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David McK (3562 KP) rated Jurassic World: Dominion (2022) in Movies
Aug 14, 2022
Insect park?
Jurassic Park (the original) is a masterpiece of cinema.
Jurassic Park 2: The Lost World has it's moments (the raptors in the long grass), but also has the annoying-kid-doing-gymnastics-while-a-Raptor-watches.
Jurassic Park 3 takes some scenes from the original novel (most noticeably the aviary) that were left out of the previous films, but also has the stupid ringing phone that a dinosaur has swallowed that remind the viewer too much (and not in a good way) of Peter Pan and Captain Hook crocodile.
Jurassic World follows the same format as Jurassic Park, except goes larger. It's not a bad movie.
Jurassic World: Fallen Kingdom goes in a completely different direction, going the haunted house route in the second half, and ends with the dinosaurs released on the mainland.
Which is where Jurassic World: Dominion picks up, roughly four years on from the ending of Fallen Kingdom. Lots have been made of the fact that this also reunites the original cast - Sam Neill, Laura Dern and Jeff Goldblum - alongside the newer duo of Chris Pratt and Bryce Dallas Howard.
The problem, however, is that more is quite often less, which I found to be the case here - plenty of action (and dinosaurs), yes, but also, well, just missing something :(
Jurassic Park 2: The Lost World has it's moments (the raptors in the long grass), but also has the annoying-kid-doing-gymnastics-while-a-Raptor-watches.
Jurassic Park 3 takes some scenes from the original novel (most noticeably the aviary) that were left out of the previous films, but also has the stupid ringing phone that a dinosaur has swallowed that remind the viewer too much (and not in a good way) of Peter Pan and Captain Hook crocodile.
Jurassic World follows the same format as Jurassic Park, except goes larger. It's not a bad movie.
Jurassic World: Fallen Kingdom goes in a completely different direction, going the haunted house route in the second half, and ends with the dinosaurs released on the mainland.
Which is where Jurassic World: Dominion picks up, roughly four years on from the ending of Fallen Kingdom. Lots have been made of the fact that this also reunites the original cast - Sam Neill, Laura Dern and Jeff Goldblum - alongside the newer duo of Chris Pratt and Bryce Dallas Howard.
The problem, however, is that more is quite often less, which I found to be the case here - plenty of action (and dinosaurs), yes, but also, well, just missing something :(
Acanthea Grimscythe (300 KP) rated The Sick House in Books
Jun 8, 2018 (Updated Jan 18, 2019)
Last month, the #spookyfriendsbookclub voted on Jeff Strand’s Sick House as our selection and though I’m a month behind on reading it, I am so glad I did. This book is amazing–or rather, it is if you’re a fan of snarky, gory horror.
The Gardner family moves into a house that turns out to be haunted. Readers find out what happened there fairly early, which is unusual in most haunted house tales that I’ve read. Despite that, Strand manages to keep me hooked with his fast-paced, delightfully dark prose. The family of four, comprised of husband, wife, and two daughters, show readers just how strong the bond between family members can be while simultaneously exploring the darker regions of the teenage mind–as seen with the older of the two girls. This provides a nice depth to the family, which thankfully isn’t comprised of a bunch of Mary Sues (though the wife is debatable).
Fast-paced, gory, and definitely not for the squeamish, Sick House progresses quickly with non-stop action. The terror begins from the first few pages and lasts throughout the entire novel, which elevates it above the many I’ve read where the first eighty percent is a snooze fest with all the excitement at the end. I definitely recommend this book to horror fans and will be reading more of Strand’s work. I have Dweller sitting on my shelf!
The Gardner family moves into a house that turns out to be haunted. Readers find out what happened there fairly early, which is unusual in most haunted house tales that I’ve read. Despite that, Strand manages to keep me hooked with his fast-paced, delightfully dark prose. The family of four, comprised of husband, wife, and two daughters, show readers just how strong the bond between family members can be while simultaneously exploring the darker regions of the teenage mind–as seen with the older of the two girls. This provides a nice depth to the family, which thankfully isn’t comprised of a bunch of Mary Sues (though the wife is debatable).
Fast-paced, gory, and definitely not for the squeamish, Sick House progresses quickly with non-stop action. The terror begins from the first few pages and lasts throughout the entire novel, which elevates it above the many I’ve read where the first eighty percent is a snooze fest with all the excitement at the end. I definitely recommend this book to horror fans and will be reading more of Strand’s work. I have Dweller sitting on my shelf!
Kevin Morby recommended track Goodbye Sadness by Yoko Ono in Season of Glass by Yoko Ono in Music (curated)
Martin Carr recommended track Crazy Horses by Donny Osmond in Definitive Collection by Donny Osmond in Music (curated)
LeftSideCut (3776 KP) rated Uncle Peckerhead (2020) in Movies
Oct 11, 2020
Uncle Peckerhead is a silly name for a silly movie, but dammit, it's a movie that knows how to have a good time.
There's really not too much to grumble about with this punk rock splatter flick. For starters, it has a mostly likable cast, the highlight being David Littleton as the titular Peckerhead (Peck for short). Even though he's a flesh eating demon, he still comes across as a good dude who just wants to look after this young punk band he's taken on as travel companions. The interactions between him and Max (Jeff Riddle) are pretty hilarious. In fact, the film got a few good laughs out of me during it's runtime.
As a musician, I also appreciated the fairly accurate portrayal of what it's like playing live music at ground level. Audience's who don't care, sparsely populated venues, and the occasional promoter who turns out to be a douche (not my place to say if they deserve to get eaten or not...)
The gore in this film hits hard as well. It's fairly infrequent, but when it does come, it's pretty absurd and all achieved using some decent practical work.
I also enjoyed the soundtrack for the most part, and have been introduced to a great punk band called School Drugs through this film as well - another positive!
Uncle Peckerhead is a movie that doesn't take itself seriously, it's entertaining, gory, funny, and just a complete blast. Seek it out!
There's really not too much to grumble about with this punk rock splatter flick. For starters, it has a mostly likable cast, the highlight being David Littleton as the titular Peckerhead (Peck for short). Even though he's a flesh eating demon, he still comes across as a good dude who just wants to look after this young punk band he's taken on as travel companions. The interactions between him and Max (Jeff Riddle) are pretty hilarious. In fact, the film got a few good laughs out of me during it's runtime.
As a musician, I also appreciated the fairly accurate portrayal of what it's like playing live music at ground level. Audience's who don't care, sparsely populated venues, and the occasional promoter who turns out to be a douche (not my place to say if they deserve to get eaten or not...)
The gore in this film hits hard as well. It's fairly infrequent, but when it does come, it's pretty absurd and all achieved using some decent practical work.
I also enjoyed the soundtrack for the most part, and have been introduced to a great punk band called School Drugs through this film as well - another positive!
Uncle Peckerhead is a movie that doesn't take itself seriously, it's entertaining, gory, funny, and just a complete blast. Seek it out!
Leanne Crabtree (480 KP) rated The Heart of Texas (Texas, #1) in Books
Jan 11, 2021
3.5 stars.
This is the first MM Romance book I've read where the couple got married, and it was at the beginning so seeing "his husband" every so often seemed a little strange to me. I'm sure the next time I read one where they're married that it wont.
Let me say that if this had just been from Riley and Jack's POV's I would have gladly given this five star because of the hot scenes and the romance between them. There was one scene early on in the book at a party that gave me shivers. *Fans self* Jack Campbell...phew!
But the book kept switching view point and I wasn't entirely a fan as sometimes it could take a bit to figure out who's viewpoint it was. (There must be at least seven different ones.) I know they helped us see every part of the story come to a head but it drove me crazy at times as I was more interested in what was going on between Riley and Jack. Therefore I've rated it down a star and half.
I was not a fan of Riley's dad or brother. Neither came across as very nice and the brother, Jeff, was the worst. Ugh! I wanted to punch him in the face several times from his comments and actions. He was so not a nice guy.
Nevertheless, it was a good book and I look forward to reading other books by the author!
This is the first MM Romance book I've read where the couple got married, and it was at the beginning so seeing "his husband" every so often seemed a little strange to me. I'm sure the next time I read one where they're married that it wont.
Let me say that if this had just been from Riley and Jack's POV's I would have gladly given this five star because of the hot scenes and the romance between them. There was one scene early on in the book at a party that gave me shivers. *Fans self* Jack Campbell...phew!
But the book kept switching view point and I wasn't entirely a fan as sometimes it could take a bit to figure out who's viewpoint it was. (There must be at least seven different ones.) I know they helped us see every part of the story come to a head but it drove me crazy at times as I was more interested in what was going on between Riley and Jack. Therefore I've rated it down a star and half.
I was not a fan of Riley's dad or brother. Neither came across as very nice and the brother, Jeff, was the worst. Ugh! I wanted to punch him in the face several times from his comments and actions. He was so not a nice guy.
Nevertheless, it was a good book and I look forward to reading other books by the author!
LeftSideCut (3776 KP) rated Sonic the Hedgehog 2 (2022) in Movies
Apr 5, 2022
I was pleasantly surprised but just how damn delightful the first Sonic the Hedgehog movie was, and with this sequel, Jeff Fowler has wisely stuck with the formula, added more to it, and the results are just as enjoyable.
Jim Carrey once again steals the show, as a more unhinged Robotnik, closer to his game counterpart than he was the first time around. When coupled with the inclusion of fan favourite characters Tails and Knuckles, alongside series mainstays like the Chaos Emeralds, Sonic 2 runs headfirst into its source material whilst still feeling at home in the real world. It's a good balance.
A lot of the comedy fell flat for me however. A lot of jokes didn't land properly, but it's important to remember that this is a movie geared towards kids, and as such, it's not a huge issue. There's also a kind of discount Meet the Parents side plot that feels wholly unnecessary and drags the mid point, but this is completely made up for by one of the most entertaining final acts in recent blockbuster memory. The final showdown is an unencumbered blast. As someone who grew up playing the Sonic games, it's a joy to behold and is a testament to how fucking fun video game adaptions can be when handled well.
Sonic the Hedgehog 2 is just a damn good time, and I say that confidently as a grown ass man. Make the trip to the cinema and treat yo self.
Jim Carrey once again steals the show, as a more unhinged Robotnik, closer to his game counterpart than he was the first time around. When coupled with the inclusion of fan favourite characters Tails and Knuckles, alongside series mainstays like the Chaos Emeralds, Sonic 2 runs headfirst into its source material whilst still feeling at home in the real world. It's a good balance.
A lot of the comedy fell flat for me however. A lot of jokes didn't land properly, but it's important to remember that this is a movie geared towards kids, and as such, it's not a huge issue. There's also a kind of discount Meet the Parents side plot that feels wholly unnecessary and drags the mid point, but this is completely made up for by one of the most entertaining final acts in recent blockbuster memory. The final showdown is an unencumbered blast. As someone who grew up playing the Sonic games, it's a joy to behold and is a testament to how fucking fun video game adaptions can be when handled well.
Sonic the Hedgehog 2 is just a damn good time, and I say that confidently as a grown ass man. Make the trip to the cinema and treat yo self.
LeftSideCut (3776 KP) rated Independence Day: Resurgence (2016) in Movies
Mar 3, 2022
The original Independence Day is a beloved sci-fi classic for a lot of people, so I can understand why this arguably unnecessary sequel takes on a lot of disdain and criticism. "Legacy sequels", a term I've heard thrown around a fair bit lately, can be very hit and miss, and Resurgence lands smack bang in the middle. It's not bad, it's not good, it's not Emmerich's best, but it's far from being his worst. It's just kind of there.
On the one hand, it's brimming with corny dialogue, bloated exposition, ridiculous set ups for sequels that will probably never happen, characters that are difficult to care about, and loads of plot points that don't make sense (the alien ship is so big, it has its own gravitational pull, causing mass destruction to Earth upon arrival, but then just fucks off at the end without any further damage)
On the other hand, I was surprised by how commited Jeff Goldblum is to his returning role, and is quite simply a pleasure for the entirety of his screentime, the ultra-destruction that's we're all here to see is visually pleasing and satisfying, there are some genuinely fun set pieces (the alien queen running around the desert fucking shit up is a blast), and it's all self aware enough to not disappear up its own arse.
I personally feel that Resurgence gets an unjustified bad rap. It doesn't need to exist, and is far from perfect, but there's enough here to enjoy. Just be sure to leave your brain at the door.
On the one hand, it's brimming with corny dialogue, bloated exposition, ridiculous set ups for sequels that will probably never happen, characters that are difficult to care about, and loads of plot points that don't make sense (the alien ship is so big, it has its own gravitational pull, causing mass destruction to Earth upon arrival, but then just fucks off at the end without any further damage)
On the other hand, I was surprised by how commited Jeff Goldblum is to his returning role, and is quite simply a pleasure for the entirety of his screentime, the ultra-destruction that's we're all here to see is visually pleasing and satisfying, there are some genuinely fun set pieces (the alien queen running around the desert fucking shit up is a blast), and it's all self aware enough to not disappear up its own arse.
I personally feel that Resurgence gets an unjustified bad rap. It doesn't need to exist, and is far from perfect, but there's enough here to enjoy. Just be sure to leave your brain at the door.
Movie Metropolis (309 KP) rated Independence Day: Resurgence (2016) in Movies
Jun 10, 2019
Good sci-fi, but a poor sequel
Independence Day: Resurgence has a lot in common with last year’s Jurassic World. They both are long-awaited sequels to fan-favourite blockbusters, bringing a new generation the same thrills and spills of their forbearers.
Unfortunately, it just so happens that they share the same pitfalls too. But is Independence Day: Resurgence a match for its 1996 predecessor? Or does it crash and burn?
Roland Emmerich returns to the director’s chair, bringing the same breadth of destruction he’s brought to all of his films. The Day After Tomorrow, 2012 and White House Down all prove he’s the master of the apocalypse and Resurgence is no exception.
As the Fourth of July nears, satellite engineer David Levinson (Jeff Goldblum) investigates a 3,000-mile-wide mother ship that’s approaching Earth. Fortunately, 20 years earlier, nations across the world started to use recovered extra-terrestrial technology to develop an immense defence program. When the alien invaders attack with unprecedented force, the U.S. president, teams of scientists and brave fighter pilots spring into action to save the planet from a seemingly invincible enemy.
Emmerich throws everything he can at the screen in a film just shy of two hours. The pace rarely lets up and it’s a rollercoaster ride to watch. Dozens of global landmarks are destroyed as our characters race to stop the new alien invasion.
Liam Hemsworth (The Hunger Games), Sela Ward (Gone Girl) and Jessie Usher make up the majority of the new cast with Bill Pullman and Judd Hirsch providing a warm sense of nostalgia from the first film. There’s no return for Will Smith, with Jessie Usher playing his step-son and his character is conveniently written out.
Unfortunately, despite the talents of the new cast, the script doesn’t really give them anything to sink their teeth into and the overabundance of, admittedly breath-taking CGI, means there’s nothing there for them to react to – and it shows. Nevertheless, it’s nice to see Jeff Goldblum front and centre after nearly a decade of small film roles.
It’s just a shame that the script is wholly unoriginal. We saw most of it done in 1996, and frankly done better. Since then, there have been countless generic sci-fi flicks that have pushed the same simple premise on their audience and Resurgence suffers due to its timing more than anything else.
Don’t get me wrong, it’s all good fun IF you’re a fan of the genre, and there are some nice references to the first film. The aliens themselves look fantastic and the cinematography is generally very impressive, especially during the aerial bound action sequences.
However, things unravel at the finale. With what is undoubtedly one of the most stupid endings ever put to film, it’s hard not to laugh in amazement as you ponder just what was said around the production table to end up with a final act as ill-advised as this.
Overall, Independence Day: Resurgence has a lot going for it. A likeable new and returning cast is bolstered by brilliant, if overused, CGI and a frantic pace. Unfortunately, it’s a victim of its timing and as such is a decent sci-fi flick, but a poor sequel to its fantastic predecessor.
https://moviemetropolis.net/2016/06/24/good-sci-fi-but-a-poor-sequel-independence-day-resurgence-review/
Unfortunately, it just so happens that they share the same pitfalls too. But is Independence Day: Resurgence a match for its 1996 predecessor? Or does it crash and burn?
Roland Emmerich returns to the director’s chair, bringing the same breadth of destruction he’s brought to all of his films. The Day After Tomorrow, 2012 and White House Down all prove he’s the master of the apocalypse and Resurgence is no exception.
As the Fourth of July nears, satellite engineer David Levinson (Jeff Goldblum) investigates a 3,000-mile-wide mother ship that’s approaching Earth. Fortunately, 20 years earlier, nations across the world started to use recovered extra-terrestrial technology to develop an immense defence program. When the alien invaders attack with unprecedented force, the U.S. president, teams of scientists and brave fighter pilots spring into action to save the planet from a seemingly invincible enemy.
Emmerich throws everything he can at the screen in a film just shy of two hours. The pace rarely lets up and it’s a rollercoaster ride to watch. Dozens of global landmarks are destroyed as our characters race to stop the new alien invasion.
Liam Hemsworth (The Hunger Games), Sela Ward (Gone Girl) and Jessie Usher make up the majority of the new cast with Bill Pullman and Judd Hirsch providing a warm sense of nostalgia from the first film. There’s no return for Will Smith, with Jessie Usher playing his step-son and his character is conveniently written out.
Unfortunately, despite the talents of the new cast, the script doesn’t really give them anything to sink their teeth into and the overabundance of, admittedly breath-taking CGI, means there’s nothing there for them to react to – and it shows. Nevertheless, it’s nice to see Jeff Goldblum front and centre after nearly a decade of small film roles.
It’s just a shame that the script is wholly unoriginal. We saw most of it done in 1996, and frankly done better. Since then, there have been countless generic sci-fi flicks that have pushed the same simple premise on their audience and Resurgence suffers due to its timing more than anything else.
Don’t get me wrong, it’s all good fun IF you’re a fan of the genre, and there are some nice references to the first film. The aliens themselves look fantastic and the cinematography is generally very impressive, especially during the aerial bound action sequences.
However, things unravel at the finale. With what is undoubtedly one of the most stupid endings ever put to film, it’s hard not to laugh in amazement as you ponder just what was said around the production table to end up with a final act as ill-advised as this.
Overall, Independence Day: Resurgence has a lot going for it. A likeable new and returning cast is bolstered by brilliant, if overused, CGI and a frantic pace. Unfortunately, it’s a victim of its timing and as such is a decent sci-fi flick, but a poor sequel to its fantastic predecessor.
https://moviemetropolis.net/2016/06/24/good-sci-fi-but-a-poor-sequel-independence-day-resurgence-review/
Movie Metropolis (309 KP) rated Only The Brave (2017) in Movies
Jun 10, 2019
One of the year's best films
Films based on true events are ten-a-penny these days. From 2015s stunning American Sniper and 2016s breath-taking Deepwater Horizon to the critically acclaimed Patriots Day, there seems to be no stopping the ‘true to life’ variety of movies that has suddenly become very popular.
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/