"Because they did great character buildup in it. By the time they got out and were battling the shark, you knew the three characters intimately. I think we lose that in a lot of our movies today — they’re so set in throwing the action at you as quick as they can. They don’t allow the character to develop to where you can feel for the character and I think Jaws did a marvelous, fantastic job with the three characters on the boat and the action – how they held the scene with the shark for as long as they did — the shocking moments of it."

"Jaws was the first scary movie I ever saw. Even though I did hate it and it made me scared of sharks, it stuck with me. Every time it’s on, I do have to watch it. Especially now that you know the behind the scenes stuff. The shark didn’t work. So then it became a creative choice to just not show the shark until two-thirds in. It was freezing cold and these people had to be in the ocean. Then, the ocean was freezing so these people were freezing cold and raining and all of that kind of stuff. It just made it more movie magic for me."

"All That Jazz (1979) is a perfect film, in my book: insanely well acted, incredible art direction, great writing, beautifully shot, just a director firing on all cylinders. Did I mention the amazing song-and-dance sequences? And Bob Fosse does all this, in a movie that is a very autobiographical account of his own struggle juggling: multiple productions, girls, booze, and pills; all of which lead to a series of heart attacks that culminate in the most spectacular and fantastical deathbed scene ever, with Jessica Lange as the loveliest angel of death. Forget Jaws: Roy Scheider as Joe Gideon, Fosse’s alter ego, is equal parts heroic captain and man-eating shark in this masterpiece."