Chain of Iron
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The Collector's First Edition features ten black-and-white character silhouettes by celebrated...
A Tiger Rose Out of Georgia: Tiger Flowers - Champion of the World
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Theodore 'Tiger' Flowers rose above the racist bigotry of the Deep South to become the first...
Charlie Cobra Reviews (1840 KP) rated Triple Threat (2019) in Movies
Jul 7, 2020
In Thailand, Payu (Tony Jaa) and Long Fei (Tiger Chen) are enlisted by a soldier named Deveraux (Michael Jai White), on a humanitarian mission to free prisoners. Deveraux's crew shoot up the village, including a soldier named Jaka's (Iko Uwais) wife to accomplish their real mission, to free their leader, Collins (Scott Atkins), a mass terrorist. A crime syndicate places a hit on a billionaire's daughter, making her the target of Collins and his squad of elite assassins. Jaka uses Payu and Long Fei as bait to draw out Collins while they all protect the girl from the assassins.
This movie was a smorgasbord of action. Probably one of the best action movies of the year, if you're judging it solely on its fighting scenes. It was awesome to see so many great movie martial artists in one movie, it was like an Expendables movie. I loved these actors in their own respective movies, so it was a real treat to see them all come together for this one film. That being said the acting wasn't the best when it came to the scenes that weren't action sequences and the plot/story could have been more developed. But I still enjoyed it. I'm usually a sucker for revenge movies anyway though. If you're looking for a great action movie full of awesome martial arts fighting, then this is the movie for you. I give this movie a 7/10.
The Breaking Bad Cookbook
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For five seasons, Walter White and Jesse Pinkman were undisputedly the greatest cooks in North...
BackToTheMovies (56 KP) rated Triple Threat (2019) in Movies
Jun 26, 2019
Starring an action fan’s dream team of Iko Uwais, Scott Adkins, Michael Jai White, Tony Jaa, and Tiger Chen. The various beat-downs that these guys dish out look beyond lethal. I loved the real-deal explosions and Jonathan Hall’s slick and steady cinematography which highlighted the insane choreography. Matthew Lorentz’s crisp editing wastes not a moment of the basic but hard-charging script by Joey O’Bryan, Fangjin Song, and Paul Staheli. But let’s be honest, we’re not here to experience Shakespearean-level swaths of dialogue. Triple Threat exists as an outlet for extreme thrills and near-constant mayhem.
Breaking Bad: A Cultural History
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As one of the most critically acclaimed shows of all time, Breaking Bad explored the life and crimes...
From Jack Johnson to Lebron James: Sports, Media, and the Color Line
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The campaign for racial equality in sports has both reflected and affected the campaign for racial...
Bob Mann (459 KP) rated Game Night (2018) in Movies
Sep 29, 2021 (Updated Sep 29, 2021)
Auditions for the next Spiderman movie were not going well.
But Max is not content (affecting the mobility of his fishes!) as he has a severe inferiority complex about his enormously successful and cocky older brother Brooks (Kyle Chandler, “Manchester by the Sea“) who beats him at EVERYTHING. When Brooks barges into their game night things get heated and after he organises the next game night as “something different” things take a sharp left into The Twilight Zone.
Bateman, McAdams and Chandler, with game night about to go in an odd direction.
As befits the quality of most modern American comedy films, its all complete nonsense of course. But actually, this is quite good nonsense. The script by Mark Perez (his first movie script in 12 years!) while following a fairly predictable path early in the film is littered with some good one-liners and funny scenes (a bullet-removal is a high-spot) and includes a memorable twist in the final real that I didn’t see coming.
Ryan and Sarah (Billy Magnussen and Sharon Horgan) about to get egged on. (There is a certain lack of logic in the action that follows).
Much of this is powered by the chemistry between Bateman and McAdams. McAdams in particular should do more comedy, as she is very adept at it. Playing the one bright spark in a parade of vacuousness, English comedienne Sharon Horgan also adds a butt to Magnussen’s one-tone joke very effectively. The surprising comedy player though is Jesse Plemons who I thought was just uncomfortably hilarious.
Jesse Plemons and his very white hairy friend.
It is normally unusual to find special effects in a film like this, but here the team (headed up by Dean Tyrrell) should be congratulated for some very subtle but effective effects. Most of the long shots in the film of the neighbourhood/streets etc. are of models which only fade to live action as you zoom in. In the opening drone-fly-over of Max and Annie driving home I thought all the housing looked model-like but as we zoomed into them arriving home I thought I must have imagined in. Only in the subsequent scenes did I realise I was right after all! But it’s so very subtle. I suspect many of the audience were similarly fooled (and many who’ve seen the film and are reading this will be still going “what??”)! There’s a kind of explanation for the randomness of these effects during the (very entertaining) end-titles.
Bullet removal with squeaky toy gag… very funny.
It’s unusual for me to laugh at a comedy so much, but this one I really did. Every comedy film is allowed a little latitude to get the odd strand wrong, and this one is no exception (I didn’t think the spat between Kevin and Michelle really worked)… so it’s not perfect, but novice directors John Francis Daley and Jonathan Goldstein (who’s only previous film project was 2015’s clearly missable “Vacation”) have pulled off a really entertaining watch here.