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Renia's Diary: A Holocaust Journal by Renia Spiegel.

I read about this diary, the history of its author and poet, and an excerpt of the diary in Smithsonian Magazine earlier this year. I'm so excited that I get to read an advanced copy. It isn't released to the public until September 2019.

This is the first time it has been translated into English. It covers 2 years in the life of a 16-year-old Jewish girl living in Poland before and during the German occupation. In it, she records her life, falling in love, and life in a Jewish ghetto, before she was cruelly executed.

She had given the diary to her boyfriend for safekeeping. He recorded the events of her death at the hands of the Nazis. He gave the diary to a friend before he was sent away to a concentration camp and it was returned to him after the war when he was living in the United States. He eventually gave it to her mother in the early 1950s.

Renia's sister, Elizabeth, was unaware of its existence until after her mother passed away in 1969. Elizabeth put it in a safety deposit box for many years because she couldn't bear to read it. However, knowing the significance of it, she eventually had it published and includes her remarks and memories of the events in an epilogue.

Kudos Comment

Awix (3310 KP) rated The Golem (Der Golem) (1920) in Movies

Nov 4, 2019 (Updated Nov 4, 2019)

The Golem (Der Golem) (1920)

1920 | Fantasy, Horror

6.5

(4 Ratings)

Movie Rating

Usual disclaimers apply when discussing a movie this old (the pace, production values and performance style should not be judged by modern standards), but this is another one of those films proving that things have, perhaps, not changed as much as we think. This is technically Golem 3, a prequel to the first two showing the creation of the titular monster during the middle ages. The structure of the story is very familiar - it seems like a good idea to create an immensely powerful servant from clay using dark magic, to begin with anyway, but he proves an unruly worker in the end, to say the least.

Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.