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ClareR (5589 KP) rated The Double Life of Daisy Hemmings in Books
Jan 24, 2023
I loved this twisty tale about identity and ambition.
The Double Life of Daisy Hemmings by Joanna Nadin begins in a small Cornish seaside town. Jason longs for more than working in his manipulative fathers pub, and wants to escape his life. When a group of wealthy young people arrive in the town, including the twins Daisy and Bea, he is drawn into their circle.
He spends more and more time with them, until the night that both Jason and Bea drown in an accident.
30 years later, writer James Tate is asked by Daisy Hemmings to ghost write her autobiography. James is a master of reinvention: he knew Daisy 30 years ago when she, her twin and their friends spent a summer together in a small Cornish village.
It’s made clear from the start that James is in fact Jason (so I’m giving nothing away), but the really interesting thing is how exactly he did it, how he managed to convince everyone that he’s someone completely different.
The characters in this are all really interesting and so well written: the twins and how completely different they are from one another; how their wealthy friends contrast starkly against Jason and his life. Whether they’re likeable or not, I really wanted to find out more about them.
I enjoyed the alternating timelines - how happenings in 1988 impacted on the present - I particularly liked how we’re introduced to the Jason/ James character right at the beginning. Their lives couldn’t be more different.
I’ve relished both of Joanna Nadin’s previous adult books (The Queen of Bloody Everything and The Talk of Pram Town), and after reading Daisy Hemmings, I’m looking forward to whatever comes next.
The Double Life of Daisy Hemmings by Joanna Nadin begins in a small Cornish seaside town. Jason longs for more than working in his manipulative fathers pub, and wants to escape his life. When a group of wealthy young people arrive in the town, including the twins Daisy and Bea, he is drawn into their circle.
He spends more and more time with them, until the night that both Jason and Bea drown in an accident.
30 years later, writer James Tate is asked by Daisy Hemmings to ghost write her autobiography. James is a master of reinvention: he knew Daisy 30 years ago when she, her twin and their friends spent a summer together in a small Cornish village.
It’s made clear from the start that James is in fact Jason (so I’m giving nothing away), but the really interesting thing is how exactly he did it, how he managed to convince everyone that he’s someone completely different.
The characters in this are all really interesting and so well written: the twins and how completely different they are from one another; how their wealthy friends contrast starkly against Jason and his life. Whether they’re likeable or not, I really wanted to find out more about them.
I enjoyed the alternating timelines - how happenings in 1988 impacted on the present - I particularly liked how we’re introduced to the Jason/ James character right at the beginning. Their lives couldn’t be more different.
I’ve relished both of Joanna Nadin’s previous adult books (The Queen of Bloody Everything and The Talk of Pram Town), and after reading Daisy Hemmings, I’m looking forward to whatever comes next.
Suswatibasu (1701 KP) rated The Cleaner: John Milton, Book 1 in Books
Jul 28, 2017
If Jason Bourne was a social worker
Unlike James Bond, government hitman turned fugitive John Milton has a heart and attempts to assuade his guilt by hitting the mean streets of Hackney. While his intentions are good, I think Milton is too much of a flawed character to become a hero so he's a bit of a tragic protagonist.
David McK (3219 KP) rated Quantum of Solace (2008) in Movies
Dec 31, 2019 (Updated Aug 20, 2023)
The second of Daniel Craig's outings as 007, in which James Bond tracks down the organisation that led to the death of his lover Vesper Lynd in the previous movie (Casino Royale): this is thus, I believe, one of the very few (if not the only) direct sequels in the James Bond franchise.
And, I have to say, I still can't warm to Craig's portrayal of Bond: to me, these are now no longer Bond movies so much as they are just very average by-the-number Spy films that owe a heavy debt to the Jason Bourne films.
Definitely could have done with more time in the oven, so to speak: a result of the writers strike of the time means that this is a somewhat muddled mess.
And, I have to say, I still can't warm to Craig's portrayal of Bond: to me, these are now no longer Bond movies so much as they are just very average by-the-number Spy films that owe a heavy debt to the Jason Bourne films.
Definitely could have done with more time in the oven, so to speak: a result of the writers strike of the time means that this is a somewhat muddled mess.
Gareth von Kallenbach (971 KP) rated Jason X (2001) in Movies
Aug 14, 2019
Just when you thought it was safe to return to the local theater, along comes “Jason X”, the tenth installment of the popular Friday the 13th series. Having grown tired of the summer camp settings of the majority of the series the creators set recent installments in New York City as well as played with the formula by having Jason possess people as was shown in the last two films of the series.
This is a new era and this time Jason is back to his old tricks in an entirely new setting. After being cryogenically frozen in 2010, Jason and a female scientist are discovered by a student survey team and revived in the year 2455 where Earth has become uninhabitable. Warnings about Jason and his ability to regenerate from any injury are unheeded as the lure of big money is motivating the group’s leader Professor Lowe (Johnathan Potts) rather than the safety of the students and crew of the ship. Before long, Jason is up to his old tricks increasing his body count as he unleashes new and gruesome ways to dispatch the crew.
Being a horror film, the plot is secondary to the action and director James Isaac does not let the film get overly serious and even pokes fun at itself and the series. There are a number of lines and situations where the audience could ask if the characters could be any dumber, however in an interesting twist, these sort of situations as well as others are setup and carried off with intentional comedic results that had the audience laughing and thus providing a nice break from the scares and gore.
The cast is made up of largely unknowns and they are about as forgettable as the movie as they exist to be little more than fodder for Jason. I found it interesting to note that by the year 2455, students are still as ditzy as they are portrayed in 2002, and have libidos that make the 1984 LA Lakers look like a Vestal Virgin convention. That being said, “Jason X” is a standard horror film that has a few twists for the audience. Although you will have seen all of this before, the space setting and the humor helps make the film stand out from some of the stale installments of the series, but the lack of a story and character development keeps this film from being a true Horror classis. My advice, if you are a fan of the series gather your friends and wait for the video.
This is a new era and this time Jason is back to his old tricks in an entirely new setting. After being cryogenically frozen in 2010, Jason and a female scientist are discovered by a student survey team and revived in the year 2455 where Earth has become uninhabitable. Warnings about Jason and his ability to regenerate from any injury are unheeded as the lure of big money is motivating the group’s leader Professor Lowe (Johnathan Potts) rather than the safety of the students and crew of the ship. Before long, Jason is up to his old tricks increasing his body count as he unleashes new and gruesome ways to dispatch the crew.
Being a horror film, the plot is secondary to the action and director James Isaac does not let the film get overly serious and even pokes fun at itself and the series. There are a number of lines and situations where the audience could ask if the characters could be any dumber, however in an interesting twist, these sort of situations as well as others are setup and carried off with intentional comedic results that had the audience laughing and thus providing a nice break from the scares and gore.
The cast is made up of largely unknowns and they are about as forgettable as the movie as they exist to be little more than fodder for Jason. I found it interesting to note that by the year 2455, students are still as ditzy as they are portrayed in 2002, and have libidos that make the 1984 LA Lakers look like a Vestal Virgin convention. That being said, “Jason X” is a standard horror film that has a few twists for the audience. Although you will have seen all of this before, the space setting and the humor helps make the film stand out from some of the stale installments of the series, but the lack of a story and character development keeps this film from being a true Horror classis. My advice, if you are a fan of the series gather your friends and wait for the video.
David McK (3219 KP) rated Sandstorm (Sigma Force, #1) in Books
Jul 26, 2021
The first in [author:James Rollins|38809] 'Sigma Force' series (effectively, scientists with guns) in which, I felt, the author was trying to get his feet somewhat - for my money, this was just not as smooth, as entertaining or as gripping as some of the later entries.
I don't know whether or not that is because this one is burdened with the world-building; with introducing Sigma Force and the Guild and, effectively, laying the groundwork for the later entries.
Starting with a (literal) bang - an explosion in the British Museum - this is soon off to Arabia to investigate the mystery of a vanished ancient city that once belonged to the Queen of Sheba, as a gigantic megastorm brews up over the desert.
Think Indiana Jones, throw in a touch of 'Sahara' and add a soupcon of James Bond/Jason Bourne and, I think, you're more-or-less there.
I don't know whether or not that is because this one is burdened with the world-building; with introducing Sigma Force and the Guild and, effectively, laying the groundwork for the later entries.
Starting with a (literal) bang - an explosion in the British Museum - this is soon off to Arabia to investigate the mystery of a vanished ancient city that once belonged to the Queen of Sheba, as a gigantic megastorm brews up over the desert.
Think Indiana Jones, throw in a touch of 'Sahara' and add a soupcon of James Bond/Jason Bourne and, I think, you're more-or-less there.
Gareth von Kallenbach (971 KP) rated Bullet to the Head (2013) in Movies
Aug 7, 2019
Action icon Sylvester Stallone follows up his smash hit “The Expendables 2” with a turn as a New Orleans hitman on a mission of revenge in “Bullet to the Head”. Produced by Walter Hill, who brought us such classics as the “Alien” series and directed films such as “Red Heat” and “48 Hours”, his signature style is evident throughout.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Kirk Bage (1775 KP) rated Aquaman (2018) in Movies
Jan 22, 2021
There is a group of comic book fans that like this film, and defend its virtues. I could never be true friends with any of those people. One look at James Wan’s directing CV and I should have known it wouldn’t be for me. Several of the most generic “horror” movies of the last few decades, plus a pop at the diabolical Fast & Furious franchise. Oh, dear god, no! I went in with an open mind, but 30 minutes of frantic chaos (and the editing of a six year old left to punch the computer with a toy truck) later and I was completely exasperated by it all. It was all I could do to force myself to finish it, and it took three sessions to do so. The wonderful Willem Dafoe and the often glorious Nicole Kidman try hard, but look embarrassed to be involved in the main. Whereas Patrick Wilson comes across as… just weird! Jason Mamoa should have a future in either films starring The Rock or films that want to be films starring The Rock. After this travesty of cinema and wasted money it’ll take a lot to make me remotely interested. Avoid at all costs.
Gareth von Kallenbach (971 KP) rated Aquaman (2018) in Movies
Jun 19, 2019
In a tale as vast and epic as the Oceans that frames the story: “Aquaman” has arrived in a flurry of action and adventure.
The film tells the origin of Arthur Curry (Jason Momoa), who is half mortal and half Atlantean, thanks to his human father rescuing his mother, an Atlantean royal, and falling in love.
The love between his parents is forbidden under the customs of the people of Atlantis and in time his mother is forced to return to Atlantis, leaving Arthur to be raised by his human father.
When his power-hungry half-brother Orm (Patrick Wilson), plots to wage war on the surface world, Princess Mera (Amber Heard), attempts to convince Arthur to make his first trip to Atlantis to challenge Orm for the throne and become king. Naturally a lifetime of resentment toward the people who divided his parents has made Arthur unwilling to help, especially when the key to victory requires locating and retrieving an artfact that will bring peace to
his people and those of the surface world.
With an army of Atlantean soldiers pursuing him as well as the evil Black Manta set on revenge, Arthur faces an uphill battle as he races against time and his own conflicted emotions to save the day.
Director James Wan has done an amazing job of giving audiences a lavish and action-filled experience that never loses the characters as the main
focus of the story. He cleverly blends the lore of Aquaman with a modern
twist yet stays true to the character. Jason Momoa has an intriguing presence, giving the character more depth than expected. The supporting cast is solid and the film rarely loses pacing or fails to keep you fascinated throughout.
Warner has had some issues with recent adaptations of DC characters but, like Wonder Woman, “Aquaman” delivers on action and storytelling. The film also contains a strong message about ecology without being preachy. This is one of the more entertaining films of the year and should make fans of the character happy. I look forward to seeing what adventure comes next for Aquaman.
http://sknr.net/2018/12/18/aquaman/
The film tells the origin of Arthur Curry (Jason Momoa), who is half mortal and half Atlantean, thanks to his human father rescuing his mother, an Atlantean royal, and falling in love.
The love between his parents is forbidden under the customs of the people of Atlantis and in time his mother is forced to return to Atlantis, leaving Arthur to be raised by his human father.
When his power-hungry half-brother Orm (Patrick Wilson), plots to wage war on the surface world, Princess Mera (Amber Heard), attempts to convince Arthur to make his first trip to Atlantis to challenge Orm for the throne and become king. Naturally a lifetime of resentment toward the people who divided his parents has made Arthur unwilling to help, especially when the key to victory requires locating and retrieving an artfact that will bring peace to
his people and those of the surface world.
With an army of Atlantean soldiers pursuing him as well as the evil Black Manta set on revenge, Arthur faces an uphill battle as he races against time and his own conflicted emotions to save the day.
Director James Wan has done an amazing job of giving audiences a lavish and action-filled experience that never loses the characters as the main
focus of the story. He cleverly blends the lore of Aquaman with a modern
twist yet stays true to the character. Jason Momoa has an intriguing presence, giving the character more depth than expected. The supporting cast is solid and the film rarely loses pacing or fails to keep you fascinated throughout.
Warner has had some issues with recent adaptations of DC characters but, like Wonder Woman, “Aquaman” delivers on action and storytelling. The film also contains a strong message about ecology without being preachy. This is one of the more entertaining films of the year and should make fans of the character happy. I look forward to seeing what adventure comes next for Aquaman.
http://sknr.net/2018/12/18/aquaman/
Gareth von Kallenbach (971 KP) rated Snitch (2013) in Movies
Aug 7, 2019
I’m a huge fan of Dwayne “The Rock” Johnson. His wrestling persona is
extremely entertaining and he’s a pretty decent actor. He did good with this movie but it wasn’t enough.
The premise of the movie is based on ‘true events’ (whatever that
means), it’s more about a law that’s real in our country right now, I’ll get in to that later.
There are a lot of characters so stick with me. The Rock plays John
Matthews, he owns his own construction business. He has an ex-wife, Sylvie Collins played by Melina Kanakaredes, and a current wife, Analisa played by Nadine Velazquez.
Johnand Analisa
have a daughter Isabella and he has a son with Sylvie, Jason Collins played by Rafi Gavron. The other major players are Barry Pepper who plays undercover DEA agent Cooper; Susan Sarandon who plays Joanne Keeghan a US Attorney; Jon Bernthal
who plays Daniel James an ex-con trying to get his life back together; Michael Kenneth Williams who plays Malik, a drug dealer; and Benjamin Bratt who plays Cartel leader Juan Carlos. Out of all of these, I liked Daniel, Agent Cooper, John Matthews, Malik and
Joanne Keeghan, in that order.
The law the movie is based on is about mandatory minimums. If you are
holding and it’s enough to distribute then you go to jail. The length of your jail time is based on how
much you are holding when you’re caught. In this case, Jason, who is 18 and still in high
school, is set up by his ‘best friend’. This friend sends him a huge bag of ecstasy against Jason’s wishes.
When the package arrives Jason gets caught because it’s a
sting. His jail time based on the amount of ecstasy is ten years in a prison that holds murderers, rapist and violent criminals.
The movie starts excruciatingly slow, the real action doesn’t start until
almost halfway through, or at least it felt like it. It’s good once you get there but I wasn’t really into
the people in it/living it. I kept thinking of the actors as themselves not the characters
they were playing, even the ones I liked. There were too many close ups and‘in action’ scenes that involved someone with a camera running or walking next to the actor.
I getthat it was to try and build apprehension and anxiety but it was more annoying and kept pulling me out of the story so I couldn’t connect emotionally with the characters.
I didn’t believe the union between John and Analisa or that there had been one with Sylvie, there was no familiarity and I didn’t believe the love or tension between them.
John was a business man who’s never seen action so he’s kind of a wuss, but it’s the Rock, a huge tall muscle-y intense looking guy. Whenever he flinched I kept waiting for him to kick ass but he never does.
Then in another scene he’s magically badass, shooting
a shotgun one handed out of the window of a semi-truck he’s driving.
The movie was more about showing people this heinous law then entertainingus. I don’t like that, it’s not why I go to movies. The only saving grace would have been if it had been really entertaining but it was only mildly entertaining at best.
I’d say rent it if you like the Rock or if you’re curious, it wouldn’t be too much of a waste of your time but
definitely don’t waste your money in a theatre.
extremely entertaining and he’s a pretty decent actor. He did good with this movie but it wasn’t enough.
The premise of the movie is based on ‘true events’ (whatever that
means), it’s more about a law that’s real in our country right now, I’ll get in to that later.
There are a lot of characters so stick with me. The Rock plays John
Matthews, he owns his own construction business. He has an ex-wife, Sylvie Collins played by Melina Kanakaredes, and a current wife, Analisa played by Nadine Velazquez.
Johnand Analisa
have a daughter Isabella and he has a son with Sylvie, Jason Collins played by Rafi Gavron. The other major players are Barry Pepper who plays undercover DEA agent Cooper; Susan Sarandon who plays Joanne Keeghan a US Attorney; Jon Bernthal
who plays Daniel James an ex-con trying to get his life back together; Michael Kenneth Williams who plays Malik, a drug dealer; and Benjamin Bratt who plays Cartel leader Juan Carlos. Out of all of these, I liked Daniel, Agent Cooper, John Matthews, Malik and
Joanne Keeghan, in that order.
The law the movie is based on is about mandatory minimums. If you are
holding and it’s enough to distribute then you go to jail. The length of your jail time is based on how
much you are holding when you’re caught. In this case, Jason, who is 18 and still in high
school, is set up by his ‘best friend’. This friend sends him a huge bag of ecstasy against Jason’s wishes.
When the package arrives Jason gets caught because it’s a
sting. His jail time based on the amount of ecstasy is ten years in a prison that holds murderers, rapist and violent criminals.
The movie starts excruciatingly slow, the real action doesn’t start until
almost halfway through, or at least it felt like it. It’s good once you get there but I wasn’t really into
the people in it/living it. I kept thinking of the actors as themselves not the characters
they were playing, even the ones I liked. There were too many close ups and‘in action’ scenes that involved someone with a camera running or walking next to the actor.
I getthat it was to try and build apprehension and anxiety but it was more annoying and kept pulling me out of the story so I couldn’t connect emotionally with the characters.
I didn’t believe the union between John and Analisa or that there had been one with Sylvie, there was no familiarity and I didn’t believe the love or tension between them.
John was a business man who’s never seen action so he’s kind of a wuss, but it’s the Rock, a huge tall muscle-y intense looking guy. Whenever he flinched I kept waiting for him to kick ass but he never does.
Then in another scene he’s magically badass, shooting
a shotgun one handed out of the window of a semi-truck he’s driving.
The movie was more about showing people this heinous law then entertainingus. I don’t like that, it’s not why I go to movies. The only saving grace would have been if it had been really entertaining but it was only mildly entertaining at best.
I’d say rent it if you like the Rock or if you’re curious, it wouldn’t be too much of a waste of your time but
definitely don’t waste your money in a theatre.
Movie Metropolis (309 KP) rated Terminator Genisys (2015) in Movies
Jun 11, 2019
Not a complete disaster
Sequels and reboots are making up the bulk of 2015’s cinematic offerings. With films added to franchises like Jurassic Park, Star Wars and James Bond, it was always going to be tough for others to make much of a dent.
It’s been six years since Christian Bale took over lead billing from Arnold Schwarzenegger in the Terminator series in the critically panned Terminator Salvation. But director Alan Taylor (Thor: the Dark World), a newcomer to the sci-fi adventure series, resurrects the franchise with Terminator Genisys. But is it worth a watch?
Acting as a reboot and a sequel, the film follows the story of a young Kyle Reece (Jai Courtney), sent back in time by John Connor (Jason Clarke) to protect his mother Sarah, played by Game of Thrones’ Emilia Clarke. His aim is to stop the war before it even begins.
The duo are joined on their travels by the naturally charismatic Arnold Schwarzenegger who is one of the only highlights in a film full of soulless set-pieces, meaningless dialogue and a sickening sense of nostalgia.
Genisys constantly reminds you of the brilliance radiating from James Cameron’s first two films. Herein lies the problem, this sequel has none of the soul or charm of its predecessors with the homages coming across as insulting attempts to cash in on the series.
Even the iconic “I’ll be back” phrase is shoehorned into an awkward position where it doesn’t really make much sense.
And there we move onto the second issue. It makes hardly any sense at all. With continuity errors abound, Genisys relies on your knowledge of Terminator and Judgement Day being in tip-top shape, and after more than two decades it’s safe to say the majority of people will need a refresher course first.
The set pieces are, on the whole, glorious and despite being slightly overlong at 126 minutes, Genisys is a well-paced film without a boring moment to its name. It’s just a shame the plot doesn’t make more of an impact.
It feels like the characters are stuck in a video game, with a climactic action piece signalling the next level, moving on up until the obligatory big-boss fight that makes a further sequel seem incredibly likely.
Emilia Clarke is well-worth noting however. Despite being more used to being in the company of dragons rather than robots, she plays her character well and steps into Linda Hamilton’s shoes with ease. The casting is spot on here with Clarke having more than a whiff of Hamilton in her appearance.
The rest of the cast, bar Schwarzenegger fail to make an impression with Jai Courtney’s character proving particularly dull.
Overall, Terminator Genisys isn’t a complete disaster but comes close to being a write off. The action pieces are thrilling but a lack of soul, comprehension and individuality ensures it’ll end up being forgotten once 2015 is over.
With a sequel almost definitely on the cards, all fans of the franchise can hope for is a film worthy of James Cameron’s brilliant original – and this is not it.
https://moviemetropolis.net/2015/07/05/not-a-complete-disaster-terminator-genisys-review/
It’s been six years since Christian Bale took over lead billing from Arnold Schwarzenegger in the Terminator series in the critically panned Terminator Salvation. But director Alan Taylor (Thor: the Dark World), a newcomer to the sci-fi adventure series, resurrects the franchise with Terminator Genisys. But is it worth a watch?
Acting as a reboot and a sequel, the film follows the story of a young Kyle Reece (Jai Courtney), sent back in time by John Connor (Jason Clarke) to protect his mother Sarah, played by Game of Thrones’ Emilia Clarke. His aim is to stop the war before it even begins.
The duo are joined on their travels by the naturally charismatic Arnold Schwarzenegger who is one of the only highlights in a film full of soulless set-pieces, meaningless dialogue and a sickening sense of nostalgia.
Genisys constantly reminds you of the brilliance radiating from James Cameron’s first two films. Herein lies the problem, this sequel has none of the soul or charm of its predecessors with the homages coming across as insulting attempts to cash in on the series.
Even the iconic “I’ll be back” phrase is shoehorned into an awkward position where it doesn’t really make much sense.
And there we move onto the second issue. It makes hardly any sense at all. With continuity errors abound, Genisys relies on your knowledge of Terminator and Judgement Day being in tip-top shape, and after more than two decades it’s safe to say the majority of people will need a refresher course first.
The set pieces are, on the whole, glorious and despite being slightly overlong at 126 minutes, Genisys is a well-paced film without a boring moment to its name. It’s just a shame the plot doesn’t make more of an impact.
It feels like the characters are stuck in a video game, with a climactic action piece signalling the next level, moving on up until the obligatory big-boss fight that makes a further sequel seem incredibly likely.
Emilia Clarke is well-worth noting however. Despite being more used to being in the company of dragons rather than robots, she plays her character well and steps into Linda Hamilton’s shoes with ease. The casting is spot on here with Clarke having more than a whiff of Hamilton in her appearance.
The rest of the cast, bar Schwarzenegger fail to make an impression with Jai Courtney’s character proving particularly dull.
Overall, Terminator Genisys isn’t a complete disaster but comes close to being a write off. The action pieces are thrilling but a lack of soul, comprehension and individuality ensures it’ll end up being forgotten once 2015 is over.
With a sequel almost definitely on the cards, all fans of the franchise can hope for is a film worthy of James Cameron’s brilliant original – and this is not it.
https://moviemetropolis.net/2015/07/05/not-a-complete-disaster-terminator-genisys-review/