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Hold on just one moment, please. *Reflects* Ahem. Okay. Now, I can review this book. This book. What can say about this poignant, stunning novel of epic proportions? I can tell you that this book will pull you in and twist you up inside, as you get to know Hephzibah, or Ishma as she's first known. The pages within this book come to life, the characters moving before you like you are really there, learning of Isaiah, Hephzibah,Yaira,Hezekiah and all the happenings of Jerusalem.

Seeing all that young Ishma went through, really tugged at my heart. Watching her grow with Hezekiah was an experience I won't soon forget. I felt all of Zibah's feelings, all her pain and love for the Father. I cried when Isaiah and his wife adopted Zibah, I cried when Hezekiah and Zibah fell in love, I cried when I reached the end of this amazing novel.

This book is a book of true love. Of sacrificial love. Of a love that will never end, both within family, even if it's not blood family, and the never ending love of our amazing Father above. This story is utterly heartbreaking, yet it's heart-reviving. It is rich in detail, it is throroughly researched, and it's stitched perfectly together like that of a beautiful handmade quilt.

Ms. Andrews has gone beyond 5 stars with this book. This book is so much more than just that. If you want a book that will carry you away to a land, and a time, that we've only read about in the Bible and imagined with our minds and hearts, then this is a book for you. If you want a book that steals your mind, and soul long after you've shut the book, then this is for you. If you want a book that will leave you contemplating all you've learned in Bible study, then please, look no further than the first book in a Biblical series that is sure to be a best seller.
 
*I received a complimentary copy of this book from publisher and was under no obligation to post a review, positive or negative.*
  
Murder on the Orient Express (2017)
Murder on the Orient Express (2017)
2017 | Drama, Mystery
It is 1934, and our moustachioed detective has just solved a theft in Jerusalem. He looks forward to resting in Istanbul, but his break is interrupted with the news that he must return to London for a case. It seems like Poirot's luck is in, having just met his friend who is director of the Orient Express.

Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.

That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.



First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.

Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?

Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.

As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.