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Bob Mann (459 KP) rated La La Land (2016) in Movies
Sep 29, 2021
“It’s very nostalgic – will people like it?”
A little film. Not sure whether you might have heard of it yet? Damien Chazelle has followed up his astonishingly proficient “Whiplash” – my top film of 2015 – with a sure-fire theatre-filler in “La La Land”. The old-fashioned musical extravaganza is back, and back with style!
“La La Land” tells the bittersweet love story of Sebastian (Ryan Gosling) and Mia (Emma Stone) who first meet in an LA traffic jam but then get thrown together by chance (LA is such a small place after all!). Over the course of the next four seasons romance blossoms. Mia is a struggling actress bouncing from audition to audition in a hopeless attempt to break through in LA’s tough movie business. She makes ends meet as a Barista on the Warner Brother’s lot. Meanwhile Sebastian is on a mission of his own: a talented musician, he is trying to restore jazz to the main stage (something the film’s soundtrack will undoubtedly help do!) by opening his own classic jazz bar. As both strive for success on their own terms can love survive to deliver us the classic ‘Hollywood ending’?
The film is technically astonishing, with clever continuous shots of the “Birdman” variety and masterly cinematography (by Linus Sandgren of “Joy” and “American Hustle”). The lighting team in particular is superb: a case in point is Mia’s ‘in-Seine’ (sic) song, with breathtaking fades of the background to darkness, a camera whizz-around the actress for effect and then a brilliant fade back to reality. Loved it. Overall, there are enough similar moments in the film to make cinema-lovers like me gasp with delight.
There’s a curious timelessness about the piece which is surely deliberate. While there are obvious and non-apologetic throwbacks to the classic musicals of the 50’s like “West Side Story” and “Singin’ in the Rain” and references to both “Casablanca” and “Rebel without a Cause”, there is also a 60’s vibe to the ‘girls getting ready’ sequence; an 80’s A-ha cover thrown in at a pool party; and a Californian Prius obsession that is surely more ‘noughties’ than current. Most curiously, while everyone has smartphones noone seems to text anyone to announce changes to plans: the film is almost distancing itself from much of modern life.
In the acting stakes Emma Stone again shines like a beacon. She is just magnetic on the screen: the biggest plot hole in the film (tiny spoiler) is why on earth she wasn’t given the part for her first audition! I was disappointed she didn’t win the Best Supporting Actress Oscar for “Birdman” in the “87th Awards” (she lost out to Patricia Arquette for “Boyhood”): but she just keeps getting better and Better and BETTER.
Ryan Gosling’s confident and cocky turn also radiates charisma: in particular, it is astonishing that Gosling could play “only a few chords” on the piano before training for the film. A confidence boost for struggling piano learners everywhere.
It is actually difficult to imagine two better actors for the roles. (Emma Watson allegedly turned it down for “Beauty and the Beast”: something she might be kicking herself for!) Are they both the best singers and dancers when compared to Gene Kelly, Fred Astaire, Debbie Reynolds (R.I.P.) or Cyd Charisse? No, undoubtedly not, but they have an undeniable charm all of their own. (Perhaps we will see the ilk of the great hoofers and crooners rise again with a resurgence in the classic musical. Can Hollywood take a hint?)
The big question: now that both Stone and Gosling have won Golden Globes for acting in the “Comedy or Musical” category, can they convert that to Oscar glory where there is a single category in play? I’d like to think so.
It’s also great to see proper movie-making taking place in the Hollywood studios again: during my recent visits to LA there seemed to be little other than TV work going on in the main studio complexes there (although its worth pointing out that for this film not all of the filming was actually done on the Warner Brothers lot). (As an aside, the Warner Brothers tour – which you need to book well in advance – is a GREAT day out for movie lovers, with a Sunday visit giving you the best access to live sets. #insideknowledgetrivia: that small grassy triangle with the gravestones on it is where they filmed many of the “Friends” outdoor scenes such as the baseball match!).
Musicals are clearly measured by the quality of the music, and Justin Hurwitz (“Whiplash”) has produced a gem with – notwithstanding the jazz numbers and a catchy little pop number from John Legend – merely a handful of simple but unforgettable melodies that recur in different variations throughout the film. The soundtrack is already in my Amazon library and uplifting my mood on what is a damp and dreary Monday here in the UK.
Damien Chazelle has delivered a triumph in both direction and original script. There is really very little I can fault the film on. In what was the somewhat patchy Coen brothers offering from last year – “Hail Caesar” – there was a standout moment of a throwback song and dance number with Channing Tatum that I raved about (you can catch it here). If I was being picky, then this tantalising snippet would be a better representation of the style and vim of the original genre – – with the exception of the opening number, few of the song and dance numbers in “La La Land” quite get to that “Broadway Melody” level of scale and energy. This, together with a few concerns about the pacing in some places, led me to rate this as a 4.5 on first viewing.
However on now seeing it twice within 36 hours, it’s got me well and truly under its spell! I normally emotionally resist films that arrive with excessive hype… but, in this case… I give in.
“La La Land” tells the bittersweet love story of Sebastian (Ryan Gosling) and Mia (Emma Stone) who first meet in an LA traffic jam but then get thrown together by chance (LA is such a small place after all!). Over the course of the next four seasons romance blossoms. Mia is a struggling actress bouncing from audition to audition in a hopeless attempt to break through in LA’s tough movie business. She makes ends meet as a Barista on the Warner Brother’s lot. Meanwhile Sebastian is on a mission of his own: a talented musician, he is trying to restore jazz to the main stage (something the film’s soundtrack will undoubtedly help do!) by opening his own classic jazz bar. As both strive for success on their own terms can love survive to deliver us the classic ‘Hollywood ending’?
The film is technically astonishing, with clever continuous shots of the “Birdman” variety and masterly cinematography (by Linus Sandgren of “Joy” and “American Hustle”). The lighting team in particular is superb: a case in point is Mia’s ‘in-Seine’ (sic) song, with breathtaking fades of the background to darkness, a camera whizz-around the actress for effect and then a brilliant fade back to reality. Loved it. Overall, there are enough similar moments in the film to make cinema-lovers like me gasp with delight.
There’s a curious timelessness about the piece which is surely deliberate. While there are obvious and non-apologetic throwbacks to the classic musicals of the 50’s like “West Side Story” and “Singin’ in the Rain” and references to both “Casablanca” and “Rebel without a Cause”, there is also a 60’s vibe to the ‘girls getting ready’ sequence; an 80’s A-ha cover thrown in at a pool party; and a Californian Prius obsession that is surely more ‘noughties’ than current. Most curiously, while everyone has smartphones noone seems to text anyone to announce changes to plans: the film is almost distancing itself from much of modern life.
In the acting stakes Emma Stone again shines like a beacon. She is just magnetic on the screen: the biggest plot hole in the film (tiny spoiler) is why on earth she wasn’t given the part for her first audition! I was disappointed she didn’t win the Best Supporting Actress Oscar for “Birdman” in the “87th Awards” (she lost out to Patricia Arquette for “Boyhood”): but she just keeps getting better and Better and BETTER.
Ryan Gosling’s confident and cocky turn also radiates charisma: in particular, it is astonishing that Gosling could play “only a few chords” on the piano before training for the film. A confidence boost for struggling piano learners everywhere.
It is actually difficult to imagine two better actors for the roles. (Emma Watson allegedly turned it down for “Beauty and the Beast”: something she might be kicking herself for!) Are they both the best singers and dancers when compared to Gene Kelly, Fred Astaire, Debbie Reynolds (R.I.P.) or Cyd Charisse? No, undoubtedly not, but they have an undeniable charm all of their own. (Perhaps we will see the ilk of the great hoofers and crooners rise again with a resurgence in the classic musical. Can Hollywood take a hint?)
The big question: now that both Stone and Gosling have won Golden Globes for acting in the “Comedy or Musical” category, can they convert that to Oscar glory where there is a single category in play? I’d like to think so.
It’s also great to see proper movie-making taking place in the Hollywood studios again: during my recent visits to LA there seemed to be little other than TV work going on in the main studio complexes there (although its worth pointing out that for this film not all of the filming was actually done on the Warner Brothers lot). (As an aside, the Warner Brothers tour – which you need to book well in advance – is a GREAT day out for movie lovers, with a Sunday visit giving you the best access to live sets. #insideknowledgetrivia: that small grassy triangle with the gravestones on it is where they filmed many of the “Friends” outdoor scenes such as the baseball match!).
Musicals are clearly measured by the quality of the music, and Justin Hurwitz (“Whiplash”) has produced a gem with – notwithstanding the jazz numbers and a catchy little pop number from John Legend – merely a handful of simple but unforgettable melodies that recur in different variations throughout the film. The soundtrack is already in my Amazon library and uplifting my mood on what is a damp and dreary Monday here in the UK.
Damien Chazelle has delivered a triumph in both direction and original script. There is really very little I can fault the film on. In what was the somewhat patchy Coen brothers offering from last year – “Hail Caesar” – there was a standout moment of a throwback song and dance number with Channing Tatum that I raved about (you can catch it here). If I was being picky, then this tantalising snippet would be a better representation of the style and vim of the original genre – – with the exception of the opening number, few of the song and dance numbers in “La La Land” quite get to that “Broadway Melody” level of scale and energy. This, together with a few concerns about the pacing in some places, led me to rate this as a 4.5 on first viewing.
However on now seeing it twice within 36 hours, it’s got me well and truly under its spell! I normally emotionally resist films that arrive with excessive hype… but, in this case… I give in.
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Neon's Nerd Nexus (360 KP) rated Aladdin (2019) in Movies
May 24, 2019
Shine bright like a diamond
#aladdin dazzles/soars putting a fresh & thrilling spin on a timeless #disney #classic. Like many I wasnt exactly excited to see one of the greatest #animated movies ever was getting the live action treatment but during the first 5 minutes when #WillSmith started to #sing chills ran up my spine, #goosebumps appeared on my arms & I sank into the #magical world in front of me immersed fully until the credits rolled. I wont be comparing this to the #original (as one is #animated i feel its unfair to compare) so judging this as a film on its own i think #Guyritchie has knocked it out of the park here. First of all i watch a fair few #bollywood movies & have to say the similar tone & vibe they went for here echoes/fits Aladdin perfectly making the film feel fresh, vibrant, #energetic & #enchanting. Just like an #indian film #musical numbers come seemingly out of nowhere extravagantly & on a grand scale, sets/clothing are all immaculate & vivid (all free from wear & tear/dirt & muck), acting is ludicrously exaggerated/over the top & theres such an air of clumsiness/awkwardness to everything that only amplifies is overall charm. Themes of temptation, corruption, weakness, greed & power all add great tension/deepen characters making them all feel more human. While the message of learning to love who you are before you can love another is as #heartwarming as ever. Everyone was likeable with Will Smith bringing something new to the #genie character as with a more mellow, humble, smooth jazz/r&b spin to the musical numbers which i felt worked a treat. However its #Naomiscott who absolutely kills it here, not only is she so #beautiful & mesmerising but her performance is filled with #passion & energy. #Menamassound is also very #charming & disney esque too. Over all i couldnt see this being done in a more fitting way its #laugh out loud #hilarious, the #music is toe tapping, theres enough changes to make things feel new/fresh & its deliciously camp, awkward, dazzling, #creative & over the top. #Aladdinmovie had me leaving the cinema with a grin from ear to ear excited to see it again it simply is phenomenal cosmic #fun for people of all ages. #robbinwilliams #princess
BookwormMama14 (18 KP) rated The Illusionist's Apprentice in Books
Jan 2, 2019
An incredible story brimming with suspense, illusion, questions, romance, sacrifice, and redemption. Spanning the course of Wren's life, we jump around quite a bit as her story and character unfolds, but it is easy to follow. We also get to see the world through a few different viewpoints which helps to draw your heart into the world of vaudeville.
LOVE - LOVE - LOVE Elliot. He is protective and gentle, yet firm and carries a strength that Wren needs, although she denies it. Wren is such an incredible person. I fell in love with her from chapter one. With her eccentric style and lifestyle, a performer, giving the public the illusion of grandeur...when in reality, her lifestyle is quite simple. A woman with a past that tears at her soul, longing for freedom, but not knowing where to turn. When Agent Elliot Matthews bullies his way on to her stage, her life takes a dramatic turn and the impossible becomes possible.
Wren struggles to forgive herself for something in her past that she has been led to believe is her fault. We follow her on a journey of realization that forgiveness is not just an illusion, but something very real. That it penetrates the very heart and soul of who we are. It shapes and molds us. And that we can be free if we choose to be. But if we spend too long believing in an illusion, it will distort our view of reality.
So, embrace the truth. Let Papa God open your eyes to see yourself as He created you. To see your gifts, your strengths, and the forgiveness that He has poured out on you. Take a step back in time to the Jazz Age. Step into the world of Harry Houdini and Wren Lockhart in the center of vaudeville. Let them dazzle you with a story of truth, forgiveness...and illusion.
I received a complimentary copy of The Illusionist's Apprentice through BookLook Bloggers and NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
Review originally published at http://www.bookwormmama.org
LOVE - LOVE - LOVE Elliot. He is protective and gentle, yet firm and carries a strength that Wren needs, although she denies it. Wren is such an incredible person. I fell in love with her from chapter one. With her eccentric style and lifestyle, a performer, giving the public the illusion of grandeur...when in reality, her lifestyle is quite simple. A woman with a past that tears at her soul, longing for freedom, but not knowing where to turn. When Agent Elliot Matthews bullies his way on to her stage, her life takes a dramatic turn and the impossible becomes possible.
Wren struggles to forgive herself for something in her past that she has been led to believe is her fault. We follow her on a journey of realization that forgiveness is not just an illusion, but something very real. That it penetrates the very heart and soul of who we are. It shapes and molds us. And that we can be free if we choose to be. But if we spend too long believing in an illusion, it will distort our view of reality.
So, embrace the truth. Let Papa God open your eyes to see yourself as He created you. To see your gifts, your strengths, and the forgiveness that He has poured out on you. Take a step back in time to the Jazz Age. Step into the world of Harry Houdini and Wren Lockhart in the center of vaudeville. Let them dazzle you with a story of truth, forgiveness...and illusion.
I received a complimentary copy of The Illusionist's Apprentice through BookLook Bloggers and NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
Review originally published at http://www.bookwormmama.org
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