"I remember that Jean Gabin once said: "I don’t know why I did this". That could be the ultimate reason for every action."

"I always think of Renoir whenever I make any picture, and he made a comedy about show business called French Cancan. It’s set around the turn of the century, and Jean Gabin plays the guy who invented the Moulin Rouge night club. He did it by championing the return of the can can, and it’s a glorious film. Gabin was great and Renoir is my favorite director. It’s a show business story, and so is ours."

"Renoir’s antiwar masterpiece . . . on everyone’s ten-best list. It’s a war movie filled with humanity, with paradox, with love, and with humor—and has great performances from Jean Gabin, Erich von Stroheim, Marcel Dalio, and many wonderful actors from Renoir’s stock company. Moving and uplifting."

"As clearly as there is only one Lino Ventura, there is a sole Jean Gabin. Neither have I seen a replica of Michèle Morgan nor Michel Simon (one of the reasons why Renoir’s Boudu should be in this list, but . . .). Port of Shadows is a pure actor-based melodrama full of prewar pessimism. Bicycle Thieves proves that even the tiniest dreams can be torn to pieces. Never in the history of cinema has hope been served in so minimalistic but heartbreaking a way as in the last shot of this masterpiece."

"As clearly as there is only one Lino Ventura, there is a sole Jean Gabin. Neither have I seen a replica of Michèle Morgan nor Michel Simon (one of the reasons why Renoir’s Boudu should be in this list, but . . .). Port of Shadows is a pure actor-based melodrama full of prewar pessimism. Bicycle Thieves proves that even the tiniest dreams can be torn to pieces. Never in the history of cinema has hope been served in so minimalistic but heartbreaking a way as in the last shot of this masterpiece."

"It seems I’ve been watching Children of Paradise all my life. I remember taking my son to see it when he was seven. When I was trying to convince Brando to play Garrett in Pat Garrett and Billy the Kid, he told me that, along with the master swordsman in Seven Samurai, the thief in Children of Paradise was the greatest performance on film. I came to Port of Shadows much later in my life, and the Criterion transfer really enhanced its beauty. Jean Gabin became a prototype for me of a kind of actor difficult to find today. And the dialogue inspired me to attempt to re-create its poetic realism."

"It seems I’ve been watching Children of Paradise all my life. I remember taking my son to see it when he was seven. When I was trying to convince Brando to play Garrett in Pat Garrett and Billy the Kid, he told me that, along with the master swordsman in Seven Samurai, the thief in Children of Paradise was the greatest performance on film. I came to Port of Shadows much later in my life, and the Criterion transfer really enhanced its beauty. Jean Gabin became a prototype for me of a kind of actor difficult to find today. And the dialogue inspired me to attempt to re-create its poetic realism."