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Martin Starr recommended The Big Lebowski (1998) in Movies (curated)
Rebecca Billcliff (2409 KP) rated Thor: Ragnarok (2017) in Movies
Mar 1, 2020 (Updated Sep 6, 2021)
Tom Hiddleston (6 more)
Chris (I would let him do things to me) Hemsworth.
My name is Korg. I'm made of rocks, as you can see.
Hulk vs Giant Wolf
Redemption, redemption accross the bord!
🤣
Jeff Goldbloom!
THAT is how you make a film!
Okay, I know what you are going to say... "Marvel, its okay for us to go 30 seconds without laughing" But DAM! This is how you make a movie! There is so much more to it than just the humor, which is just the right amount of silly, cheesy, perfectly timed.
I just love the 80s vibes, it's done to perfection, form soundtrack to colour palet to end credits it is a wonderful blend of Nors awesomeness and Back to the Future mixed with a little Sat Wars.
Can not get enough of this one, defo in my top 5 Marvel films. Oh Deadpool, you know you my guy 😘
I just love the 80s vibes, it's done to perfection, form soundtrack to colour palet to end credits it is a wonderful blend of Nors awesomeness and Back to the Future mixed with a little Sat Wars.
Can not get enough of this one, defo in my top 5 Marvel films. Oh Deadpool, you know you my guy 😘
David McK (3245 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jul 1, 2019 (Updated Jun 21, 2022)
Very much a film of two halves, this starts with an intriguing question: the volcano on the Dinosaur's island is about to blow, so what do you do?
Do you save the 'de-extinct' Dinosaurs (who are only 'alive' because of man's intervention, or is this nature's way of course-correcting (as Jeff Goldblum's Dr Ian Malcolm puts it).
With the government falling in with Dr Malcolm's Point of view, (Bryce Dallas Howard's) Dr Claire Dearing (now a Dinosaur's Rights activist, following the events of Jurassic World) and (Chris Pratt's) Dinosaur behaviorologist Owen Grady find themselves back on the island to rescue as many of the Dinosaurs as they can.
And that's the first half of the movie.
The second half then turns into - effectively - a haunted house story as (of course) the Dinosaurs break out of containment in the Lockwood estate for story reasons (which I'm not going into here), before the film ends with the (metaphorical) gates to the Park now wide open.
Do you save the 'de-extinct' Dinosaurs (who are only 'alive' because of man's intervention, or is this nature's way of course-correcting (as Jeff Goldblum's Dr Ian Malcolm puts it).
With the government falling in with Dr Malcolm's Point of view, (Bryce Dallas Howard's) Dr Claire Dearing (now a Dinosaur's Rights activist, following the events of Jurassic World) and (Chris Pratt's) Dinosaur behaviorologist Owen Grady find themselves back on the island to rescue as many of the Dinosaurs as they can.
And that's the first half of the movie.
The second half then turns into - effectively - a haunted house story as (of course) the Dinosaurs break out of containment in the Lockwood estate for story reasons (which I'm not going into here), before the film ends with the (metaphorical) gates to the Park now wide open.
JT (287 KP) rated Session 9 (2001) in Movies
Mar 10, 2020
Looking back I’ve written a number of horror film reviews which, probably highlights what my favourite genre is? I’ve not been into torture porn or serious amounts of gore. I don’t mind it in small doses, but I prefer films that get under your skin – case in point, Session 9.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
Gareth von Kallenbach (971 KP) rated Seventh Son (2015) in Movies
Aug 6, 2019
After a two-year delay, Seventh Son has finally reached the big screen, and it will leave you conflicted.
Seventh Son is brought to us by director Sergey Bodrov. Originally set for a February 2013 release, the film had complicated distribution arrangements between Legendary and Warner Brothers, which kept causing delays.
Jeff Bridges plays one of the title characters: Master John Gregory. He is the last of an order of peacekeeper knights, which once used to be a thousand strong. All of these knights are seventh sons of seventh sons, and are self-tasked with keeping the evil creatures of the world at bay.
The movie starts off with a young Gregory completing a prison cell for an unknown woman. Years later, the prisoner, a draconic beast, breaks out and attacks a nearby town, specifically targeting the aged Knight and his apprentice (Kit Harington — Jon Snow from Game of Thrones). This recently released evil is Mother Malkin (Julianne Moore), the queen of witches.
During the battle, Harington’s brief existence in this film is brought to an end, causing Gregory to seek out another apprentice. This search leads him to young Thomas Ward (Ben Barnes). After Ward goes through some sad goodbyes with his family, he and Gregory set out to take down the Witch Queen before the blood moon sets.
His training would normally take 10 years, but they only have a week.
Put simply, this movie was very fragmented. It isn’t a good movie, but it isn’t a bad one either. It has reasonable special effects and decent fight scenes.
There is plenty of star power: Jeff Bridges, Julianne Moore, Kit Harington, Djimon Hounsou (one of my favorites), and Jason Scott Lee.
Jeff Bridges missed the mark on his character. It’s one thing to be disgruntled and war-torn with a curious sense of humor, but it’s something quite different to be outright silly.
There were no explanations. How did the order come about? Why seventh sons of seventh sons? How did Gregory KNOW there was a seventh son at that house? How did the war start? Why is Gregory the last? Why wasn’t there more about Gregory’s relationship with Malkin? Why did the skeleton in the armor attack Tom? Why do the swords hum? Where did the stone come from? Why was it powerful? Why anything, really? The story has no depth, failing to explain the “why” of any of its lore. There were only statements of fact, which confuses viewers and prevents them from becoming emotionally anchored to the story.
I simply didn’t care about the characters. The film was disorganized and rushed. Perhaps it would have been better served as two films, or a longer film, or even a mini series.
Seventh Son had the potential to be so much more. A combination of poor writing and bad direction made the movie lackluster to me and all three of my companions.
The actors delivered many campy one-liners, and the chuckles they drew from the crowd were quite unintentional.
If you are a fan of high fantasy, it’s probably worth seeing, but wait for it to arrive on Netflix and use it as background entertainment
Seventh Son is brought to us by director Sergey Bodrov. Originally set for a February 2013 release, the film had complicated distribution arrangements between Legendary and Warner Brothers, which kept causing delays.
Jeff Bridges plays one of the title characters: Master John Gregory. He is the last of an order of peacekeeper knights, which once used to be a thousand strong. All of these knights are seventh sons of seventh sons, and are self-tasked with keeping the evil creatures of the world at bay.
The movie starts off with a young Gregory completing a prison cell for an unknown woman. Years later, the prisoner, a draconic beast, breaks out and attacks a nearby town, specifically targeting the aged Knight and his apprentice (Kit Harington — Jon Snow from Game of Thrones). This recently released evil is Mother Malkin (Julianne Moore), the queen of witches.
During the battle, Harington’s brief existence in this film is brought to an end, causing Gregory to seek out another apprentice. This search leads him to young Thomas Ward (Ben Barnes). After Ward goes through some sad goodbyes with his family, he and Gregory set out to take down the Witch Queen before the blood moon sets.
His training would normally take 10 years, but they only have a week.
Put simply, this movie was very fragmented. It isn’t a good movie, but it isn’t a bad one either. It has reasonable special effects and decent fight scenes.
There is plenty of star power: Jeff Bridges, Julianne Moore, Kit Harington, Djimon Hounsou (one of my favorites), and Jason Scott Lee.
Jeff Bridges missed the mark on his character. It’s one thing to be disgruntled and war-torn with a curious sense of humor, but it’s something quite different to be outright silly.
There were no explanations. How did the order come about? Why seventh sons of seventh sons? How did Gregory KNOW there was a seventh son at that house? How did the war start? Why is Gregory the last? Why wasn’t there more about Gregory’s relationship with Malkin? Why did the skeleton in the armor attack Tom? Why do the swords hum? Where did the stone come from? Why was it powerful? Why anything, really? The story has no depth, failing to explain the “why” of any of its lore. There were only statements of fact, which confuses viewers and prevents them from becoming emotionally anchored to the story.
I simply didn’t care about the characters. The film was disorganized and rushed. Perhaps it would have been better served as two films, or a longer film, or even a mini series.
Seventh Son had the potential to be so much more. A combination of poor writing and bad direction made the movie lackluster to me and all three of my companions.
The actors delivered many campy one-liners, and the chuckles they drew from the crowd were quite unintentional.
If you are a fan of high fantasy, it’s probably worth seeing, but wait for it to arrive on Netflix and use it as background entertainment
Ryan Hill (152 KP) rated Thor: Ragnarok (2017) in Movies
May 11, 2019
The humour
Chris Hemsworth as Thor
Tom Hiddleston as Loki
Mark Ruffalo as Bruce Banner/The Hulk
Taika Waititi as Korg
Cate Blanchett as Hela
Jeff Goldblum's Grandmaster is a God send (1 more)
Tessa Thompson as Valkiyrie
The Action was awesome specifically Hulk vs Thor and the final bridge battle
The synth score
"Piss off Ghost"
Perhaps, the most entertaining and enjoyable movie in the MCU since Iron Man?
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
There’s so many reasons why I enjoy Thor: Ragnarok, but it has to start with the direction and vision of Taika Waititi. He’s a genre changer in the comic book man movie universe. From his Kiwi sense of humor, to the choice in mood music, to the simply fun action sequences; Thor: Ragnarok is a two hour smile that would make it appear I had Botox injections, since my facial expression stayed happy.
Thor is one of my favorite characters in the MCU and I like the way the fat has been chewed off in his movies. Less memorable characters are disposed of, and screen time is given to the characters you want to see. Jeff Goldblum’s Grandmaster is a gift from God. Loki is Loki and who doesn’t love Loki? Tessa Thompson’s Valkyrie has a lot of depth. Cate Blanchett’s Hela might be in the top 5 in baddest of bad MCU villains, and puts the D in dysfunctional families. Plus, Idris Elba’s Heimdall deserved his own movie, and perhaps the number one scene stealer, and one of the reasons why this movie is truly special is Taika Waititi’s Korg. Who knew a CGI rock could be so hilarious? His voice is infectious, and I want to see more of Korg.
Hulk and Banner are both used just right. The synth-pop score makes me want to dance a boogie groove. Thor’s flaw is there’s too many interesting storylines, which causes the film to jump some from character to character. Watching Chris Hemsworth ham it up as Thor is what these types of movies should be all about. Putting the F back in fun and having a helluva time in the process doing so.
Katie Guinn (34 KP) rated Goodbye Days in Books
Dec 7, 2018
Where do I start with this book? I read Jeff Zentner’s debut novel, The Serpent King, last year and I absolutely loved it, I’m talking one of my favorite reads of the year. And after finishing his follow-up novel, it’s safe to say that he’s becoming an auto-read author for me. The story opens with Carver Briggs (named after Raymond Carver and nicknamed Blade, how cool is that?) attending the funerals of his three best friends who were killed in an auto accident while texting Carver. As you can imagine, Carver is constantly plagued by guilt, grief, and the threat of possible prosecution. Every time I picked up this book, I immediately had a lump in my throat, the emotion was so real and so raw. Throughout the course of the book, Carver has “goodbye days” with each of his friends’ families, sharing memories and trying to make peace with his loss. They were the hardest parts to read, but also the most beautiful, where you could really feel Carver’s love for his friends and the depth of his grief.
One of my favorite things about Jeff Zentner is how he writes his characters. Carver and his friends, The Sauce Crew, feel like real teenage boys, sometimes cringingly so. Zentner writes misfits and outcasts as only someone who has been there can; honestly and compassionately. His prose sometimes feels almost poetical, lyrical; which makes sense. He’s also a guitarist and songwriter with five albums under his belt, who’s recorded with Iggy Pop and Debbie Harry. His love for music is a common thread in his books, both of which feature musicians and the power of music to heal and inspire. (The music-related Serpent King cameo was possibly my favorite thing in this novel)
While I didn’t love this one quite as much as The Serpent King, it was still a five star read for me and I recommend it if you’re a YA contemporary fan or if you just enjoy having your heart ripped out of your chest and shredded into confetti multiple times.
One of my favorite things about Jeff Zentner is how he writes his characters. Carver and his friends, The Sauce Crew, feel like real teenage boys, sometimes cringingly so. Zentner writes misfits and outcasts as only someone who has been there can; honestly and compassionately. His prose sometimes feels almost poetical, lyrical; which makes sense. He’s also a guitarist and songwriter with five albums under his belt, who’s recorded with Iggy Pop and Debbie Harry. His love for music is a common thread in his books, both of which feature musicians and the power of music to heal and inspire. (The music-related Serpent King cameo was possibly my favorite thing in this novel)
While I didn’t love this one quite as much as The Serpent King, it was still a five star read for me and I recommend it if you’re a YA contemporary fan or if you just enjoy having your heart ripped out of your chest and shredded into confetti multiple times.
Charlie Cobra Reviews (1840 KP) rated Dora and the Lost City of Gold (2019) in Movies
Jul 7, 2020
A Fun Family Film For Everyone
Dora and the Lost City of Gold is a 2019 adventure comedy movie directed by James Bobin and producer Kristin Burr, with screenplay by Nicholas Stoller and Matthew Robinson from a story by Tom Wheeler and Nicholas Stoller. It is a loose based continuation and live-action adaptation of the kids show created by Chris Gifford, Valerie Walsh Valdes and Eric Weiner and produced by Paramount Players, Nickelodeon Movies, Walden Media, Media Rights Capital and Burnt Productions with distribution by Paramount Pictures. The film stars Isabela Moner, Eva Longoria, Michael Pena, Jeff Wahlberg and Eugenio Derbez.
Spending her days going on adventures with her cousin Diego (Jeff Wahlberg), her monkey friend Boots (Danny Trejo) and imaginary friends "Map" and "Backpack", Dora (Isabela Moner), daughter of explorers, Cole (Michael Pena) and Elena (Eva Longoria) lives deep in the Peruvian jungle. Diego leaves to be with his family in Los Angeles one day while Dora's family remains searching for Parapata, the lost Inca city of gold. 10 years later, Dora's parents decide to send her to live with her cousin Diego in LA when they decipher the location of Parapata. While on a class trip, Dora and others are lured and captured by mercenaries who fly them to Peru where they plan to force her to find her parents for them.
I was pleasantly surprised with this movie. I guess that happens when you really don't have any expectations at all. I thought this movie was pretty funny and also pretty good for expanding on what was originally a 30 minute kids show that was mostly educational. The girl playing Dora, Isabela Moner, did a great job in her role of Dora. She was optimistically upbeat the whole film even when things didn't go her way but still showed a fragile side to her at the same time that she did incredible feats. Eugenio Derbez was also incredibly funny and did an awesome job as well. The movie was everything you expect for a fun family film and at the same time had good lessons or values to take away from it at the same time. I give this movie a 6/10.
Spending her days going on adventures with her cousin Diego (Jeff Wahlberg), her monkey friend Boots (Danny Trejo) and imaginary friends "Map" and "Backpack", Dora (Isabela Moner), daughter of explorers, Cole (Michael Pena) and Elena (Eva Longoria) lives deep in the Peruvian jungle. Diego leaves to be with his family in Los Angeles one day while Dora's family remains searching for Parapata, the lost Inca city of gold. 10 years later, Dora's parents decide to send her to live with her cousin Diego in LA when they decipher the location of Parapata. While on a class trip, Dora and others are lured and captured by mercenaries who fly them to Peru where they plan to force her to find her parents for them.
I was pleasantly surprised with this movie. I guess that happens when you really don't have any expectations at all. I thought this movie was pretty funny and also pretty good for expanding on what was originally a 30 minute kids show that was mostly educational. The girl playing Dora, Isabela Moner, did a great job in her role of Dora. She was optimistically upbeat the whole film even when things didn't go her way but still showed a fragile side to her at the same time that she did incredible feats. Eugenio Derbez was also incredibly funny and did an awesome job as well. The movie was everything you expect for a fun family film and at the same time had good lessons or values to take away from it at the same time. I give this movie a 6/10.
LeftSideCut (3778 KP) rated Studio 666 (2022) in Movies
Apr 6, 2022
If you like Foo Fighters, if you like metal, if you like The Evil Dead, then Studio 666 will be right up your street.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
Andy K (10821 KP) rated Thor: Ragnarok (2017) in Movies
Apr 22, 2018
Probably as good as a Marvel film can get
Finally got around to seeing this. (I am always late to the party since I don't visit the theatre often.)
You will never see me mention stunning visuals (although I just did) as a plus in any movie any more. Gone are the days of being blown away by Jurassic Park, Total Recall and The Matrix. It should go without saying the "visuals were amazing", and filmmakers should be striving higher to making an engaging story with interesting characters and trying to give audiences something they were not expecting.
Having said all that, I did find this film more interesting and entertaining than its predecessor, and Cate Blanchett made a great Marvel vileness. Although I had heard this was a funny film, I wasn't really that impressed (maybe my expectations were too high).
The film suffered from Avenger-itis I thought by wanting to cram too much into one movie. The action scenes and Jeff Goldblum are enough for me to recommend.
You will never see me mention stunning visuals (although I just did) as a plus in any movie any more. Gone are the days of being blown away by Jurassic Park, Total Recall and The Matrix. It should go without saying the "visuals were amazing", and filmmakers should be striving higher to making an engaging story with interesting characters and trying to give audiences something they were not expecting.
Having said all that, I did find this film more interesting and entertaining than its predecessor, and Cate Blanchett made a great Marvel vileness. Although I had heard this was a funny film, I wasn't really that impressed (maybe my expectations were too high).
The film suffered from Avenger-itis I thought by wanting to cram too much into one movie. The action scenes and Jeff Goldblum are enough for me to recommend.