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LeftSideCut (3778 KP) rated Frank Miller's Sin City: A Dame to Kill For (2014) in Movies
Jan 17, 2021
I think that I actually prefer A Dame to Kill For over the first Sin City...
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
Gareth von Kallenbach (965 KP) rated Fantastic Four (2005) in Movies
Aug 14, 2019
In 1994, a low budget film was created in order to preserve the film rights to one of Marvel Comics popular series The Fantastic 4. Created by comic legend Stan Lee, the comic tells the ongoing tales of four people who were endowed with amazing powers after accidental exposure to an element in space.
The film was never released and has gone on to become a popular bootleg amongst comic fans. The ensuing rights for the film were also sold, and for almost a decade Fox has worked in bringing the comic to the big screen.
After years of languishing, the film finally got on the fast track and under the helm of Director Tim Story and features a dynamic cast headed by some of the biggest emerging superstars in Hollywood.
Ioan Gruffudd stars as Reed Richards, a brilliant yet recently bankrupt scientist who, along with his friend Ben Grimm (Michael Chiklis), is visiting famed scientist Victor Von Doom (Julian Mc Mahon), in an effort to get his latest venture funded.
Reed is convinced that an approaching storm in space is the key to unlocking vast amounts of genetic secrets and that the shielding on Doom’s space station allows for safe study of the very rare phenomenon.
Doom agrees to the venture in exchange for 75% of all revenue generated from the findings and that he gets to assign certain people to the mission. Among them are Sue Storm (Jessica Alba), and her pilot brother Johnny (Chris Evans). The fact that Sue is Reed’s ex is a source of tension within the group, as she is obviously still hurt and bitter over Reed’s inability to look at her and life in ways that are not based upon analytical science.
Despite the issues, the crew arrives at the station and the test is going according to plan. That is until an unexpected situation arises, which causes the team to get caught in the storm with the shields lowered, exposing them all to the storm’s radiation.
Back on earth, the crew awakens to find themselves in quarantine and suffering no ill effects from the accident. The failure of the mission is of great concern for Doom. His investors are using this as a reason to pull their support, which in turn is causing his stock to drop rapidly.
In time, Reed, Sue, Johnny, and Ben start to show amazing abilities resulting from their exposure to the storm. Johnny can become a human fireball, Reed can stretch his body to amazing lengths, Sue can become invisible and project force fields, and Ben has become a living wall of rock, capable of great feats of strength.
Since Ben is no longer able to pass as a human, he feels like a freak and is shunned by his wife, causing him much anger and depression. It is due to this that the team becomes noticed by the media who dub them the Fantastic 4 after watching them in action.
The resulting fame causes the team to withdraw, save for Johnny who basks in the glory and attention heaped upon him. It is against this changing dynamic that the team must find a way to restore themselves to their normal state and to discover what is causing their new found abilities.
The Fantastic 4 are not the only ones who changed. Doom is becoming more and more angry and violent as he blames Reed for the failure of his company. Victor also has the ability to hurl deadly bolts of energy from his body which is quickly becoming metallic.
As fans of the comic know, it will not take long for Doom and the Fantastic 4 to face off, paving the way for a final confrontation. While I went in not expecting much from the film, I must say I was surprised. Yes, the film has a thin plot, and fairly basic characters and action, but it is also above all fun.
The dynamic between the characters is enjoyable, as is the humor which accurately captures the tone and feel of the comic. Some purists will take exception with some of the liberties taken, such as Doom being on the trip to space and other variations on his character which are not part of the original comic.
Alba and Evans tend to come off at times as airheads but they stay true to their characters throughout. Gruffudd plays Reed with modesty and charm that works well in the film and shows that he is a star on the rise. Praise should be heaped upon Chiklis and McMahon who could easily have become lost behind their costumes. Theygive very human and compelling performances. Chiklis captures the duality of Grimm as he battles his despair over his physical appearance with his desire to do what is right. McMahon does riveting work as the man pushed over the edge and becomes fueled by a desire for revenge and power. The fury and evil upon his face and in his walk shows him as a man of menace and danger.
I for one would have liked to have seen a bit more action in the film but as it stands, it is not as bad as some of the trailers hinted that it might be. If you do not mind thin plots and characters, you may be able to sit back and enjoy this film for what it is, a simple summer escape. Here is hoping that we will see the “Fantastic 4” up on the big screen as the next franchise series from Marvel.
The film was never released and has gone on to become a popular bootleg amongst comic fans. The ensuing rights for the film were also sold, and for almost a decade Fox has worked in bringing the comic to the big screen.
After years of languishing, the film finally got on the fast track and under the helm of Director Tim Story and features a dynamic cast headed by some of the biggest emerging superstars in Hollywood.
Ioan Gruffudd stars as Reed Richards, a brilliant yet recently bankrupt scientist who, along with his friend Ben Grimm (Michael Chiklis), is visiting famed scientist Victor Von Doom (Julian Mc Mahon), in an effort to get his latest venture funded.
Reed is convinced that an approaching storm in space is the key to unlocking vast amounts of genetic secrets and that the shielding on Doom’s space station allows for safe study of the very rare phenomenon.
Doom agrees to the venture in exchange for 75% of all revenue generated from the findings and that he gets to assign certain people to the mission. Among them are Sue Storm (Jessica Alba), and her pilot brother Johnny (Chris Evans). The fact that Sue is Reed’s ex is a source of tension within the group, as she is obviously still hurt and bitter over Reed’s inability to look at her and life in ways that are not based upon analytical science.
Despite the issues, the crew arrives at the station and the test is going according to plan. That is until an unexpected situation arises, which causes the team to get caught in the storm with the shields lowered, exposing them all to the storm’s radiation.
Back on earth, the crew awakens to find themselves in quarantine and suffering no ill effects from the accident. The failure of the mission is of great concern for Doom. His investors are using this as a reason to pull their support, which in turn is causing his stock to drop rapidly.
In time, Reed, Sue, Johnny, and Ben start to show amazing abilities resulting from their exposure to the storm. Johnny can become a human fireball, Reed can stretch his body to amazing lengths, Sue can become invisible and project force fields, and Ben has become a living wall of rock, capable of great feats of strength.
Since Ben is no longer able to pass as a human, he feels like a freak and is shunned by his wife, causing him much anger and depression. It is due to this that the team becomes noticed by the media who dub them the Fantastic 4 after watching them in action.
The resulting fame causes the team to withdraw, save for Johnny who basks in the glory and attention heaped upon him. It is against this changing dynamic that the team must find a way to restore themselves to their normal state and to discover what is causing their new found abilities.
The Fantastic 4 are not the only ones who changed. Doom is becoming more and more angry and violent as he blames Reed for the failure of his company. Victor also has the ability to hurl deadly bolts of energy from his body which is quickly becoming metallic.
As fans of the comic know, it will not take long for Doom and the Fantastic 4 to face off, paving the way for a final confrontation. While I went in not expecting much from the film, I must say I was surprised. Yes, the film has a thin plot, and fairly basic characters and action, but it is also above all fun.
The dynamic between the characters is enjoyable, as is the humor which accurately captures the tone and feel of the comic. Some purists will take exception with some of the liberties taken, such as Doom being on the trip to space and other variations on his character which are not part of the original comic.
Alba and Evans tend to come off at times as airheads but they stay true to their characters throughout. Gruffudd plays Reed with modesty and charm that works well in the film and shows that he is a star on the rise. Praise should be heaped upon Chiklis and McMahon who could easily have become lost behind their costumes. Theygive very human and compelling performances. Chiklis captures the duality of Grimm as he battles his despair over his physical appearance with his desire to do what is right. McMahon does riveting work as the man pushed over the edge and becomes fueled by a desire for revenge and power. The fury and evil upon his face and in his walk shows him as a man of menace and danger.
I for one would have liked to have seen a bit more action in the film but as it stands, it is not as bad as some of the trailers hinted that it might be. If you do not mind thin plots and characters, you may be able to sit back and enjoy this film for what it is, a simple summer escape. Here is hoping that we will see the “Fantastic 4” up on the big screen as the next franchise series from Marvel.
Gareth von Kallenbach (965 KP) rated Fantastic Four: Rise of the Silver Surfer (2007) in Movies
Aug 14, 2019
Since audiences last visited the crime busting quartet, the group has become media darlings, and the impending wedding of two of the team members, Mr. Fantastic (Ioan Gruffudd), and Sue Storm (Jessica Alba), has become media frenzy.
As plans for the wedding move forward, and Sue is confident that the wedding will not be postponed by another crisis, unaware that the greatest threat the earth has ever known is about to put very existence of the world in their hands.
When a mysterious Silver Surfer arrives on Earth leaving a path of chaos in his wake, it falls to the Fantastic Four, to get to the bottom of the threat and stop it as only they can. A chance encounter with the Surfer leads Johnny Storm (Chris Evans), on a high-speed race across the land which ultimately leads to a startling and at times comedic discovery. The surfer has the ability to disrupt what it touches and in the chase of Johnny, causes him to swap powers with any team member he touches.
While this is a potential disaster for Johnny, it does lead to some hilarious moments between him, Sue, and the Rock Laden The Thing, (Michael Chiklis), and ultimately leads Mr. Fantastic to devise a new way to track when and where the Surfer will appear.
The Silver Surfer is not the only danger facing the team, as the arrival of the Surfer has somehow revived the teams arch nemesis Dr. Doom (Julian Mc Mahon), who becomes obsesses with the Surfer and his secrets and forms a tenuous alliance with the Fantastic Four, despite their serious misgivings about trusting Doom.
Eventually it is learned that the Surfer is simply a harbinger for a much greater threat, Galactus, a being who eats planets to survive and who has determined the earth to be his next feats.
With the clock ticking, the team must battle, Dr. Doom, The Surfer, and each other as they try to unlock the mystery behind the surfer and save the world before it is too late.
The film though light on plot and character development, is a lot of fun and is a surprisingly enjoyable summer popcorn film. It does not try to be as haughty and pretentious as some past comic book film, and makes the most of its 89 minute run time without dragging itself out unnecessarily.
The cast works well with one another, and there are some good moments of humor to go with some well done action sequences that stay within themselves and the story rather than being the only point of the film.
If I had to find fault with the film, it would be that Dr. Doom is not really used much in the film and seems almost an afterthought to the story. He is supposed to be the ultimate villan but his real motives are only explained on a very superficial level which really detract from his effective use in the story. Another issue that the action was a bit less than I had expected it to be, especially the fact that the team is rarely seen in combat, and instead use the bulk of their powers in comedic or rescue efforts. I really would have liked to have seen the full power of the team used against a bad guy in an ongoing battle, instead of a few moments here or there.
In a summer where most of the offerings have failed to live up to expectations, this is a film that knows what it is, and does not try to be anything more than that. In doing so, the audience is treated to a briskly paced action adventure that delivers the goods, and does not promise more than it can deliver.
As plans for the wedding move forward, and Sue is confident that the wedding will not be postponed by another crisis, unaware that the greatest threat the earth has ever known is about to put very existence of the world in their hands.
When a mysterious Silver Surfer arrives on Earth leaving a path of chaos in his wake, it falls to the Fantastic Four, to get to the bottom of the threat and stop it as only they can. A chance encounter with the Surfer leads Johnny Storm (Chris Evans), on a high-speed race across the land which ultimately leads to a startling and at times comedic discovery. The surfer has the ability to disrupt what it touches and in the chase of Johnny, causes him to swap powers with any team member he touches.
While this is a potential disaster for Johnny, it does lead to some hilarious moments between him, Sue, and the Rock Laden The Thing, (Michael Chiklis), and ultimately leads Mr. Fantastic to devise a new way to track when and where the Surfer will appear.
The Silver Surfer is not the only danger facing the team, as the arrival of the Surfer has somehow revived the teams arch nemesis Dr. Doom (Julian Mc Mahon), who becomes obsesses with the Surfer and his secrets and forms a tenuous alliance with the Fantastic Four, despite their serious misgivings about trusting Doom.
Eventually it is learned that the Surfer is simply a harbinger for a much greater threat, Galactus, a being who eats planets to survive and who has determined the earth to be his next feats.
With the clock ticking, the team must battle, Dr. Doom, The Surfer, and each other as they try to unlock the mystery behind the surfer and save the world before it is too late.
The film though light on plot and character development, is a lot of fun and is a surprisingly enjoyable summer popcorn film. It does not try to be as haughty and pretentious as some past comic book film, and makes the most of its 89 minute run time without dragging itself out unnecessarily.
The cast works well with one another, and there are some good moments of humor to go with some well done action sequences that stay within themselves and the story rather than being the only point of the film.
If I had to find fault with the film, it would be that Dr. Doom is not really used much in the film and seems almost an afterthought to the story. He is supposed to be the ultimate villan but his real motives are only explained on a very superficial level which really detract from his effective use in the story. Another issue that the action was a bit less than I had expected it to be, especially the fact that the team is rarely seen in combat, and instead use the bulk of their powers in comedic or rescue efforts. I really would have liked to have seen the full power of the team used against a bad guy in an ongoing battle, instead of a few moments here or there.
In a summer where most of the offerings have failed to live up to expectations, this is a film that knows what it is, and does not try to be anything more than that. In doing so, the audience is treated to a briskly paced action adventure that delivers the goods, and does not promise more than it can deliver.
Bob Mann (459 KP) rated Independence Day: Resurgence (2016) in Movies
Sep 29, 2021
Why Will Smith is a wise, wise man.
I’m catching up on a few of the big films I missed during 2016. But Roland Emmerich has a lot to answer for with this one. Twenty years after Independence Day smashed the summer box office of 1996, the aliens are back: bigger and badder than ever. Steven Hiller (Will Smith) is no longer on the scene but, to give Emmerich a little credit, he has gathered an impressive array of the original stars to return led by Hiller’s wife Jasmine (Vivica Fox), President Whitmore (Bill Pullman), Dr Okun (Brent Spiner), David Levinson (Jeff Goldblum) and his dad (Judd Hirsch). The great Robert Loggia even turns up, who played the original General Grey, looking like he is about to expire (which unfortunately he did late last year, and the film is in memorial to him). All of them have weathered over the years apart from Judd Hirsch who must have a picture in his attic.
Playing the new generation (Hiller’s young son Dylan and the president’s daughter Patricia) are Jessie Usher and the comely Maika Monroe respectively, the latter having the pout of a young Jessica Alba and showing promise. Rounding off the young ‘uns, and playing an enormously irritating hunk/hero and his sidekick buddy are Jake (Liam Hemsworth – yes, younger brother of Chris) and Floyd (Nicolas Wright). And with the obvious needs of summer blockbusters to appeal to the ravenous Chinese market there is also Shanghai-born Angelababy as a young hotshot pilot and Chin Han as her uncle, moonbase commander Commander Jiang.
It’s hard to know where to start with criticism of this film. It’s like you’ve caught someone desecrating the grave of a dearly departed relative. The plot is ludicrous…. Uh oh…here comes another One Mann’s Movies Showcase Theatre….
The scene: onboard the alien craft high above central Asia
DRONE K’FAALL: “The use of the anti-gravity weapon worked a treat your Majesty. We have ripped up Shanghai and dumped in from a great height on London! Take that Queenie! All hail our weapons superiority! I take it we should just ‘rinse and repeat’ around the world to wipe them all out? ”
QUEEN ALIEN BEE: “No K’Fall. Let’s land in the Atlantic and then go fight them one-on-one with our little ships in the desert near Area 51.”
DRONE K’FALL: “B-b-b-but your Majesty, with our gravity weapon we could eliminate all threat, drill out the earth’s core and find what we came here for in perfect safety!”.
QUEEN ALIEN BEE: “No… that’s just what they’ll be expecting us to do…”
I thought the Oscar for the dumbest aliens of the year was a shoe-in for the ones who chose a similar tactic in “The 5th Wave” – but no… we have another contender for the crown. This ridiculous London-based CGI sequence – a virtual re-shoot of the ridiculous CGI sequence in Emmerich’s “2012” where John Cusack is fleeing by plane a collapsing Los Angeles – is mitigated only by Goldblum’s witty comment about them “Always going for the landmarks” – the best line in the film.
Elsewhere, the story and screenplay – by an army of writers (never a good sign) – is risible and an insult to intelligence, alien or otherwise. The ludicrous plot points go on and on…
Why on earth is the single landed alien craft from 1996 owned by an African warlord? If mankind have ‘benefited’ so much from the alien technology that must surely have been through the UN-dismantling of that ship?
There seems to be no logical connection between the “visions” (stolen from “Close Encounters”) and the alien craft. The visions might have well have been of the alien’s last shopping list (“six cans of Kraag beans; one bottle of Vollufi ale; … “);
The alien craft is big enough to span the WHOLE Atlantic when it lands, but – who would believe it? – comes to a stop with its edge in Washington JUST ENOUGH to dip the White House flag to a jaunty angle. #cringe;
The alien ship – apparently open to the elements – allows our heroic hunks to wander around without spacesuits;
Breathless… or not. Jessie T Usher and Liam Hemsworth (foreground) not dying of asphyxiation or cold.
At one point it looked like our curvaceous heroine was going to defeat the alien queen in good ol’ Wild West fashion armed only with a handgun (but no, my head could come out of my hands again);
And don’t even get me started on the opening “excitement” about propping up a collapsing supergun on the moon with a spaceship. Gerry Anderson would be spinning in his grave.
The dialogue is little better. The original “Independence Day” was probably most famous for two scenes: the impressive destruction of the White House and Bill Paxton’s ludicrously corny “We will not go quietly into the night” speech. Here trying to go one better we have not just one version of this but two with William Fichner’s General Adams chipping one in from the rough before Paxton delivers an impromptu hanger speech that is toe-curlingly excruciating.
Much of the acting is of the “I really don’t want to be here but it’s good for the pension” variety with Paxton and Goldblum going through the motions and Charlotte Gainsborough being horribly miscast as a French anthropologist running around the world on the trail of Pokemon Go characters… or symbols… or something. Only Brent Spiner and Judd Hirsch really get into their stride with likeably over-the-top performances.
Goldblum and Charlotte Gainsborough. A less likely historic romantic attachment its difficult to imagine.
If this was a standalone story it might scrape a double-Fad… but as it so horrendously sullies a classic movie experience it incurs my cinematic wrath. It might have made Roland Emmer-richer (sic)…. but my recommendation would be to get a big bag of popcorn, the original 1996 movie on DVD and enjoy. Avoid, avoid, avoid.
Playing the new generation (Hiller’s young son Dylan and the president’s daughter Patricia) are Jessie Usher and the comely Maika Monroe respectively, the latter having the pout of a young Jessica Alba and showing promise. Rounding off the young ‘uns, and playing an enormously irritating hunk/hero and his sidekick buddy are Jake (Liam Hemsworth – yes, younger brother of Chris) and Floyd (Nicolas Wright). And with the obvious needs of summer blockbusters to appeal to the ravenous Chinese market there is also Shanghai-born Angelababy as a young hotshot pilot and Chin Han as her uncle, moonbase commander Commander Jiang.
It’s hard to know where to start with criticism of this film. It’s like you’ve caught someone desecrating the grave of a dearly departed relative. The plot is ludicrous…. Uh oh…here comes another One Mann’s Movies Showcase Theatre….
The scene: onboard the alien craft high above central Asia
DRONE K’FAALL: “The use of the anti-gravity weapon worked a treat your Majesty. We have ripped up Shanghai and dumped in from a great height on London! Take that Queenie! All hail our weapons superiority! I take it we should just ‘rinse and repeat’ around the world to wipe them all out? ”
QUEEN ALIEN BEE: “No K’Fall. Let’s land in the Atlantic and then go fight them one-on-one with our little ships in the desert near Area 51.”
DRONE K’FALL: “B-b-b-but your Majesty, with our gravity weapon we could eliminate all threat, drill out the earth’s core and find what we came here for in perfect safety!”.
QUEEN ALIEN BEE: “No… that’s just what they’ll be expecting us to do…”
I thought the Oscar for the dumbest aliens of the year was a shoe-in for the ones who chose a similar tactic in “The 5th Wave” – but no… we have another contender for the crown. This ridiculous London-based CGI sequence – a virtual re-shoot of the ridiculous CGI sequence in Emmerich’s “2012” where John Cusack is fleeing by plane a collapsing Los Angeles – is mitigated only by Goldblum’s witty comment about them “Always going for the landmarks” – the best line in the film.
Elsewhere, the story and screenplay – by an army of writers (never a good sign) – is risible and an insult to intelligence, alien or otherwise. The ludicrous plot points go on and on…
Why on earth is the single landed alien craft from 1996 owned by an African warlord? If mankind have ‘benefited’ so much from the alien technology that must surely have been through the UN-dismantling of that ship?
There seems to be no logical connection between the “visions” (stolen from “Close Encounters”) and the alien craft. The visions might have well have been of the alien’s last shopping list (“six cans of Kraag beans; one bottle of Vollufi ale; … “);
The alien craft is big enough to span the WHOLE Atlantic when it lands, but – who would believe it? – comes to a stop with its edge in Washington JUST ENOUGH to dip the White House flag to a jaunty angle. #cringe;
The alien ship – apparently open to the elements – allows our heroic hunks to wander around without spacesuits;
Breathless… or not. Jessie T Usher and Liam Hemsworth (foreground) not dying of asphyxiation or cold.
At one point it looked like our curvaceous heroine was going to defeat the alien queen in good ol’ Wild West fashion armed only with a handgun (but no, my head could come out of my hands again);
And don’t even get me started on the opening “excitement” about propping up a collapsing supergun on the moon with a spaceship. Gerry Anderson would be spinning in his grave.
The dialogue is little better. The original “Independence Day” was probably most famous for two scenes: the impressive destruction of the White House and Bill Paxton’s ludicrously corny “We will not go quietly into the night” speech. Here trying to go one better we have not just one version of this but two with William Fichner’s General Adams chipping one in from the rough before Paxton delivers an impromptu hanger speech that is toe-curlingly excruciating.
Much of the acting is of the “I really don’t want to be here but it’s good for the pension” variety with Paxton and Goldblum going through the motions and Charlotte Gainsborough being horribly miscast as a French anthropologist running around the world on the trail of Pokemon Go characters… or symbols… or something. Only Brent Spiner and Judd Hirsch really get into their stride with likeably over-the-top performances.
Goldblum and Charlotte Gainsborough. A less likely historic romantic attachment its difficult to imagine.
If this was a standalone story it might scrape a double-Fad… but as it so horrendously sullies a classic movie experience it incurs my cinematic wrath. It might have made Roland Emmer-richer (sic)…. but my recommendation would be to get a big bag of popcorn, the original 1996 movie on DVD and enjoy. Avoid, avoid, avoid.