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Charlie Cobra Reviews (1840 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jul 7, 2020
Fast and Furious Johnson/Statham Style
Fast And Furious Presents Hobbs & Shaw is a 2019 action movie directed by David Leitch and written by Chris Morgan and Drew Pearce from a story by Morgan. It was produced by Seven Bucks Productions and Chris Morgan Productions and distributed by Universal Pictures. The film also had Jason Statham, Dwayne Johnson, Chris Morgan and Hiram Garcia as producers. The movie stars Dwayne Johnson, Jason Statham, Idris Elba, Vanessa Kirby and Ryan Reynolds.
When a team of MI6 agents try to retrieve a virus called "Snowflake", which could kill millions, from terrorist organization Eteon; Brixton Lore (Idris Elba), a cybernetically enhanced member of Eteon, arrives killing all the agents except Hattie Shaw (Vanessa Kirby). She is able to inject herself with the virus and escape but Brixton forces her to go on the run by framing her as a traitor who killed her team and stole "Snowflake". Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are both recruited by the CIA, to work together to track it down and recover it.
This movie definitely fit in with the Fast and Furious series and was what you expected from a spin-off of the main franchise. That being said, it also didn't feel like a good fit in a lot of ways. Dwayne Johnson's character Hobbs felt diminished in a way because of how they tried to humanize him and make him more relatable by introducing family like his daughter. Also Deckard Shaw, Statham's character was given the same treatment by introducing family characters as well. Since the Fast and Furious franchise is all about family, I guess this was to be expected but it came off as contrived and "trope-ish". Vanessa Kirby did an awesome job as kick ass Hattie Shaw and delivered a strong performance as did Idris Elba although his character felt like a stereo-typed villain. The stunts and action sequences of course were crazy as hell but if you like the Fast and Furious movies than you will like this film. For me though, I'm with most fans and feel that the team up with Shaw is a stab in the back to Han since he was killed by Shaw in the franchise. But I guess the movie makers didn't really care or maybe they'll do something else about it later and he'll wind up being alive. All in all, it's a decent movie but just didn't do it for me, even with the great action, the funny dialogue/banter between Statham and Johnson and solid performances from some of the actors. I give this movie a 6/10.
When a team of MI6 agents try to retrieve a virus called "Snowflake", which could kill millions, from terrorist organization Eteon; Brixton Lore (Idris Elba), a cybernetically enhanced member of Eteon, arrives killing all the agents except Hattie Shaw (Vanessa Kirby). She is able to inject herself with the virus and escape but Brixton forces her to go on the run by framing her as a traitor who killed her team and stole "Snowflake". Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) are both recruited by the CIA, to work together to track it down and recover it.
This movie definitely fit in with the Fast and Furious series and was what you expected from a spin-off of the main franchise. That being said, it also didn't feel like a good fit in a lot of ways. Dwayne Johnson's character Hobbs felt diminished in a way because of how they tried to humanize him and make him more relatable by introducing family like his daughter. Also Deckard Shaw, Statham's character was given the same treatment by introducing family characters as well. Since the Fast and Furious franchise is all about family, I guess this was to be expected but it came off as contrived and "trope-ish". Vanessa Kirby did an awesome job as kick ass Hattie Shaw and delivered a strong performance as did Idris Elba although his character felt like a stereo-typed villain. The stunts and action sequences of course were crazy as hell but if you like the Fast and Furious movies than you will like this film. For me though, I'm with most fans and feel that the team up with Shaw is a stab in the back to Han since he was killed by Shaw in the franchise. But I guess the movie makers didn't really care or maybe they'll do something else about it later and he'll wind up being alive. All in all, it's a decent movie but just didn't do it for me, even with the great action, the funny dialogue/banter between Statham and Johnson and solid performances from some of the actors. I give this movie a 6/10.
Sarah (7798 KP) rated The Losers (2010) in Movies
Jun 14, 2020
Enjoyably fun
Let's be honest, The Losers is never going to win any awards. However if you're looking for something entertaining and fun to pass 90 minutes, you can't really go wrong with this.
It's got a great cast, who doesn't love Jeffrey Dean Morgan, Idris Elba and Chris Evans? The rest of the cast too are very good and well rounded, and Jason Patric is an absolute riot as the over the top villain. Seriously he's hilarious. The plot is straight forward and the CGI is a little sketchy at times, but it's difficult to care as this film is just so much fun. Considering this is an action film, I laughed more at this than I've done in some outright comedies. If you're looking for something that's bags of fun and doesnt take itself too seriously, this is the film for you.
It's got a great cast, who doesn't love Jeffrey Dean Morgan, Idris Elba and Chris Evans? The rest of the cast too are very good and well rounded, and Jason Patric is an absolute riot as the over the top villain. Seriously he's hilarious. The plot is straight forward and the CGI is a little sketchy at times, but it's difficult to care as this film is just so much fun. Considering this is an action film, I laughed more at this than I've done in some outright comedies. If you're looking for something that's bags of fun and doesnt take itself too seriously, this is the film for you.
Sarah (7798 KP) rated Dreamcatcher (2003) in Movies
Nov 9, 2019
A little bonkers
I’ve read the book, and I still found this film to be bonkers and completely crazy. So I really don’t know how anyone who hasn’t read the book can watch this film and have a clue what’s going on.
To be fair, even for Stephen King this story is a bit far fetched and a slightly confusing mix of genres. The film follows the basic plot from the book although obviously missing a lot of the more detailed aspects. It has a good and very decent cast, although sadly some like Timothy Olyphant and Jason Lee. And I’m really not entirely sure how I feel about Morgan Freeman being the bad guy, he definitely feels a little miscast. The effects in this are rather poor too, even when considering it was made in 2003!
Overall it’s not a bad film and watchable if you’ve read the book, but the crazy plot isn’t made any less sane and I really don’t think the boys friendship is highlighted as much as it should be like it has in some of King’s other films (IT and Stand By Me for example).
To be fair, even for Stephen King this story is a bit far fetched and a slightly confusing mix of genres. The film follows the basic plot from the book although obviously missing a lot of the more detailed aspects. It has a good and very decent cast, although sadly some like Timothy Olyphant and Jason Lee. And I’m really not entirely sure how I feel about Morgan Freeman being the bad guy, he definitely feels a little miscast. The effects in this are rather poor too, even when considering it was made in 2003!
Overall it’s not a bad film and watchable if you’ve read the book, but the crazy plot isn’t made any less sane and I really don’t think the boys friendship is highlighted as much as it should be like it has in some of King’s other films (IT and Stand By Me for example).
Suswatibasu (1701 KP) rated Mudbound (2017) in Movies
Jan 3, 2018 (Updated Jan 3, 2018)
Remarkable, excellent, harrowing film
Dee Rees has created a historical epic about two Americas - people living side by side but utterly separated by experiences - that resonates in modern times. Set in the rural American South during World War II, Mudbound is an epic story of two families pitted against one another by a ruthless social hierarchy, yet bound together by the shared farmland of the Mississippi Delta.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Carma (21 KP) rated The Christmas Sisters in Books
Jun 17, 2019
Once again I am transported straight into a family I want to seek out and join. Sarah Morgan has the uncanny ability to weave a story so real, so engaging that it leaves you wanting so much more when the storyline ends. I want to pack a bag, jump on a plane and head to the Highlands of Scotland to find this magnificent family and climb a mountain or 2.
Suzanne is the matriarch of the McBride family, 25 years ago her life changed, for the better, when she was blessed with 3 daughters. She was fulfilling a promise she made to their mother to care for them if anything happened to her or their dad. After that day on the mountain, 5 went up and only 1 came down, she knew what her new destiny would become. She is ecstatic that all 3 of her girls are coming home to Scotland for Christmas this year, it has to all be perfect.
Hannah doesnt want to remember, or talk about, anything that happened 25 years ago. She prides herself on being a hard worker, a good boss, firm but strict and doesnt have time for reminiscing or letting emotions get in the way. She knows this has strained her relationships with her sisters and adoptive parents Suzanne and Stewart. She just doesnt know any other way. Getting involved with a colleague was by far the wildest thing she has ever done. Now she may be pregnant with his baby and has no idea what to do. First step is getting herself on the plane to Scotland, after canceling last year can she do it?
Beth is a champion multi-tasking mom. She left the work force after her first daughter was born and now that her kids are older, she is ready to head back. She needs to feel important, smart, not just like someones mom. Her husband works hard to make sure they have what they need but what she needs is to have some help from him at home. When she receives an offer to rejoin her old boss she goes to Jason to discuss her reentering the work force. He wants her to have another baby instead. She grabs her stuff, changes her ticket and heads to Scotland leaving him to care for their daughters and to fend for himself.
Posy loves living in Scotland, though she hates that her village is so small that literally everyone knows her business. Enter handsome lodger renting part of their barn for months in the winter. Whats a girl to do but do a little flirting? When both her sisters arrive home early she knows something is up but cant get the real story from either of them. When their mother falls ill with the flu just before Christmas, Posy has to rally the troops to pull off the most perfect Christmas celebration yet.
But with a secret agenda, a demanding not quite boss, an arthritic pony, makeup malfunction, unexpected arrivals and locals that get the gossip all wrong, can anyone save this Christmas?
Once again a 5 star read from Ms Morgan, she grabs me at the first sentence and I just cant stop reading until I finish. I literally read while brushing my teeth for fear of missing something. I received an advance copy without expectation for review. This book is just another reason why Sarah Morgan is one of my go to authors. I absolutely cannot wait to see where her next adventure takes me.
Suzanne is the matriarch of the McBride family, 25 years ago her life changed, for the better, when she was blessed with 3 daughters. She was fulfilling a promise she made to their mother to care for them if anything happened to her or their dad. After that day on the mountain, 5 went up and only 1 came down, she knew what her new destiny would become. She is ecstatic that all 3 of her girls are coming home to Scotland for Christmas this year, it has to all be perfect.
Hannah doesnt want to remember, or talk about, anything that happened 25 years ago. She prides herself on being a hard worker, a good boss, firm but strict and doesnt have time for reminiscing or letting emotions get in the way. She knows this has strained her relationships with her sisters and adoptive parents Suzanne and Stewart. She just doesnt know any other way. Getting involved with a colleague was by far the wildest thing she has ever done. Now she may be pregnant with his baby and has no idea what to do. First step is getting herself on the plane to Scotland, after canceling last year can she do it?
Beth is a champion multi-tasking mom. She left the work force after her first daughter was born and now that her kids are older, she is ready to head back. She needs to feel important, smart, not just like someones mom. Her husband works hard to make sure they have what they need but what she needs is to have some help from him at home. When she receives an offer to rejoin her old boss she goes to Jason to discuss her reentering the work force. He wants her to have another baby instead. She grabs her stuff, changes her ticket and heads to Scotland leaving him to care for their daughters and to fend for himself.
Posy loves living in Scotland, though she hates that her village is so small that literally everyone knows her business. Enter handsome lodger renting part of their barn for months in the winter. Whats a girl to do but do a little flirting? When both her sisters arrive home early she knows something is up but cant get the real story from either of them. When their mother falls ill with the flu just before Christmas, Posy has to rally the troops to pull off the most perfect Christmas celebration yet.
But with a secret agenda, a demanding not quite boss, an arthritic pony, makeup malfunction, unexpected arrivals and locals that get the gossip all wrong, can anyone save this Christmas?
Once again a 5 star read from Ms Morgan, she grabs me at the first sentence and I just cant stop reading until I finish. I literally read while brushing my teeth for fear of missing something. I received an advance copy without expectation for review. This book is just another reason why Sarah Morgan is one of my go to authors. I absolutely cannot wait to see where her next adventure takes me.
Chris Sawin (602 KP) rated Cop Out (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Jimmy Monroe (Bruce Willis) and Paul Hodges (Tracy Morgan) have been working as partners at the NYPD for the past nine years. They have a reputation at the precinct for doing things their own sporadic and wreckful way that isn't normal procedure and usually winds up getting them into hot water with the captain. A suspect is brought in for interrogation and when he finally spills the beans on a drug deal happening that afternoon, Jimmy and Paul think it's best to act on it right then and there. After their plan fails, their suspect is killed and months of work is flushed down the drain. Jimmy and Paul are suspended for 30 days without pay, which isn't good news for Jimmy since his daughter is getting married and has the typical expensive wedding of her dreams in mind. Jimmy plans on selling a collectible baseball card that could pay for his daughter's wedding and then some, but the card is stolen by some crackheads before he can get the chance. Now Jimmy's just trying to get the card back to pay for his daughter's wedding, but him and Paul, who's too distracted with his wife's possible infidelity to really concentrate on the task at hand, are thrown into something much deeper.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
JT (287 KP) rated The Losers (2010) in Movies
Mar 10, 2020
If you want an action film that does precisely what it says on the tin, then this is clearly going to be the film of choice for you.
It’s thoroughly enjoyable without taking itself too seriously as other films of this genre do, and includes one of the funniest scenes I have seen for sometime. Hats off to the talented Chris Evans for that one.
The story is as straight forward as it could be, a group of CIA black ops narrowly miss being assassinated after a smash and grab rescue mission in the Bolivian jungle. So of course they want pay back, who wouldn’t, and they link up with the beautiful Aisha (Saldana) who has motives of her own.
The group are a somewhat mismatched bunch, but then any good special ops team is a mixed bag of personalities, just look at the A-Team.
It’s thoroughly enjoyable without taking itself too seriously as other films of this genre do
Jeffrey Dean Morgan leads the way as Clay a straight talking no nonsense commander, Jensen (Evans) a wise cracking tech, Idris Elba as the not to be believed Roque, Pooch (Columbus Short) whose handy at the wheel of anything with a motor and Cougar (Óscar Jaenada) who is deadly at long range with the sniper rifle.
The villain of the piece is Max (Jason Patric) a billionaire with plans for world domination, he dresses smartly and even has a villains affliction in the form of a damaged hand which he covers up with a variety of classy gloves. There are times though in a plot that is loosely built around a sonic bomb, that they better developed an ending worthy of a film that had everything in it.
Still, you won’t be overly bothered too much and when the adrenalin levels increase and the sharp shooting beings you’ll be keeping your fingers crossed for any signs of a possible sequel.
It’s thoroughly enjoyable without taking itself too seriously as other films of this genre do, and includes one of the funniest scenes I have seen for sometime. Hats off to the talented Chris Evans for that one.
The story is as straight forward as it could be, a group of CIA black ops narrowly miss being assassinated after a smash and grab rescue mission in the Bolivian jungle. So of course they want pay back, who wouldn’t, and they link up with the beautiful Aisha (Saldana) who has motives of her own.
The group are a somewhat mismatched bunch, but then any good special ops team is a mixed bag of personalities, just look at the A-Team.
It’s thoroughly enjoyable without taking itself too seriously as other films of this genre do
Jeffrey Dean Morgan leads the way as Clay a straight talking no nonsense commander, Jensen (Evans) a wise cracking tech, Idris Elba as the not to be believed Roque, Pooch (Columbus Short) whose handy at the wheel of anything with a motor and Cougar (Óscar Jaenada) who is deadly at long range with the sniper rifle.
The villain of the piece is Max (Jason Patric) a billionaire with plans for world domination, he dresses smartly and even has a villains affliction in the form of a damaged hand which he covers up with a variety of classy gloves. There are times though in a plot that is loosely built around a sonic bomb, that they better developed an ending worthy of a film that had everything in it.
Still, you won’t be overly bothered too much and when the adrenalin levels increase and the sharp shooting beings you’ll be keeping your fingers crossed for any signs of a possible sequel.
Bob Mann (459 KP) rated The Fate of the Furious (2017) in Movies
Sep 29, 2021
Blood is thicker than Diesel.
All work and no play makes bob-the-movie-man a tardy reviewer. Still, what better way to break the fast than with “Fast and Furious 8” (aka “The Fate of the Furious”)?
Well, quite a lot of things actually!
Now, I have a confession to make (and I know for some this will be the equivalent of an appalling statement like “I’ve never seen Star Wars”). I have actually never ever seen Fast and Furious 1 through 7! (If it’s any mitigation to this cinematic crime, I did see the F-and-F wannabe “Need for Speed“).
So I was going to be completely lost with the “plot” right? Well actually, no. It was pretty easy to jump in and follow as a piece of popcorn nonsense.
The M25 water main burst was a real bitch for the Monday morning rush-hour.
For nonsense it is (hence the “rabbit ears” round the word “plot” above). The story isn’t just a bit far-fetched. It’s bat-shit crazy where the bat in question has downed a questionable vindaloo two hours earlier!
Dom (Vin Diesel) has turned on his “family”, including his squeeze, the lovely Letty (Michelle Rodriguez), and Hobbs (Dwayne Johnson, “San Andreas“), to team with the above-the-law (and above the clouds) cyber-super-terrorist Cipher (Charlize Theron, “Mad Max: Fury Road“). They have teamed up, apparently, for no other reason than to allow Cipher to ‘kick some global ass’ with a nuclear threat. But given his caring and sharing side, why the sudden betrayal of his nearest and dearest by Dom?
Ice Queen Metallica fan Theron, showing off her hardware.
Where do you begin with the nonsensical story? Jumping from Cuba (with some admittedly fun scenes, but shamelessly objectifying scantily-clad women) via Berlin and New York to the icy wastes of Siberia, it’s just an excuse to show fast cars doing ludicrously unlikely things. There is zero logic within any of the script. Here are just a handful of examples:
the team know (through enormous jumps of speculation) to be present at a particular location in the world and at exactly the time that Dom is there (arrive, look through binoculars, “Oh, there he is”!);
all cars can be automatically hijacked and remotely driven (who knew), but NOT those of the team (obviously);
fast cars/tanks/etc can be magicked from New York to Siberia (wot, no Hertz Siberia available?);
Russian nuclear codes are stolen, so obviously they can’t be changed?
a nuclear submarine is out of the water on wooden blocks, but spin the propeller really REALLY fast and it can suddenly be sailing away.
Muscle for muscle it never looked like being a fair fight.
I appreciate I am being enormously po-faced about this, and this is designed as pure escapism. But is there REALLY any need for this to be such mindless escapism? The director (Gary Gray, “The Italian Job”) and writer (Chris Morgan, responsible for parts 6 and 7) should credit their audience with rather more in the way of intelligence.
Diesel and Johnson are never going to set the acting ablaze, but Rodriquez (“Lost”) is as watchable as ever. Theron has fun with her villainy and the supporting turns by Tyrese Gibson and Ludacris are enjoyable. Nathalie Emmanuel though as Ramsey seems as uncomfortable with her “sexy English” stereotype as she should be.
A long way from Brookside. Nathalie Emmanuel uncomfortable as “the sexy one”.
Luke Evans (“The Hobbit“), Kurt Russell (“Deepwater Horizon“) and Helen Mirren (“Eye in the Sky“) turn up in entertaining but underused cameos, but it is Jason Statham as Deckard that has the most fun in the whole film, and his scenes – done largely for comic effect – are the best part of the movie. (But “math” Jason? “MATH”?? I hope your old maths teacher back in London doesn’t get to see this film).
Parking enforcement by the City Council was getting more and more stringent.
If you’re willing to park your brain at the door for two hours then it has some fun moments. But I felt the damage to my IQ might not have been worth the risk, and this really didn’t fill my cinematic tank.
Well, quite a lot of things actually!
Now, I have a confession to make (and I know for some this will be the equivalent of an appalling statement like “I’ve never seen Star Wars”). I have actually never ever seen Fast and Furious 1 through 7! (If it’s any mitigation to this cinematic crime, I did see the F-and-F wannabe “Need for Speed“).
So I was going to be completely lost with the “plot” right? Well actually, no. It was pretty easy to jump in and follow as a piece of popcorn nonsense.
The M25 water main burst was a real bitch for the Monday morning rush-hour.
For nonsense it is (hence the “rabbit ears” round the word “plot” above). The story isn’t just a bit far-fetched. It’s bat-shit crazy where the bat in question has downed a questionable vindaloo two hours earlier!
Dom (Vin Diesel) has turned on his “family”, including his squeeze, the lovely Letty (Michelle Rodriguez), and Hobbs (Dwayne Johnson, “San Andreas“), to team with the above-the-law (and above the clouds) cyber-super-terrorist Cipher (Charlize Theron, “Mad Max: Fury Road“). They have teamed up, apparently, for no other reason than to allow Cipher to ‘kick some global ass’ with a nuclear threat. But given his caring and sharing side, why the sudden betrayal of his nearest and dearest by Dom?
Ice Queen Metallica fan Theron, showing off her hardware.
Where do you begin with the nonsensical story? Jumping from Cuba (with some admittedly fun scenes, but shamelessly objectifying scantily-clad women) via Berlin and New York to the icy wastes of Siberia, it’s just an excuse to show fast cars doing ludicrously unlikely things. There is zero logic within any of the script. Here are just a handful of examples:
the team know (through enormous jumps of speculation) to be present at a particular location in the world and at exactly the time that Dom is there (arrive, look through binoculars, “Oh, there he is”!);
all cars can be automatically hijacked and remotely driven (who knew), but NOT those of the team (obviously);
fast cars/tanks/etc can be magicked from New York to Siberia (wot, no Hertz Siberia available?);
Russian nuclear codes are stolen, so obviously they can’t be changed?
a nuclear submarine is out of the water on wooden blocks, but spin the propeller really REALLY fast and it can suddenly be sailing away.
Muscle for muscle it never looked like being a fair fight.
I appreciate I am being enormously po-faced about this, and this is designed as pure escapism. But is there REALLY any need for this to be such mindless escapism? The director (Gary Gray, “The Italian Job”) and writer (Chris Morgan, responsible for parts 6 and 7) should credit their audience with rather more in the way of intelligence.
Diesel and Johnson are never going to set the acting ablaze, but Rodriquez (“Lost”) is as watchable as ever. Theron has fun with her villainy and the supporting turns by Tyrese Gibson and Ludacris are enjoyable. Nathalie Emmanuel though as Ramsey seems as uncomfortable with her “sexy English” stereotype as she should be.
A long way from Brookside. Nathalie Emmanuel uncomfortable as “the sexy one”.
Luke Evans (“The Hobbit“), Kurt Russell (“Deepwater Horizon“) and Helen Mirren (“Eye in the Sky“) turn up in entertaining but underused cameos, but it is Jason Statham as Deckard that has the most fun in the whole film, and his scenes – done largely for comic effect – are the best part of the movie. (But “math” Jason? “MATH”?? I hope your old maths teacher back in London doesn’t get to see this film).
Parking enforcement by the City Council was getting more and more stringent.
If you’re willing to park your brain at the door for two hours then it has some fun moments. But I felt the damage to my IQ might not have been worth the risk, and this really didn’t fill my cinematic tank.
Chris Sawin (602 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Before you read this review of Fast & Furious Presents: Hobbs & Shaw, I just want you to know that I can’t stand this franchise. I gave up keeping up with them after Furious 7 and felt like the Fast & Furious franchise peaked/was tolerable around Fast Five and never really went anywhere worthwhile before or since. I have not seen all the films and really only seemed to watch every other entry, but whether you’re in a heist or a drag race that lethal dose of masculinity being projectile vomited all over you by an entire cast (women included) for two hours straight is dull and tiresome. In fact, just call this franchise “Dull & Tiresome” from here on out and I doubt anyone would notice. It’s even got “tire” in there for car…stuff.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Emma @ The Movies (1786 KP) rated The Aftermath (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Is there a period piece that Keira Knightley has ever turned down? After seeing her in Colette I retrieved her from the Nutcracker trash can I'd thrown her into and actually looked forward to whatever I was going to see her in next. I sort of wish it hadn't been this film though.
I'm conflicted. The Aftermath has some great pieces, but at the same time it's rather forgettable. Talking to a friend about films I'd seen this month I already forgot I'd seen it, and that doesn't normally happen this quickly.
Having seen the trailers I had come away with a rather definite idea of what the film was going to be like... I was actually surprised, the wool was properly pulled over my eyes. I had a completely different idea of the outcome. I really don't want to spoil it, if you've seen it message me and we'll waffle about it.
Alexander Skarsgård was incredibly good in this, I think I might be in love. I haven't seen him in anything recently but I might have to finally watch Tarzan. For the most part Stephen is a restrained and sensible character, so when he has an outburst of emotions it's all the more powerful. When he shows the Morgans round his house like a sad estate agent I felt that awkwardness.
Keira Knightley/Rachel isn't the leading lady I was looking for, as a character she is dislikeable. She's quick to judgment and takes for granted and abuses all the privileges that she has. I think this is partly what surprised me about the film, I hadn't expected her to be this way. In a film involving war I wouldn't have expected the female character to be the antagonist.
I'm pleased to see Jason Clarke again, he's going from strength to strength. Lewis Morgan is warm and accepting in contrast to the coldness of his wife. More strong emotions coming from our other male lead. Most feel like they're done perfectly, one outburst stuck out but I'm not sure that "out of character" is quite the right way to describe it.
The movie's handling of the Morgan's son was done nicely with a great link used to tie it together. Getting such a powerful moment out of such a small detail was amazing. The use of prop and flashback scenes came together very well.
The ending though... like the trailer I like that we're given something that doesn't necessarily hold with the expected. (Again, if you've seen it then message me so I can tell you how I wanted it to end.) I can't say I was happy with the end, it flies in the face of the traditional take on these sorts of films. There's an ending I would have preferred Rachel to have over the actual one just so that I could go "Ha! Serves you right!" but it wouldn't have been satisfactory for the other two points of the triangle. I'm not sure that any outcome could have left me content though.
There are some very striking visuals mixed through the film, most take part in the ruins of the city where we see the community living through the devastation of the city. I was intrigued to see that it was a BBC film, they usually have a certain feel to them but it wasn't really present in this.
As much as I enjoyed elements of this I can't say I would be fussed about seeing it again, if anything I think a second watch would remind me how annoying I found the ending.
What you should do
If you want to see Keira Knightley's character disrespecting her marriage then I would suggest watching Colette instead. However, if you want to have some strong feelings about Alexander Skarsgård then definitely see this one.
Movie thing you wish you could take home
It goes without saying that I would like Alexander Skarsgård, but failing that then the ability to play the piano beautifully will have to do.
I'm conflicted. The Aftermath has some great pieces, but at the same time it's rather forgettable. Talking to a friend about films I'd seen this month I already forgot I'd seen it, and that doesn't normally happen this quickly.
Having seen the trailers I had come away with a rather definite idea of what the film was going to be like... I was actually surprised, the wool was properly pulled over my eyes. I had a completely different idea of the outcome. I really don't want to spoil it, if you've seen it message me and we'll waffle about it.
Alexander Skarsgård was incredibly good in this, I think I might be in love. I haven't seen him in anything recently but I might have to finally watch Tarzan. For the most part Stephen is a restrained and sensible character, so when he has an outburst of emotions it's all the more powerful. When he shows the Morgans round his house like a sad estate agent I felt that awkwardness.
Keira Knightley/Rachel isn't the leading lady I was looking for, as a character she is dislikeable. She's quick to judgment and takes for granted and abuses all the privileges that she has. I think this is partly what surprised me about the film, I hadn't expected her to be this way. In a film involving war I wouldn't have expected the female character to be the antagonist.
I'm pleased to see Jason Clarke again, he's going from strength to strength. Lewis Morgan is warm and accepting in contrast to the coldness of his wife. More strong emotions coming from our other male lead. Most feel like they're done perfectly, one outburst stuck out but I'm not sure that "out of character" is quite the right way to describe it.
The movie's handling of the Morgan's son was done nicely with a great link used to tie it together. Getting such a powerful moment out of such a small detail was amazing. The use of prop and flashback scenes came together very well.
The ending though... like the trailer I like that we're given something that doesn't necessarily hold with the expected. (Again, if you've seen it then message me so I can tell you how I wanted it to end.) I can't say I was happy with the end, it flies in the face of the traditional take on these sorts of films. There's an ending I would have preferred Rachel to have over the actual one just so that I could go "Ha! Serves you right!" but it wouldn't have been satisfactory for the other two points of the triangle. I'm not sure that any outcome could have left me content though.
There are some very striking visuals mixed through the film, most take part in the ruins of the city where we see the community living through the devastation of the city. I was intrigued to see that it was a BBC film, they usually have a certain feel to them but it wasn't really present in this.
As much as I enjoyed elements of this I can't say I would be fussed about seeing it again, if anything I think a second watch would remind me how annoying I found the ending.
What you should do
If you want to see Keira Knightley's character disrespecting her marriage then I would suggest watching Colette instead. However, if you want to have some strong feelings about Alexander Skarsgård then definitely see this one.
Movie thing you wish you could take home
It goes without saying that I would like Alexander Skarsgård, but failing that then the ability to play the piano beautifully will have to do.