Search
Search results
Andy K (10821 KP) rated Fried Green Tomatoes (1991) in Movies
May 18, 2019
Onscreen female friendships are the best!
When a friendship between an awkward tomboy and a shy girl blossoms into a thriving southern business in 1930s Alabama, the two young women have much to deal with including racism, domestic violence and even a murder.
Meanwhile, a middle aged woman meets a kindly old lady in a nursing home. The old woman begins to tell the tale of the two girls. The woman is intrigued and keeps coming back for more.
How does it all turn out? Does the girls' friendship endure and persevere?
I remember seeing this film when it was first released in 1991, but didn't revisit until yesterday.
Hot off their Academy Award wins, Kathy Bates and Jessica Tandy are just marvelous and Mary Louise Parker and Mary Stuart Masterson are perfect as the young woman forming their lifelong bond.
Even book author Fannie Flagg makes an appearance during one of the group sessions the middle aged woman attends. They get to talk about their vaginas! (Having never done so myself, I can't see the fascination!)
I think this ranks with Steel Magnolias as one of my favorite this type of film I have seen. Just poignant and one of those "Dramedy" "Happy/Sad" kind of films.
Meanwhile, a middle aged woman meets a kindly old lady in a nursing home. The old woman begins to tell the tale of the two girls. The woman is intrigued and keeps coming back for more.
How does it all turn out? Does the girls' friendship endure and persevere?
I remember seeing this film when it was first released in 1991, but didn't revisit until yesterday.
Hot off their Academy Award wins, Kathy Bates and Jessica Tandy are just marvelous and Mary Louise Parker and Mary Stuart Masterson are perfect as the young woman forming their lifelong bond.
Even book author Fannie Flagg makes an appearance during one of the group sessions the middle aged woman attends. They get to talk about their vaginas! (Having never done so myself, I can't see the fascination!)
I think this ranks with Steel Magnolias as one of my favorite this type of film I have seen. Just poignant and one of those "Dramedy" "Happy/Sad" kind of films.
Darren (1599 KP) rated *batteries not included (1987) in Movies
Jun 20, 2019
Story: *batteries not included starts by introducing us to Frank (Cronyn), Faye (Tandy) Harry (Noble), Marisa (Pena) and Mason (Boutsikaris) who all are the remaining residents living in the middle of a building site, constantly being hounded by Carlos (Carmine) trying to force them to move out to the building can be demolished.
The lives of these residents takes a surprise turn when robotic aliens enter the apartment fixing the damaged caused within as the resident try to communicate with them. The Aliens become part guardians of the residents who continue to fight to keep their homes.
*batteries not included is a charming comedy fantasy that we get to see the serious side of the human life where people are forced relocated. I think this point comes through strong with each side be it the residents the rich or the thugs to remove the characters it all comes off great. We also get to see the unknown with the robots appearing in the story. overall this story is easy to follow and truly enjoyable throughout.
Actor Review
Hume Cronyn: Frank Riley is the café owner and husband to Faye, he does everything he can to look after her and run a business but it is his wish that comes true when the aliens arrive. We see Frank start to have to make the difficult decision about caring for Faye in her condition. Hume is good in this role leading the film.
Jessica Tandy: Faye Riley is the wife of Frank who is suffering with dementia, she spends nearly every moment of her waking day waiting for her son to return and making friends with her condition. Jessica is great in this role where we get to see the most laughs from her character.
Frank McRae: Harry Noble is the former fighter that now is a mute living in the building watching television most of his time. He finds a way to communicate with the aliens that the others can’t. Frank is good in this role where we get to see the stronger character with a heart of gold.
Elizabeth Pena: Marisa Esteval is a pregnant resident of the home who has been getting harassed by the people trying to get her out but she is strong independent woman. Elizabeth is good in this role going through her own struggles in the story.
Support Cast: *batteries not included has a supporting cast that is mostly just Carlos who is trying to chase them out and artist Mason living in the building, we don’t really have a need for a big cast to make this enjoyable.
Director Review: Matthew Robbins – Matthew gives us a truly enjoyable touching and charming fantasy film.
Comedy: *batteries not included has good laughs throughout mixing slapstick with jokes well.
Family: *batteries not included is one I do think the family can all enjoy.
Fantasy: *batteries not included throws us into a world where aliens can be friendly and not a threat.
Sci-Fi: *batteries not included uses the alien side of the story for the science fiction side of the story.
Settings: *batteries not included keeps most of the settings inside the building showing us how these unlikely residents could become friends.
Special Effects: *batteries not included has special effects which still look good today when it comes to the robots.
Suggestion: *batteries not included is one I do think people will enjoy. (Watch)
Best Part: Robots.
Worst Part: Not one.
Believability: No
Chances of Tears:
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 46 Minutes
Tagline: Five ordinary people needed a miracle. Then one night, Faye Riley left the window open.
Overall: Truly enjoyable fantasy comedy.
https://moviesreview101.com/2016/08/24/batteries-not-included-1987/
The lives of these residents takes a surprise turn when robotic aliens enter the apartment fixing the damaged caused within as the resident try to communicate with them. The Aliens become part guardians of the residents who continue to fight to keep their homes.
*batteries not included is a charming comedy fantasy that we get to see the serious side of the human life where people are forced relocated. I think this point comes through strong with each side be it the residents the rich or the thugs to remove the characters it all comes off great. We also get to see the unknown with the robots appearing in the story. overall this story is easy to follow and truly enjoyable throughout.
Actor Review
Hume Cronyn: Frank Riley is the café owner and husband to Faye, he does everything he can to look after her and run a business but it is his wish that comes true when the aliens arrive. We see Frank start to have to make the difficult decision about caring for Faye in her condition. Hume is good in this role leading the film.
Jessica Tandy: Faye Riley is the wife of Frank who is suffering with dementia, she spends nearly every moment of her waking day waiting for her son to return and making friends with her condition. Jessica is great in this role where we get to see the most laughs from her character.
Frank McRae: Harry Noble is the former fighter that now is a mute living in the building watching television most of his time. He finds a way to communicate with the aliens that the others can’t. Frank is good in this role where we get to see the stronger character with a heart of gold.
Elizabeth Pena: Marisa Esteval is a pregnant resident of the home who has been getting harassed by the people trying to get her out but she is strong independent woman. Elizabeth is good in this role going through her own struggles in the story.
Support Cast: *batteries not included has a supporting cast that is mostly just Carlos who is trying to chase them out and artist Mason living in the building, we don’t really have a need for a big cast to make this enjoyable.
Director Review: Matthew Robbins – Matthew gives us a truly enjoyable touching and charming fantasy film.
Comedy: *batteries not included has good laughs throughout mixing slapstick with jokes well.
Family: *batteries not included is one I do think the family can all enjoy.
Fantasy: *batteries not included throws us into a world where aliens can be friendly and not a threat.
Sci-Fi: *batteries not included uses the alien side of the story for the science fiction side of the story.
Settings: *batteries not included keeps most of the settings inside the building showing us how these unlikely residents could become friends.
Special Effects: *batteries not included has special effects which still look good today when it comes to the robots.
Suggestion: *batteries not included is one I do think people will enjoy. (Watch)
Best Part: Robots.
Worst Part: Not one.
Believability: No
Chances of Tears:
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 46 Minutes
Tagline: Five ordinary people needed a miracle. Then one night, Faye Riley left the window open.
Overall: Truly enjoyable fantasy comedy.
https://moviesreview101.com/2016/08/24/batteries-not-included-1987/
BankofMarquis (1832 KP) rated The Birds (1963) in Movies
Oct 28, 2020
Strong Suspense by the Master of Suspense
THE BIRDS is often listed amongst the great works of Alfred Hitchcock and I could never really understand the attraction. I thought it was a so-so fright-flick, so when I tripped across it on TV the other day, I started watching it with one eye, figuring I'd flip to something else in a few minutes.
And...then I caught myself getting into it.
Based on the novel by Daphne Du Maurier, THE BIRDS is told in Alfred Hithcock's suspenseful style to elevate a "pulp novel" idea of birds turning on humans to something much more tense than it had any right to be.
Newcomer Tippi Hendren stars as wealthy San Francisco socialite Melanie Daniels who chases suave charismatic lawyer Mitch Brenner (Rod Taylor) north of San Fran to his home of Bodego Bay. Will Melanie be able to win Mitch's heart over the objections of his mother (Jessica Tandy) and ex-girlfriend (Suzanne Pleshette)? We'll never know, for the Birds have their own idea of how this tale will end.
Hitchock, of course, earns his nickname "The Master of Suspense" with this film. He has some long scenes that grow with tension. Whether it's Melanie crossing the Bay in a boat (only to, finally, be attacked by a bird) or Mitch's mother going down a long hallway to find out what happened to a farmer friend of hers to the famous - and famously pulled off - scene of the birds gathering en masse on the jungle gym prior to attacking Melanie and the school children. Hitchcock knows exactly how to raise tension in these scenes and he does so marvelously. Even 56 years later, I found what little hairs I have standing up on the back of my neck and my body bending ever so slightly towards the screen during these scenes.
But...the thing that caught me this time around was the performances of the leads and the way Hitchock lets scenes play out with the actors. I've never been a big Rod Taylor fan, I've always thought he was "fine", but nothing special. He is much more than "fine" in this film. It's probably the best work I've ever seen him do. Jessica Tandy, of course, as the mother is wonderfully cold and distant to begin with and slowly moves to close to madness and then understanding, it is a wonderfully understated performance showcasing a superb theater actress. As is Pleshette's turn as school teacher Annie. Her scenes with Hendren were laced (I'm sure purposely) with an undercurrent of sexual tension between the two female characters.
But...the star of this film is Tippi Hendren, beyond a doubt. Much has been made of the cruelty and misogynistic ways that Hitchock treated and abused Hendren in the making of this film. But her performance shone as the gold-digging, fun loving Melanie who descends into the depths as the film progresses. I've never thought much of her as a performer, but will have to check out other films of hers (most notably, Hitchock's MARNIE).
The special effects - which were cutting edge and earned an Oscar nomination back in the day - are dated, but that adds to the charm of the film (at least for me). I'm sure they "wowed" the audience in 1963, so I'll cut them some slack.
I was pleasantly surprised by the pacing, acting and SUSPENSE of this film. It has held up very well and if you haven't seen THE BIRDS in awhile, I recommend you check it out.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...then I caught myself getting into it.
Based on the novel by Daphne Du Maurier, THE BIRDS is told in Alfred Hithcock's suspenseful style to elevate a "pulp novel" idea of birds turning on humans to something much more tense than it had any right to be.
Newcomer Tippi Hendren stars as wealthy San Francisco socialite Melanie Daniels who chases suave charismatic lawyer Mitch Brenner (Rod Taylor) north of San Fran to his home of Bodego Bay. Will Melanie be able to win Mitch's heart over the objections of his mother (Jessica Tandy) and ex-girlfriend (Suzanne Pleshette)? We'll never know, for the Birds have their own idea of how this tale will end.
Hitchock, of course, earns his nickname "The Master of Suspense" with this film. He has some long scenes that grow with tension. Whether it's Melanie crossing the Bay in a boat (only to, finally, be attacked by a bird) or Mitch's mother going down a long hallway to find out what happened to a farmer friend of hers to the famous - and famously pulled off - scene of the birds gathering en masse on the jungle gym prior to attacking Melanie and the school children. Hitchcock knows exactly how to raise tension in these scenes and he does so marvelously. Even 56 years later, I found what little hairs I have standing up on the back of my neck and my body bending ever so slightly towards the screen during these scenes.
But...the thing that caught me this time around was the performances of the leads and the way Hitchock lets scenes play out with the actors. I've never been a big Rod Taylor fan, I've always thought he was "fine", but nothing special. He is much more than "fine" in this film. It's probably the best work I've ever seen him do. Jessica Tandy, of course, as the mother is wonderfully cold and distant to begin with and slowly moves to close to madness and then understanding, it is a wonderfully understated performance showcasing a superb theater actress. As is Pleshette's turn as school teacher Annie. Her scenes with Hendren were laced (I'm sure purposely) with an undercurrent of sexual tension between the two female characters.
But...the star of this film is Tippi Hendren, beyond a doubt. Much has been made of the cruelty and misogynistic ways that Hitchock treated and abused Hendren in the making of this film. But her performance shone as the gold-digging, fun loving Melanie who descends into the depths as the film progresses. I've never thought much of her as a performer, but will have to check out other films of hers (most notably, Hitchock's MARNIE).
The special effects - which were cutting edge and earned an Oscar nomination back in the day - are dated, but that adds to the charm of the film (at least for me). I'm sure they "wowed" the audience in 1963, so I'll cut them some slack.
I was pleasantly surprised by the pacing, acting and SUSPENSE of this film. It has held up very well and if you haven't seen THE BIRDS in awhile, I recommend you check it out.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Cumberland (1142 KP) May 18, 2019