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Night of the Dragon (Shadow of the Fox #3)
Night of the Dragon (Shadow of the Fox #3)
Julie Kagawa | 2020 | Romance, Science Fiction/Fantasy, Young Adult (YA)
10
9.0 (2 Ratings)
Book Rating
ARC copy provided by Inkyard Press.
This review and other musings can be found at Bookwyrming Thoughts.
I think I’ve been completely ruined once again by Julie Kagawa, so I had to nurse my soul for about a week before I could muster up the courage to write a review.* With Night of the Dragon, the third and final book of her Shadow of the Fox trilogy, Kagawa has taken my heart and chucked it straight into another galaxy. I don’t know the rest of my current reads; what are they?

I’m… not sure when my heart will return this time.

Night of the Dragon is a continuation of Soul of the Sword.
We continue to follow Yumeko and her friends as they race against time to stop Genno from summoning the Kami Dragon and destroying Iwagoto. Safe to assume eventually it will be the world. And not just the short time they have: they have a challenging journey ahead because Genno will stop at nothing to prevent them from ruining his plans. Like the first two books, Kagawa introduces us to new yokai from Japanese mythology: each of them just as cruel, vicious and caring for nothing but spilling the blood of anything that stands in their way.

Tatsumi has a bit of an identity crisis here.
He’s not sure if he’s Haikaimono now that they’ve merged their souls or if he’s still Tatsumi. But over the course of his journey from Shadow of the Fox when he first meets Yumeko through the third book, he’s changed drastically. He’s not the only one who’s changed either; his literal resident demon inside of him has changed too, but he’s still the same badass Kage from the first book. He’s just more bloodthirsty.

I’m here for all the slow burns!
My heart is all mushy with the ships being sailed. Finally! Inside my heart cried because, at this point in the series, I’m cheering the group on to success. All the odds are against them, but I want my favorite cinnamons to conquer.

My heart still cries from wherever it landed.
I’m not surprised by the ending, but it doesn’t mean it didn’t hurt any less than it did. Either way, it was beautiful and perfect, and I couldn’t ask for anything less. (But I mean, it’s Julie Kagawa! I should know at reading 90% of her works that endings to a series are going to be *chef’s kiss*.)

Soul of the Sword was a struggle for me to get through, but it is so worth going through for Night of the Dragon. All the questions I had from the very beginning of the series get answered as everything comes together for an ending that made me want to cry and question my life choices.

*How do I bring justice to such perfection?! All the words have flown out the window. What even is a review?
  
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Luca (2021)
Luca (2021)
2021 | Adventure, Animation, Comedy
7
6.9 (12 Ratings)
Movie Rating
Charming but Unspectacular
Usually, a motion picture premiere by PIXAR is a major event and (most of the time) the product premiered is one of the better films debuting in that year (regardless of whether they are animated or not). But…the past 2 PIXAR films have debuted directly on the Disney+ streaming service.

One can understand SOUL debuting on-line since the world was in the midst of a global pandemic. But with LUCA, one had to scratch their heads wondering why the brass at Pixar wouldn’t give it at least a cursory theatrical release.

But, now that I’ve seen LUCA, I know why.

Luca tells the tale of a sea monster named…you got it…Luca, who ventures above the surface of the water with a friend to the human world. As a premise for this film, the Sea Monsters turn into humans when their skin is dry (and turn back into Sea Monsters when they are wet).

As Directed by Enrico Casarosa (the director of the the wonderful 2011 short animated film LA LUNA), Luca is a charming, if unspectacular, film that wears its heart - and it’s message of inclusion for ALL, no matter their differences - on it’s sleeve in a pretty overt way that doesn’t aide, nor does it detract, from the film.

Playing the lead roles of Luca and Alberto are child actors Jacob Tremblay (ROOM) and Jack Dylan Grazer (IT) and they are just like this film - charming and unspectacular. They instill these characters with youthful zest and energy…but not much else. Rising above them (and this film, if I’m being honest) is the voice work of the wonderful Maya Rudolph and the always affable Jim Gaffigan as Luca’s parents, who end up looking for Luca in the human world. To be honest, I would have rather had a film focusing on these two looking for Luca, than the movie we got.

Director Casaroso has stated that he has been inspired by the works of the great Japanese animation Director Hayao Miyazaki and it shows in some of the scenes that are absolutely breathtaking to look at while the feeling of this film is light and airy and not too terribly deep.

This is the 3rd straight film from Pixar that I have found to be “just fine, nothing special”, which is just a bit disappointing in that Pixar films were once the gold standard of animated films.

While not a standout film, Luca is an entertaining diversion and certainly one where the younger ones in the family will find fun while their parents will be entertained…enough. I have to admit, that I was not engaged with the main characters throughout the film, but was caught up at the end and found myself rooting for our heroes, so I guess Casarosa did something right.

Letter Grade:B+

7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
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