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Gareth von Kallenbach (971 KP) rated Game Night (2018) in Movies
Jun 19, 2019
Max (Jason Bateman), and his wife Annie (Rachel McAdams),are a loving
couple who met during a trivia night at a bar. Gaming has been a regular
part of their lives, and they are often involved with hosting game nights
for their friends.
Max and Annie seems have it all save for a family and
when it is determined that stress may be leading to the problem Max
attempts to resolve the issue. Max has issues with his older brother
Brooks (Kyle Chandler), who he sees as ultra-successful and rubbing his
success in his face.
The fact that Max has not seen his brother in a while
is not an issue, the fact that the brother who seems to beat him in
everything has returned is enough to set the mild-mannered Max on edge.
After an enjoyable game night, Brooks offers to host the next one and
although Max knows this is just Brooks looking for a way to show off his
house, he accepts the invitation.
Upon arrival,Brooks tells Max, Annie, and their friends that they will be
playing a mystery night where a group of actors will stage a kidnapping
and they must unravel clues to solve the mystery. The fact that Brooks is
offering a prized car that Max has long coveted is all the motivation he
needs to win the competition.
The game starts and a group of goons arrive and rough up Brooks and kidnap
him in front of the guests who all think this is part of the show. They
soon come to realize that Brooks may not be the person he claims to bend
that the kidnapping may indeed be real and not part of a scripted game.
What follows is a mix of comedy and dramatic mystery that while unfolding
slowly at times, is filled with some funny moments and great characters.
Bateman has his likable everyman persona down well in the film and the
supporting cast does a great job playing in the wacky adventure without
every getting to madcap.
The breakout star of the film is Jesse Plemons
who plays Max and Annie's creepy police neighbor who is deeply disturbed
following the breakup of his marriage and has taken things to a new level.
You will want to stay through the credits as there are some extra scenes
which round out the film nicely. "Game Night", is a pleasant enoughfilm
that cannot quite determine if it is a comedy or dramedy, but it does
enough good things to make it an enjoyable outing.
http://sknr.net/2018/02/22/game-night/
couple who met during a trivia night at a bar. Gaming has been a regular
part of their lives, and they are often involved with hosting game nights
for their friends.
Max and Annie seems have it all save for a family and
when it is determined that stress may be leading to the problem Max
attempts to resolve the issue. Max has issues with his older brother
Brooks (Kyle Chandler), who he sees as ultra-successful and rubbing his
success in his face.
The fact that Max has not seen his brother in a while
is not an issue, the fact that the brother who seems to beat him in
everything has returned is enough to set the mild-mannered Max on edge.
After an enjoyable game night, Brooks offers to host the next one and
although Max knows this is just Brooks looking for a way to show off his
house, he accepts the invitation.
Upon arrival,Brooks tells Max, Annie, and their friends that they will be
playing a mystery night where a group of actors will stage a kidnapping
and they must unravel clues to solve the mystery. The fact that Brooks is
offering a prized car that Max has long coveted is all the motivation he
needs to win the competition.
The game starts and a group of goons arrive and rough up Brooks and kidnap
him in front of the guests who all think this is part of the show. They
soon come to realize that Brooks may not be the person he claims to bend
that the kidnapping may indeed be real and not part of a scripted game.
What follows is a mix of comedy and dramatic mystery that while unfolding
slowly at times, is filled with some funny moments and great characters.
Bateman has his likable everyman persona down well in the film and the
supporting cast does a great job playing in the wacky adventure without
every getting to madcap.
The breakout star of the film is Jesse Plemons
who plays Max and Annie's creepy police neighbor who is deeply disturbed
following the breakup of his marriage and has taken things to a new level.
You will want to stay through the credits as there are some extra scenes
which round out the film nicely. "Game Night", is a pleasant enoughfilm
that cannot quite determine if it is a comedy or dramedy, but it does
enough good things to make it an enjoyable outing.
http://sknr.net/2018/02/22/game-night/
Darren (1599 KP) rated Veronica Mars (2014) in Movies
Jul 25, 2019
Story: Veronica Mars starts as Veronica Mars (Bell) fills the fans of the show in with the last few years of her life after the television show finished and gave us first time viewers a chance to get a basic grip of who the main characters are going to be.
Veronica is now about to take her bar exam, but when her ex-boyfriend Logan Echolls (Dohring) is accused of killing his celebrity girlfriend, Veronica returns home to get to the bottom of the crime, re-living her private eye ways and catching up with old friends.
Thoughts on Veronica Mars
Characters – Veronica Mars is the former private eye that has moved on to study law only to learn a former friend has been accused of murder. The character gets to return to see old friends to see where they are in life now and how things have changed, in the biggest case of her life. Logan Echolls is the ex-boyfriend of Veronica that has been accused of murder, he needs her help to prove his innocence.
Performances – Kristen Bell made this role her own on television and now you can see her own enjoyment of returning to this role. Jason Bohring is solid enough in the role of the suspect. It would be fair to say the whole returning cast enjoyed coming back and it worked for the film.
Story – The story plays into the hands of the fans of the show wonderfully, the problem comes if you never saw the show, you will never understand the moments between characters in this movie. This isn’t a film for people that never saw the show, but it does bring our character back to her old role to see where friends are which is always a nice touch for popular shows.
Crime/Mystery – The crime mystery tone is everything the TV show kept up with the light-hearted comic tone of the movie, with plenty of mystery moments to keep us guessing.
Settings – The settings do help the fans of the original show that have returned to their favourite show, seeing all the places we saw their favourite characters.
Scene of the Movie – Reunion.
That Moment That Annoyed Me – Not knowing enough from the TV show.
Final Thoughts – This is a wonderful treat for the fans of the show, catching up with our favourite characters is something we all like to do and this is no different.
Overall: Good TV show to movie.
Veronica is now about to take her bar exam, but when her ex-boyfriend Logan Echolls (Dohring) is accused of killing his celebrity girlfriend, Veronica returns home to get to the bottom of the crime, re-living her private eye ways and catching up with old friends.
Thoughts on Veronica Mars
Characters – Veronica Mars is the former private eye that has moved on to study law only to learn a former friend has been accused of murder. The character gets to return to see old friends to see where they are in life now and how things have changed, in the biggest case of her life. Logan Echolls is the ex-boyfriend of Veronica that has been accused of murder, he needs her help to prove his innocence.
Performances – Kristen Bell made this role her own on television and now you can see her own enjoyment of returning to this role. Jason Bohring is solid enough in the role of the suspect. It would be fair to say the whole returning cast enjoyed coming back and it worked for the film.
Story – The story plays into the hands of the fans of the show wonderfully, the problem comes if you never saw the show, you will never understand the moments between characters in this movie. This isn’t a film for people that never saw the show, but it does bring our character back to her old role to see where friends are which is always a nice touch for popular shows.
Crime/Mystery – The crime mystery tone is everything the TV show kept up with the light-hearted comic tone of the movie, with plenty of mystery moments to keep us guessing.
Settings – The settings do help the fans of the original show that have returned to their favourite show, seeing all the places we saw their favourite characters.
Scene of the Movie – Reunion.
That Moment That Annoyed Me – Not knowing enough from the TV show.
Final Thoughts – This is a wonderful treat for the fans of the show, catching up with our favourite characters is something we all like to do and this is no different.
Overall: Good TV show to movie.
JT (287 KP) rated The Bourne Legacy (2012) in Movies
Mar 10, 2020
When Matt Damon and Paul Greengrass distanced themselves from another trip into the Bourne-verse it was hard to see if any film would ever make it into production. Then, along came Tony Gilroy, writer of the first three films he seemed to be the logical choice to co-write and direct the fourth installment in this ever popular action franchise.
The Bourne Legacy runs almost parallel with the events of The Bourne Ultimatum, but in this film the only time we get to see Matt Damon’s Jason Bourne is from the odd photograph and his name etched into wood on the underside of a bunk bed.
It’s time for a stare off!
For this outing Renner plays Aaron Cross an ‘outcome’ agent who finds himself on the run when the powers that be realize that Bourne has broken through and passed vital information about Treadstone and Black Briar to Pam Landy, who in turn passes it onto the media. So Retired Col. Eric Byer, USAF ( Norton) part of the sinister hierarchy decides it’s time to shut down and eradicate all other ops, including Cross.
It’s fraught with the occasional plot hole, (just how did Cross know where Shearing lived) here and there but that does little damage to the overall story which is actually quite good. Renner, who is already well equipped for these types of action films fills the void left by Damon very well. When he’s not battling wolves and shooting drones out of the sky he’s driving a motorbike through the streets of Manila, as well as running through every back street and staircase he can find. And he’s more than capable at hand to hand combat.
He’s joined on his adventure by Dr. Marta Shearing (Weisz) who worked with Cross in the beginning and was tasked with providing the agents with a specific set of medication to take, of which it seems Cross is no longer required but is desperately dependent on. Whereas Bourne tried to piece together parts of his life, Cross is like a crackhead desperate for the next fix and so his motives are different.
Gilroy manages the story well and there are some brief cameos from the likes of Scott Glenn, David Strathairn and Albert Finney to provide a reminder to us all about what has happened previously, just in case we are dealing with our own bout of memory loss. It’s disappointing not to see Damon reprise one of the best roles of his career but Renner does an admirable job and there is no question that there will be more life in him yet.
The Bourne Legacy runs almost parallel with the events of The Bourne Ultimatum, but in this film the only time we get to see Matt Damon’s Jason Bourne is from the odd photograph and his name etched into wood on the underside of a bunk bed.
It’s time for a stare off!
For this outing Renner plays Aaron Cross an ‘outcome’ agent who finds himself on the run when the powers that be realize that Bourne has broken through and passed vital information about Treadstone and Black Briar to Pam Landy, who in turn passes it onto the media. So Retired Col. Eric Byer, USAF ( Norton) part of the sinister hierarchy decides it’s time to shut down and eradicate all other ops, including Cross.
It’s fraught with the occasional plot hole, (just how did Cross know where Shearing lived) here and there but that does little damage to the overall story which is actually quite good. Renner, who is already well equipped for these types of action films fills the void left by Damon very well. When he’s not battling wolves and shooting drones out of the sky he’s driving a motorbike through the streets of Manila, as well as running through every back street and staircase he can find. And he’s more than capable at hand to hand combat.
He’s joined on his adventure by Dr. Marta Shearing (Weisz) who worked with Cross in the beginning and was tasked with providing the agents with a specific set of medication to take, of which it seems Cross is no longer required but is desperately dependent on. Whereas Bourne tried to piece together parts of his life, Cross is like a crackhead desperate for the next fix and so his motives are different.
Gilroy manages the story well and there are some brief cameos from the likes of Scott Glenn, David Strathairn and Albert Finney to provide a reminder to us all about what has happened previously, just in case we are dealing with our own bout of memory loss. It’s disappointing not to see Damon reprise one of the best roles of his career but Renner does an admirable job and there is no question that there will be more life in him yet.
Gareth von Kallenbach (971 KP) rated Alvin and the Chipmunks: Chipwrecked (2011) in Movies
Aug 7, 2019
Alvin and the Chipmunks are back in an all new adventure along with Dave and the Chipettes. Directed by Mike Mitchell, this is the third installment in the new Chipmunk franchise. The voices of the Chipmunks and Chipettes include none other than Justin Long (Alvin), Matthew Gray Gubler (Simon), Jesse McCartney (Theodore), Amy Poehler (Eleanor), Anna Faris (Jeanette), Christina Applegate (Brittany), Alan Tudyk (Simone), David Cross (Ian ) and of course we can’t forget Jason Lee (Dave) . This installment, like the other two, are jam-packed with great actors and comedians who together have made an entertaining film not only for children but for adults as well.
The Chipmunks and the Chipettes are on their way to performing at the International Music Awards and are taking a small vacation before their big show to relax. At least that is what the plan was, until good ol’ Alvin, who always has to be the risk taker, changes the plans. Because of his crazy antics he ends up causing himself, his brothers, the Chipettes, Dave and the ships pelican mascot to go over board and get subsequently marooned on a deserted island. Dave and the pelican mascot end up on a different part of the island than the Chipmunks and Chipettes and both groups think they are doomed and will never be found. As luck would have it, they meet Zoe (Jenne Slate). Zoe has been on the island for quite a few years after being marooned herself and has made it her home. When the island is in trouble when a sleeping volcano begins to wake up; it is up to everybody to get over their inhibitions and help each other get to safety. Along the way everybody learns some life lessons but will Dave ever get to see the Chipmunks again and make it to the music awards?
The plot of this film is very simple and a bit short, but you have to remember that it is geared mainly to children. I still enjoy the Chipmunks and it is such a treat after having grown up watching the cartoons and seeing what modern filmmaking offers a new generation of kids. Most adults may not like the new songs and may find it annoying. I on the other hand love it, with some of the songs being performed better by chipmunks than the actual artists. This movie is recommended for families and the young at heart for a great afternoon movie. Although the first two movies in the franchise are my favorite, this installment is entertaining and will for sure put a smile on your face.
The Chipmunks and the Chipettes are on their way to performing at the International Music Awards and are taking a small vacation before their big show to relax. At least that is what the plan was, until good ol’ Alvin, who always has to be the risk taker, changes the plans. Because of his crazy antics he ends up causing himself, his brothers, the Chipettes, Dave and the ships pelican mascot to go over board and get subsequently marooned on a deserted island. Dave and the pelican mascot end up on a different part of the island than the Chipmunks and Chipettes and both groups think they are doomed and will never be found. As luck would have it, they meet Zoe (Jenne Slate). Zoe has been on the island for quite a few years after being marooned herself and has made it her home. When the island is in trouble when a sleeping volcano begins to wake up; it is up to everybody to get over their inhibitions and help each other get to safety. Along the way everybody learns some life lessons but will Dave ever get to see the Chipmunks again and make it to the music awards?
The plot of this film is very simple and a bit short, but you have to remember that it is geared mainly to children. I still enjoy the Chipmunks and it is such a treat after having grown up watching the cartoons and seeing what modern filmmaking offers a new generation of kids. Most adults may not like the new songs and may find it annoying. I on the other hand love it, with some of the songs being performed better by chipmunks than the actual artists. This movie is recommended for families and the young at heart for a great afternoon movie. Although the first two movies in the franchise are my favorite, this installment is entertaining and will for sure put a smile on your face.
Phillip McSween (751 KP) rated Haunt (2019) in Movies
Feb 15, 2020
Not Thought-Provoking But Fun!
In Haunt, a group of friends experience terror like no other when they go to a haunted house expecting a scare. For a movie that wasn’t done by a major studio, I have to say it ain’t half bad.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Phillip McSween (751 KP) rated Crank (2006) in Movies
Jun 26, 2020
Quick Pacing, Bad Movie
When a former hitman’s enemies inject him with a lethal poison that will stop his heart if it goes below an active rate, that hitman Chev Chelios is on a race to find the antidote while keeping his heart pumping at the same time.
Acting: 10
I could think of worse actors to play the role of Chev outside of Jason Statham. He seems like he was made for this type of movie. He brings a successful intensity to the role that kicks the movie into a new gear. Unfortunately it wasn’t enough to save the film as a whole. While other performances didn’t necessarily warrant a 10, Chev is pretty much the entire centerpiece so I’m basing the score off Statham’s performance alone.
Beginning: 10
I honestly didn’t hate how the movie began. It actually gets off to a pretty fast start only to let me down later. If only I knew what I was getting myself into.
Characters: 1
Cinematography/Visuals: 7
For what' it’s worth, the film does a good job of making you feel like you are in Chelios’ shoes. The camera relies on close up shots and jarring movement when Chelios has to “charge up”. The action is also captured fairly well, giving you a true sense of being in the moment.
Conflict: 10
Consistent action abounds throughout the movie. In addition to Chelios kicking much ass, there’s also the matter of him trying to keep his heart pumping while he finds the antidote. There is more than enough conflict to drive the story.
Entertainment Value: 6
While there are flashes of greatness in Crank, much of it is hyped up hyperbole so extreme it makes the movie really hard to get into. I lost count of the number of times I rolled my eyes throughout the movie. What did intrigue me throughout was just how much crazier the movie could potentially get.
Memorability: 4
Pace: 10
Plot: 0
What a dumbass story. That is all.
Resolution: 6
I give it props for an inventive ending. However, it wasn’t a successful resolution in my opinion. We followed Chelios on this entire journey for it to come to this? Nah, just…nah.
Overall: 64
You could tell this movie was going to be a mess from the trailer. Surprisingly enough it has a positive rating on Rotten Tomatoes and it seems to have a cult following. I really don’t get it, even as an action lover. It’s a pass for me.
Acting: 10
I could think of worse actors to play the role of Chev outside of Jason Statham. He seems like he was made for this type of movie. He brings a successful intensity to the role that kicks the movie into a new gear. Unfortunately it wasn’t enough to save the film as a whole. While other performances didn’t necessarily warrant a 10, Chev is pretty much the entire centerpiece so I’m basing the score off Statham’s performance alone.
Beginning: 10
I honestly didn’t hate how the movie began. It actually gets off to a pretty fast start only to let me down later. If only I knew what I was getting myself into.
Characters: 1
Cinematography/Visuals: 7
For what' it’s worth, the film does a good job of making you feel like you are in Chelios’ shoes. The camera relies on close up shots and jarring movement when Chelios has to “charge up”. The action is also captured fairly well, giving you a true sense of being in the moment.
Conflict: 10
Consistent action abounds throughout the movie. In addition to Chelios kicking much ass, there’s also the matter of him trying to keep his heart pumping while he finds the antidote. There is more than enough conflict to drive the story.
Entertainment Value: 6
While there are flashes of greatness in Crank, much of it is hyped up hyperbole so extreme it makes the movie really hard to get into. I lost count of the number of times I rolled my eyes throughout the movie. What did intrigue me throughout was just how much crazier the movie could potentially get.
Memorability: 4
Pace: 10
Plot: 0
What a dumbass story. That is all.
Resolution: 6
I give it props for an inventive ending. However, it wasn’t a successful resolution in my opinion. We followed Chelios on this entire journey for it to come to this? Nah, just…nah.
Overall: 64
You could tell this movie was going to be a mess from the trailer. Surprisingly enough it has a positive rating on Rotten Tomatoes and it seems to have a cult following. I really don’t get it, even as an action lover. It’s a pass for me.
LeftSideCut (3778 KP) rated Nobody Sleeps in the Woods Tonight (2020) in Movies
Oct 29, 2020 (Updated Oct 29, 2020)
Contains spoilers, click to show
As a starting note, please please please watch this film with the audio set to Polish with subtitles. Netflix started playing the dubbed version for me, and I managed about 30 seconds worth of cheesy American voice over before I couldn't stand it any longer. It's 100% more natural the way it was intended.
Nobody Sleeps in the Woods tonight is absolutely and wholly not original - it cherry picks parts from other horror movies and shamelessly imitates them, and do you know what? I don't hate it.
The whole movie is shot nicely, especially taking into account it's low budget.
Among these moments we have:
- A sleeping bag kill ripped straight out of Friday the 13th Part VII.
- A character explaining the rules of horror movies just like in Scream.
- A character tied to a chair and ballgagged a la Hostel.
- Big cannabalistic, dungaree wearing woodsman straight out of Wrong Turn.
- A cut-in-half-vertically-with-an-axe kill from Wrong Turn 2, using the same damn camera angle and everything.
- A character going through a woodchipper like in Tucker and Dale vs Evil
- An under the bed shot of someone being stabbed repeatedly with a machete, just like in Freddy vs Jason.
So yeah, absolutely zero points for originality, but props for executing it all to a satisfactory degree. A less cynical person could choose to look at it as a horror love letter, rather than a rip off.
Some of the camerawork is genuinely fantastic. There are multiple shots during the runtime that are quite captivating, and took me out of the standard slasher situation now and again.
The make up effects applied to the monster men are pretty good, and the movie delivers some pretty brutal gore. It's hard to fully tell, but it looked like a fair chunk of it was practical, which is always a bonus.
The characters are likable as well, especially the badass final girl Zodiac, played awesomely by Julia Wieniawa-Narkiewicz.
The film also touches on some social issues, such as the perception of homosexuality in Poland. It's a shame it's not explored further than a few lines of dialogue.
Nobody Sleeps in the Woods may be down right predictable, but if you can leave any cynicism at the door, then it's a pretty fun slasher to pass the time.
As my first foray into Polish horror, I found it mostly enjoyable. Worth checking out for any horror fans.
Nobody Sleeps in the Woods tonight is absolutely and wholly not original - it cherry picks parts from other horror movies and shamelessly imitates them, and do you know what? I don't hate it.
The whole movie is shot nicely, especially taking into account it's low budget.
Among these moments we have:
- A sleeping bag kill ripped straight out of Friday the 13th Part VII.
- A character explaining the rules of horror movies just like in Scream.
- A character tied to a chair and ballgagged a la Hostel.
- Big cannabalistic, dungaree wearing woodsman straight out of Wrong Turn.
- A cut-in-half-vertically-with-an-axe kill from Wrong Turn 2, using the same damn camera angle and everything.
- A character going through a woodchipper like in Tucker and Dale vs Evil
- An under the bed shot of someone being stabbed repeatedly with a machete, just like in Freddy vs Jason.
So yeah, absolutely zero points for originality, but props for executing it all to a satisfactory degree. A less cynical person could choose to look at it as a horror love letter, rather than a rip off.
Some of the camerawork is genuinely fantastic. There are multiple shots during the runtime that are quite captivating, and took me out of the standard slasher situation now and again.
The make up effects applied to the monster men are pretty good, and the movie delivers some pretty brutal gore. It's hard to fully tell, but it looked like a fair chunk of it was practical, which is always a bonus.
The characters are likable as well, especially the badass final girl Zodiac, played awesomely by Julia Wieniawa-Narkiewicz.
The film also touches on some social issues, such as the perception of homosexuality in Poland. It's a shame it's not explored further than a few lines of dialogue.
Nobody Sleeps in the Woods may be down right predictable, but if you can leave any cynicism at the door, then it's a pretty fun slasher to pass the time.
As my first foray into Polish horror, I found it mostly enjoyable. Worth checking out for any horror fans.
Movie Metropolis (309 KP) rated Downsizing (2017) in Movies
Jun 10, 2019
This little film has big shoes to fill
Alexander Payne was clearly vying for Oscars attention when it came to penning the screenplay for Downsizing. And why not, he’s certainly got form in the awards department. A two-time Oscar winner with a further three nominations, his films have been bold and topical.
That topical trademark shows no signs of dissipating with Downsizing, as Payne takes on the themes of overpopulation and the effects it’ll have on us in the future. But is the resulting film one of his best works? Or are we looking at a bit of a dud?
When scientists discover how to shrink humans to five inches tall as a solution to overpopulation, Paul (Matt Damon) and his wife Audrey (Kristen Wiig) decide to abandon their cash-strapped and stressed lives in order to get small and move to a new downsized community — a choice that triggers life-changing adventures in more ways than one.
The film certainly gets off to a good start before it even begins. Just look at the cast! With Matt Damon, Kristen Wiig, Laura Dern, Christoph Waltz, Neil Patrick Harris and Jason Sudeikis being just some of the actors on the roster here, there’s certainly a lot of talent about. And things continue to look very good indeed.
Downsizing starts out great. In fact, it has one of the best first acts of any film I’ve seen as we are introduced to the concept of downsizing and the lives in which its partakers lead. Damon is a magnetic leading presence and oozes charm throughout the film. It’s also genuinely funny with a script that knows how to garner laughs from the audience without delving into unnecessary slapstick.
To look at, Downsizing is really rather lovely. Filled with clever special effects, it’s a pleasure to watch and fascinating to sit there and think about all the camera trickery required to pull it off. Watching a miniature ship pull bottles of vodka is strangely satisfying.
And then, about 45 minutes in, things start to go rapidly downhill. So downhill that I left the cinema wondering how on earth a movie that began so positively, could result in a middle and final act so disappointingly ordinary. On the journey home, I used that time to think of the reasons.
That promising script from the first act becomes so muddled it becomes nearly incomprehensible towards the end
Firstly, that talented cast I spoke about earlier is completely and utterly wasted. Outside of Damon, each of the brilliant actors is given a glorified cameo that makes little-to-no difference on the final outcome. Laura Dern is in the film for less than 3 minutes – in fact, her scene is exactly what you see in the trailer. Christoph Waltz plays a bizarre Serbian playboy who is funny and irritating in equal measure and the less said about Kristen Wiig’s part the better.
Secondly, the story just doesn’t do enough with its fascinating premise. We get a vague environmental message about the beauty of nature and the fragility of life, but the idea of downsizing and the beautiful residences of “Leisureland” are merely a shell for Damon to go from scene to scene. His adventures with Hong Chau, which make up the bulk of the overstuffed 132-minute runtime, are pleasant enough, but we want to see more of the people who have decided to shrink themselves.
Thirdly, the tone is an absolute mess. Is it a comedy? What about a drama? Perhaps a rom-com? Who knows! That promising script from the first act becomes so muddled it becomes nearly incomprehensible towards the end.
Finally, the ending is absolutely dreadful and one of the worst ever put to film. I’m not sure if Payne thought it would be a good idea to leave the movie open to a sequel but there is absolutely no payoff to the previous 130-or-so minutes whatsoever. It just falls flat.
Overall, Downsizing has a brilliant premise and a wonderfully talented cast, but each of those is wasted and that’s unforgivable. What starts out as a clever piece of social commentary about the issues we, as a species, currently face, ends up becoming one of the most ordinary films you’ll ever see and a bit of a misstep for the usually superb Alexander Payne. It’s certainly his worst film to date.
https://moviemetropolis.net/2018/01/27/downsizing-review-this-little-film-has-big-shoes-to-fill/
That topical trademark shows no signs of dissipating with Downsizing, as Payne takes on the themes of overpopulation and the effects it’ll have on us in the future. But is the resulting film one of his best works? Or are we looking at a bit of a dud?
When scientists discover how to shrink humans to five inches tall as a solution to overpopulation, Paul (Matt Damon) and his wife Audrey (Kristen Wiig) decide to abandon their cash-strapped and stressed lives in order to get small and move to a new downsized community — a choice that triggers life-changing adventures in more ways than one.
The film certainly gets off to a good start before it even begins. Just look at the cast! With Matt Damon, Kristen Wiig, Laura Dern, Christoph Waltz, Neil Patrick Harris and Jason Sudeikis being just some of the actors on the roster here, there’s certainly a lot of talent about. And things continue to look very good indeed.
Downsizing starts out great. In fact, it has one of the best first acts of any film I’ve seen as we are introduced to the concept of downsizing and the lives in which its partakers lead. Damon is a magnetic leading presence and oozes charm throughout the film. It’s also genuinely funny with a script that knows how to garner laughs from the audience without delving into unnecessary slapstick.
To look at, Downsizing is really rather lovely. Filled with clever special effects, it’s a pleasure to watch and fascinating to sit there and think about all the camera trickery required to pull it off. Watching a miniature ship pull bottles of vodka is strangely satisfying.
And then, about 45 minutes in, things start to go rapidly downhill. So downhill that I left the cinema wondering how on earth a movie that began so positively, could result in a middle and final act so disappointingly ordinary. On the journey home, I used that time to think of the reasons.
That promising script from the first act becomes so muddled it becomes nearly incomprehensible towards the end
Firstly, that talented cast I spoke about earlier is completely and utterly wasted. Outside of Damon, each of the brilliant actors is given a glorified cameo that makes little-to-no difference on the final outcome. Laura Dern is in the film for less than 3 minutes – in fact, her scene is exactly what you see in the trailer. Christoph Waltz plays a bizarre Serbian playboy who is funny and irritating in equal measure and the less said about Kristen Wiig’s part the better.
Secondly, the story just doesn’t do enough with its fascinating premise. We get a vague environmental message about the beauty of nature and the fragility of life, but the idea of downsizing and the beautiful residences of “Leisureland” are merely a shell for Damon to go from scene to scene. His adventures with Hong Chau, which make up the bulk of the overstuffed 132-minute runtime, are pleasant enough, but we want to see more of the people who have decided to shrink themselves.
Thirdly, the tone is an absolute mess. Is it a comedy? What about a drama? Perhaps a rom-com? Who knows! That promising script from the first act becomes so muddled it becomes nearly incomprehensible towards the end.
Finally, the ending is absolutely dreadful and one of the worst ever put to film. I’m not sure if Payne thought it would be a good idea to leave the movie open to a sequel but there is absolutely no payoff to the previous 130-or-so minutes whatsoever. It just falls flat.
Overall, Downsizing has a brilliant premise and a wonderfully talented cast, but each of those is wasted and that’s unforgivable. What starts out as a clever piece of social commentary about the issues we, as a species, currently face, ends up becoming one of the most ordinary films you’ll ever see and a bit of a misstep for the usually superb Alexander Payne. It’s certainly his worst film to date.
https://moviemetropolis.net/2018/01/27/downsizing-review-this-little-film-has-big-shoes-to-fill/
Chris Sawin (602 KP) rated Cop Out (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Jimmy Monroe (Bruce Willis) and Paul Hodges (Tracy Morgan) have been working as partners at the NYPD for the past nine years. They have a reputation at the precinct for doing things their own sporadic and wreckful way that isn't normal procedure and usually winds up getting them into hot water with the captain. A suspect is brought in for interrogation and when he finally spills the beans on a drug deal happening that afternoon, Jimmy and Paul think it's best to act on it right then and there. After their plan fails, their suspect is killed and months of work is flushed down the drain. Jimmy and Paul are suspended for 30 days without pay, which isn't good news for Jimmy since his daughter is getting married and has the typical expensive wedding of her dreams in mind. Jimmy plans on selling a collectible baseball card that could pay for his daughter's wedding and then some, but the card is stolen by some crackheads before he can get the chance. Now Jimmy's just trying to get the card back to pay for his daughter's wedding, but him and Paul, who's too distracted with his wife's possible infidelity to really concentrate on the task at hand, are thrown into something much deeper.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
BankofMarquis (1832 KP) rated Extraction (2020) in Movies
May 6, 2020
Fun, by-the-book, action flick
I'm pretty sure that no matter what, I was going to enjoy the Chris Hemsworth action flick EXTRACTION whether it was good or not. It is, after all, a NEW movie, albeit one that was made "Direct to Netflix", so those can be of lesser quality.
I'm happy to report that in the case of EXTRACTION, that is not the case. This is a good (if by the books) popcorn action flick with a charismatic lead keeping you company throughout.
In EXTRACTION, Chris Hemsworth stars as an Australian Mercenary (who knew there was such a thing), hired to extract the kidnapped son of a drug lord from the hands of his fiercest rival.
This is a pretty "by-the-numbers" action film:
1). The mercenary has "baggage" - will the events (and the subject he is to extract) help him come to terms with his pent-up emotions in order to move past his traumatic "baggage"?
2). Will there be some sort of "double-cross" that screws up the extraction causing our hero to go "on the run" with his "Extraction"?
3). Will there be a buddy that our hero trusts who will, ultimately, double-cross him?
What do you think?
The fun of this film was not the plot machinations (they are pretty basic), but the execution of these machinations - and this execution is pretty fun/enjoyable.
Start with Chris Hemsworth as our mercenary - with the great action flick name of Tyler Rake. Hemsworth knows exactly what kind of film he is in - and he brings the goods. If he chose to, I think Hemsworth could be an action hero staple like Jason Statham or Dwayne "The Rock" Johnson - but I think Hemsworth is not really interested in that. But here, he is steely eyed and calm taking hits and doling out punishment to hoards of "red shirt" bad guys in his way. He has the action hero chops. He also has the acting chops to make the overwrought "emotional" scenes palatable. He makes weak writing enjoyable.
Joining him is Rudhraksh Jaiswal as "the extraction" - and his interactions with Hemsworth are fun. Randeep Hodha and Golshifteh Farahani do a nice job in the roles that they play in the action and the always watchable David Harbour eats a ton of scenery in his limited time on the screen. All are fun to watch.
But it is the telling of the story by first time Director Sam Hargrave that was a (pleasant) surprise for me. After doubling Chris Evans in the first CAPTAIN AMERICA film, Hargrave became the "go to" guy for Marvel action choreography, so (I'm sure) he got to know Hemsworth there. He brings a fast-paced style to this film that works. He doesn't stop to examine much at all (which helps the plot holes in the script) and his action work with his stunt actors is top-notch. If you watch nothing else in this film, check out the chase scene at about the 1/3 mark of the film. Hemsworth and "the extraction" are being chased - and it is filmed in the "shaky cam/cinema veritae/ make it look like one long tracking shot" style that I often criticize in my reviews - but here it worked and worked well. I'll be keeping my eye on what Hargrave does next (word is it that there will be an Extraction 2).
All of this is brought together by Producers Joe and Anthony Russo - the Directors of many Marvel films (including INFINITY WAR and ENDGAME). Not only did they Produce this film, but they wrote the story from where this film came from. It's obvious that they turned the majority of the screenplay writing to others (most notably Ande Parks) and this film is based on a graphic novel...so it plays like an over-the-top comic book action flick (think John Wick-lite) where the dialogue is sparse and cliche-ridden. This part of the film was far less interesting than the action parts.
But, the action is fast, fun and furious and Hemsworth is worth watching for the 1 hour 56 minute running time.
All-in-all, a good time was had while watching the first "new" film in over 6 weeks.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
I'm happy to report that in the case of EXTRACTION, that is not the case. This is a good (if by the books) popcorn action flick with a charismatic lead keeping you company throughout.
In EXTRACTION, Chris Hemsworth stars as an Australian Mercenary (who knew there was such a thing), hired to extract the kidnapped son of a drug lord from the hands of his fiercest rival.
This is a pretty "by-the-numbers" action film:
1). The mercenary has "baggage" - will the events (and the subject he is to extract) help him come to terms with his pent-up emotions in order to move past his traumatic "baggage"?
2). Will there be some sort of "double-cross" that screws up the extraction causing our hero to go "on the run" with his "Extraction"?
3). Will there be a buddy that our hero trusts who will, ultimately, double-cross him?
What do you think?
The fun of this film was not the plot machinations (they are pretty basic), but the execution of these machinations - and this execution is pretty fun/enjoyable.
Start with Chris Hemsworth as our mercenary - with the great action flick name of Tyler Rake. Hemsworth knows exactly what kind of film he is in - and he brings the goods. If he chose to, I think Hemsworth could be an action hero staple like Jason Statham or Dwayne "The Rock" Johnson - but I think Hemsworth is not really interested in that. But here, he is steely eyed and calm taking hits and doling out punishment to hoards of "red shirt" bad guys in his way. He has the action hero chops. He also has the acting chops to make the overwrought "emotional" scenes palatable. He makes weak writing enjoyable.
Joining him is Rudhraksh Jaiswal as "the extraction" - and his interactions with Hemsworth are fun. Randeep Hodha and Golshifteh Farahani do a nice job in the roles that they play in the action and the always watchable David Harbour eats a ton of scenery in his limited time on the screen. All are fun to watch.
But it is the telling of the story by first time Director Sam Hargrave that was a (pleasant) surprise for me. After doubling Chris Evans in the first CAPTAIN AMERICA film, Hargrave became the "go to" guy for Marvel action choreography, so (I'm sure) he got to know Hemsworth there. He brings a fast-paced style to this film that works. He doesn't stop to examine much at all (which helps the plot holes in the script) and his action work with his stunt actors is top-notch. If you watch nothing else in this film, check out the chase scene at about the 1/3 mark of the film. Hemsworth and "the extraction" are being chased - and it is filmed in the "shaky cam/cinema veritae/ make it look like one long tracking shot" style that I often criticize in my reviews - but here it worked and worked well. I'll be keeping my eye on what Hargrave does next (word is it that there will be an Extraction 2).
All of this is brought together by Producers Joe and Anthony Russo - the Directors of many Marvel films (including INFINITY WAR and ENDGAME). Not only did they Produce this film, but they wrote the story from where this film came from. It's obvious that they turned the majority of the screenplay writing to others (most notably Ande Parks) and this film is based on a graphic novel...so it plays like an over-the-top comic book action flick (think John Wick-lite) where the dialogue is sparse and cliche-ridden. This part of the film was far less interesting than the action parts.
But, the action is fast, fun and furious and Hemsworth is worth watching for the 1 hour 56 minute running time.
All-in-all, a good time was had while watching the first "new" film in over 6 weeks.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)