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Louise (64 KP) rated A Tyranny of Petticoats (A Tyranny of Petticoats, #1) in Books
Jul 2, 2018
A Tyranny of petticoats is an all female written anthology about badass females. The 15 stories consist of Pirates, Assassins, Ghosts and Robbers whilst covering relevant American history such as Gold mining, the slave trade and war.
The stories are written in historical order, starting from 1710-1968. These are my ratings for each story:
Mother Carey's table by J.Anderson Coats ⭐.5 stars
The Journey by Marie Lu ⭐⭐⭐stars
Madeleine's choice by Jessica Spotswood ⭐⭐⭐.5 stars
El Destinos by Leslye Walton ⭐⭐⭐stars
High Stakes by Andrea Cremer ⭐⭐⭐ stars
The Red Ravenue Ball by Caroline Tung Richmond ⭐⭐stars
Pearls by Beth Revis ⭐⭐⭐.5 stars
Gold in the roots of grass by Marissa Meyer ⭐⭐⭐⭐stars
The Legendary Garnet Girls by Y.S.Lee ⭐⭐⭐stars
The colour of the sky by Elizabeth Wein ⭐⭐⭐ stars
Bonnie and Clydebank by Sundra Mitchell ⭐⭐⭐stars
Hard times by Catherine Longshore ⭐⭐⭐stars
City of Angels by Lindsay Smith ⭐⭐⭐.5 stars
Pulse of the Panthers by Kekla Magoon ⭐⭐⭐ stars
The whole world is watching by Robin Talley ⭐⭐stars
I wanted to read this collection of short stories as I had heard great things about it. This book should have been ideal for me, it's feminist historical fiction. Sadly this didn't deliver, none of the stories blew me away. In actual fact I have a hard time remembering what the stories were about. Some of the stories felt like they were an excerpt from a novel, some felt rushed and others under developed.
However,I am glad I got to read this as I get to explore authors that I have not read before and got to sample their work and see if I get on with their writing styles.
The book also has a short note from the author as to why they picked the era, why they contributed to the anthology and so on. I definitely want to explore more novels with American history such as the gold mining and slavery thanks to these authors.
Overall I rated this 3 out of 5 stars
The stories are written in historical order, starting from 1710-1968. These are my ratings for each story:
Mother Carey's table by J.Anderson Coats ⭐.5 stars
The Journey by Marie Lu ⭐⭐⭐stars
Madeleine's choice by Jessica Spotswood ⭐⭐⭐.5 stars
El Destinos by Leslye Walton ⭐⭐⭐stars
High Stakes by Andrea Cremer ⭐⭐⭐ stars
The Red Ravenue Ball by Caroline Tung Richmond ⭐⭐stars
Pearls by Beth Revis ⭐⭐⭐.5 stars
Gold in the roots of grass by Marissa Meyer ⭐⭐⭐⭐stars
The Legendary Garnet Girls by Y.S.Lee ⭐⭐⭐stars
The colour of the sky by Elizabeth Wein ⭐⭐⭐ stars
Bonnie and Clydebank by Sundra Mitchell ⭐⭐⭐stars
Hard times by Catherine Longshore ⭐⭐⭐stars
City of Angels by Lindsay Smith ⭐⭐⭐.5 stars
Pulse of the Panthers by Kekla Magoon ⭐⭐⭐ stars
The whole world is watching by Robin Talley ⭐⭐stars
I wanted to read this collection of short stories as I had heard great things about it. This book should have been ideal for me, it's feminist historical fiction. Sadly this didn't deliver, none of the stories blew me away. In actual fact I have a hard time remembering what the stories were about. Some of the stories felt like they were an excerpt from a novel, some felt rushed and others under developed.
However,I am glad I got to read this as I get to explore authors that I have not read before and got to sample their work and see if I get on with their writing styles.
The book also has a short note from the author as to why they picked the era, why they contributed to the anthology and so on. I definitely want to explore more novels with American history such as the gold mining and slavery thanks to these authors.
Overall I rated this 3 out of 5 stars
Bob Mann (459 KP) rated Split (2016) in Movies
Sep 29, 2021
“We are what we believe we are”.
M. Night Shyamalan fizzed into movie consciousness in 1999 with “The Sixth Sense” which – having rewatched it again recently – still has the power to unnerve and impress even after knowing the famous ‘twist’. Since that film and his next, “Unbreakable” in 2000, Shyamalan has ‘done a bit of an Orson Welles’ by never really living up to that early promise. Here with “Split” he returns to better form with a psychological thriller that is heavy on the psycho.
James McAvoy plays Kevin… and Dennis, and Patricia, and Hedwig, and Barry, and Orwell, and Jade, and… if the running time permitted… another 17 characters. But this is no “Kind Hearts and Coronets”: McAvoy plays all these varied personalities in the same body. For Kevin suffers from Multiple Personality Disorder, a rare condition where his different schisms not only affect his speech and attitude but also his whole physique. One personality for example is diabetic and needs insulin: all his others are fine.
Under the care of MPD specialist Dr Karen Fletcher (Betty Buckley, “Carrie”), Kevin seems to be making good progress. But all is not as it seems. Dennis, one of the more evil of Kevin’s personalities, has kidnapped three teens – Claire (Haley Lu Richardson), Marcia (Jessica Sula) and Casey (Anya Taylor-Joy) – and is holding them captive in his home.
It’s all going so well. Kevin (James McAvoy) getting much needed treatment from Dr Fletcher (Betty Buckley).
While Claire and Marcia are good friends, Casey is the wild-card in the pack: a moody and aloof teen that doesn’t fit in with the crowd. We see the abduction unfold largely through her intelligent and analytical eyes, with her experiences causing flashbacks to hunting trips in the woods as a five-year-old child with her father and uncle.
This is McAvoy’s film, with his different personalities being very well observed and the scenes where he switches from one to the other being particularly impressive as piece of acting. Of the youngsters, Anya Taylor-Joy is the most impressive, with the denouement of her particular sub-plot being my favourite part of the film.
Shyamalan, who also wrote the script, is treading a well worn cinematic path here (since often the MPD element is the surprise twist, to list any films here inevitably risks major spoilers – – but there is a decent list here). But this is a film that seems to have generated a lot of interest, particularly with a younger audience (I have seldom been quizzed more with the “Ooh, have you seen this yet” question). As a result this may be a modest sleeper hit.
Girl pray or Girl prey? Casey deep in the psycho’s lair.
Where I think the movie missteps is in its casting of the three cute and scantily dressed teens as the abductees. From the plot of the film that emerges this appears to be unnecessary and exploitative, especially since they are made to progressively dis-robe as the film progresses. The film would actually have been made more interesting if a family unit, or at least a mixed variety of individuals, had been taken.
Marcia (Jessica Sula) doesn’t necessarily appreciate the floral gift.
Unfortunately Shyamalan also over-gilds the lily for the finale by going from medical improbability into outright science fiction: and dilutes what was up to that point a stylish thriller. As a result it’s a decent popcorn film, and worth seeing for McAvoy’s clever performance, but its not going to go down in my book as a classic.
Watch out by the way for a nice final cameo scene: a clever reference to past glories.
James McAvoy plays Kevin… and Dennis, and Patricia, and Hedwig, and Barry, and Orwell, and Jade, and… if the running time permitted… another 17 characters. But this is no “Kind Hearts and Coronets”: McAvoy plays all these varied personalities in the same body. For Kevin suffers from Multiple Personality Disorder, a rare condition where his different schisms not only affect his speech and attitude but also his whole physique. One personality for example is diabetic and needs insulin: all his others are fine.
Under the care of MPD specialist Dr Karen Fletcher (Betty Buckley, “Carrie”), Kevin seems to be making good progress. But all is not as it seems. Dennis, one of the more evil of Kevin’s personalities, has kidnapped three teens – Claire (Haley Lu Richardson), Marcia (Jessica Sula) and Casey (Anya Taylor-Joy) – and is holding them captive in his home.
It’s all going so well. Kevin (James McAvoy) getting much needed treatment from Dr Fletcher (Betty Buckley).
While Claire and Marcia are good friends, Casey is the wild-card in the pack: a moody and aloof teen that doesn’t fit in with the crowd. We see the abduction unfold largely through her intelligent and analytical eyes, with her experiences causing flashbacks to hunting trips in the woods as a five-year-old child with her father and uncle.
This is McAvoy’s film, with his different personalities being very well observed and the scenes where he switches from one to the other being particularly impressive as piece of acting. Of the youngsters, Anya Taylor-Joy is the most impressive, with the denouement of her particular sub-plot being my favourite part of the film.
Shyamalan, who also wrote the script, is treading a well worn cinematic path here (since often the MPD element is the surprise twist, to list any films here inevitably risks major spoilers – – but there is a decent list here). But this is a film that seems to have generated a lot of interest, particularly with a younger audience (I have seldom been quizzed more with the “Ooh, have you seen this yet” question). As a result this may be a modest sleeper hit.
Girl pray or Girl prey? Casey deep in the psycho’s lair.
Where I think the movie missteps is in its casting of the three cute and scantily dressed teens as the abductees. From the plot of the film that emerges this appears to be unnecessary and exploitative, especially since they are made to progressively dis-robe as the film progresses. The film would actually have been made more interesting if a family unit, or at least a mixed variety of individuals, had been taken.
Marcia (Jessica Sula) doesn’t necessarily appreciate the floral gift.
Unfortunately Shyamalan also over-gilds the lily for the finale by going from medical improbability into outright science fiction: and dilutes what was up to that point a stylish thriller. As a result it’s a decent popcorn film, and worth seeing for McAvoy’s clever performance, but its not going to go down in my book as a classic.
Watch out by the way for a nice final cameo scene: a clever reference to past glories.