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Terry Whitaker (120 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Nov 25, 2019 (Updated Nov 25, 2019)
Lets get one thing out of the way. Fast and Furious started off semi serious. Then it got a little boring. Then Fast 5 went to Brazil and it got really good, but still semi serious. Then 6 was ok and 7 was nostalgic and touching. 8 was, a bit forgettable and a lot silly. This is not Fast and Furious. Its Fast and Furious Presents. It's not semi serious. It's not serious at all. Now that's cleared up, heres what i think.
The kids use words for the different use of the word that they use. Keeping up? Sick, doesn't actually mean you are going to actually be sick. If something is sick, it can actually mean its crazily awesome. Yeah, I know, kids huh?! Ridiculous doesn't mean it's so stupidly impossible, it can also mean it's awesomely good fun. I know, go figure?!
However, 'Ridiculous' is a perfect word for this film, both meanings of it in equal measure. It's so ridiculous, its ridiculous and all the better for being so!
Statham and Johnson have banter that wouldn't be out of place in a Dad Joke competition. They're so bad, they're bad!
The action and stunts are over the top and outrageous but you enjoy every thread of outrageousness. There is a bit of a story in amongst it all. But this is all about the action, not the story...and you don't really care. You want story, then maybe the Jason Bourne films will be up your street (and bloody good movies they are too!)
Hobbs and Shaw are what Saturday evenings are made for. Complete nonsense for your ears and eyes. Your senses will love you for it as your brain takes the night off to relax. It's full on Alpha- Male- Ego childish nonsense. The lads will lap it up. As may the ladies....ok, they might not but they will put up with it because they love you.
This is everything that you can't believe but everything you want to watch.
You want sensible? Sense and Sensibility is over there somewhere. You want to enjoy a film, then watch this. You deserve it.
The kids use words for the different use of the word that they use. Keeping up? Sick, doesn't actually mean you are going to actually be sick. If something is sick, it can actually mean its crazily awesome. Yeah, I know, kids huh?! Ridiculous doesn't mean it's so stupidly impossible, it can also mean it's awesomely good fun. I know, go figure?!
However, 'Ridiculous' is a perfect word for this film, both meanings of it in equal measure. It's so ridiculous, its ridiculous and all the better for being so!
Statham and Johnson have banter that wouldn't be out of place in a Dad Joke competition. They're so bad, they're bad!
The action and stunts are over the top and outrageous but you enjoy every thread of outrageousness. There is a bit of a story in amongst it all. But this is all about the action, not the story...and you don't really care. You want story, then maybe the Jason Bourne films will be up your street (and bloody good movies they are too!)
Hobbs and Shaw are what Saturday evenings are made for. Complete nonsense for your ears and eyes. Your senses will love you for it as your brain takes the night off to relax. It's full on Alpha- Male- Ego childish nonsense. The lads will lap it up. As may the ladies....ok, they might not but they will put up with it because they love you.
This is everything that you can't believe but everything you want to watch.
You want sensible? Sense and Sensibility is over there somewhere. You want to enjoy a film, then watch this. You deserve it.
Gareth von Kallenbach (965 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jul 31, 2019
Over the top hyperbole is nothing new for the “Fast and the Furious:” franchises as ever since the series shifted gears from Street Racing to action series with the fourth film; the stunts keep getting larger and more outrageous with each offering.
With the 9th film in the series currently filming; the first Spin-Off film “Hobbs and Shaw” has arrived and combines Hobbs (Dwayne Johnson), with his rival Shaw (Jason Statham) as they are reluctantly forced to work with one another to stop a deadly viral agent from being unleashed on the world.
The fact that an enhanced individual with a score to settle named Brixton (Idris Elba) is intent on stopping them no matter what leads is pretty much all the plot viewers are going to get as it provides the reason for the cast to race and punch through London and other locales along the way.
The film has some glaring plot holes which are so large you could drive any of the tricked out vehicles the film features through and one in particular seems to over complicate the narrative when it is clear that a certain character that has been monitoring them all along knows the truth and can easily clear things up.
The two stars work well with one another but are not really given much to do other than glare and chest thump with each other early on but as the film goes on they are allowed to display a bit more comedy which does help the film along with a two-hour run time.
The film does have tons of over the top stunts many of which strain plausibility even by action film standards but you know what you are getting into when you sign on and if you are coming to a Fast and Furious film expecting realism than you obviously have not seen any of the prior films in the series.
That being said the finale is absurd and clearly pandering to Dwayne Johnson but it was nice to see some new wrinkles to his character and some diversity to the series added in.
http://sknr.net/2019/07/31/hobbs-and-shaw/
With the 9th film in the series currently filming; the first Spin-Off film “Hobbs and Shaw” has arrived and combines Hobbs (Dwayne Johnson), with his rival Shaw (Jason Statham) as they are reluctantly forced to work with one another to stop a deadly viral agent from being unleashed on the world.
The fact that an enhanced individual with a score to settle named Brixton (Idris Elba) is intent on stopping them no matter what leads is pretty much all the plot viewers are going to get as it provides the reason for the cast to race and punch through London and other locales along the way.
The film has some glaring plot holes which are so large you could drive any of the tricked out vehicles the film features through and one in particular seems to over complicate the narrative when it is clear that a certain character that has been monitoring them all along knows the truth and can easily clear things up.
The two stars work well with one another but are not really given much to do other than glare and chest thump with each other early on but as the film goes on they are allowed to display a bit more comedy which does help the film along with a two-hour run time.
The film does have tons of over the top stunts many of which strain plausibility even by action film standards but you know what you are getting into when you sign on and if you are coming to a Fast and Furious film expecting realism than you obviously have not seen any of the prior films in the series.
That being said the finale is absurd and clearly pandering to Dwayne Johnson but it was nice to see some new wrinkles to his character and some diversity to the series added in.
http://sknr.net/2019/07/31/hobbs-and-shaw/
LeftSideCut (3778 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jun 25, 2021
We all know the drill with this series by now - it's loud and stupid and dumb, entertaining as fuck, but manages to keep a heart and sense of family, even if that motif is sometimes a little forced. Hobbs & Shaw carries over the vast majority of all of that into the franchise's first foray into spin-off territory - the action is suitably ridiculous, and it has a lot of fun with The Rock and Jason Statham, building on the humorous relationship we saw briefly in The Fate of the Furious.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
Gareth von Kallenbach (965 KP) rated Death Race (2008) in Movies
Aug 14, 2019
In 1975, legendary B-movie producer Roger Corman showed audiences a look at the near future with a biting film that deftly blended action and political commentary and satire. The film was “Death Race 2000” and starred David Carradine and featured a pre-“Rocky” Sylvester Stallone as bitter rivals in a brutal cross country race where finishing first was second only to the amount of death and carnage a driver left in their wake.
The film became a cult hit, and paved the way for films such as “Rollerball”, “Arena”, and countless other films that featured bloodlust sporting events for the masses a la Rome in the age of gladiators at the coliseum. Thirty-three years later, audiences are given the new and upgraded “Death Race” which benefits from a bigger budget with more carnage than the original film that inspired it ever dreamed of.
The film opens with an eerie warning of today’s troubled economic times, stating that the U.S.
economy collapses in 2012 and record unemployment and crime sweep the nation. With prisons overcrowded, corporations run correctional facilities for a profit and soon offer caged matches between inmates for the viewing pleasure of the nation. At first the matches are a huge success but soon lose their appeal to an audience that is eager for even bloodier sport.
In an effort to keep the cash flowing, the Death Race is created which pits convicts against one another in a brutal mix of speed, firepower, and death which in a few years surpasses even the Super Bowl as the most watched sporting event in the world.
Jason Statham stars as Jensen Ames, a former race driver who is framed for the murder of his wife and faces the prospect of life in prison while his daughter is raised by strangers. With the Death Race losing some if its audience, its creator, and warden of the prison, Hennessey (Joan Allen), offers Jensen a solution to both of their problems. If Jensen will pose as the masked Frankenstein for the race and win, he will be granted his freedom. It is learned that the real Frankenstein has finally succumbed to the numerous injuries he has incurred racing, and rather than risk losing his vast legions of fans who drive the ratings, it is easier to replace him than lose him, especially since recent races without Frankenstein had not garnered the same ratings as his past races.
It is explained that should a driver win five death races, they will be set free. Since Frankenstein has won four races, all Jensen has to do is win the race and stay alive to earn his freedom. Jensen is faced with an menacing list of adversaries including the deadly Machine Gun Joe (Tyrese Gibson), who is the biggest threat to Jensen with an absolute hatred for Frankenstein. Gun Joe is a cold-blooded killer who wants nothing more than two more race wins to earn his freedom and will stop at nothing to get it.
Jensen is assisted by the talented Coach (Ian McShane), who dispenses wisdom while overseeing the crew that outfits Jensen’s suped up, armor-plated, and very heavily armed racer. Assigned to ride with Jensen as his Navigator is Case (Natalie Martinez), a female prisoner who, like many of her fellow navigators, sees the race as a chance to earn their freedom and other special perks which makes risking their lives a worthwhile endeavor.
As the race unfolds in three stages, Jensen is tasked with not only surviving the threats Machine Gun Joe and the other racers aim his way, but surviving the twisted scheme that has him in its grasp.
The action of the film is fast, brutal, and unforgiving and is easily the highlight of the film. Sadly there are plenty of scenes with stiff and uninspired characters, numerous plot holes and leaps of logic, and clichés that bog the film down.
Statham is his usual soft talking hard man, a character he has made a career out of playing in such films as the “Crank” and the “Transporter” series. But unlike those films, he is not given much material to work with here. Statham has done solid work in the past but Jensen is a paper thin character who never fully given a chance to develop nor be embraced by the audience.
The same is true for the rest of the cast, a talented ensemble left to languish in want of better material. The film is directed by Paul W.S. Anderson of the “Resident Evil” series who once again shows that he has an eye for action, but still has issues with pacing and unsympathetic characters. This is a shame as the premise of the film is solid, but unlike the original, lacks the social and political commentary needed to balance the carnage and mayhem.
With a little more time in shop and tinkering, this could have been a solid action film, instead it stalls at the starting line badly in need of a tune up.
The film became a cult hit, and paved the way for films such as “Rollerball”, “Arena”, and countless other films that featured bloodlust sporting events for the masses a la Rome in the age of gladiators at the coliseum. Thirty-three years later, audiences are given the new and upgraded “Death Race” which benefits from a bigger budget with more carnage than the original film that inspired it ever dreamed of.
The film opens with an eerie warning of today’s troubled economic times, stating that the U.S.
economy collapses in 2012 and record unemployment and crime sweep the nation. With prisons overcrowded, corporations run correctional facilities for a profit and soon offer caged matches between inmates for the viewing pleasure of the nation. At first the matches are a huge success but soon lose their appeal to an audience that is eager for even bloodier sport.
In an effort to keep the cash flowing, the Death Race is created which pits convicts against one another in a brutal mix of speed, firepower, and death which in a few years surpasses even the Super Bowl as the most watched sporting event in the world.
Jason Statham stars as Jensen Ames, a former race driver who is framed for the murder of his wife and faces the prospect of life in prison while his daughter is raised by strangers. With the Death Race losing some if its audience, its creator, and warden of the prison, Hennessey (Joan Allen), offers Jensen a solution to both of their problems. If Jensen will pose as the masked Frankenstein for the race and win, he will be granted his freedom. It is learned that the real Frankenstein has finally succumbed to the numerous injuries he has incurred racing, and rather than risk losing his vast legions of fans who drive the ratings, it is easier to replace him than lose him, especially since recent races without Frankenstein had not garnered the same ratings as his past races.
It is explained that should a driver win five death races, they will be set free. Since Frankenstein has won four races, all Jensen has to do is win the race and stay alive to earn his freedom. Jensen is faced with an menacing list of adversaries including the deadly Machine Gun Joe (Tyrese Gibson), who is the biggest threat to Jensen with an absolute hatred for Frankenstein. Gun Joe is a cold-blooded killer who wants nothing more than two more race wins to earn his freedom and will stop at nothing to get it.
Jensen is assisted by the talented Coach (Ian McShane), who dispenses wisdom while overseeing the crew that outfits Jensen’s suped up, armor-plated, and very heavily armed racer. Assigned to ride with Jensen as his Navigator is Case (Natalie Martinez), a female prisoner who, like many of her fellow navigators, sees the race as a chance to earn their freedom and other special perks which makes risking their lives a worthwhile endeavor.
As the race unfolds in three stages, Jensen is tasked with not only surviving the threats Machine Gun Joe and the other racers aim his way, but surviving the twisted scheme that has him in its grasp.
The action of the film is fast, brutal, and unforgiving and is easily the highlight of the film. Sadly there are plenty of scenes with stiff and uninspired characters, numerous plot holes and leaps of logic, and clichés that bog the film down.
Statham is his usual soft talking hard man, a character he has made a career out of playing in such films as the “Crank” and the “Transporter” series. But unlike those films, he is not given much material to work with here. Statham has done solid work in the past but Jensen is a paper thin character who never fully given a chance to develop nor be embraced by the audience.
The same is true for the rest of the cast, a talented ensemble left to languish in want of better material. The film is directed by Paul W.S. Anderson of the “Resident Evil” series who once again shows that he has an eye for action, but still has issues with pacing and unsympathetic characters. This is a shame as the premise of the film is solid, but unlike the original, lacks the social and political commentary needed to balance the carnage and mayhem.
With a little more time in shop and tinkering, this could have been a solid action film, instead it stalls at the starting line badly in need of a tune up.
Emma @ The Movies (1786 KP) rated The Meg (2018) in Movies
Sep 25, 2019
Further down the page you'll see that I've seen it again... of course I did... but that time I saw it in 2D. After trying both versions I'd say you should see it in 3D because the underwater scenes really do benefit from the extra wow factor.
This is the story of a poor shark living down under the bottom of the bottom of the ocean. Happily swimming around in the dark until some nosy old divers come down and set off his migraine with their bright lights. As he attempts to turn out all the lights and go back to his quiet life things just get worse. A rupture in the ocean floor sends him out into the ocean above he finds himself stuck up there surrounded by even more things that aren't going to help his migraine.
First he encounters the observatory with all of their bright lights, but he soon discovers that biting it is going to do nothing to help. He then encounters two whales who are jibber jabbering so loudly that it's setting his several hundred teeth on edge.
Clearly this isn't the section of ocean for him so he heads off for more open water... but of course he bumps into some rather vicious killers who are slicing up his little sharky pals... and he's having none of that and decides to dispense some bitey justice.
Finally, thinking he's got away from all these horrible fishermen and boats he finds himself swimming into some clearer waters. But what's this? Litter everywhere along the ocean floor?! Big plastic floaty things covering the surface?! This isn't the way the ocean should be treated. Some more, swift, bitey justice leads to the problem being cleared with very little effort.
This is the story of The Equalizer of the shark world.
This is also why we should start telling stories from the "baddies" point of view.
Regardless of how serious the film was designed to be it was very entertaining. Action, some great visuals, sharks chomping things, a dog, a bit of romance, Jason Statham looking buff. There wasn't anything I didn't love about this. It's exactly as predictable as you expect it to be and that's why it's good, you've got the anticipation of what you know is going to come, you just don't know in what order it'll be.
This is the story of a poor shark living down under the bottom of the bottom of the ocean. Happily swimming around in the dark until some nosy old divers come down and set off his migraine with their bright lights. As he attempts to turn out all the lights and go back to his quiet life things just get worse. A rupture in the ocean floor sends him out into the ocean above he finds himself stuck up there surrounded by even more things that aren't going to help his migraine.
First he encounters the observatory with all of their bright lights, but he soon discovers that biting it is going to do nothing to help. He then encounters two whales who are jibber jabbering so loudly that it's setting his several hundred teeth on edge.
Clearly this isn't the section of ocean for him so he heads off for more open water... but of course he bumps into some rather vicious killers who are slicing up his little sharky pals... and he's having none of that and decides to dispense some bitey justice.
Finally, thinking he's got away from all these horrible fishermen and boats he finds himself swimming into some clearer waters. But what's this? Litter everywhere along the ocean floor?! Big plastic floaty things covering the surface?! This isn't the way the ocean should be treated. Some more, swift, bitey justice leads to the problem being cleared with very little effort.
This is the story of The Equalizer of the shark world.
This is also why we should start telling stories from the "baddies" point of view.
Regardless of how serious the film was designed to be it was very entertaining. Action, some great visuals, sharks chomping things, a dog, a bit of romance, Jason Statham looking buff. There wasn't anything I didn't love about this. It's exactly as predictable as you expect it to be and that's why it's good, you've got the anticipation of what you know is going to come, you just don't know in what order it'll be.
Lilyn G - Sci-Fi & Scary (91 KP) rated The Meg (2018) in Movies
Aug 13, 2018
"Watched #TheMeg. Suggest renaming it #TheMeh." This is what I posted on Twitter after coming out of the movie theater. How do you bland-ify a movie about a gigantic prehistoric shark? Well, you hire Jon Turteltaub as the director, and cast Jason Statham as the lead for starters. Then you methodically go through and remove everything that made the book work so well except for the giant shark. Because, really, who needs the human drama at all? Gigantic shark should carry it through, right? RIGHT?!
I mean just for starters, Jonas from the book, as just a regular old submersible pilot obviously wasn't cool enough. He needs to be a rescue diver. As soon as I realized that was one of the changes they made, I pretty much knew the movie was screwed. Jonas wasn't the only problem with the characters either. The little girl grated on my nerves because hey, every summer movie needs a cheeky kid with unrealistic dialogue in it, right? I could go on, but you get my point.
Anyways, I had paid for all three of us to see it, and we were watching it in 3D, so I figured I would still get some entertainment from it. I was definitely gonna have at least a few shots of the shark coming straight at me, right? They had to have planned to shoot this in 3D, knowing the amount of people like me that would want to see it. Nope. We get a ball flying at our face in one case, and one or two other instances where the 3D actually worked. That was it.
Being honest, there were some fun scenes. They were entirely predictable, but still fun. (The best scenes in the movie are shown in the trailer, by the way.) I jumped a few times, but I'm the type of person who would jump if I saw Elmo walk on unexpectedly on Sesame Street, so take that with a grain of salt.
Overall? The dialogue was cut-and-paste, the characters were almost completely lacking in any traits that made them not cliche characters. The shark was okay. The price I paid for 3D was completely not worth it. Rent the original Jaws. It's better. If you are craving some silliness, rent the original Deep Blue Sea. Its better too.
The Meg wasn't awful. I would have actually preferred to hate it, I think. It was just completely forgettable, and for a movie about a gigantic prehistoric shark, I think that's the worst possible feeling to be left with.
I mean just for starters, Jonas from the book, as just a regular old submersible pilot obviously wasn't cool enough. He needs to be a rescue diver. As soon as I realized that was one of the changes they made, I pretty much knew the movie was screwed. Jonas wasn't the only problem with the characters either. The little girl grated on my nerves because hey, every summer movie needs a cheeky kid with unrealistic dialogue in it, right? I could go on, but you get my point.
Anyways, I had paid for all three of us to see it, and we were watching it in 3D, so I figured I would still get some entertainment from it. I was definitely gonna have at least a few shots of the shark coming straight at me, right? They had to have planned to shoot this in 3D, knowing the amount of people like me that would want to see it. Nope. We get a ball flying at our face in one case, and one or two other instances where the 3D actually worked. That was it.
Being honest, there were some fun scenes. They were entirely predictable, but still fun. (The best scenes in the movie are shown in the trailer, by the way.) I jumped a few times, but I'm the type of person who would jump if I saw Elmo walk on unexpectedly on Sesame Street, so take that with a grain of salt.
Overall? The dialogue was cut-and-paste, the characters were almost completely lacking in any traits that made them not cliche characters. The shark was okay. The price I paid for 3D was completely not worth it. Rent the original Jaws. It's better. If you are craving some silliness, rent the original Deep Blue Sea. Its better too.
The Meg wasn't awful. I would have actually preferred to hate it, I think. It was just completely forgettable, and for a movie about a gigantic prehistoric shark, I think that's the worst possible feeling to be left with.
Darren (1599 KP) rated Crank (2006) in Movies
Oct 31, 2019
Characters – Chev Chelios somehow survives his mile high fall from the first film, he is given a new artificial heart which he must keep charged or he will die, he goes in search of his own heart which will see him go against another gang in LA, Eve now knows about Chev’s career, she has become a stripper and will supporting him trying to get his heart back. Doc Miles will do everything he can to help Chev giving him advice on how to keep his heart going. Venus is the brother of Kaylo who goes on to help Chev to get revenge for his own brother’s death. We have more gangs that are working against Chev this time, some return others are new.
Performances – Jason Statham does what he can with the leading role, he handles the action with ease, only he just doesn’t reach the same levels as before, this does affect the rest of the cast who do struggle to make an impact in this film.
Story – The story does follow the next chapter of Chev’s life, the one after he should have died, only for him to get a new chance which sees him needing to race against time to get his own heart back. This side is simple enough at does work for what the film is doing, Chev take on endless amounts of enemies, the problem here with the story is that we dive too much into the side characters of what is going on and end up getting too many completely random scenes which just seem offensive on too many levels. This story does end up becoming messy and just has one of the worst scripts out there.
Action/Crime – The action does try to become bigger, only for it to be shot in a style which doesn’t make it easy to connect. The criminal world does feel bigger, but now everything does seem more personal rather gang controlled.
Settings – The film remains set in LA which does continue to show the crazy gangs that are meant to operate in this city.
Special Effects – The effects do feel like they are being more ambitious, only for some to be so farfetched they only seem to make things look confusing, including an insulting looking Godzilla like fight.
Scene of the Movie – Final showdown.
That Moment That Annoyed Me – Godzilla like fight.
Final Thoughts – This is a wildly over the top sequel which only ends up becoming too much to handle for the crazy nature of everything going on.
Overall: Too wild.
Performances – Jason Statham does what he can with the leading role, he handles the action with ease, only he just doesn’t reach the same levels as before, this does affect the rest of the cast who do struggle to make an impact in this film.
Story – The story does follow the next chapter of Chev’s life, the one after he should have died, only for him to get a new chance which sees him needing to race against time to get his own heart back. This side is simple enough at does work for what the film is doing, Chev take on endless amounts of enemies, the problem here with the story is that we dive too much into the side characters of what is going on and end up getting too many completely random scenes which just seem offensive on too many levels. This story does end up becoming messy and just has one of the worst scripts out there.
Action/Crime – The action does try to become bigger, only for it to be shot in a style which doesn’t make it easy to connect. The criminal world does feel bigger, but now everything does seem more personal rather gang controlled.
Settings – The film remains set in LA which does continue to show the crazy gangs that are meant to operate in this city.
Special Effects – The effects do feel like they are being more ambitious, only for some to be so farfetched they only seem to make things look confusing, including an insulting looking Godzilla like fight.
Scene of the Movie – Final showdown.
That Moment That Annoyed Me – Godzilla like fight.
Final Thoughts – This is a wildly over the top sequel which only ends up becoming too much to handle for the crazy nature of everything going on.
Overall: Too wild.
Darren (1599 KP) rated Flight 7500 (TBD) in Movies
Oct 31, 2019
Characters – Chev Chelios somehow survives his mile high fall from the first film, he is given a new artificial heart which he must keep charged or he will die, he goes in search of his own heart which will see him go against another gang in LA, Eve now knows about Chev’s career, she has become a stripper and will supporting him trying to get his heart back. Doc Miles will do everything he can to help Chev giving him advice on how to keep his heart going. Venus is the brother of Kaylo who goes on to help Chev to get revenge for his own brother’s death. We have more gangs that are working against Chev this time, some return others are new.
Performances – Jason Statham does what he can with the leading role, he handles the action with ease, only he just doesn’t reach the same levels as before, this does affect the rest of the cast who do struggle to make an impact in this film.
Story – The story does follow the next chapter of Chev’s life, the one after he should have died, only for him to get a new chance which sees him needing to race against time to get his own heart back. This side is simple enough at does work for what the film is doing, Chev take on endless amounts of enemies, the problem here with the story is that we dive too much into the side characters of what is going on and end up getting too many completely random scenes which just seem offensive on too many levels. This story does end up becoming messy and just has one of the worst scripts out there.
Action/Crime – The action does try to become bigger, only for it to be shot in a style which doesn’t make it easy to connect. The criminal world does feel bigger, but now everything does seem more personal rather gang controlled.
Settings – The film remains set in LA which does continue to show the crazy gangs that are meant to operate in this city.
Special Effects – The effects do feel like they are being more ambitious, only for some to be so farfetched they only seem to make things look confusing, including an insulting looking Godzilla like fight.
Scene of the Movie – Final showdown.
That Moment That Annoyed Me – Godzilla like fight.
Final Thoughts – This is a wildly over the top sequel which only ends up becoming too much to handle for the crazy nature of everything going on.
Overall: Too wild.
Performances – Jason Statham does what he can with the leading role, he handles the action with ease, only he just doesn’t reach the same levels as before, this does affect the rest of the cast who do struggle to make an impact in this film.
Story – The story does follow the next chapter of Chev’s life, the one after he should have died, only for him to get a new chance which sees him needing to race against time to get his own heart back. This side is simple enough at does work for what the film is doing, Chev take on endless amounts of enemies, the problem here with the story is that we dive too much into the side characters of what is going on and end up getting too many completely random scenes which just seem offensive on too many levels. This story does end up becoming messy and just has one of the worst scripts out there.
Action/Crime – The action does try to become bigger, only for it to be shot in a style which doesn’t make it easy to connect. The criminal world does feel bigger, but now everything does seem more personal rather gang controlled.
Settings – The film remains set in LA which does continue to show the crazy gangs that are meant to operate in this city.
Special Effects – The effects do feel like they are being more ambitious, only for some to be so farfetched they only seem to make things look confusing, including an insulting looking Godzilla like fight.
Scene of the Movie – Final showdown.
That Moment That Annoyed Me – Godzilla like fight.
Final Thoughts – This is a wildly over the top sequel which only ends up becoming too much to handle for the crazy nature of everything going on.
Overall: Too wild.
Darren (1599 KP) rated The Midnight Man (2016) in Movies
Oct 31, 2019
Characters – Chev Chelios somehow survives his mile high fall from the first film, he is given a new artificial heart which he must keep charged or he will die, he goes in search of his own heart which will see him go against another gang in LA, Eve now knows about Chev’s career, she has become a stripper and will supporting him trying to get his heart back. Doc Miles will do everything he can to help Chev giving him advice on how to keep his heart going. Venus is the brother of Kaylo who goes on to help Chev to get revenge for his own brother’s death. We have more gangs that are working against Chev this time, some return others are new.
Performances – Jason Statham does what he can with the leading role, he handles the action with ease, only he just doesn’t reach the same levels as before, this does affect the rest of the cast who do struggle to make an impact in this film.
Story – The story does follow the next chapter of Chev’s life, the one after he should have died, only for him to get a new chance which sees him needing to race against time to get his own heart back. This side is simple enough at does work for what the film is doing, Chev take on endless amounts of enemies, the problem here with the story is that we dive too much into the side characters of what is going on and end up getting too many completely random scenes which just seem offensive on too many levels. This story does end up becoming messy and just has one of the worst scripts out there.
Action/Crime – The action does try to become bigger, only for it to be shot in a style which doesn’t make it easy to connect. The criminal world does feel bigger, but now everything does seem more personal rather gang controlled.
Settings – The film remains set in LA which does continue to show the crazy gangs that are meant to operate in this city.
Special Effects – The effects do feel like they are being more ambitious, only for some to be so farfetched they only seem to make things look confusing, including an insulting looking Godzilla like fight.
Scene of the Movie – Final showdown.
That Moment That Annoyed Me – Godzilla like fight.
Final Thoughts – This is a wildly over the top sequel which only ends up becoming too much to handle for the crazy nature of everything going on.
Overall: Too wild.
Performances – Jason Statham does what he can with the leading role, he handles the action with ease, only he just doesn’t reach the same levels as before, this does affect the rest of the cast who do struggle to make an impact in this film.
Story – The story does follow the next chapter of Chev’s life, the one after he should have died, only for him to get a new chance which sees him needing to race against time to get his own heart back. This side is simple enough at does work for what the film is doing, Chev take on endless amounts of enemies, the problem here with the story is that we dive too much into the side characters of what is going on and end up getting too many completely random scenes which just seem offensive on too many levels. This story does end up becoming messy and just has one of the worst scripts out there.
Action/Crime – The action does try to become bigger, only for it to be shot in a style which doesn’t make it easy to connect. The criminal world does feel bigger, but now everything does seem more personal rather gang controlled.
Settings – The film remains set in LA which does continue to show the crazy gangs that are meant to operate in this city.
Special Effects – The effects do feel like they are being more ambitious, only for some to be so farfetched they only seem to make things look confusing, including an insulting looking Godzilla like fight.
Scene of the Movie – Final showdown.
That Moment That Annoyed Me – Godzilla like fight.
Final Thoughts – This is a wildly over the top sequel which only ends up becoming too much to handle for the crazy nature of everything going on.
Overall: Too wild.
Phillip McSween (751 KP) rated Crank (2006) in Movies
Jun 26, 2020
Quick Pacing, Bad Movie
When a former hitman’s enemies inject him with a lethal poison that will stop his heart if it goes below an active rate, that hitman Chev Chelios is on a race to find the antidote while keeping his heart pumping at the same time.
Acting: 10
I could think of worse actors to play the role of Chev outside of Jason Statham. He seems like he was made for this type of movie. He brings a successful intensity to the role that kicks the movie into a new gear. Unfortunately it wasn’t enough to save the film as a whole. While other performances didn’t necessarily warrant a 10, Chev is pretty much the entire centerpiece so I’m basing the score off Statham’s performance alone.
Beginning: 10
I honestly didn’t hate how the movie began. It actually gets off to a pretty fast start only to let me down later. If only I knew what I was getting myself into.
Characters: 1
Cinematography/Visuals: 7
For what' it’s worth, the film does a good job of making you feel like you are in Chelios’ shoes. The camera relies on close up shots and jarring movement when Chelios has to “charge up”. The action is also captured fairly well, giving you a true sense of being in the moment.
Conflict: 10
Consistent action abounds throughout the movie. In addition to Chelios kicking much ass, there’s also the matter of him trying to keep his heart pumping while he finds the antidote. There is more than enough conflict to drive the story.
Entertainment Value: 6
While there are flashes of greatness in Crank, much of it is hyped up hyperbole so extreme it makes the movie really hard to get into. I lost count of the number of times I rolled my eyes throughout the movie. What did intrigue me throughout was just how much crazier the movie could potentially get.
Memorability: 4
Pace: 10
Plot: 0
What a dumbass story. That is all.
Resolution: 6
I give it props for an inventive ending. However, it wasn’t a successful resolution in my opinion. We followed Chelios on this entire journey for it to come to this? Nah, just…nah.
Overall: 64
You could tell this movie was going to be a mess from the trailer. Surprisingly enough it has a positive rating on Rotten Tomatoes and it seems to have a cult following. I really don’t get it, even as an action lover. It’s a pass for me.
Acting: 10
I could think of worse actors to play the role of Chev outside of Jason Statham. He seems like he was made for this type of movie. He brings a successful intensity to the role that kicks the movie into a new gear. Unfortunately it wasn’t enough to save the film as a whole. While other performances didn’t necessarily warrant a 10, Chev is pretty much the entire centerpiece so I’m basing the score off Statham’s performance alone.
Beginning: 10
I honestly didn’t hate how the movie began. It actually gets off to a pretty fast start only to let me down later. If only I knew what I was getting myself into.
Characters: 1
Cinematography/Visuals: 7
For what' it’s worth, the film does a good job of making you feel like you are in Chelios’ shoes. The camera relies on close up shots and jarring movement when Chelios has to “charge up”. The action is also captured fairly well, giving you a true sense of being in the moment.
Conflict: 10
Consistent action abounds throughout the movie. In addition to Chelios kicking much ass, there’s also the matter of him trying to keep his heart pumping while he finds the antidote. There is more than enough conflict to drive the story.
Entertainment Value: 6
While there are flashes of greatness in Crank, much of it is hyped up hyperbole so extreme it makes the movie really hard to get into. I lost count of the number of times I rolled my eyes throughout the movie. What did intrigue me throughout was just how much crazier the movie could potentially get.
Memorability: 4
Pace: 10
Plot: 0
What a dumbass story. That is all.
Resolution: 6
I give it props for an inventive ending. However, it wasn’t a successful resolution in my opinion. We followed Chelios on this entire journey for it to come to this? Nah, just…nah.
Overall: 64
You could tell this movie was going to be a mess from the trailer. Surprisingly enough it has a positive rating on Rotten Tomatoes and it seems to have a cult following. I really don’t get it, even as an action lover. It’s a pass for me.