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365Flicks (235 KP) rated Peelers (2016) in Movies
Nov 20, 2019
Last night I watched a movie that was so rotten that not only was I not able to write a review for it, but I felt like a needed a palette cleanser. When I received the trailer for Peelers I thought to myself ‘A Zombie Horror Comedy set in a Strip Club sooooo Boobies’ okay I am in lets have a look at Peelers. Holy crap was this the palette cleanser I needed.
Blue Jean (Wren Walker) is an ex Major League Baseball player seeing out her days as the super sexy, super sassy owner of a small-town strip club. BJ (ha BJ) has decided tonight is going to be her last night as she sells up to some local douche-bag who has every intention of pulling the place down. So with this being Blue’s last night she wants it to go out with a bang and we are introduced to all the right characters to make this happen (Mostly diaper wearing peeing on stage strippers). Throw in some recently exposed to some crazy shit coal miners, a mass blood bath and shenanigans and this movie becomes less Striptease and more From Dusk till Dawn.
This movie is an absolute riot, I had so much fun watching this and was pleasantly surprised with what waited around every corner. So often an independent movie can either be great but look terrible or Terrible but look great. I found Peelers to be both it looks great and is great. The movie looks polished as hell for a movie that I assume didn’t have the biggest budget. The script from Lisa DeVita is refreshingly original but manages to throw most of the Zombie tropes at us that we know and love, remember people jump scares can still be effective. Dialogue wise the chemistry and banter just flows.
Seve Schlenz has turned out a great movie here and considering this is second Feature as a director you really wouldn’t know it. Lets talk about effects for a second. Its pretty much all practical, which you would expect. Great care and attention has been taken by the team to make them A. Scary but B. not shit. The cast is on point making this a fun as hell enjoyable romp (with Boobies) from start to finish. Wren Walker as Blue Jean is incredible and you could easily draw comparisons to Uma Thurman in the bad ass stakes with this actress, I look forward to seeing her in more.
This is a solid recommend from me, it was exactly what I needed after the tripe I watched the night before. It may be indie and low budget as balls but it has more fun being exactly that than most. I genuinely thoroughly enjoyed this Flick and think you will too. You have to seek this one out. Did I mention it has Boobies???
Blue Jean (Wren Walker) is an ex Major League Baseball player seeing out her days as the super sexy, super sassy owner of a small-town strip club. BJ (ha BJ) has decided tonight is going to be her last night as she sells up to some local douche-bag who has every intention of pulling the place down. So with this being Blue’s last night she wants it to go out with a bang and we are introduced to all the right characters to make this happen (Mostly diaper wearing peeing on stage strippers). Throw in some recently exposed to some crazy shit coal miners, a mass blood bath and shenanigans and this movie becomes less Striptease and more From Dusk till Dawn.
This movie is an absolute riot, I had so much fun watching this and was pleasantly surprised with what waited around every corner. So often an independent movie can either be great but look terrible or Terrible but look great. I found Peelers to be both it looks great and is great. The movie looks polished as hell for a movie that I assume didn’t have the biggest budget. The script from Lisa DeVita is refreshingly original but manages to throw most of the Zombie tropes at us that we know and love, remember people jump scares can still be effective. Dialogue wise the chemistry and banter just flows.
Seve Schlenz has turned out a great movie here and considering this is second Feature as a director you really wouldn’t know it. Lets talk about effects for a second. Its pretty much all practical, which you would expect. Great care and attention has been taken by the team to make them A. Scary but B. not shit. The cast is on point making this a fun as hell enjoyable romp (with Boobies) from start to finish. Wren Walker as Blue Jean is incredible and you could easily draw comparisons to Uma Thurman in the bad ass stakes with this actress, I look forward to seeing her in more.
This is a solid recommend from me, it was exactly what I needed after the tripe I watched the night before. It may be indie and low budget as balls but it has more fun being exactly that than most. I genuinely thoroughly enjoyed this Flick and think you will too. You have to seek this one out. Did I mention it has Boobies???
Kristy H (1252 KP) rated She Poured Out Her Heart in Books
Feb 13, 2018
Jane and Bonnie have been friends since college, despite the fact that the pair are quite different. Quiet, reflective Jane leads a seemingly picture perfect life with her doctor husband, Eric, and her two young children. Impetuous Bonnie, meanwhile, works as a crisis counselor, and is always shuffling between ill-fated relationships and boyfriends. The two remain friends well into adulthood, however. Still, Jane can't tell Bonnie about the malaise she feels about her life and the episodes she has, where everything appears white and she disappears briefly to a different (happier) place. Then one evening, Jane has a more severe episode, and must be briefly hospitalized. The same night, Eric and Bonnie find themselves drawn to each other, and they begin a complicated affair.
This is a really strange book, and I'll certainly say that it's not for everyone. It's probably one I wouldn't typically enjoy, usually: the characters are not particularly likable, the plot is odd, and it meanders along with no real resolution. However, there was something about this novel that drew me in, despite its odd, somewhat incestuous seeming plot. It's extremely well-written (and told from Jane and Bonnie's point of view over various time periods). Both women are oddly addictive characters. In total, they may not be the most likable, but they were quite realistic, and I could find myself relating to pieces of each of them.
I don't want to say much more as to not give away much of the book and truly, I'm at a loss at how to describe it. It's almost a bit of a "trippy" experience to read. Overall, I'm glad I picked this one up; it's a solid, weird 3.5 stars. If you're looking for another recommendation, [b:The Year We Left Home|8979518|The Year We Left Home|Jean Thompson|https://d.gr-assets.com/books/1327883554s/8979518.jpg|14617268] is still the favorite I've read of Thompson's work so far.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This is a really strange book, and I'll certainly say that it's not for everyone. It's probably one I wouldn't typically enjoy, usually: the characters are not particularly likable, the plot is odd, and it meanders along with no real resolution. However, there was something about this novel that drew me in, despite its odd, somewhat incestuous seeming plot. It's extremely well-written (and told from Jane and Bonnie's point of view over various time periods). Both women are oddly addictive characters. In total, they may not be the most likable, but they were quite realistic, and I could find myself relating to pieces of each of them.
I don't want to say much more as to not give away much of the book and truly, I'm at a loss at how to describe it. It's almost a bit of a "trippy" experience to read. Overall, I'm glad I picked this one up; it's a solid, weird 3.5 stars. If you're looking for another recommendation, [b:The Year We Left Home|8979518|The Year We Left Home|Jean Thompson|https://d.gr-assets.com/books/1327883554s/8979518.jpg|14617268] is still the favorite I've read of Thompson's work so far.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
TC
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Bob Mann (459 KP) rated Alone in Berlin (2017) in Movies
Sep 29, 2021
Small Rebellions.
Once again, World War II turns up another true story of quiet valour to turn into a motion picture. At a time when Trump is pontificating about so called “fake news”, here is a timely tale from history which centres on the battle against genuinely fake news: the Nazi propaganda machine.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
Joe Goodhart (27 KP) rated X-Men Red, Vol. 2: Waging Peace in Books
Nov 30, 2020
Holy shnikes!! (c'mon, gotta love some TOMMY BOY! Am I right??!) That was so damn cool, and sooo very socially relevant in a time where to be of a different <i>racially</i> yet still of the same species is regarded as a crime of sorts! Literally, at that very last panel of the final issue, where Jean Grey is speaking to the U.N.:
"I died. I returned to a world divided. A world where intolerance is cheered, where ignorance is celebrated, where rumor is fact and fact is dismissed.
"I don't believe in this world.
"I believe in a greater one. We are, all of us, better than this. Stronger than this. Kinder than this.
"I'd like to show you... a world where no one is left behind. Where no one is shunned, where no one is less than. No humans and mutants No Us and Them. Just 'us'."
Can I tell you, that final scene made me want to both cry, as well as standing up and applauding!
These two volumes of X-MEN: RED, a collection that originally ran from February 2018 to December of that same year, has never been more important, more of what we need at this moment in time! I applaud Tom Taylor for turning out a story that touched the mind, stirred the conscience, and fired up and inspired the truest sense of doing what is right!
I urge you, while we are stuck in our homes (that is, if you have any sense, instead of believing <i>"going out in a world where the virus is as far from dead as you are from smart"</i>), read this Volume, and the previous Volume! Try to walk away after finishing, and just go, "Um, yeah, it was an okay story, but a bit on the nose.."! Yup, I urge to try and NOT be that person! Instead be inspired to help change the world, make it a more positive, more united world of love and acceptance! And that, my friends, is all I have for this review! Peace!
"I died. I returned to a world divided. A world where intolerance is cheered, where ignorance is celebrated, where rumor is fact and fact is dismissed.
"I don't believe in this world.
"I believe in a greater one. We are, all of us, better than this. Stronger than this. Kinder than this.
"I'd like to show you... a world where no one is left behind. Where no one is shunned, where no one is less than. No humans and mutants No Us and Them. Just 'us'."
Can I tell you, that final scene made me want to both cry, as well as standing up and applauding!
These two volumes of X-MEN: RED, a collection that originally ran from February 2018 to December of that same year, has never been more important, more of what we need at this moment in time! I applaud Tom Taylor for turning out a story that touched the mind, stirred the conscience, and fired up and inspired the truest sense of doing what is right!
I urge you, while we are stuck in our homes (that is, if you have any sense, instead of believing <i>"going out in a world where the virus is as far from dead as you are from smart"</i>), read this Volume, and the previous Volume! Try to walk away after finishing, and just go, "Um, yeah, it was an okay story, but a bit on the nose.."! Yup, I urge to try and NOT be that person! Instead be inspired to help change the world, make it a more positive, more united world of love and acceptance! And that, my friends, is all I have for this review! Peace!
Goddess in the Stacks (553 KP) rated Vox in Books
Jan 30, 2019
I felt like I was reading a horror novel instead of a dystopia. The first third of the book, specifically, was enraging. It's the setup - the explanation of how the world is now, and how it came to be that way - that made me have to set the book down twice and walk away to calm down.
The book is the story of Dr. Jean McClellan, cognitive linguist. The forced silence is particularly painful for her, a former scientist who was working on a cure for people who had brain injuries or strokes affecting the Wernicke area of the brain, where we process language. She was about to start restoring language to people who had lost it, only to have it stolen from her and every other woman in the country.
The book opens on Dr. McClellan being asked to return to her work, because the President's brother suffered a brain injury while skiing and can no longer understand language. As one of the most important advisors to the president, the government needs him. In return for the removal of both her bracelet and her daughter's, she agrees, hoping to find some way to sabotage the work.
Vox sets out a sequence of events that seems far too feasible for comfort. The religious right extends its foothold from the Bible Belt to more and more of the country, pushing a return to "traditional family values" while methodically stripping freedoms from women and LGBT people. Women's passports are surreptitiously cancelled, schools are split and classes on Christian theology introduced to the boys' schools. Girls' schools consist of very basic math (so they can continue to do the grocery shopping and cooking!) and a ton of home ec. Sewing, Cooking, Housekeeping. LGBT people are sent to prisons/camps unless they marry someone of the opposite sex and produce kids. Basically, it's the right wing's dream world.
It's a horrifying scenario. Even given all the dystopia I've read, this book rocked me. It definitely belongs in the league of The Handmaid's Tale and The Power. My only complaint is I wish the ending had been a little more drawn out, and explained the fallout in a bit more detail. Other than that, though, amazing book.
You can find all my reviews at http://goddessinthestacks.com
The book is the story of Dr. Jean McClellan, cognitive linguist. The forced silence is particularly painful for her, a former scientist who was working on a cure for people who had brain injuries or strokes affecting the Wernicke area of the brain, where we process language. She was about to start restoring language to people who had lost it, only to have it stolen from her and every other woman in the country.
The book opens on Dr. McClellan being asked to return to her work, because the President's brother suffered a brain injury while skiing and can no longer understand language. As one of the most important advisors to the president, the government needs him. In return for the removal of both her bracelet and her daughter's, she agrees, hoping to find some way to sabotage the work.
Vox sets out a sequence of events that seems far too feasible for comfort. The religious right extends its foothold from the Bible Belt to more and more of the country, pushing a return to "traditional family values" while methodically stripping freedoms from women and LGBT people. Women's passports are surreptitiously cancelled, schools are split and classes on Christian theology introduced to the boys' schools. Girls' schools consist of very basic math (so they can continue to do the grocery shopping and cooking!) and a ton of home ec. Sewing, Cooking, Housekeeping. LGBT people are sent to prisons/camps unless they marry someone of the opposite sex and produce kids. Basically, it's the right wing's dream world.
It's a horrifying scenario. Even given all the dystopia I've read, this book rocked me. It definitely belongs in the league of The Handmaid's Tale and The Power. My only complaint is I wish the ending had been a little more drawn out, and explained the fallout in a bit more detail. Other than that, though, amazing book.
You can find all my reviews at http://goddessinthestacks.com
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