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Star of Persia: Esther's Story
Star of Persia: Esther's Story
10
10.0 (1 Ratings)
Book Rating
I love the story of Esther!
     This was my first time reading a book by Jill Eileen Smith and I truly liked it. I usually tend to stay away from Biblical fiction, as I want to remember the story as it happens in the Bible. However, I may revisit my stance on that after reading this wonderful retelling of Esther in the Star of Persia. I believe that Jill Eileen Smith helped me see Esther’s story from a completely new perspective that only added to my knowledge of the original Biblical story.
     The whole book was liking being inside Esther’s head and seeing what she would have been going through during the virgin selection prosses, through her reign as Queen of Persia. This book also helped give words to the emotions Esther would have been experiencing as she was being taken away from her family, thrown into a completely new world, and knowing that she risked everything for the lives of her people. This book gave me a new respect for Esther and helped me to understand the enormity of what Esther did for the Jewish people. I think that the Star of Persia added to my understanding of that period and showed how amazingly God used an orphan to achieve great things for His people.
     I loved the historical accuracy of this book as well. If you read the authors' note at the end of the book, Jill Eileen Smith explains some of the different variants, both Biblical and secular, about the story of Esther. An awesome fountain of facts! It helped me understand more of the intricacies of the Biblical story from a historical standpoint.
     I give this book 5 out of 5 stars for the creative insights to the life and times of Esther, for giving me a better connection to the Biblical story, and for the great historical detail that went into making this book so accurate. I highly recommend reading this book.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
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Bob Mann (459 KP) rated Jojo Rabbit (2019) in Movies

Jan 16, 2020 (Updated Jan 16, 2020)  
Jojo Rabbit (2019)
Jojo Rabbit (2019)
2019 | Comedy, Drama, War
Cutting satire (1 more)
Great ensemble cast
Rather too much slapstick lessens the impact (0 more)
Don't be stupid, be a smarty
Taika Waititi's much discussed movie is an odd beast. Set in a small German town towards the end of the war, Jojo (Roman Griffith Davis), is a young boy indoctrinated with Nazi fervour as a member of the Hitler youth. Together with his rotund and bespectacled friend Yorki (Archie Yates), they are not likely to spread fear into the approaching Allied forces: they are a pair that would be likely to get picked last for 'sides' in a school football match.

Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.

But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.

Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.

As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.

The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).

As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.

As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.

Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.

Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).

If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.

(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )