it's not even a good example of it's kind, and rapidly degenerates into the worst kind of John Wayne-esq war film, where one good/troubled/hard-arse American Marine manages to defeat the entire force of the Japanese/Germans/whoever.
It's a real shame, because the opportunity was there to do something really interesting and informative but - it seems - once again Hollywood has been blinded by the myopic belief that Testosterone, lots of big bangs and screaming characters makes for better entertainment.

Sean Farrell (9 KP) rated Unbroken in Books
Mar 15, 2018

Awix (3310 KP) rated Godzilla (1954) in Movies
Mar 24, 2018 (Updated Mar 24, 2018)
The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).
It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.

Caitlin Ann Cherniak (85 KP) rated The Dragon Queen in Books
Oct 20, 2018

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