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The Business Turn in American Religious History
Amanda Porterfield, Darren Grem and John Corrigan
Book
Business is an understudied area in American religious history that has profound implications for...
The Liars' Gospel
Book
Granta Best Young British Novelist 'A visceral retelling of the events surrounding the life of...
Journey into the Past
Anthea Bell, Stefan Zweig and David Pearson
Book
Stefan's Zweig's posthumously-published Journey into the Past (Widerstand der Wirklichkeit) is a...
TravelersWife4Life (31 KP) rated Star of Persia: Esther's Story in Books
Feb 24, 2021
I love the story of Esther!
This was my first time reading a book by Jill Eileen Smith and I truly liked it. I usually tend to stay away from Biblical fiction, as I want to remember the story as it happens in the Bible. However, I may revisit my stance on that after reading this wonderful retelling of Esther in the Star of Persia. I believe that Jill Eileen Smith helped me see Esther’s story from a completely new perspective that only added to my knowledge of the original Biblical story.
The whole book was liking being inside Esther’s head and seeing what she would have been going through during the virgin selection prosses, through her reign as Queen of Persia. This book also helped give words to the emotions Esther would have been experiencing as she was being taken away from her family, thrown into a completely new world, and knowing that she risked everything for the lives of her people. This book gave me a new respect for Esther and helped me to understand the enormity of what Esther did for the Jewish people. I think that the Star of Persia added to my understanding of that period and showed how amazingly God used an orphan to achieve great things for His people.
I loved the historical accuracy of this book as well. If you read the authors' note at the end of the book, Jill Eileen Smith explains some of the different variants, both Biblical and secular, about the story of Esther. An awesome fountain of facts! It helped me understand more of the intricacies of the Biblical story from a historical standpoint.
I give this book 5 out of 5 stars for the creative insights to the life and times of Esther, for giving me a better connection to the Biblical story, and for the great historical detail that went into making this book so accurate. I highly recommend reading this book.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
This was my first time reading a book by Jill Eileen Smith and I truly liked it. I usually tend to stay away from Biblical fiction, as I want to remember the story as it happens in the Bible. However, I may revisit my stance on that after reading this wonderful retelling of Esther in the Star of Persia. I believe that Jill Eileen Smith helped me see Esther’s story from a completely new perspective that only added to my knowledge of the original Biblical story.
The whole book was liking being inside Esther’s head and seeing what she would have been going through during the virgin selection prosses, through her reign as Queen of Persia. This book also helped give words to the emotions Esther would have been experiencing as she was being taken away from her family, thrown into a completely new world, and knowing that she risked everything for the lives of her people. This book gave me a new respect for Esther and helped me to understand the enormity of what Esther did for the Jewish people. I think that the Star of Persia added to my understanding of that period and showed how amazingly God used an orphan to achieve great things for His people.
I loved the historical accuracy of this book as well. If you read the authors' note at the end of the book, Jill Eileen Smith explains some of the different variants, both Biblical and secular, about the story of Esther. An awesome fountain of facts! It helped me understand more of the intricacies of the Biblical story from a historical standpoint.
I give this book 5 out of 5 stars for the creative insights to the life and times of Esther, for giving me a better connection to the Biblical story, and for the great historical detail that went into making this book so accurate. I highly recommend reading this book.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Dancing Bees: Karl Von Frisch and the Discovery of the Honeybee Language
Book
We think of bees as being among the busiest workers in the garden, admiring them for their...
Bible Study With Accordance
Reference and Book
App
Accordance® is a fast and powerful Bible study app that lets you read, search, and explore the...
What Is It All but Luminous: Notes from an Underground Man
Book
From the golden-haired, curly-headed half of Simon & Garfunkel--a memoir (of sorts): artful, moving,...
Music biography
All the Ways We Said Goodbye
Karen White, Beatriz Williams and Lauren Willig
8.0
Rate It
Book
The heiress . . . The Resistance fighter . . . The widow . . . Three women whose fates are joined...
Bob Mann (459 KP) rated Jojo Rabbit (2019) in Movies
Jan 16, 2020 (Updated Jan 16, 2020)
Cutting satire (1 more)
Great ensemble cast
Don't be stupid, be a smarty
Taika Waititi's much discussed movie is an odd beast. Set in a small German town towards the end of the war, Jojo (Roman Griffith Davis), is a young boy indoctrinated with Nazi fervour as a member of the Hitler youth. Together with his rotund and bespectacled friend Yorki (Archie Yates), they are not likely to spread fear into the approaching Allied forces: they are a pair that would be likely to get picked last for 'sides' in a school football match.
Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.
But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.
Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.
As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.
The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).
As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.
As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.
Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.
Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).
If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )
Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.
But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.
Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.
As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.
The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).
As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.
As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.
Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.
Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).
If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )
Rachel King (13 KP) rated Wedlocked in Books
Feb 11, 2019
While the cover of the book gives the impression that the story is exclusively about the main character Rebecca's bad marriage. The book actually encompasses her life leading up to the bad marriage and what happens as a result of the rocky nuptials. The actual ceremony is understood to have happened sort of "between the lines," so to speak. The book is a before and after image in prose.
The prologue to the book is the immediate aftermath of the ceremony when Rebecca is undergoing the realization of her mistake. I was a bit confused at this point since I could not figure out if the ceremony took place or not. The next chapter starts in Rebecca's childhood, growing up with two sisters and a very marriage-minded mother in a strict Jewish household. To her mother's dismay, Rebecca is quickly influenced by her grandma Emma into a love for acting, movies, and theater. From there, the book walks us through Rebecca's pursuit of an acting career and near-absence of dating material.
Though Rebecca is likable enough, I had a difficult time relating to her career struggles, since I have little interest in that side of the business. I also did wonder if she was really as talented as she claimed to be, since her struggles were so great.
When a man, Evan, finally lays claim to Rebecca's heart, both Rebecca and Evan handle the relationship poorly and Rebecca abandons her suffering career with a broken heart. The man she eventually becomes "wedlocked" to, Craig, then shows up in her life, and a rebound relationship becomes a permanent one before Rebecca thinks to learn a bit more about her new husband. A honeymoon from hell makes the reality of her situation quite clear as Craig's bad behavior and numerous secrets get him in trouble with the Italian government, until a new friend, Michael, flies in to save the day.
Without spoiling the ending, I think Rebecca handled her problems remarkably well, with a little help, and ended the book with a humorous twist. If I suspend my opinions of the Hollywood-influenced methods of dating, marriage, and divorce that is so common in America today, the book was an entertaining read, and likely would make an even better movie.
The prologue to the book is the immediate aftermath of the ceremony when Rebecca is undergoing the realization of her mistake. I was a bit confused at this point since I could not figure out if the ceremony took place or not. The next chapter starts in Rebecca's childhood, growing up with two sisters and a very marriage-minded mother in a strict Jewish household. To her mother's dismay, Rebecca is quickly influenced by her grandma Emma into a love for acting, movies, and theater. From there, the book walks us through Rebecca's pursuit of an acting career and near-absence of dating material.
Though Rebecca is likable enough, I had a difficult time relating to her career struggles, since I have little interest in that side of the business. I also did wonder if she was really as talented as she claimed to be, since her struggles were so great.
When a man, Evan, finally lays claim to Rebecca's heart, both Rebecca and Evan handle the relationship poorly and Rebecca abandons her suffering career with a broken heart. The man she eventually becomes "wedlocked" to, Craig, then shows up in her life, and a rebound relationship becomes a permanent one before Rebecca thinks to learn a bit more about her new husband. A honeymoon from hell makes the reality of her situation quite clear as Craig's bad behavior and numerous secrets get him in trouble with the Italian government, until a new friend, Michael, flies in to save the day.
Without spoiling the ending, I think Rebecca handled her problems remarkably well, with a little help, and ended the book with a humorous twist. If I suspend my opinions of the Hollywood-influenced methods of dating, marriage, and divorce that is so common in America today, the book was an entertaining read, and likely would make an even better movie.