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BankofMarquis (1832 KP) rated The Trial of the Chicago 7 (2020) in Movies
Mar 28, 2021
Strong Ensemble Work
The good thing about my yearly exercise to check out all of the Oscar Nominated films in the "Major" Categories is that it forces me to watch films that are "one my list" but I just haven't gotten to them. THE TRIAL OF THE CHICAGO 7 is one of those types of films - an Aaron Sorkin Written and Directed project with a stellar cast about an important moment in United States History.
And...I'm glad I "forced myself" to watch this, for TRIAL OF THE CHICAGO 7 just might end up being my favorite film of 2020. It tells the tale of the trial of 8 (not 7 - they explain that difference in the film) leaders of revolutionary groups in the turbulent times that were the late 1960's in the United States and this film grasps the stakes that both sides are faced with in this historic time.
It all starts, of course, with the Writing and Directing of Aaron Sorkin (TV's THE WEST WING, A FEW GOOD MEN, MOLLY'S GAME) and it is some of his best work. Sorkin's writing style lends itself to this type of multi-player, multi-storyline story that all culminates into one story at the end. The words coming out of his character's mouths are insightful and true (if a bit over-blown for these characters) and they make you understand these characters - and their motivations - very well (whether the character is considered a "good" guy or a "bad" guy in this film).
The pedigree of Sorkin draws some wonderful actors to his works and THE TRIAL OF THE CHICAGO 7 is no different. Eddie Redmayne (Oscar Winner for THE THEORY OF EVERYTHING), Mark Rylance (Oscar Winner for BRIDGE OF SPIES), Ben Shenkman (Angels in America) and Joseph Gordon-Levitt (INCEPTION) all are at the top of their (considerably strong) games and Director/Writer Sorkin lets them all shine.
These 4 are good - but the next 6 are even better (yes...there is that many good to great performances in this film). Let's start with Jeremy Strong's (THE BIG SHORT) Jerry Rubin and Sacha Baron Cohen (BORAT) in his Oscar Nominated role of Abbie Hoffman. The embody the hippie culture of the '60's and bring gravitas and humor to the proceedings. Cohen earns his Oscar nomination by his "showey" role, but I would have been happy with just about any of the main Actor's being nominated.
Yahya Adbul-Mateen II (AQUAMAN) is powerful as Bobby Seale - the Black Panther Leader who is railroaded into this trial. He is supported by his friend, Fred Hampton - who I was glad to have learned more about in another Oscar nominated film this year, JUDAS AND THE BLACK MESSIAH.
Special notice needs to be made of a few veteran performers in this film - John Carrol Lynch (FARGO) has become a "mark of excellence" for me in films. Whenever he shows up in a project, I know that it will be worth my while for no other reason than his performance, and this film is no exception and Frank Langella EXCELS in the role of the Judge in the case, Julius Hoffman, and he is - beyond a doubt - the "bad guy" in this film, but he brings a humanity to his character and I "loved to hate" him. This performance stuck with me and I think that Langella deserved an Oscar nomination.
Finally...there is an extended cameo from a well known Hollywood performer (who I will not name, for I do not wish to spoil his appearance) as former Attorney General Ramsey Clark. This character was built up prior to his appearance as a powerhouse, and this actor did not disappoint.
This is a fantastic ensemble film that really transported me back to the '60's and the message at the heart of this film are as relevant today as back then. As I stated above, this is currently my favorite film of 2020, and it will only be replaced at the top by something very, very special
TRIAL OF THE CHICAGO 7 is currently streaming on Netflix and I highly recommend that you check it out.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I'm glad I "forced myself" to watch this, for TRIAL OF THE CHICAGO 7 just might end up being my favorite film of 2020. It tells the tale of the trial of 8 (not 7 - they explain that difference in the film) leaders of revolutionary groups in the turbulent times that were the late 1960's in the United States and this film grasps the stakes that both sides are faced with in this historic time.
It all starts, of course, with the Writing and Directing of Aaron Sorkin (TV's THE WEST WING, A FEW GOOD MEN, MOLLY'S GAME) and it is some of his best work. Sorkin's writing style lends itself to this type of multi-player, multi-storyline story that all culminates into one story at the end. The words coming out of his character's mouths are insightful and true (if a bit over-blown for these characters) and they make you understand these characters - and their motivations - very well (whether the character is considered a "good" guy or a "bad" guy in this film).
The pedigree of Sorkin draws some wonderful actors to his works and THE TRIAL OF THE CHICAGO 7 is no different. Eddie Redmayne (Oscar Winner for THE THEORY OF EVERYTHING), Mark Rylance (Oscar Winner for BRIDGE OF SPIES), Ben Shenkman (Angels in America) and Joseph Gordon-Levitt (INCEPTION) all are at the top of their (considerably strong) games and Director/Writer Sorkin lets them all shine.
These 4 are good - but the next 6 are even better (yes...there is that many good to great performances in this film). Let's start with Jeremy Strong's (THE BIG SHORT) Jerry Rubin and Sacha Baron Cohen (BORAT) in his Oscar Nominated role of Abbie Hoffman. The embody the hippie culture of the '60's and bring gravitas and humor to the proceedings. Cohen earns his Oscar nomination by his "showey" role, but I would have been happy with just about any of the main Actor's being nominated.
Yahya Adbul-Mateen II (AQUAMAN) is powerful as Bobby Seale - the Black Panther Leader who is railroaded into this trial. He is supported by his friend, Fred Hampton - who I was glad to have learned more about in another Oscar nominated film this year, JUDAS AND THE BLACK MESSIAH.
Special notice needs to be made of a few veteran performers in this film - John Carrol Lynch (FARGO) has become a "mark of excellence" for me in films. Whenever he shows up in a project, I know that it will be worth my while for no other reason than his performance, and this film is no exception and Frank Langella EXCELS in the role of the Judge in the case, Julius Hoffman, and he is - beyond a doubt - the "bad guy" in this film, but he brings a humanity to his character and I "loved to hate" him. This performance stuck with me and I think that Langella deserved an Oscar nomination.
Finally...there is an extended cameo from a well known Hollywood performer (who I will not name, for I do not wish to spoil his appearance) as former Attorney General Ramsey Clark. This character was built up prior to his appearance as a powerhouse, and this actor did not disappoint.
This is a fantastic ensemble film that really transported me back to the '60's and the message at the heart of this film are as relevant today as back then. As I stated above, this is currently my favorite film of 2020, and it will only be replaced at the top by something very, very special
TRIAL OF THE CHICAGO 7 is currently streaming on Netflix and I highly recommend that you check it out.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Trial of the Chicago 7 (2020) in Movies
Oct 24, 2020
The epic ensemble cast (1 more)
The direction from Aaron Sorkin
“Trial” is a less wordy triumph for Sorkin
So, "The Trial of the Chicago 7" is one which I was unfortunately unable to catch on its short "Oscar-nom" cinema release, but is now on Netflix. And boy, for older viewers who prefer historical drama over wham-bam action, this is definitely worth the watch.
I know a decent bit of 20th century history, but this is a story I knew nothing about. At the 1968 Democratic Convention in Chicago, anti-Vietnam protests resulted in a violent and brutal confrontation with the police. Eight of the ring-leaders were rounded up and charged with inciting the violence. What happens in the court with the eight convicted men, in front of an old and partisan judge (the wonderful Frank Langella), is simply amazing.
There's a nice wiki article on the history you can look up. But its worth watching the movie blind, since it's a great rollercoaster ride.
If you read my blog regularly, you'll know that one of my favourite of the awards in award season is the "Ensemble Cast" award from the Screen Actor's Guild (SAG). I think a good measure of which movies might be good candidates for this award is when you find it difficult to single out particular actors for an individual award when they all work so well together. For this is a cast to die for:
- Sacha Baron Cohen, as Abbie Hoffman: an intelligent 'straight' role, poles apart from Borat and Bruno, that he delivers on 100%;
- Jeremy Strong as Hoffman's buddy Jerry Rubin, doing an enormously entertaining turn;
- Eddie Redmayne as the apparently 'sensible one' Tom Hayden. A bit similar to his role in "Les Miserables", but diving off in a different direction at a key point;
- John Carroll Lynch as the genuine 'boy scout' David Dellinger, so good in "The Founder" and here as the only family man under the judgmental stare of his wife and son;
- Yahya Abdul-Mateen II as Black Panther member Bobby Seale - the "minus 1" from the title - in an astonishingly powerful performance;
- Joseph Gordon-Levitt as the prosecutor Richard Schultz - always quietly dependable;
- And the fantastic Mark Rylance as the defense attorney William Kunstler. I appreciate I am having a tendency to gush in this review, but Rylance expresses such a range of frustration and disgust here that his performance is nothing short of electrifying.
There's also a cracking cameo from Michael Keaton playing the former US Attorney General, Ramsey Clark.
I would think that any of these performances might be Oscar-worthy (somewhere in the Actor/Supporting Actor categories) but my personal choices would be Rylance for Best Actor and Baron Cohen and Langella for Best Supporting Actor nods.
One of my issues with the scripts of Aaron Sorkin is that they tend to be overly dense and wordy. In epic TV like "The West Wing" he could spread the dialogue over a whole series, but in a feature film it can become very dense and verbose. I found that in both of his last two films - "Molly's Game" and "Steve Jobs".
Here, in "The Trial of the Chicago 7", even though there's a lot of speechifying, to me it never felt over the top. Although an epic courtroom drama (akin to his debut script "A Few Good Men") the characters are given time to breath between the lines. And many of those lines are real zingers, particularly out of the mouth of stand-up anarchist Abbie Hoffman (Sacha Baron Cohen).
Aside from the script being a zinger, the direction here from Aaron Sorkin is also top-notch. If you thought a courtroom drama was going to be static and boring, think again. The camera never rests, and inserted flashbacks (excellent film editing from Alan Baumgarten) maintain the momentum of the story.
Overall, this is a movie tour-de-force from Sorkin, and a fantastic watch. Could this be a writing/directing double Oscar nom for Sorkin?
(For the full graphical review, check out the bob the movie man review here - https://rb.gy/y6bxtf . Thanks.)
I know a decent bit of 20th century history, but this is a story I knew nothing about. At the 1968 Democratic Convention in Chicago, anti-Vietnam protests resulted in a violent and brutal confrontation with the police. Eight of the ring-leaders were rounded up and charged with inciting the violence. What happens in the court with the eight convicted men, in front of an old and partisan judge (the wonderful Frank Langella), is simply amazing.
There's a nice wiki article on the history you can look up. But its worth watching the movie blind, since it's a great rollercoaster ride.
If you read my blog regularly, you'll know that one of my favourite of the awards in award season is the "Ensemble Cast" award from the Screen Actor's Guild (SAG). I think a good measure of which movies might be good candidates for this award is when you find it difficult to single out particular actors for an individual award when they all work so well together. For this is a cast to die for:
- Sacha Baron Cohen, as Abbie Hoffman: an intelligent 'straight' role, poles apart from Borat and Bruno, that he delivers on 100%;
- Jeremy Strong as Hoffman's buddy Jerry Rubin, doing an enormously entertaining turn;
- Eddie Redmayne as the apparently 'sensible one' Tom Hayden. A bit similar to his role in "Les Miserables", but diving off in a different direction at a key point;
- John Carroll Lynch as the genuine 'boy scout' David Dellinger, so good in "The Founder" and here as the only family man under the judgmental stare of his wife and son;
- Yahya Abdul-Mateen II as Black Panther member Bobby Seale - the "minus 1" from the title - in an astonishingly powerful performance;
- Joseph Gordon-Levitt as the prosecutor Richard Schultz - always quietly dependable;
- And the fantastic Mark Rylance as the defense attorney William Kunstler. I appreciate I am having a tendency to gush in this review, but Rylance expresses such a range of frustration and disgust here that his performance is nothing short of electrifying.
There's also a cracking cameo from Michael Keaton playing the former US Attorney General, Ramsey Clark.
I would think that any of these performances might be Oscar-worthy (somewhere in the Actor/Supporting Actor categories) but my personal choices would be Rylance for Best Actor and Baron Cohen and Langella for Best Supporting Actor nods.
One of my issues with the scripts of Aaron Sorkin is that they tend to be overly dense and wordy. In epic TV like "The West Wing" he could spread the dialogue over a whole series, but in a feature film it can become very dense and verbose. I found that in both of his last two films - "Molly's Game" and "Steve Jobs".
Here, in "The Trial of the Chicago 7", even though there's a lot of speechifying, to me it never felt over the top. Although an epic courtroom drama (akin to his debut script "A Few Good Men") the characters are given time to breath between the lines. And many of those lines are real zingers, particularly out of the mouth of stand-up anarchist Abbie Hoffman (Sacha Baron Cohen).
Aside from the script being a zinger, the direction here from Aaron Sorkin is also top-notch. If you thought a courtroom drama was going to be static and boring, think again. The camera never rests, and inserted flashbacks (excellent film editing from Alan Baumgarten) maintain the momentum of the story.
Overall, this is a movie tour-de-force from Sorkin, and a fantastic watch. Could this be a writing/directing double Oscar nom for Sorkin?
(For the full graphical review, check out the bob the movie man review here - https://rb.gy/y6bxtf . Thanks.)
Sarah (7798 KP) rated The Trial of the Chicago 7 (2020) in Movies
Oct 19, 2020 (Updated Oct 19, 2020)
Fascinating
The Trial of the Chicago 7 is Aaron Sorkin’s second foray into directing, a dramatisation of the true story of 7 people on trial following the events at the 1968 Democratic National Convention in Chicago, Illinois.
The film centres around what is effectively a sham of a trial, and aside from a few flashbacks and prep scenes, it is virtually set entirely in the courtroom for the 2+ hour duration. There aren’t many films that can pull this off and aside from a slight lull in the middle, The Trial of the Chicago 7 manages this impressively well and this is mainly down to Aaron Sorkin himself and his rather stellar cast. It also helps that the story itself is a fascinating one. I knew nothing about the trial, the people or even the protests in Chicago, so watching this was a rather disturbing eye opener. It’s a truly compelling and interesting story which has a great deal of relevance to today’s politics – Netflix Ken what they were doing releasing this close to election time!
I’m a long time fan of Sorkin’s writing and alongside his directing, it definitely does not disappoint here. His usual sharp and quick witted dialogue is ever present and is delivered flawless by the marvellous cast. Sorkin even manages to throw in a few laughs which considering the rather serious aspects of the story is no mean feat, and these are often delivered from the ‘bromance’ between Sacha Baron Cohen’s Abbie Hoffman and Jeremy Strong’s Jerry Rubin. However every single member of this ensemble cast shines individually. From Mark Rylance’s exasperated lawyer William Kunstler to Frank Langella’s rather evil and incompetent judge, from Joseph Gordon Levitt’s prosecutor with a conscience to Eddie Redmayne’s intellectual Hayden. Even Michael Keaton who has a blink and you’ll miss it role as a former Attorney General is brilliant. I couldn’t pinpoint a single person in this case who excels above another as they are all fantastic.
I don’t believe this film is perfect. There is a slight lull in the middle due to the mostly courtroom setting, even with the cracking dialogue, and whilst I did enjoy Sorkin’s directing style, I did wonder if this film looked a little too slick and polished overall. The story is dark, gritty and rather disturbing when you think of the political and racial undertones and motivations, and the film itself doesn’t always reflect this – the ending especially is very moving, but feels a little too happy and Hollywood. I’d also question why not all of the major characters were included in the intertitles detailing what happened to the individuals after the events of this film. Considering it was such a balanced cast, it seemed odd not to include all the main characters especially for those who don’t know the real life history.
Overall this is a fantastic dialogue and performance driven film. Sorkin is without a doubt a master of the legal and political drama, and if you’re a fan of his earlier work then this is definitely one worth watching. Whilst “enjoyable” may not be the most appropriate word considering the subject matter, this is a hugely interesting and entertaining watch.
The film centres around what is effectively a sham of a trial, and aside from a few flashbacks and prep scenes, it is virtually set entirely in the courtroom for the 2+ hour duration. There aren’t many films that can pull this off and aside from a slight lull in the middle, The Trial of the Chicago 7 manages this impressively well and this is mainly down to Aaron Sorkin himself and his rather stellar cast. It also helps that the story itself is a fascinating one. I knew nothing about the trial, the people or even the protests in Chicago, so watching this was a rather disturbing eye opener. It’s a truly compelling and interesting story which has a great deal of relevance to today’s politics – Netflix Ken what they were doing releasing this close to election time!
I’m a long time fan of Sorkin’s writing and alongside his directing, it definitely does not disappoint here. His usual sharp and quick witted dialogue is ever present and is delivered flawless by the marvellous cast. Sorkin even manages to throw in a few laughs which considering the rather serious aspects of the story is no mean feat, and these are often delivered from the ‘bromance’ between Sacha Baron Cohen’s Abbie Hoffman and Jeremy Strong’s Jerry Rubin. However every single member of this ensemble cast shines individually. From Mark Rylance’s exasperated lawyer William Kunstler to Frank Langella’s rather evil and incompetent judge, from Joseph Gordon Levitt’s prosecutor with a conscience to Eddie Redmayne’s intellectual Hayden. Even Michael Keaton who has a blink and you’ll miss it role as a former Attorney General is brilliant. I couldn’t pinpoint a single person in this case who excels above another as they are all fantastic.
I don’t believe this film is perfect. There is a slight lull in the middle due to the mostly courtroom setting, even with the cracking dialogue, and whilst I did enjoy Sorkin’s directing style, I did wonder if this film looked a little too slick and polished overall. The story is dark, gritty and rather disturbing when you think of the political and racial undertones and motivations, and the film itself doesn’t always reflect this – the ending especially is very moving, but feels a little too happy and Hollywood. I’d also question why not all of the major characters were included in the intertitles detailing what happened to the individuals after the events of this film. Considering it was such a balanced cast, it seemed odd not to include all the main characters especially for those who don’t know the real life history.
Overall this is a fantastic dialogue and performance driven film. Sorkin is without a doubt a master of the legal and political drama, and if you’re a fan of his earlier work then this is definitely one worth watching. Whilst “enjoyable” may not be the most appropriate word considering the subject matter, this is a hugely interesting and entertaining watch.