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Peter Cowie recommended Crazed Fruit (1956) in Movies (curated)

 
Crazed Fruit (1956)
Crazed Fruit (1956)
1956 | Drama, Romance
(0 Ratings)
Movie Favorite

"Another revelation to come out of left field just when you thought you knew the pantheon of Japanese cinema. Nakahira’s control of his material is apparent from first shot to last, as he charts the frantic duel between two rock and roll–generation youngsters for the sticky, sweaty affections of Mie Kitahara. Here’s a film that not only reflects the rebellious spirit of Japanese youth in the mid-fifties but also sports an intoxicating visual panache. It also features one of Donald Richie’s most engaging commentaries."

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    Subtitles Viewer!

    Subtitles Viewer!

    Utilities and Photo & Video

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    View subtitles on your iOS device synchronized with television or movies on your TV, or at the...

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Edgar Wright recommended Le samouraï (1967) in Movies (curated)

 
Le samouraï (1967)
Le samouraï (1967)
1967 | Crime, Film-Noir
8.8 (8 Ratings)
Movie Favorite

"Le samouraï is a film I return to again and again. Like with any minimalist cinema, the less it states, the more you want to discover. Jean Pierre Melville’s film has been hugely influential, from Walter Hill’s The Driver through Luc Besson’s Leon: The Professional right up to this year’s Drive. Hell, even scenes from my own Hot Fuzz are ripped out of this. The iconic image of hit man Alain Delon lying on a bed in his bare apartment with just a canary for company is still echoed today. Melville took lone warrior mythology from Japanese culture, married it with the tough guy angles of ’40s gangster movies, and, along with John Boorman and Point Blank, ushered in a new age of neo noir. It’s a beguiling picture and one to stare at for a long time. Plus, it has so little dialogue that it is literally a must-watch."

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Suswatibasu (1701 KP) rated Creepy (Kuripi: Itsuwari no rinjin) (2016) in Movies

Nov 29, 2017 (Updated Nov 29, 2017)  
Creepy (Kuripi: Itsuwari no rinjin) (2016)
Creepy (Kuripi: Itsuwari no rinjin) (2016)
2016 | Drama
9
8.5 (2 Ratings)
Movie Rating
The title spells it out to a tee
This absolutely stomach-wrenching film from the masters of Japanese cinema, literally blows your socks off. It is understatedly creepy, no dramatic background music and a deeply horrifying body count. For fans of psychological thrillers such as @Sympathy for Lady Vengeance (2014) and @Oldboy (2013) (Korean version) this is another expertly crafted movie that leaves you in knots.

It begins with a detective interviewing a psychopathic suspect, who then manages to escape the police interview room and hold a woman hostage. In the process, the detective is badly injured and as a result leaves the force to pursue an academic career in criminal psychology. Shaken by his time as a detective, he and his wife move to a leafy suburb of Japan with incredibly unsocial neighbours. Soon after moving, he is approached by a former colleague asking for help in a particular case, in which three members of a family mysteriously disappeared six years ago, leaving only a daughter behind. The case was never solved as the daughter's constantly changing statements were seen as inadmissible evidence. And soon after he realises that the case is much closer to home than expected.

Sharp storytelling despite a few plot holes which is left to your imagination. Totally recommended for followers of Eastern cinema.
  
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Awix (3310 KP) rated Fistful of Dollars (1964) in Movies

Jun 12, 2018 (Updated Oct 22, 2018)  
Fistful of Dollars (1964)
Fistful of Dollars (1964)
1964 | Adventure, Western
8
8.3 (31 Ratings)
Movie Rating Watch
Genre-defining spaghetti western is an Italian-made interpretation of a quintessentially American genre, filmed in Spain and based on a Japanese movie (so stop going on about how much you hate globalisation). Taciturn stranger moseys into a divided town south of the border, decides to make some quick money by playing the two ruling gangs off against one another. Cue many trumpet solos and Clint Eastwood gunning folk down like it's going out of fashion.

Not quite up to the same standards as the film that inspired it, Yojimbo, but still a really impressive film in the way it combines Leone's visual style, Eastwood's inscrutable charisma and Morricone's operatic score. The focus is so visual that the film ends up coming across as slightly superficial and overly interested in violence and sadism, but it is still a classic of its kind and really a landmark in both US and European cinema.